Episode Transcript
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0:00
The news moves quickly. Catch up
0:02
with it with our podcast, Here and Now Anytime,
0:04
reflecting the fluid world of news as
0:07
it's happening in the middle of the day. For
0:09
the news you need to know today and the stories
0:11
that will stick with you tomorrow, listen
0:13
to Here and Now Anytime,
0:15
only from WBUR and NPR. A
0:17
note on this episode before we begin, there is
0:19
a mention of suicide in today's story.
0:25
Previously on Rough Translation. They
0:27
call the love commandos. Love commandos.
0:30
They sound like ninjas, right? Love is not
0:32
a sin. You wanna raise your fist in
0:34
the air and be like, yeah, love is not a sin. Love
0:37
is no sin. Please sir. My girlfriend
0:40
is another caste. I need your immediate assistance.
0:42
I was just struck by the amount of
0:45
people that wanted their help. Running
0:47
away with the love of your life, that's where you went.
0:54
This is love commandos from Rough Translation.
0:57
Last week we told you about a group that
0:59
swore to protect love couples.
1:01
On episode two, a story about what that protection
1:04
can look like. The writer Mansi
1:06
Choksi, who joined me last week, will join again
1:08
in episode three.
1:10
Today we begin our tale in the Indian state
1:13
of Uttar Pradesh.
1:14
Hello. Namaste.
1:15
In a four story house in
1:18
mid June, which is sweltering in India, the
1:20
air cooler is on full blast. NPR
1:23
correspondent Lauren Freyer paid a visit
1:25
to a conch shop. Should we come
1:28
in here?
1:28
A conch shop is 25 years old. She
1:31
loves animals. This is Lachu
1:33
the pet tortoise. Oh, he's breathing like.
1:36
She has a pet tortoise that she sort
1:38
of coos over and when I visited
1:40
we had to gingerly step over
1:42
this tortoise as it sort
1:44
of meandered around the patio outside the house.
1:48
A conch shop's got this lovely, shy,
1:51
demure smile. She's
1:54
sort of in the background. She serves me tea
1:56
and sweets.
1:59
Wow, you're a chef! But
2:04
she's got a toughness about her that
2:06
really came out in a story she
2:08
told me that began on her 21st birthday.
2:14
Her parents call her into the
2:16
living room and sit her down. They're so
2:18
proud of the woman she's become. And
2:20
they tell her like they have done their duty as parents.
2:23
They've done what loving parents
2:25
do. And they've arranged a marriage
2:28
for her. And they tell
2:30
her she's now engaged
2:32
to a guy on the other side
2:34
of the country
2:35
whom she doesn't know. They
2:38
show her a photograph of a guy. Her aunt chose
2:40
him. He's from a good family, they say.
2:43
A good match. Then you had quite a shock
2:45
when your parents told you.
2:47
Yes. So
2:51
Akansha says, I also gave them a
2:53
shock, telling them about my relationship.
2:56
That's producer Rakhsha Kumar. You're going to hear
2:58
her interpreting throughout this story. At
3:04
that point she told her parents that
3:07
I cannot get married because
3:10
I love Surya.
3:11
Surya was the son of the landlady that
3:14
Akansha's family rented their house from. And
3:16
by the way, we're only using first names of the people
3:18
in today's story to protect their identities
3:21
out of concern for their ongoing safety and
3:23
well-being. We're
3:24
going to get to that part of the story soon. Surya
3:26
is just a little older than Akansha and they'd been
3:29
secretly dating for a few years at that point. And
3:32
her parents say, tough luck. You're
3:38
marrying this guy.
3:40
Akansha's family is from a higher caste, they're
3:42
Rajput. And Surya's family is
3:44
from a lower caste or scheduled caste.
3:47
But also Akansha is on a different educational
3:49
path. She's getting her master's in zoology.
3:52
He's in a technical college. Her
4:00
parents have big dreams for her. They want her to
4:02
continue her studies. And
4:07
have a rich husband of her own cast,
4:09
of course. So they lock her
4:11
in the house, forbid her to see Surya and take
4:14
away her phone so she can't call or text him.
4:16
And yet, Surya and Akanksha still figure
4:18
out a way to exchange messages.
4:22
And this is your old
4:22
house. During
4:25
my visit to their village, the apartment
4:28
is no longer occupied, so we're going
4:30
through this. We went to the outside of
4:32
the family home, where Akanksha
4:35
said,
4:37
just look up. You're bathroom,
4:39
right? Oh, I see a wall, and
4:42
there's a window here. There
4:44
is the bathroom window, where
4:47
Akanksha would slide scraps of
4:49
paper. Wow, so you had to climb up
4:51
to that window and put the notes through.
4:54
Tiny little notes that would flutter down. Can
4:56
we see where they go on the other side? Yes.
4:59
And Surya would go grab them. And did
5:01
you also send a note the
5:03
other way?
5:04
Yeah.
5:07
In the years when they'd been secretly dating, exchanging
5:10
texts late into the night, Surya says
5:12
they developed codes for discussing
5:15
their plans,
5:15
including plans about what to
5:17
do if their parents discovered them. I
5:19
think that's why we're so happy that we're
5:21
not going to be able to get married.
5:24
Plan A, convince our families, they'll
5:27
love us, we won't have to leave this house. Plan
5:29
B is we will have to escape
5:35
and run away together, and elope.
5:40
But if they couldn't get married, and they couldn't elope,
5:43
that left. Plan C... I
5:45
think that's why we're so happy. If
5:49
nothing works, we will kill ourselves,
5:53
and that will set an example for
5:55
future generations.
5:58
Kumar explains
6:00
the stakes were already high. Most
6:03
teenagers in India come from
6:05
families which believe that
6:08
there is
6:09
one person that you spend your life
6:11
with. And that kind
6:13
of becomes a finality. So
6:16
at 14 or 15, you're actually deciding
6:18
who you're going to get married to. So it's
6:20
an extremely major decision. Suriya
6:22
and Akanksha had known, even from when they first
6:25
started dating as teenagers, that the
6:27
obvious next step was marriage. So
6:29
I think two kids growing up in a relatively
6:32
rural area, there's a lot of homogeneity
6:34
wherever they look around them. And
6:36
the only exception they find
6:39
is on the screen.
6:46
This is Rough Translation. I'm Gregory
6:48
Warner.
6:52
When Suriya had first told Akanksha that
6:54
he loved her and she told him, I love you
6:56
back, she felt like this was her one chance
6:59
to have a love story like she'd seen in the movies.
7:01
Love is a beautiful feeling.
7:07
And Suriya also pictured their friends
7:10
watching them like they'd watch a romantic
7:12
epic.
7:17
And fighting for this love, it'll
7:19
take bravery and patience and
7:22
the sort of grand gestures that you see
7:24
in the movies. This
7:26
story, it's
7:27
also about the real life costs of
7:29
this choice for the young lovers
7:33
and for everyone who loves them.
7:41
Love Commandos from Rough Translation,
7:43
back after this break. This
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8:58
We're back with Rough Translation. I'm Gregory
9:00
Warner. Surya, by
9:02
his own admission, is not one to stand up to
9:04
authority. He says he's pretty shy.
9:07
And his courage to fight for a conscious hand
9:09
or even secretly date a girl of a different caste,
9:12
it flowed from the fact that he had someone
9:14
in his life who had pushed valiantly against the
9:17
bounds of tradition. That is his
9:19
mother, Poonam, the landlady in
9:21
our story. Surya's dad wasn't
9:23
around much growing up, so his mom's influence was pretty strong
9:25
in his life. She
9:33
would always tell him to look beyond caste differences.
9:39
Because in her own life,
9:41
Poonam had played by the rules and suffered for it. She was married
9:43
as a young teen. After
9:46
finishing my 8th grade, I got married off. To
9:50
somebody that her grandmother
9:51
thought would be a good match for her. I
9:57
didn't even know what marriage was.
9:59
what marriage was. He worked
10:03
in the coal mines near their home.
10:05
But he was often hurt on the job,
10:10
he racked up debt, and the way Punam
10:12
talks about him, he just becomes
10:14
more and more of a burden on her.
10:17
She's still a teenager when she has three children
10:19
in quick succession. I didn't
10:22
begrudge my family for arranging this
10:24
marriage. I mean, I thought that was my destiny. Instead
10:39
of blaming anyone,
10:40
I resolved to change my destiny.
10:43
And did you change your destiny?
10:48
You bet I did, sister. So
10:53
she homeschools herself through high
10:55
school, and she talks her way into
10:58
a job as a police woman.
11:01
Ultimately,
11:01
she ends up being this like troubleshooter,
11:04
fix-it woman for the whole community. I'm not
11:06
a woman, I'm a woman.
11:15
And she also runs this women's
11:17
empowerment circle out of her home
11:20
every week. And I happened to be there when they
11:22
were doing this.
11:27
She's no longer in the police force, but
11:29
she's still a bit of a detective.
11:32
Like, people come to her if
11:34
they suspect their spouse is having an
11:36
affair. And so she's like, really respected.
11:39
Punam had no daughters of her own, and
11:41
she doted on Akanksha.
11:43
She said she never thought for a second that
11:45
the tenant's daughter
11:47
might be in love with her son.
11:48
Akanksha's
11:54
mother told me that
11:56
the two of them ran away together.
11:58
Suri
12:00
and Akanksha had gone all in on plan B.
12:03
They'd run away. Suri had borrowed
12:05
a motorbike. Akanksha had snuck out of her parents'
12:07
house and jumped on the back of it. No one knew
12:10
where they were now.
12:10
I
12:13
fainted right there in front of Akanksha's
12:15
mother. What have
12:17
these two done?
12:21
Her
12:23
mother said to me, do whatever you have to
12:25
do to find Akanksha and bring her
12:28
back. She also
12:30
asked me to take Akanksha's father along.
12:35
This isn't just a cry for help from one
12:38
mother to another. It's also a test.
12:40
She needs to go find Suri
12:43
and Akanksha, bring them home, return
12:45
Akanksha to her parents,
12:47
and do it quickly because
12:50
the whole community is watching. I
12:52
have to bring them back. The
12:56
only thing in my mind was, I have
12:58
to bring them back. I have to bring them back.
13:01
Because if she doesn't, if she let this happen,
13:03
she could be ostracized or even targeted for
13:05
violence by Akanksha's relatives. Because
13:07
if Suri and Akanksha were playing out their Bollywood
13:10
movie by running away from home, Poonam
13:12
had seen the same films and she knew her
13:15
role, the role of the parents, defend
13:17
tradition. I have to bring Akanksha
13:19
to my parents. If I could
13:21
not bring her back, then I would not
13:24
come back either. That's
13:26
what I promised her mom.
13:32
Her first act as
13:34
a detective in her own case
13:37
is like forensics work, try
13:40
to trace her son's phone.
13:42
But Suriya knows that.
13:46
And so as he and Akanksha are fleeing by
13:48
train, I switch on my mobile for
13:50
five minutes and then switch off. They
13:55
go on this zigzag journey
13:58
to different cities in India. They
14:00
go to Nagpur. They
14:02
go to Ranchi. Turning
14:05
the phone on briefly
14:08
and then off again in each city, because
14:10
he knows that his parents will
14:12
be able to track his phone.
14:14
And
14:20
so he's trying to throw them off.
14:27
Eventually, Poonam traces them to a city 12 hours
14:29
away, and that's where she and a conscious father
14:32
travel. They eventually get
14:34
Surya on the phone and say,
14:36
come back. Just
14:39
come back. We'll let you get married.
14:46
We just need to right this wrong, and
14:49
you need to come back with us. Did
14:51
you intend to get them married, or
14:53
was that a trick? No.
14:58
It was definitely a trick. She's
15:01
crying and telling me that come
15:04
to me and we go
15:07
to home and we will fix it
15:09
whatever happened.
15:10
And
15:13
that was a difficult
15:15
long time. Yeah.
15:19
When did you think you would see your mother again?
15:29
I don't know.
15:35
Surya hangs up, confused,
15:38
and he turns to Akanksha. And you
15:40
said what? I trust my mother.
15:42
No, no, no. Give them a chance. Akanksha
15:45
told Surya, no, I'm extremely scared to go home. Let's
15:50
please not go. And
15:54
then Surya said, but it's not a problem.
15:56
It'll all turn out well, so let's go.
16:01
That night, Suri and Akanksha have the biggest
16:03
argument they've ever had. Suri,
16:05
who hates standing up to authority, tells Akanksha it's
16:08
her decision to make. And she
16:10
doesn't want to be the rift between Suri and his mom.
16:12
So the reason you went back
16:16
is because family ultimately
16:19
is
16:21
the most
16:22
important thing. Yes.
16:26
It's just that you can't do it, you can't do it.
16:41
So Suri calls his mom back and says, okay,
16:44
we're going to come home. And they are
16:46
about to meet the parents when Suri gets a call,
16:49
and that's Suri's brother, who says,
16:51
are you mad? Do not come back home.
16:53
It's a trap. What's interesting is this
16:55
is a brother with an arranged marriage,
16:58
who's part of the system, betrays
17:01
his parents and calls Suri and say, don't
17:03
do it, it's a trap.
17:05
Suri doesn't want to believe him because
17:07
believing him means seeing his mother
17:09
totally differently than the mother he's known growing
17:11
up.
17:12
They were still hoping for plan A, and
17:14
they're still
17:16
trying to salvage some
17:19
of plan A. But
17:22
just in case they're wrong, they think, we'll
17:25
just get married quickly before we go.
17:35
So they've already told their parents they're coming home,
17:37
but they stall them for two days. They book
17:40
a temple and quickly get married.
17:42
I've seen a photo of their wedding
17:44
ceremony and they're just beaming. But
17:48
her dupattas borrowed and his pagdi
17:51
turban is borrowed. This was a
17:54
five or ten minute ceremony
17:56
in what's kind of like a Vegas
17:58
chapel.
17:59
They literally go
18:01
in, put these borrowed clothes
18:03
on that belonged to the temple, get their
18:05
snapshot taken in the
18:07
next couple steps up. Families
18:11
such a big part of any wedding, but especially
18:13
Hindu weddings, and their families
18:15
weren't there.
18:20
Suri and Akanksha are coming out of the temple
18:23
when Akanksha sees her
18:25
father. I'm very emotional that
18:28
time and I'm
18:30
also scared. Scared,
18:34
she says, about going home. So
18:38
I was also crying a lot.
18:40
So they board the train with their parents. Suri's
18:43
mom is still trying to keep the peace. She says that
18:45
Akanksha's father was still furious, saying...
18:48
This
18:50
is going to cause an incredible stir in our
18:52
community and our town. And
18:55
the honor of both families
18:57
is at stake. So
19:02
we need you to take off a special
19:04
necklace that signifies you're a
19:06
wife. And we need you to wash
19:09
your face from the vermilion
19:12
paste that's
19:13
on your hair line that signifies you're
19:16
just married. And
19:19
we're going to quietly slip back
19:21
into town,
19:23
the four of us. Surya's
19:25
mother, Surya, Akanksha's father,
19:27
Akanksha. And
19:30
we'll deal with the community afterward. And
19:32
that's when Surya leans over to Akanksha, and
19:35
he tells her what might be the most
19:38
important words of their whole journey.
19:41
Whatever happens, just wait for me. I
19:43
will come get you. And
19:57
Akanksha keeps promising him, yes, yes, I
19:59
will.
19:59
wait for you.
20:07
The train comes to a stop, not at their hometown,
20:09
but some miles before that, and a conscious
20:12
dad tells her,
20:13
come on, we're getting off here.
20:14
Yes, my uncle and my
20:18
cousin brother. And a conscious
20:21
Surya and Poonam describe how they
20:24
all suddenly see four
20:26
to five big SUVs
20:28
full of male relatives
20:31
of Akanksha. That extended Rajput
20:34
clan, Akanksha says they take her on
20:36
this eight-hour drive to their native
20:38
place, to their ancestral village.
20:39
Our family is too strong in
20:42
that area. A lot of relatives and a
20:44
lot of power also. Political
20:47
power and some bow-willy
20:49
type. Political power and muscular
20:52
power.
20:55
A few days later, Surya gets a text
20:57
from an unfamiliar number. Can you read
20:59
the message? Surya shows
21:02
us this message he
21:05
still has on his phone. It
21:09
says, this is Akanksha.
21:12
I'm alive, but I think they're going to
21:14
kill me. And
21:17
where she is in the ancestral
21:18
village. It's the only
21:20
message he gets from her, and he doesn't
21:23
dare reply.
21:26
Surya says that got me really nervous.
21:29
I started crying. And now Surya is
21:31
going to need some powerful friends of his
21:33
own. That's when rough translation
21:36
returns.
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22:09
We're back with rough translation. I'm Gregory
22:11
Warner, telling this story with Lauren Freyer
22:13
and Rakhshakumar. Now, the village
22:16
where Akanksha says she'd been taken to and
22:18
held against her will by her relatives.
22:20
It has an extremely, extremely
22:23
dramatic history. Basically,
22:25
it's known for illegal
22:28
weapons, which cost you about 500
22:31
rupees, which is what,
22:33
less than $6? $6, yeah.
22:37
The legislator from that
22:39
particular place has been
22:42
in and out of prison, is known
22:44
to have like, there are these legends
22:46
about this man. He terrorized
22:49
the entire region.
22:50
He belongs to the same caste as Akanksha.
22:53
It's a stronghold. So let's just
22:55
say it's not a place you want to roll into
22:57
and say, someone has my wife
22:59
here.
23:00
Surya doesn't dare. He doesn't call
23:03
the police either, because he knows they won't help
23:05
him.
23:06
There is one number that he does call,
23:08
a hotline of sorts.
23:09
He speaks with a man on the other end of
23:11
the line named Sanjay
23:13
Satchtif. Now, at this point, it's now 2018.
23:16
It's
23:22
been six years since that Satchimiv Jayati
23:24
daytime talk show in 2012.
23:29
This
23:34
clip of Sanjay Satchtif defending love
23:36
on that show,
23:37
it is still being shared on people's
23:39
mobile phones. And now here Surya
23:42
was talking to Satchtif on his.
23:46
Now, the love commandos have no
23:48
authority, at least officially. But
23:51
Surya will come to realize the guy he is
23:53
talking to on this phone knows people.
23:56
He knows the personal phone numbers of police lieutenants.
23:59
He knows which priest.
23:59
will marry a couple in secret for
24:02
the price of a bottle of whiskey in his robe. And
24:04
he knows journalists who would be eager
24:07
to write a story about a young wife held
24:09
captive by her own parents. And
24:13
so now, suchdev calls the police. And
24:18
suchdev tips off journalists. And
24:20
it's only then that the police… They
24:25
go to a conscious family home, and they
24:27
tell them, you have to bring Akanksha into
24:29
the station.
24:29
You have to have her give a statement.
24:35
Meanwhile, Akanksha knows none of this. She
24:39
says she's locked in her uncle's house. And
24:41
they take turns beating her.
24:44
Akanksha's father.
24:46
Akanksha's grandmother. And
24:51
she says she remembers the rings on her
24:53
father's hands. As the
24:55
blows strike her cheekbones.
25:02
We did not reach out to Akanksha's
25:04
parents out of consideration for her present well-being.
25:07
But what Akanksha says happened next
25:09
is that her family gave her an ultimatum. You
25:12
know what you have to do now, they said. You
25:18
have only one option, which is to file
25:20
a police complaint against Surya. You
25:26
have to say that Surya mixed some
25:28
kind of a substance in your food, tricked
25:31
you into going with him, and then draped
25:33
you.
25:35
And this is a really common tactic used
25:37
by parents and other relatives to basically
25:40
use the police to break up love
25:42
couples.
25:42
And Akanksha says she keeps getting told
25:45
she has to file a case against Surya.
25:47
She has to go to the police station and
25:50
file charges against him. It's the only way
25:52
to preserve her family's honor. Akanksha
25:55
has watched a lot of
25:58
Hollywood
26:00
growing up. She knows that everything
26:02
she's been through up to this point, it follows
26:04
the tropes of one of those cinematic love stories. Even
26:07
the violence that Akanksha faced from
26:09
her own family, that is a recurring
26:12
scene that she would have watched before. But
26:15
this is the moment that she turns to her parents and
26:18
she goes off script. After
26:20
a few days, I think
26:22
eight days, she
26:24
relents and says, fine. I'll
26:30
file the case.
26:32
I'm spent.
26:35
Take me to the station. I
26:39
told my family that I'll tell the police
26:41
whatever you want me to say.
26:44
It is hard to think of a scene in a Bollywood
26:46
movie where the girl agrees to give
26:48
up on love.
26:51
And it's around this time that Surya, knowing nothing
26:53
of Akanksha's promise to her parents, gets
26:55
a call from the same police station. He
26:59
doesn't know the reason that Akanksha's come to the station. All
27:02
he knows is he's got to get down there as soon as possible. Sanjay
27:05
Satchtiv puts him in touch
27:08
with his local love
27:10
commandos volunteer who lives in the state
27:12
capital where all this is going down. A man
27:14
named Nitin. Nitin
27:16
sir? Nitin sir, which
27:19
is what Surya calls him. So this guy Nitin says, I'm
27:21
Rajput. I
27:26
think we can approach this village. Where
27:28
she's locked up. If
27:30
you come with me, I think we'll be okay.
27:35
Meanwhile, Akanksha enters an interrogation
27:37
room flanked by her parents. My father
27:40
and mother's safety at N. And Akanksha
27:42
says she's broken. She's
27:45
been locked up for eight days. The
27:48
ancestral village that she associated
27:51
with happy childhood in the summers
27:53
has become a
27:55
prison for her. A
28:00
kangshia says it was horrible.
28:07
It felt like everything had come
28:09
to an end.
28:11
And the officer has a tape recorder
28:13
on the table. Clicks record.
28:19
An officer says, do
28:22
you know a man named Surya? And
28:24
she says, yes, he's my husband. And
28:30
I want to be with him.
28:32
And the parents are like, that's not what you were supposed to say. They
28:40
asked me again, they said, you know, Surya? And
28:42
I said, yeah, I've been married to him and I don't want
28:44
to live with these people and I want to live with Surya. My
28:52
parents asked me, why did you lie?
28:55
And I said, but well, because even you
28:57
lied.
29:02
You said you'd get me married.
29:04
Instead, you got me locked up.
29:12
Confronted by their daughter in this way, her
29:14
parents walk out of the
29:16
police station. They leave her there. Maybe
29:19
expecting her to crawl back home. She
29:21
has no money, no phone, no
29:24
way of knowing if Surya got her message. But
29:27
still she waits for hours.
29:30
And then... So what did you think when you saw
29:33
her at the police station?
29:37
I can't express that feeling. I
29:40
can't express that feeling. He
29:43
says, it's like putting a fish back into water.
29:46
I
29:50
can't express that feeling. But
29:52
I can't express that feeling. I can't
29:54
express that feeling. Akansha
29:58
says that she was so happy.
29:59
that they were back together again and
30:02
that they were going to start a new life together.
30:16
The Kaksha and Surya have no easy script
30:18
for what comes next. In all the movies
30:21
that they've seen of this reunion moment, it's
30:23
followed either by the parents bursting
30:25
in in a climax of forgiveness or
30:28
the couples are doomed by their actions and
30:30
they die by the end of the film. But
30:33
instead, they
30:35
got on a bus to a shelter in
30:37
New Delhi. And there they would
30:39
enter a story that, while
30:41
they didn't know it, had played out hundreds
30:44
of times before.
30:46
Welcome.
30:47
It is our base shelter. Base
30:50
shelter of the love commandos. And that
30:52
story? They would put couples to a whole different
30:54
kind of test.
30:57
That's next time on the love commandos
31:00
from Rough Translation.
31:07
So
31:27
go to plus.npr.org
31:29
slash embedded or look for the embedded
31:32
channel on Apple to find out more.
31:35
Speaking of ambitious storytelling,
31:37
you know something I believe? That
31:40
telling people's stories with care and curiosity,
31:43
it can have a transformative effect. It
31:45
can give us such a fresh perspective on ourselves and
31:47
the things we're going through.
31:49
Those are the kinds of stories that I have been looking for for
31:51
years on Rough Translation.
31:54
And I'm going to keep bringing you those stories on
31:56
my sub-stack. It's called Rough Transition.
32:00
where you get stories, but we're also going to talk about tools
32:02
for talking to strangers. And
32:04
we're having a great old chat. You should stop by. It's
32:07
totally free to sign up. So go to substack.com,
32:10
search for my name, or search for Rough Transition.
32:13
Stories from a changing world. Love
32:18
Commandos from Rough Translation is a collaboration
32:21
with NPR's international desk. It
32:23
was reported by Lauren Frayer. Our guest
32:25
co-host is Monsi Choksi. The
32:27
series was written and edited by me, Gregory
32:29
Warner, and our senior producer is Adelina
32:32
Lansianis. Our senior editor is
32:34
Luis Treas, and our consulting editors
32:37
are Miranda Kennedy and Sana Krasikov.
32:39
The Love Commandos team includes Ariana
32:41
Lee, Parth Shah, Elena Twarek, Justine
32:44
Yan, Dan Gurma, Kimberly Izar,
32:46
Bhaskar Chowdhury, and Jess Jang. Our
32:48
producers
32:49
in India include Raksha Kumar and
32:51
Sushmita Pathak. Fact checking by Nicolette
32:53
Kahn, Mary Glenn-Dinning is director of research
32:55
at NPR's RAD department. Legal
32:58
support from Micah Ratner and Johannes Dergi,
33:00
NPR's standards and practices editor is Tony
33:02
Cavan, mastering by Josh Newell. The
33:05
Love Commandos theme song is by Vasu and Amira
33:07
Gill. It's inspired by Rough Translation's
33:09
original theme from John Ellis. Additional
33:11
music in this episode by John Ellis, Nick
33:14
Dupre, Ramtina Rablui, First Comm
33:16
Music, Blue Dot Sessions, and Audio
33:18
Socket. To see the original
33:20
illustrations for this series by Vartika Sharma,
33:22
visit npr.org slash rough translation.
33:25
Our visuals editor is Emily Vogel. Bela
33:28
Shah will enter voice of this episode. Translation
33:30
support for this series from Syed Bismillah Gilani
33:32
and Ana Priyadishini. Irene Noguchi
33:35
is the executive producer of the Enterprise Storytelling
33:38
Unit. Liana Simstrom is our supervising
33:40
producer. Didi Skanky is chief editor,
33:42
and Nishant Dhalia is deputy supervising
33:45
senior editor of NPR's International Desk.
33:47
Anya Grunman is NPR's senior
33:49
vice president of programming and audience development.
33:52
I'm Gregory Warner. See you next time for episode
33:54
three of Love Commandos from
33:57
Rough Translation.
34:04
If you or someone you know may be considering suicide
34:07
or is in crisis, call or text 988
34:10
to reach the Suicide and Crisis
34:12
Lifeline.
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