Episode Transcript
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0:01
This is a HeadGum Podcast.
0:09
Well, well, well, look who it is.
0:12
I haven't seen you around these parts
0:14
in nigh on a fortnight.
0:17
That's right, it's been an entire fortnight
0:20
since you've listened to Rude Tales
0:22
of Magic. And I've just been
0:25
here in a graveyard. Luckily
0:27
I don't need food
0:29
or water. And it's fine
0:31
that the crows peck my rotting eyeballs.
0:35
It's called a lore dump. You
0:37
like that? That's now you know about me,
0:39
the grave freaker. But that's not what you're
0:41
here for. You're here to hear the
0:43
story of Rude Tales
0:45
of Magic. Welcome
0:51
back to Rude Tales of Magic. What
0:54
a long, strange trip it is.
0:57
Our heroes have left the town of Manassas,
0:59
Virginia in their rear view and have continued
1:02
off through the James Woods on their
1:04
way to the Teenage Woods, home
1:06
of the Soaking Valley and the site of their
1:08
old college, Polaris University,
1:11
now known as the Forbidden Zone.
1:14
Up to speed? You better be! The
1:16
episode is flying forward! They've
1:18
stopped in for a well-earned drink at
1:20
a tavern called the Purring
1:23
and Cherished Family Pet. A
1:26
kindly human bartender with leather
1:29
wrist braces cleans a glass
1:31
and makes sympathetic conversation.
1:33
Ah, yes. It
1:37
can be so difficult to go on an adventure
1:39
of any size whatsoever. Big,
1:42
small, these
1:44
are the challenges that shape us. Yeah.
1:47
So if we could just get that pitcher? Sure
1:49
thing. It can be so difficult to
1:52
order a pitcher. I know there are so many
1:54
introverts in this big, scary world.
1:58
I don't think of myself. As
2:00
an introvert. No you don't? Well
2:03
it can be so brave to be
2:05
an extrovert. Albie is like shrugging
2:07
at Cordelia who's like waiting for them to bring
2:09
a picture back. I didn't
2:12
I'm sorry. I didn't get your name. Ah That's
2:15
probably because I didn't give it to you.
2:18
My name is the friend
2:20
man. Hey
2:23
friend man, I'm Belo. Belo?
2:25
Yeah. Brinson
2:31
died. I
2:33
saw his eyes like take
2:36
over his people took over
2:38
his life. I gotta say, Belo in all my years
2:41
no travelers have ever been so friendly
2:43
as to ask me my name.
2:45
But you were the first you asked me my name and
2:47
my name is the friend man. Wow.
2:50
That's great. What flavor of beer did you
2:52
want? Uh, I think
2:55
we wanted an ale. An ale? Yeah.
2:57
Yeah.
2:57
Ale flavored beer
2:59
coming right up. Thank you friend
3:01
man. Oh, did you not want ale flavored
3:03
beer? Well, I wanted an I wanted the type of
3:05
beer to be ale But I suppose the flavor I wanted
3:08
was Albie help me out. Wheat?
3:11
Yeah. Cops?
3:13
Barley? We'd be happy to serve
3:15
that to you. You know, it seems like you
3:17
guys have been on an incredible journey
3:20
from start to finish. But it's
3:22
not quite finished yet. And so you
3:25
need your drinks and your provisions along
3:27
the way. Yeah. I hope that I can
3:29
be helpful. I guess maybe what I should
3:31
have asked is what flavors beer do
3:33
you have? Oh, that's a great question.
3:36
But unfortunately, that part of the
3:38
conversation has come to a beautiful conclusion.
3:40
And I will give you now your ale flavored beer.
3:43
Here you go. An enormous
3:44
pitcher of it. Thank you. Thank
3:46
you friend man. How much? There's
3:49
no charge here. Oh. I'm happy to
3:51
just provide beer for you. And that's
3:53
why my business is failing.
3:55
Oh, I'm sorry.
3:58
I'm sorry to hear that. But it's not the only. reason.
4:01
Oh, did. What's the other
4:03
reason? Well, if you look... I'll
4:06
be a little bit sorry. I'll be a little bit bellow.
4:08
Oh, bellow like realizes what he's done
4:11
and this like... Oh I understand. You
4:13
don't want to know any. No, no, no. We
4:15
want to hear it. You're sending nonverbal signals
4:17
to each other. Bellow. Okay. Bellow puts
4:19
a gold on the bar. A
4:22
single gold piece. A single gold piece. As
4:25
payment for the beer? As a tip.
4:27
Thank you so much. For good service. I
4:30
accept. Okay.
4:34
And I encourage you all to feel free to do
4:37
the stuff you want to do here in this tavern.
4:41
Great, thanks. Albie brings
4:43
the beer over to Cordelia. She takes
4:46
a big sip. What is
4:48
this? Like wheat flavored?
4:49
It's ale flavored. It's ale
4:52
flavored. Yeah. Okay.
4:54
So wait, I want to talk more about these wrestling moves. Oh,
4:58
the moves? Well, I
5:00
don't know her favorite move. I'm supposed to wrestle with her. Well,
5:02
she's not in this. I mean, she, they're moves.
5:04
She likes like, like, well, she, so like her
5:06
favorite wrestler has some signature moves. Okay.
5:08
Yes. So her favorite wrestler is elaborate Donna.
5:11
Elaborate Donna. Yeah. Okay.
5:13
Yeah. All right. Okay. Like if you follow
5:16
like the storylines, she
5:18
has like a big feud with
5:21
rock hot Rhonda San Antonio. Rock
5:24
hot Rhonda San Antonio.
5:26
Yeah. Okay. Okay. Donna.
5:30
Rock. Okay.
5:32
Are you like really
5:35
indivel? I'm Yes.
5:42
That's great. Yeah.
5:47
So yeah. Anyways, elaborate
5:51
Donna does the people's foot,
5:53
which is basically a big kick. Oh,
5:56
that's awesome. Yeah.
5:58
And when is when does the show go through? through? Well,
6:03
like, like they'll come
6:05
to town like once a year, but they sort of they sort
6:07
of just like do a circuit around All
6:10
the suburbs outside of capital city cool
6:12
So like if you're a fan you can easily go to like
6:14
a bunch of shows nice
6:16
No, they different shows every night or is it the same
6:18
thing? Oh different. Oh really? Yeah
6:20
Oh, yeah, so it's sort of an okay. Yeah,
6:22
and there's like a newsletter she gets yes She
6:25
gets a newsletter with like updates and like yeah, okay
6:28
You can follow along great as she gets under for the newsletter.
6:31
Oh You're
6:33
in you really I know I'm sorry.
6:35
I'm just I'm just picking up on what I'll be picking
6:37
up on You're like you
6:40
got a crush. I just
6:42
try to sign up for a newsletter. Is it
6:44
weird? Is that weird? Was it too soon? I
6:47
had sex on there Okay,
6:50
Cordelia. I'm sorry. It's
6:52
so difficult to admit that you've got a crush
6:55
on a person Oh, I'm sorry
6:58
was I eavesdropping you're just very close
7:00
well, you're just very loud Yeah, but
7:02
that's completely fine. It can be so difficult
7:04
to be a loud person in a quiet man's world
7:07
Oh, I feel oh, thank you.
7:09
Oh, you're very welcome Also,
7:12
I suppose difficult to be a quiet person
7:14
in a loud man's world No matter what life
7:16
has many difficulties and every single
7:19
person is brave.
7:19
Well wait barking you do you think it
7:22
is brave to? Admit
7:24
the over crush on someone you have sex with
7:25
I think everyone's brave and so yes I do
7:28
think it's brave to admit that you have a crush on someone
7:30
that you've had sex with What
7:32
about cowards cowards what of
7:34
them
7:35
are they it's so brave to live like that
7:38
afraid of every shadow afraid
7:40
of every spider crawling across your hand
7:43
what you're also afraid of
7:44
Albie's gonna like Link
7:46
away I kind of head over to the bones
7:49
being a surprise table. It's
7:51
so important to leave me Frederick
7:56
is is looking at the
7:58
left hand which has he
8:01
had dipped in the feces
8:03
of What remained
8:06
of spilled milk the pig?
8:09
It's dry. It's flaking And
8:12
I'm concerned Stir-fry
8:16
there is a terrible energy
8:18
inside of me that I Fear
8:20
this poo-poo can no longer
8:23
keep it bay for much longer. It is drying
8:25
out Okay, okay Hmm
8:29
and it's coming for you first Pardon,
8:32
that's what he said. He really has
8:34
a problem with you my old servant Worcester.
8:37
I've talked about him I'm sure or not anyway
8:41
He's taken the form of a terrible entity
8:44
that Hates you just hates
8:46
you so much just hates you So
8:49
much and as you discuss him Frederick,
8:52
can you make a wisdom saving throw for me? Mm-hmm 17 17. All
8:56
right, you feel a slight tremor
8:58
a very very small vibration in
9:00
this hand as you're discussing Worcester
9:03
in stir-fry and the connection between
9:05
the two you just you feel a very very
9:08
very gentle Your hand
9:10
just begins to reach just a little bit towards stir-fry.
9:12
Oh, there it is. You see this. I'm not doing this It
9:15
wants to choke you and
9:17
This is
9:19
awful stir-fry, what do I do?
9:22
Should you run from me run forever
9:25
to save your life as Small
9:27
as it may be Ready how dare
9:30
you me
9:30
run from you my best friend and
9:33
oldest companion. No, I'm
9:35
with you too thick and thin Let's try something
9:37
stir-fry rushes to the dartboard pulls out all the
9:39
darts and runs over. Hey He
9:43
put he puts one dart in front of the
9:45
bones bees left hand and one in his right hand
9:48
Hmm, okay Random,
9:51
but let's see
9:52
where you going. Okay, we use your healthy
9:54
hand to try to hit the dartboard Freddie
9:56
throws a dart. Yeah, make a Make
9:59
a dexterity roll Darts, Darity.
10:02
Uh, two. Two. Uh, you hit
10:04
one of the people who was near the dartboard, who
10:06
was upset that all of their darts were pulled
10:08
out of the dartboard. You hit them. Watch where you're going!
10:11
Roll for damage. Roll a d4.
10:15
One. One? Uh, you hit this guy.
10:18
It hits him right in the cheek. He goes, ow, Jesus
10:20
Christ! I was trying to play darts alone! Shut
10:22
the fuck up! Okay, now try
10:24
to throw a dart with your other hand.
10:27
Alright. With a... curious
10:30
science, stir-fry? And he throws
10:33
the dart with his left hand, aiming right
10:35
for that dartboard. Uh, the
10:37
hand is not listening to you, and it throws the dart
10:39
directly at stir-fry, right between his eyes.
10:41
Woohoo! Steph? What?
10:45
Stir-fry uses an uncanny dodge. Jesus.
10:47
Who, too? Jesus. Okay, yeah,
10:50
he uses it to avoid the dart.
10:53
Frederick. Freddie punches you with his left hand. Ow! Jesus
10:56
Christ, okay. I don't know what's happening! Experiment
10:59
over! We gotta stop this damn hand! I
11:02
can keep barely control, but... I don't...
11:05
Do you know, stir-fry, you used
11:07
to do all sorts of things in the
11:09
cellar of the castle. Do you
11:12
know where to preserve this magic? Preserve!
11:15
Preserve! Preserve! Stir-fry looks behind
11:17
the bar. He's searching to see some pickled
11:19
eggs or something. Yeah, you see a very friendly man
11:22
behind the bar. He's like, he's
11:23
cleaning a tanker
11:25
to Vail. Sir. Yes?
11:29
How much for that bottle of vinegar? Well,
11:31
as I told your friends, I do not charge for these drinks.
11:34
And so, I do not charge for the bottle of vinegar
11:37
either. It's yours if you want it. Thank you so
11:39
much. I love you and you're really fine. Thank
11:41
you so much. It's nice to hear that. I love
11:43
you, too. Oh, thank you. I love you as well. It's nice
11:45
to hear it back and forth a little bit. Sometimes you sit
11:47
out loud and it just sort of disperses into the
11:49
air. And he hands you the vinegar. Oh,
11:52
beautiful. I love you. Yes, I heard
11:54
you the first time. It's always fun to hear it back
11:56
and forth. I am 100% friendly and you're exploring.
11:59
my outer limits. Yes, well, I love you, so
12:02
that was very. I've said it once. And it's,
12:04
you know, the repetition makes
12:06
a hot grove on. It can be so brave
12:08
to be so needy. Yes, yes.
12:12
I love you. stir fry
12:15
walks back to the bones beat, places
12:17
the jar in front of his left hand and
12:20
holds down the base. All right,
12:23
let's try to keep the
12:25
hand. If
12:27
you can stick your hand into the pickle,
12:30
stick your hand into the jar. Freddie
12:32
thunks his hand in the jar. stir fry grabs some
12:34
towels that he had stolen from the bar. Thievery
12:36
is his way, even in love, baby. And
12:39
he wraps the hand around the jar, trying
12:41
to keep it trapped inside the pickling
12:44
solution.
12:44
Whoa, what stinks over here? It's me.
12:48
We've dunked my purple hand in
12:50
vinegar
12:50
with cooked eggs. Oh,
12:54
my brothers and
12:56
sisters and I used to do stuff like this and then dare
12:58
each other to drink it as I would say.
13:00
No. Oh, cool. No, that
13:02
would be very dangerous. We are holding
13:04
back dark magic with
13:07
stinky poo poo hand. Yeah,
13:09
Albie, we're holding back dark magic with stinky poo
13:11
poo hand. I think it's pretty obvious. Oh,
13:15
yeah. Thank you, stir fry. This
13:17
is exactly how you would make pickled cucumbers.
13:20
Yes. At home. Yes. That's
13:22
funny. Knock off the word cucumber.
13:26
Johnson Christ. Yeah, pal.
13:30
Welcome to culinary mastery. Well,
13:34
thank you. I hope this hand no
13:36
longer tries to kill you. Stir fry puts his
13:38
hand on the bones be shoulder. It
13:41
means so much to me that you care enough to not
13:44
kill me that you want to talk to me about helping you
13:46
not kill me. Really, it's a long way for us
13:48
and I'm receiving it as love. And
13:52
stir fry the bartender puts his hand on your shoulder
13:54
and says, I
13:56
thank you guys so much, all of you, for
13:58
your patronage of my family.
13:59
beautiful and wonderful bar, the
14:02
purring and cherished family pet. Unfortunately
14:05
now it's closing time. You don't have
14:07
to go home and you don't have to do anything you don't
14:09
want to do, but you cannot stay here.
14:11
So if you want to stay here that's the
14:14
one thing that you can't do even if you
14:16
want to do it. Thank you so much for
14:18
hanging out in the wreckage of my bar.
14:21
As you might have noticed, every single aspect
14:23
of this bar that you didn't directly interact with
14:25
was recently ruined when a 12-headed
14:27
demon flew through town and absolutely
14:29
destroyed my bar. I'm trying to
14:32
maintain a positive attitude, but as you can
14:34
imagine I'm very sad. One
14:36
of the bravest ways to feel.
14:37
Did he um did the
14:39
demon say something about siring
14:42
and condoms? Yes
14:44
he did he said something about siring new
14:47
stars in the night sky, but when he was
14:49
tired of siring new stars in the night sky
14:51
he would wear a condom made from the skin of the
14:53
Emperor. Yeah. Lucky for
14:56
the Emperor I guess. The Emperor doesn't
14:58
exist anymore in this era of Cordelian
15:01
history. But see even in wreckage
15:03
we can all appreciate poetry. Yes
15:05
of course. Poetry is one of the ways
15:07
that we communicate to each other. I must now
15:09
insist that you leave the wreckage of my bar and
15:11
I thank you for coming here.
15:13
Should we use the door? Yes
15:15
the door is one of the last parts of the bar that
15:17
wasn't destroyed by this wretched demon. Okay.
15:20
Okay. If you don't want to use the door you
15:22
can walk to either side of the door. I'll use
15:25
the door. I'll
15:26
use the door. It's unimportant to me
15:28
who does it does not use the door. Bello
15:32
leaves him one more gold piece. Two
15:34
gold pieces. First I had no
15:36
gold pieces. Then I had one. Already
15:39
I've doubled my gold pieces. I must
15:41
remember not to get greedy, but if I do I
15:43
will forgive myself. I thought I could help
15:46
with reconstruction. Thank you so much.
15:48
Two gold will go a long way towards
15:50
buying
15:51
supplies. Yeah.
15:54
And labor. Well bye. Good luck
15:56
friend man. Thank you so much.
16:00
I'll always remember him as the friend
16:02
man. The door's locked. The
16:04
door is locked. I locked it by accident. You're going to have
16:06
to step to either side of the door. The door
16:08
is no longer an option. So the two options
16:11
you don't have are to stay here in the bar or
16:13
to use the door.
16:14
The rest of the world is yours to explore.
16:16
Now go on an amazing and incredible
16:19
adventure. I sense it's just beginning.
16:21
Is it not just jammed? It feels like it might just be
16:24
jammed. If you don't get the fuck out of my bar. Cordelia,
16:27
is it a push? Oh, it's
16:29
a pole? No, but it's still locked.
16:31
She walks around. Okay. Friend man,
16:33
I meant to ask you, have you heard any news from the
16:36
Soaking Valley? Well, you hear the door
16:38
shake as if she's trying to come back in. Yes,
16:43
there are those who have come this way from
16:45
the Soaking Valley. They don't talk much,
16:47
but they say something awful is happening there.
16:51
Any further details? Well,
16:53
they didn't give it to me. And so if I were giving it
16:55
to you, I would be a liar. And that would be
16:57
okay. Belo sort of like reaches
17:01
into his coin purse.
17:03
Oh, you're doing this move? Huh?
17:05
You're doing this, but you're holding the coin. I
17:07
would be inventing information to give
17:10
to you. If you want me to do that, I will do that for the, as
17:12
you know, desperately needed gold.
17:14
Guys, let's just go. Okay.
17:16
Bye. Thank
17:17
you so much. You all insisted
17:19
on talking to me so much. Wow.
17:25
That guy. Well,
17:30
on the road again. Oh,
17:32
speaking of that, you know
17:35
how we haven't been on the main road? Yeah.
17:37
Well, coming up soon, we're gonna have to
17:39
because there's sort of a natural like
17:42
choke point between the James Woods
17:44
and the teenage woods. This was my normal route
17:46
to school, you know,
17:50
most of the border between the woods. There's
17:53
like a maybe you've heard of it. The SES.
17:56
It's like a fog wall.
17:58
It's like a big. It's like a big. giant wall
18:00
of fog, it's called the, well,
18:03
the SES. Would Albie have heard of this as
18:05
a person who lived in the Teenage Woods? No,
18:08
because remember how far Albie was, you
18:10
were close to school, you had never even journeyed
18:13
as far east as the Soaking Valley.
18:15
That's right. So I think it's very unlikely. If you wanna make a
18:17
roll, you can roll with disadvantage, you can make an intelligence
18:19
roll. Okay. 12. 12?
18:25
Something
18:27
about SES does ring a bell for you. You've
18:30
heard of it, it's definitely something
18:33
that, it's somewhere in the back of your mind, you've heard the letters
18:35
SES together like that.
18:36
Okay. Yeah, it sort of sounds
18:39
familiar, so we wanna. Yeah, I mean,
18:41
maybe you've heard of it, the Skin Eating
18:44
Storm. The Skin Eating Storm.
18:46
Yeah. Yeah. My brother
18:48
might've mentioned something about that in one
18:50
of his letters.
18:51
Yeah, because it's like, if you notice, like if you feel
18:53
for a moment here in the James Woods, the
18:56
wind is clockwise. Yeah. Sure.
19:01
well, that's counterclockwise. Uh-huh. And
19:03
where they sort of like butt up against each other.
19:06
Skin Eating Storm. Yeah, it's a storm that eats skin.
19:09
Okay, we'll avoid that
19:11
for sure. But there is, on the main path,
19:14
there is a gap. And that's why that's
19:16
where the path is. Oh, big yikes.
19:18
Well, Virginia's dead. But
19:21
that puts us right on a dead, you
19:23
know, that puts us right on track for the Soaking
19:26
Valley too. Okay. Great.
19:29
Let's go. Let's come on, come on, come on, come on, come
19:31
on. Let's go, baby. All right, Sturf. Sturf,
19:34
I sort of rushes up ahead, sort of
19:37
a traveling along, looking around. He's
19:39
trying, he wants to make sure, this might be a dangerous
19:41
path, so he wants to protect his friends. So you're
19:44
looking, you're looking to see what you can see. Sturf, I make a perception
19:46
roll for me. Okay. Okay.
19:51
Okay, so for a 10,
19:54
you're able to see that you guys are actually on,
19:56
you know, you've been deep into the James Woods.
19:58
There's the main road that cut.
19:59
through the James Woods straight from Brian Doyle Falls
20:02
all the way through to the Teenage Woods. You're not on that
20:04
road and you haven't been on that road for
20:07
the entirety of your time in the James Woods. However,
20:10
you have been on, there's minor roads, there's
20:12
little, you know, there's cobblestone
20:14
roads, there's little, there's beaten paths and
20:16
you've been using those. And as you look
20:18
up ahead, you see it.
20:20
You see the main road. Oh
20:23
baby, yes! We're back on the road,
20:26
baby. Wait, wait, wait, wait, he's on the road again.
20:29
Hey everyone, we're on the road
20:31
again! Okay, stir fry, shush.
20:34
Okay, all right, all right. Stir
20:39
fry, keeps, stir fry walks forward,
20:42
keeps moving. And for a 10, stir fry, you
20:44
walk, you are completely oblivious to
20:46
when you walk right past a T-stain
20:48
poster on one of the trees.
20:49
Albie is also on the lookout. Okay,
20:52
Albie, can you make a perception roll for me? 19. Albie,
20:56
you, you watch as stir fry walks directly
20:59
past, it's just right above eye level
21:02
for stir fry. It's just right up above where
21:04
a kenku's eyes would, would wander, you see a
21:06
T-stained wanted
21:09
poster. Okay. And on it, you see photo-realistic line drawings
21:12
of each of you in and out of your witch
21:19
hunter disguises. Hot Roddy
21:21
rounds out the cast. He's also
21:23
in there, he's not, there's no drawing of Hot Roddy in a witch hunter disguise,
21:25
but there is one of all of you. And it says, rules
21:28
haven six, as wanted as ever. Branson is bellow there.
21:30
In the drawing? Yeah. Yes, he is.
21:35
Albie rips the poster off the,
21:38
off the tree. Revealing another poster under it, the same
21:40
poster. Again.
21:42
Revealing the tree they just had to up. Albie runs
21:45
back to her friends and she starts, and
21:49
she passes them around. Guys, look. I don't think this is
21:52
from the witch hunters, because
21:56
look, bellows on there. Or
22:00
they've learned. Or
22:03
they've learned. Better than magic
22:05
rocks that call them directly. I
22:08
mean, it's weird, right? If it wasn't
22:10
the witch hunters, who else would it be? Do
22:13
you think Hot Roddy flipped on us? No,
22:15
I didn't like the guy, but I don't
22:17
think he'd flip. Yeah, that would be surprising
22:19
to me. Cordelia, he hands the piece of paper
22:21
to Bonesby, because she thinks of the
22:23
Bonesby as the person who keeps the papers. Thank
22:26
you. I'll add it to my files.
22:28
Although it's surprising
22:31
that he's on the poster, too. I thought, do
22:34
you think he
22:36
escaped? Oh.
22:39
How close is Philthadelphia to the S-S-S-S-S-S-S-S-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W-W.
22:43
Not close. Okay.
22:46
Oh, dang. Maybe.
22:49
Our boy's fucking tough as hell. He
22:51
probably escaped and fucking kicked the damn goddamn asses.
22:53
Okay, but that just means that, you know, we're gonna have
22:55
to be really careful
22:57
on this main road. They see us here
23:00
in and out of our disguises. I'll
23:02
be weird stuff
23:03
as hell. We can kick anyone's guard at my house. I...
23:06
let's go through the part that won't take our skin
23:09
off. I just got it. And
23:11
then get back into something that's
23:13
not a road. Is there anything Branson
23:16
written besides the headline you
23:18
described? Just the information I gave you. You don't need to
23:20
make a perception roll for a piece of paper directly in front of your face.
23:24
Great. Okay. Albie's
23:28
just gonna move forward on
23:30
the lookout. Okay, and as you do, you see
23:32
many, many, many more wanted posters.
23:34
She's taking them down as she sees them. Okay,
23:36
great. And every time you do, there's one up right
23:38
under, so never a third. Great. All
23:43
right, everyone, let's get off the road for the moment. Belo
23:46
plunges into the undergrowth. You're
23:48
into the undergrowth. There's vines and there's leaves
23:50
and there's brush all around you. There's dirt and
23:52
there's worms and there's rocks. You're
23:54
in the woods, baby. Maybe
23:57
we should find a way to disguise ourselves before we get back
23:59
on the main road.
23:59
We do have means. Stir-fry as a kid,
24:02
I have a spell. I find invisibility. I
24:04
give wild shape. Okay, but I mean, I'm
24:06
like a little worried that disguises don't even matter.
24:09
Like they already- They're better than nothing. We
24:11
have
24:11
to try something. Stir-fry goes
24:13
into his backpack, takes out his disguise kit,
24:17
and starts wrapping himself with cloth,
24:19
like a giant mummy.
24:21
All right, one of the spookiest
24:23
disguises possible. You look like
24:25
a giant mummy, which of course
24:27
is, I guess mummies in this world
24:30
are usually very small, because you're a kenku-sized mummy.
24:32
Well, stir-fry wraps- No, you said it,
24:34
and that's how it is. Mummies are small. Mummies
24:36
in Cordelia are so small! But that's what I'm saying,
24:39
Branson. He- And I agree, I'm agreeing! He
24:41
makes it so that the mouth of the mummy
24:44
is where his eyes are, and that there is a head above
24:46
his head, so the mummy is a little bit bigger
24:48
than it normally is. Bigger, a head
24:50
taller than
24:51
a normal kenku. Wow, that's
24:53
enormous. That's as big as any mummy in Cordelia
24:55
has ever been. Exactly, Branson. That's so tall.
24:58
You've made yourself a small creature look like a
25:00
big mummy, by adding one head of
25:02
height to yourself. Yes.
25:04
Okay, you look like a mummy, great job.
25:06
Is there a pumpkin around? Is
25:08
there a pumpkin around? Yeah. Oh,
25:10
unfortunately, it's late summer. There are no pumpkins
25:13
yet. Okay, I guess Cordelia will
25:15
just be invisible. Okay, great. Belo
25:18
wild shapes into a bowl. Oh.
25:23
Freddy waves
25:25
his wand through the air, and says
25:28
ancient words. The new
25:30
goblin skin ripples like a
25:32
claymation across
25:35
his bones as his face starts to distort
25:37
and change, and grows
25:40
a beard and sunglasses.
25:43
Perfect. Albie
25:46
sort of pins her ears beneath
25:49
her hair, and she's
25:52
just gonna
25:54
ask Freddy for his hat. Oh,
25:56
yes, good idea. Okay, thanks,
25:59
and she's gonna just push. over her antlers.
26:01
Okay, great, yes, you've disguised your antlers with
26:04
a big witch's hat. Ah, a human witch!
26:07
No one will fuck with us.
26:09
Okay, uh. And
26:11
I'm your pet bull. Yeah,
26:13
yeah, great, okay, okay.
26:17
She's gonna peek her head out onto the main road.
26:19
Yeah, and as you look out now on
26:21
the main road, you can see up ahead,
26:25
it starts with scattered
26:27
stones, but they get more and
26:29
more concentrated as you look up ahead, you see
26:31
the call stones. Oh
26:34
gosh. They line the road, the sides of the roads,
26:36
the call stones have been erected along
26:38
the sides of the main road. Call stones
26:40
as far as the eye can see, Albie.
26:45
All right, so there's a lot of
26:47
call stones out there. I
26:49
don't know why, I thought this was gonna be
26:53
easier. Okay,
26:56
well, do you think there are any other large
26:58
parties passing through? I mean, Moira
27:01
or, Agrarian Pimp said
27:03
there were a lot of people going this way, maybe
27:06
we could like sort of sneak in with a large party
27:08
or something? I think they were going in the opposite direction, Albie.
27:11
Okay. Have faith, Albie. You
27:14
are a witch ball-teamer with her
27:16
friend the mummy.
27:18
And me, a guy, a guy.
27:21
A powerful guy. No, no, no, no, no, no,
27:23
no, no, no. All I'm
27:26
saying is that we are going into a dangerous
27:28
spot but we have gone through so much worse,
27:31
nothing can stop us. I want to see
27:33
no fear in our eyes. I want us
27:35
to kill anyone we want to and
27:37
we will grab danger by the throat and
27:39
shove it into the ground and bury it in the
27:41
ground. And the head will stay out, the head
27:44
will stay in the ground and the body will flail out of the ground
27:46
being, please let me, no, I want my head back out
27:48
of the ground. We will say no.
27:51
Mummy makes sense. I'm
27:53
right beside you. Okay, okay. Let's
27:56
go. Albie's gonna walk.
28:00
Normally. Alright, and you step out onto the road and you're moving
28:03
onto the road, you're on the main road now. You are
28:05
surrounded on either sides by call stones with
28:07
your own faces looking back
28:10
at you, carved into these stones. With every
28:12
step, there's Cordelia, there's DeBonesby,
28:14
there's Stinky, there's Albie, there's
28:17
Bello. You see yourselves facing
28:19
in on the road. There's no mistaking that those
28:21
are your faces on those rocks as you step forward
28:24
and forward and forward moving down the road. This
28:26
really feels like overkill. Just
28:28
keep walking. You are a bull.
28:31
You are a mummy. You are
28:33
a witch. I am a guy. And you
28:35
are a talking breeze. There is not
28:37
a picture of any of us. Just keep
28:40
walking.
28:40
Walking, walking.
28:43
Stryphrai keeps walking, his arms forward
28:45
like a mummy. Great,
28:49
you guys, you keep walking forward and you see.
28:52
You crest a hill
28:54
and you see off in the distance an enormous...
28:58
...dark cloud. Which
29:01
seems to stretch horizontally as far as the eye
29:03
can see. I see S. Okay.
29:09
Get past that and we can
29:11
dive into a tunnel or whatever.
29:14
You feel the clockwise winds of the James Woods
29:16
at your back.
29:18
Let's get this the fuck over with. Yeah.
29:22
Okay. Ah, the bull talks. Hehe,
29:24
just trying to keep the light. Branson, is there anyone
29:26
else on the road? Nobody else is on the road
29:28
so far. It's just your own call stones
29:31
looking back ominously at you. Looking
29:33
in on the road.
29:36
Okay. I'm just gonna keep going
29:38
forward. Okay, great. You're moving swiftly.
29:41
You're getting closer and closer. And as you crest this hill, you
29:43
see down very far in front of you. You
29:45
can see the drawbridge gate, which, Bello, you
29:47
would recognize. Which usually
29:50
separates the threshold between the James Wood
29:52
and the teenage woods. You can see the fog
29:55
wall. The enormous fog wall. And the
29:57
tiny, tiny little break in that
29:59
wall.
29:59
You see the drawbridge gate, and
30:02
you can see, Bello, that it doesn't look
30:04
the way it usually does. It's been heavily fortified
30:07
with a massive witch hunter presence.
30:09
["The Star-Spangled Banner"]
30:14
Oh, duh. Shit. Oh,
30:18
mmm.
30:18
Albi pulls her friends into the tree cover.
30:21
Oh! Into the tree cover you go! Leaves
30:24
blocking your view! Oh,
30:26
you're in the trees! Oh, there's woods all around
30:28
you! You can smell the bark! You could smell
30:30
it earlier, but it's even more vibrant now that
30:33
you're in those woods. You are not on the road
30:35
anymore!
30:35
["The Star-Spangled Banner"]
30:42
["The Star-Spangled Banner"] Welcome
30:46
back. We're deep in the woods now with our
30:48
heroes who are undercover of
30:50
woods. Mm-hmm. Okay,
30:52
stir-fry. Let's go ahead and
30:55
see what we can find out. All
30:57
right. Stir-fry takes out his eyes,
31:00
removes them through the mummy's
31:02
mouth, and tosses them to Albi.
31:05
Okay. Albi
31:07
moves swiftly but quietly
31:10
through the tree line to get a closer look at
31:12
the witch hunter. Fantastic. Make a stealth roll
31:14
with advantage. This is your natural terrain, the woods. You're a creature of the
31:16
woods. Or
31:19
a critical fell. Eighteen. Okay,
31:22
so Albi, you move through the woods. You lift up
31:24
the stir-fry eye periscope. You take
31:26
in all the information that you
31:27
can. You're completely undetected.
31:29
Okay. Stir-fry's eyes blend
31:32
into the eye-like leaves of the James Woods.
31:34
Okay. And
31:38
while she's using stir-fry's
31:41
eyes as a periscope, she's also straining her ears
31:43
to just see any sounds she might be able
31:45
to pick up any conversation
31:47
or anything like that. You can hear
31:49
the winds. You're very close
31:51
now to the edge, the perimeter of the SES,
31:54
the skin-eating storm. You can hear
31:56
that. That is, that's drowning out a
31:58
lot of the other noise.
31:59
But stir-fry, if you make
32:02
a perception roll,
32:03
I'll tell you what's going on. Seven.
32:07
Seven. You can see mostly the inside
32:10
of Albie's hands. Albie
32:12
pulls the eyeballs in real quick, gives
32:15
them like a little polish on her
32:17
tunic, and then sticks them out again.
32:19
Yeah, stir-fry. You just see Albie's
32:21
tunic moving up and down, up and down, up and down very,
32:23
very quickly. And then suddenly you can see, make
32:26
another perception roll with advantage this time. Now that your eyes
32:28
are clean.
32:30
Nat 20. Nat 20, stir-fry, you
32:32
see it all. You hear nothing because you're too
32:34
far away, but you see it all.
32:37
You can see the drawbridge gate.
32:38
It's been heavily fortified. There's a massive witch
32:41
hunter presence. You can see
32:43
just about, no, no, exactly 20
32:46
witch
32:46
hunters patrolling
32:49
the area, moving back and forth
32:51
like clockwork. And in
32:54
the James Woods, clocks move clockwise.
32:57
Shit. You can see 10 witch
32:59
hunters manning guard towers with magic searchlights
33:02
and crossbow Gatling guns. Richard
33:05
Jordan Gatling also exists in Cordelia,
33:07
and he has similar creative impulses.
33:11
You can also see standing in the
33:13
road, stir-fry. This is brand new. With
33:16
grim expressions on their faces,
33:18
you see six athletic, capable,
33:21
and frankly, badass witch hunters
33:23
with large buckle patches on their arms
33:25
that read SEAL Team Ace.
33:29
Stir-fry's body is back with the group. As
33:31
he sees this, he repeats it all. All right,
33:33
there's like 20 witch hunters that move them around like clockwork.
33:35
There's a guard tower, about 10 witch hunters up there.
33:38
They got searchlights, they got crossbows, and they are
33:40
six of the hottest fucking dudes I've
33:42
ever fucking seen in my fucking life.
33:45
They say SEAL Team Ace. When
33:48
Albie is satisfied that she's scammed the entire
33:51
area, she's going to slink back towards her friends.
33:53
Okay, stir-fry, you see
33:55
the woods. You see the woods, and
33:57
you see the insides of Albie's hands as she approaches.
33:59
approaches the rest of the group, you all reconvene.
34:04
Okay. Well,
34:07
if it's- Do we wanna find another way outta
34:10
here? Yeah, Belo looks where
34:12
he thinks Cordelia is. They're
34:15
probably gonna be, you know, doing their detect magic
34:17
stuff, so I don't know if our disguises work. From
34:20
immediately behind him, she says, damn
34:22
it. Whoa! Releases
34:25
invisibility. Belo wild
34:27
shapes back to his normal form. Is
34:31
there any way we can make it through
34:33
the skin-eating storm? I know
34:35
that seems like an insane question, but we've
34:39
done some crazy stuff, so. I
34:41
just caught this skin. Aw.
34:44
We could tunnel under it?
34:51
But no, that wouldn't work. We could coat ourselves
34:53
in new skin. A second
34:55
skin. Yes, we could kill
34:58
animals or man around here. Everyone
35:01
in the group, can you make a stealth roll for me?
35:06
Unnatural 20.
35:14
Okay. To Bonesby,
35:17
you hear a psss, hey! Eh!
35:20
Hey! I
35:22
look around. You look around, you look around, and
35:24
you see, leaning against a tree, coolly,
35:27
a cool human man.
35:29
He flicks a coin up and down. He
35:33
says, you there. I
35:35
only perceive you. Yes,
35:38
hello, I am a normal man, as you can tell from
35:40
my sunglasses and beard. So am I.
35:43
Not exactly. My name is demonstrating
35:46
Michael. Hello, demonstrating
35:48
Michael. My name is Frederico.
35:52
Frederico? Normal man. Frederico
35:54
normal man. Frederico normal man. Make
35:57
a deception roll. Okay.
36:00
Pretty good. 16. 16? Never
36:03
heard a name like that before, but I
36:05
do believe that that is your name. And it's
36:07
normal. Sure.
36:09
Normal. All this talking normal. What
36:11
do you say, Michael? Well,
36:14
it just seems like you were maybe hoping to get around
36:16
the skin-eating storm, but maybe for reasons
36:18
that are, well,
36:19
none of my business, you didn't want
36:21
to have those witch hunters notice you. Am I right?
36:25
I can tell you're a man of discretion, so I will tell
36:27
you. Yes. That's right.
36:29
I am a man of discretion. Well, then, you and just
36:31
you come with me. I know a way around
36:33
the storm. Could
36:37
it be more than me? Of course it could be more than
36:39
you, but it's just the two of us here. Just two
36:41
guys in the woods. One helping the other.
36:44
Help me further out.
36:45
Oh, hey. Oh my god! Oh,
36:47
holy shit! Oh my god, I didn't notice you there!
36:50
I'm here. My
36:52
name is demonstrating Michael. Hi. Do
36:54
you need help getting around the skin-eating storm?
36:57
Yes. I was not prepared for this. I thought I was talking
36:59
to one person.
37:00
I'm so sorry. That's fine. Two would
37:02
work. Yeah, yeah, yeah. It's gonna be more. It's
37:04
gonna be more? Are there more people? Am I surrounded? Oh
37:07
god. Is the jig up? Are you guys witch hunters? You
37:09
have to tell me if you're witch hunters. We aren't. Okay.
37:12
Well, but the rule... Are you sure? Yes.
37:14
Positive. So sure. Wait,
37:17
what? Who's that? There's three
37:19
people here? I thought I was talking to two people. Well,
37:21
at first I thought I was talking to one person, then two.
37:23
Now
37:23
three? There are five of us. Five of you?
37:26
Who has awakened the moment? Oh
37:28
my god, and there's a mummy! Oh, my
37:31
ghost is clocked! That's it! I got a high-tail
37:33
and out of here! No, no,
37:34
no. We want to know what you know about... No,
37:36
but my legs are starting to run in a
37:38
circle! I'm about to go! You gotta convince me to
37:40
stay! Bella grabs me by the shoulder. Walking
37:43
out. I can't run!
37:44
We're friendly. Oh
37:47
my god, who said that? Cordelia's
37:49
standing right there. She's... Oh my god,
37:52
the sas... Whoa! A very
37:54
tall Sasquatch! A normal size Sasquatch.
37:57
Well, for me, I've only met no
37:59
Sasquatch. that I just assumed them to be shorter. I
38:01
thought they were creatures of myth. Oh, wow.
38:04
There's
38:04
one, two, three, four,
38:07
five of us here. And a
38:09
mummy? No, I forgot about the mummy.
38:11
I gotta go. The mummy's with us. I was counting myself as
38:13
the five. Oh, the mummy's with you? Yeah, Bella puts
38:15
a hand on his other shoulder. Oh, whoa. We are
38:17
face to face. You look
38:19
nice. We want your help. I'm demonstrating,
38:21
Michael. I'd love to help. I'm Bryce.
38:24
Bryce? Yeah. Fantastic. I
38:26
believe that. I believe that. Oh,
38:29
is that not his name? You
38:32
said it like he was faking. Demonstrate Michael?
38:34
And I heard it. No, and I heard it. Is that
38:36
not his name? Is his name not Bryce? Okay, I was kind
38:39
of using an alias.
38:39
My name is... My name is Christ. Your name is
38:42
Christ? Yeah. Well, I believe that. Wow,
38:46
that must be his real name. Well,
38:48
I'd love to help you guys get across the skin-eating
38:50
storm, but I'm worried there's just gonna be more and more
38:53
of you. Every time I feel like I turn my head, there's
38:55
more of you. Will it happen? He turns his head. Nothing.
38:58
Everyone.
38:59
Oh, yeah. He turns his head.
39:01
No one's there. Well, that must be everyone. He
39:03
looks back to the group. Oh, no! There's
39:05
an enormous bear owl here! I assume. I'm
39:08
only familiar with owl bears, but obviously,
39:11
I can just infer from context, this must be a
39:13
bear owl because it's the inverse of an owl
39:15
bear. Oh, no. A monster like this
39:17
at this size? My goose is cooked! Is
39:20
this the end of demonstrating Michael? No, no. This
39:22
is Ice Bear. He's the
39:24
last and biggest of us. The last and biggest
39:27
of you? If another thing
39:29
appears to me right now, I'm going
39:31
to die of natural causes! And he looks around,
39:33
he goes, I hope it doesn't happen. He
39:36
rubs his eyes.
39:38
Just the woods themselves. Well,
39:41
it seems like demonstrating Michael's goose is
39:44
not cooked. We cook no geese today.
39:46
A raw goose. I am the mummy.
39:50
Am I in danger? No, he's with us. Okay. Well,
39:54
you guys want to come with me? Yeah, what's your route? Well,
39:56
it's not really through.
39:59
the Skin Eating Storm. Uh-huh.
40:03
Because if you go through the Skin Eating
40:05
Storm, it eats your skin.
40:07
Uh-huh. You take every step
40:09
you take, you take more and more damage
40:12
in the Skin Eating Storm. It's right here. We're
40:14
looking at it now. We're at the very edge of the
40:16
James Woods. And if you walk into
40:18
the Skin Eating Storm, it'll eat your skin.
40:21
I'm demonstrating Michael and I'll show you.
40:24
No, no, no, you don't have to. We get it. No, I do. I'm
40:26
demonstrating Michael. Michael, you don't have to. We
40:28
know. True
40:28
death, Michael. Help me.
40:31
Ah, no, I said. Oh, God.
40:33
Oh, no. Let me open. Oh, no. Now I'm
40:35
in a state between life and death. All the pain
40:38
and the pain just gives me the release of
40:40
death. Well, what's your way through? Oh,
40:44
yes. Oh, and it's just gonna fight through.
40:46
Oh, no.
40:47
I'm out
40:49
of here. When you pull me halfway
40:52
out. Pull him all the way. He's crawling back
40:54
to
40:54
it. You have to see what happens. Help
40:57
me. No, I don't. I'm pulling
40:59
you out. Oh, my God. I make
41:01
a straight throw against my straight throw.
41:07
I got a nat 20 and I go. You
41:11
have to see what happens. Belo
41:13
puts both hands on his ankles and
41:16
pulls him back out of the storm. You get those ankles,
41:18
but that's it.
41:20
Oh. Whoa.
41:23
And you see now in this storm is his skin
41:25
is ripped like a tempest. You see it's
41:27
ripped around like a little tornado in
41:29
front of you before the storm consumes the
41:32
skin.
41:32
I almost wish we hadn't met him. Why
41:35
do we? Well, at least he at least
41:37
he told us the way at least he told us his
41:40
way through before. Oh, and
41:42
at that you hear a guy behind you say, huh, need
41:45
help? No. Yes.
41:48
It depends. You see a human man leaning
41:50
against a tree. He looks exactly like demonstrating
41:53
Michael. He's flipping a coin up and
41:55
down. He says, my name is normal
41:57
Michael.
41:58
Oh, great. Fantastic. I'm demonstrating
42:01
his brother. Oh, our last name
42:03
is Michael. That's okay. We weren't close
42:06
Big family big big family.
42:09
But you were close physically cuz you were yeah,
42:11
we all look exactly the same
42:14
Mr. Michael. I'm mr. Michael.
42:16
I prefer you call me normal though. Okay normal
42:19
Yeah, that way you can differentiate me
42:21
from my brother demonstrating Michael whose skin
42:23
even now is whipped around in the storm
42:26
a few feet away from us normally
42:27
hate to cut you up, but do you have any other
42:29
family close by that maybe we could just Talk
42:32
to the storm consume them all
42:35
I truly am the last of my kind. I'm
42:37
so sorry It's okay You guys
42:39
trying to
42:40
get across the storm. Do you have an do you have an alternate
42:42
route? Of course? I do is it is it the
42:44
same as demonstrating Michaels route through the storm?
42:47
What
42:47
do you think? I'm an idiot? I Wouldn't
42:50
be killed like that. His way wasn't
42:52
through the storm. He was demonstrating what his way wasn't.
42:55
Oh, of course Yeah, our way was the same way.
42:57
We were in business together.
42:58
Okay, what is it? He takes his hat
43:00
off and he puts it to his shift. Can you just give me a second? My
43:02
brother was just in front of me. I'm trying
43:04
to take your lead here. I understand
43:07
to be fair you did get our attention Well,
43:10
I'm pretty good at that. Oh Okay,
43:14
we get it we can all have a moment of silence. All
43:17
right, here we go. One two three Moments
43:21
are so short already. It's over. Let's
43:23
go. Are there stairs somewhere? Yeah
43:27
inside of this tree and he hits the side
43:29
of the tree that he was leaning against The
43:34
spiral staircase on the interior
43:36
of the tree you guys comfortable walking upstairs
43:38
not everyone is
43:39
thank you for asking Yes, I feel great about
43:41
it. We are but I do want to ask before we
43:44
enter this tree Is there any kind of toll
43:47
or price or cost
43:49
or oh my consequence to
43:51
like
43:52
going this way? Well, that wouldn't
43:54
be fair. I mean I could make a killing But
43:57
I already told you guys about it. Come on. Okay,
43:59
great Albie's gonna take
44:02
the lead. Oh, I guess you know
44:04
the way. Lead the way, please.
44:06
And you begin walking up the interior. The
44:09
spiral stairs of this enormous tree. It's
44:12
very dark in there. There's no lighting in the tree. Albie,
44:16
I need you to make a perception
44:17
roll. Okay. Sixteen.
44:21
Sixteen, you're doing great inside of this tree. You
44:23
move up and up and up. You've been walking
44:26
for quite some time. You're probably 100
44:28
entire feet into the
44:30
air.
44:31
Oh, boy. Okay. She
44:33
looks behind her to make sure that there are still
44:35
people behind her. Belo's right behind her.
44:37
He is not breathing heavy. Okay.
44:40
Oh, Belo. You went up a... Yeah, 10 flights.
44:43
Nice, dude. Yeah,
44:46
normal Michael. It's completely normal
44:48
to be out of breath after walking up 10 flights of
44:50
stairs. He's...
44:53
Oh, this is an athletic group. Do
44:56
you want to take another moment? No, no, I don't.
44:58
I already took the moment for my brother. How many moments? There's
45:01
so few moments in a human life. Oh,
45:03
yeah. That's a bummer. Okay. All
45:06
right, we're here. And he hits the interior of
45:09
the tree, and another door opens up, flooding the interior
45:11
of the tree with light. You're up now
45:13
in the canopy in the James Woods. And he
45:15
leads you out onto a long, thick branch
45:18
up in the woods.
45:20
You know, Albie, we never talked about that. Like, what's
45:22
the, like... What's the fawn lifespan
45:25
like? You want to
45:27
talk about the nail? Oh,
45:29
I don't know. It just came to mind. Oh.
45:34
That's sweet. I would say, like,
45:37
a normal, like, human lifespan. Oh,
45:40
okay. My lifespan is thousands
45:43
of years. All right, stir fry. Stir fry. Now
45:46
I know stir fry is the mummy's name. The
45:48
mummy is named stir fry. Wow.
45:50
You all have... Yes. No. No,
45:53
that was the name of the... of
45:58
the... my queen.
45:59
Oh no! Something
46:02
is clearly up with this mummy. This is the biggest
46:04
mummy I've ever seen in my... I've never seen a
46:06
mummy so big in all of Cordelia. Usually
46:09
it's only tiny creatures and children who are
46:11
mummified. But this one is big! We
46:13
actually call him the Morning Mummy because he
46:15
has so much grief. Oh. I asked
46:19
to be called by my wife's name
46:21
as a side
46:24
of respect to her. I hope
46:26
I don't have to commit my mummies
46:28
curse on anyone who wrongs me.
46:31
Oh my god! No,
46:31
no, no! Please, I'll do anything! I'll
46:33
do anything! Even continue to help you! Then
46:36
continue to help me, you shall.
46:38
I am the mummy, of course.
46:41
Yes, yes, yes, my own kindness
46:44
and the mummy's curse compel me to help you.
46:46
Thank you, Normal Michael. Yes,
46:49
of course. I'm happy to help. Please, right
46:51
this way, across the branch. We're gonna be going
46:53
over the skin-eating storm.
46:55
Oh, amazing. How thick
46:57
is the branch? How thick is the branch?
47:00
Why don't you just look down now? It's
47:02
carrying all of us. What a strange
47:04
thing to ask me. I didn't ask you how thick was
47:06
the ground when we were down upon it. Some of
47:08
us
47:09
don't like looking down. Some of us have
47:11
a fear of height. Is that how you got so tall,
47:13
always looking up and the body just followed? Yes. Why,
47:17
I should try that. I hate my height. Oh,
47:20
stop. Why? I just hate it. Tell
47:22
me exactly what it is. My exact
47:24
height? Yes. Fine.
47:27
5'11". I
47:30
just want to be a little taller, you know. It
47:33
would be perfect. Oh, it would be 6'3".
47:35
Beautiful. It sounds a little
47:37
too tall. No! Except I'm
47:39
more taller. Well, yes. See, so what are you talking about? Don't know.
47:42
Anyway, the branch- 6'3", you'd probably hit a lot of
47:44
low-hanging branches. Oh, it's definitely
47:47
not easy. It's definitely not easy to be 6'3". But
47:49
no! This branch can
47:52
hold all of us. It can support all of our weight.
47:54
And this goes all the way across the storm? No,
47:57
no. It doesn't go all the way across the storm. But
48:00
not on the branch. Oh how then and
48:03
at that he says cheree cheree cheree
48:05
cheree Cheree come
48:07
out men come out men men
48:09
come out and it that Oh,
48:13
no, this is a treat Yeah
48:16
Yeah Yeah, that a bunch of
48:18
strange men began crawling
48:21
out from under the bottom of the branch They
48:23
were hanging under there like bats and
48:26
they they crawl Hi,
48:29
hello, hello. Yes. We're the gliding men
48:32
of the James Woods. I'm Christ
48:35
nice to meet you Christ But
48:38
they're part cat no, no, they're just
48:40
in the like a defensive pose.
48:42
They're afraid you haven't in You
48:45
haven't you you haven't made them warm up to
48:47
you yet. They're they're arching their backs. Bello
48:49
takes out a pretzel
48:51
One of them. Yes, is it you? Begins
48:54
to crawl over Bello slowly
48:58
Bello slowly reaches out with the pretzel make
49:00
an animal handling roll Sorry
49:03
make a man handling roll right, of course man
49:06
is an animal after all That's
49:11
a 17 the 17 oh
49:13
yes the man he takes the pretzel cautiously
49:16
and he looks at you
49:19
That's a good scratching
49:21
under his chin You
49:23
gave me no pretzel Okay,
49:28
I understand what's happened here Bello
49:31
scratches under the man. Yes. This is
49:33
the one I like. Yes Oh, yes
49:35
a member a member of my family in
49:37
some ways
49:38
You're a good
49:40
man, would you like to see
49:42
Under my arms and he stretches his arms
49:44
out and there's a thin layer of skin
49:47
Connecting his arms to his body.
49:50
Oh wow. We've evolved this way to live
49:52
at the top of the trees gliding down
49:54
gently We're not capable of true flight,
49:56
but we are capable of true glide
49:59
that rules
49:59
It does, it does! It's, you
50:02
don't have to glide to live here, but it helps.
50:07
Cordelia had berries in her pocket,
50:09
and she holds them out to another
50:11
gliding man. The biggest one crawls over
50:14
to you, and he looks at the berries, and he
50:16
says, baaaargh! Berries? Baaaargh!
50:18
Would you like a berry? Baaaargh! Desperately.
50:22
She hands it to him. Make an animal handling roll. Man handling
50:25
roll, sorry. Thank you. Critical
50:27
fail. Critical fail? Yeah. Baaaargh!
50:31
Not in the mood! And he crawls away. No, no,
50:33
no, no, no, no, no, no, no, no, I don't want berries.
50:36
No, no. And he crosses his arms, which
50:38
is difficult because of all the membrane of the
50:40
skin. Oh, it hurts, he stops. Stir,
50:45
stir fry reaches in the backpack and pulls out. Brick
50:47
of feta.
50:50
I mean, yeah. Yeah, I was gonna pull out
50:52
some feta. Go ahead, do
50:54
it. Stir
50:56
fry expertly reaches in his backpack and pulls
50:58
out expertly a wrapped, wrapped
51:01
in, pulls out expertly wrapped
51:04
in leaf, a bar of feta. He
51:06
cuts off a little slice and put it in
51:08
front of the face of
51:11
the nearest flying gliding
51:13
man. One of the gliding man, yeah, the gliding man
51:15
closest to you with noble Mediterranean features,
51:17
he looks at you, he looks up and down
51:19
and he says, pshhh, pshhh, pshhh,
51:21
be that feta. Pshhh, pshhh,
51:24
yes, the mummy brings you feta.
51:26
Make a man handling roll.
51:30
Yeah. Takes
51:32
a nibble. It will
51:34
do, pshhh. Stir fry
51:37
lightly scratches the top of his head as
51:40
he has the feta in the other hand below it. Pshhh,
51:43
pshhh, yes, yes, yes, it's you I will
51:45
carry. I will carry the biggest mummy in all
51:47
of history. Yes, yes, yes, and I give
51:49
you the gift of, you may
51:51
have power to give others the mummy, you
51:54
may have power to give others the mummies
51:56
curse. I can curse others? You
51:58
have the power to curse others with the mummies.
51:59
At that he points at another gliding
52:02
man and says, I curse you, I curse you. That man,
52:06
and he glides away down into the trees gently,
52:08
safely.
52:10
That man is gone. Branson, are these men
52:12
clothed? No. Good. Joe.
52:17
I knew, you all knew. He
52:19
knew. But we didn't have to know. Well, the
52:21
listeners did. And any listener picturing clothes, will
52:24
you expect an apology?
52:26
Um, Albie doesn't have any food,
52:28
so she takes out her pan flute. And
52:32
she kind of looks to
52:34
see if any of them have taken an interest in the pan
52:36
flute. One of the men looks at you and
52:38
says, huh, huh,
52:41
what is that? What would be that strange
52:43
instrument? Do you like music? Of
52:45
course, I love pan flute music, but what do you have?
52:49
A pan flute? Prove it. Do,
52:53
do, do, do, do, do, do,
52:55
do. Prrrr, prrrr.
52:58
You don't even need to roll if you complete the pattern. Prrrr.
53:03
The man nuzzles up against you.
53:04
Aww, Albie's sort
53:06
of like looking away and patting him. Belo
53:11
clocks this. She
53:14
looks at him. The
53:16
man looks at you, Belo, and he smiles. He
53:18
smiles widely. I
53:20
love music.
53:23
Yes, is it you? Come
53:27
on, come on, Freddy, tame your beast. I
53:30
don't have anything. I don't have any food
53:32
for them. Do you want some pretzel?
53:35
Yes, please. Belo
53:37
gives to Bonesby a pretzel. What, can we do that? Is
53:39
that okay? To give each other pretzels?
53:41
Yeah, is that, is that, can we
53:43
have to look it up? Yeah, hold on, let me, let's
53:45
break to look it up in the rules. Yeah. It
53:50
turns out, we're back. It turns
53:52
out it is not okay. So
53:55
we are not allowed to give each other pretzels. Belo, I'm sorry, you're gonna
53:58
have to try something else. Thank you.
53:59
Tim was right to ask. They just published
54:02
that unearthed arcana about pretzel handling.
54:04
Can't do it. Well, in that case, Freddy
54:06
cast Charm Person. Oh! Yeah,
54:10
you cast it at the menu. He
54:13
goes,
54:14
he has to pass a wisdom save. All
54:16
right. He has to beat a 15. That's
54:22
a 14. He resists. He hates
54:24
it. Oh, he doesn't like being charmed. It's so close.
54:28
He's like, I hate being
54:31
charmed. I hate being charmed. You
54:34
have to let me ride on you now. I'm
54:38
a creature of the skies.
54:41
Cordelia
54:44
is still looking at the big guy. Yeah,
54:46
he looks at you and says, you're really going
54:48
to have to do something important
54:50
to bond with me.
54:53
She's like, well, maybe if you don't want berries,
54:55
you'd like to play. And she holds out her hand
54:57
like, stop and casts
54:59
minor illusion. And it's a tiny little laser
55:02
dot. And it's sort of like, dart.
55:03
He pounces at the dot. Give
55:05
me the dot. I need the dot. So
55:08
she keeps, she moves it so it's further down the
55:11
trunk of the tree. I need the dot.
55:13
I need the dot. I need
55:13
the dot. Even, I need the, I reach now for
55:16
the dot. And now to put my hand out and touch
55:18
the dot. What? The dot is on the back of my head.
55:20
Simple enough. I'll just put my other hand
55:22
onto the back of my head. Oh no, this terrible
55:25
dot, it moves through my hands. No. And
55:27
he jumps off of the tree. And he spreads
55:29
his arms. No.
55:31
Shit. What?
55:35
I thought that was going to be fun. You see, it
55:37
exacerbates because they can't actually catch
55:40
the dots. That it actually gets
55:42
a little more. Yeah, you could have created a problem. And
55:45
they can't get the
55:47
resolve of actually killing it.
55:48
Albie was watching the whole thing and had to breathe
55:51
her way out of a rage just then. God,
55:54
OK. Oh, God. Oh, that was
55:56
infuriating. Normal.
55:58
Normal looks at you and says, tough luck. Look, you
56:00
made one of the men jump off of the tree. It's
56:03
gonna take him days to get back up here. Oh,
56:06
don't you just wait? No, you might just have
56:08
to settle for the second largest one. She
56:13
turns around. Yeah, you see another
56:15
large man, but he's just slightly
56:17
smaller. He looks at you and says. What
56:20
are you interested in right now? He
56:26
just, he hisses at you. He hisses at you. I
56:29
live in a tree. Okay, Junior.
56:32
Oh yeah, Junior appears on your shoulder and says,
56:34
I always rely on other kinds of strangers. Can
56:36
you out hiss this guy? Out hiss this
56:38
guy? Yeah. Or hiss off? Yeah.
56:41
Well, that's a fun thing to mechanically consider. Yep,
56:45
let's go.
56:46
Oh,
56:50
you like this? Oh,
56:53
what's this? Well,
56:59
obviously the man looks
57:01
at you and says, I've
57:10
been out hissed.
57:11
Yeah, oh good. Thank
57:14
you, Junior. And Junior
57:16
says, can I go now? You are excused.
57:20
Oh, thank you very much. Junior
57:22
disappears in a whiff of brimstone.
57:23
Ugh. Ugh.
57:26
Cordelia gets on this guy's back. Oh.
57:29
Oh, she gets off. Why are we not doing that? He
57:31
looks at you, he says, get back on. She
57:35
does? Yeah, you're on his back. And Norma
57:37
Michael looks at all of you and says, so
57:42
you've all bonded with these
57:44
gliding men.
57:45
You're gonna be riding them
57:47
over the storm. You're
57:50
gonna be landing on the other side in the teenage woods. There's
57:55
tall trees on the other side. Those men are
57:57
gonna crawl back up those trees and
57:59
fly back up.
57:59
across this way. And they know the
58:02
way they've done it before? No, I'm hoping
58:04
they'll do well though. Oh.
58:08
Ugh. There's many gliding men up here
58:10
in the trees. Okay. The witch hunters down
58:12
below, fools that they are, they never checked up here
58:14
for the gliding men.
58:16
Yeah. Only I know about them. Well, and my brother.
58:18
Normal. R-I-P. Normal. I'm
58:21
normal. I have one. Normal Michael. I
58:23
have one. Demonstrating Michael was my brother's name.
58:26
Yeah. Demonstrating so hard, his skin was
58:28
ripped from his body. That was his game. R-I-P.
58:31
And I the- Well,
58:33
unfortunately we know he did not rest in peace. But
58:35
now- We see now the storm below that he rests
58:38
in. It's not peaceful. Does that look peaceful to
58:40
you? What about his soul though? What about his soul?
58:43
Oh, are you religious people? No. I
58:45
don't believe in the soul.
58:48
That must be nice. It's true. I
58:50
don't believe in the soul. And I don't believe in the gods
58:52
of this world, despite the ample evidence
58:54
of them.
58:55
Well, then, then nothing for him. Yes.
58:58
Nothing for him. I'm sorry, mummy. Yes.
59:00
You had something you- And mummy, I must commend your patience.
59:03
No problem. I've waited thousands
59:06
of years to be unearthed in my own
59:08
tomb. And they of course make them right, right, right. Yeah. So mummy,
59:10
yes. I have to know.
59:13
Why? Why are you helping
59:15
us? Complete strangers.
59:19
Because I don't like this.
59:22
I don't like what's happening here with the witch
59:24
hunters. Trying to block who
59:26
can go in and out of the woods. The
59:28
woods should be for everyone. The James
59:30
woods should be regal and the teenage woods
59:32
should be teenaged. Yeah.
59:35
People could be able to travel where they want, when they want.
59:38
Yeah. Yeah. I don't want the boot
59:40
of any witch hunter on my neck. Absolutely.
59:43
Sir, I give you a gift. You
59:46
have the power through the transitive property
59:48
of kindness to you may
59:50
use my mummy's curse on whomever you measure.
59:53
I can curse anyone I want. Yes, only
59:55
once. So make it count. Okay.
59:59
Oh, wait. No, it's more interesting
1:00:01
if I do it now. How fucking
1:00:03
boring if I just said, oh, I'll just do it
1:00:05
later. Okay, I just want to make sure you knew the option.
1:00:08
I'll do it now. Let's think of all the people I
1:00:10
could have possibly met. It's mostly
1:00:12
you guys and these gliding men. What
1:00:15
about someone from school? Someone from school?
1:00:17
What do you mean? I didn't go to any school. Or your
1:00:20
childhood? My childhood.
1:00:21
Well, there was my brother, but he was already
1:00:24
cursed. And I loved him.
1:00:26
I don't know. Was there, what about
1:00:28
like a bully in your child? Of
1:00:30
course I was bullied. I mean, there was one
1:00:32
guy. Yes. Yeah. There was one guy
1:00:34
who used to bully me when I was a kid. I mean, only
1:00:36
once. He was just moving through this part of the
1:00:38
world. Then you choose him, curse
1:00:41
this one. Yes. I will close my eyes
1:00:43
and I will say his name. Hot Roddy.
1:00:45
I curse you. Yeah. Got it. Yeah.
1:00:49
I've cursed a man named Hot Roddy
1:00:51
who I assume only I knew. Yes.
1:00:54
Yes. Yes. He's been cursed. Yes. Terrible
1:00:56
man. Striff I looks at everyone else who looks pretty
1:00:58
shocked and goes,
1:00:59
ah, yes, then my mommy's curse
1:01:01
has happened to this one. And you all know
1:01:04
how powerful my mommy's curse
1:01:06
can be. Make a deception rule.
1:01:10
That was, you rolled a 10. Yeah, that was 16.
1:01:14
Yeah.
1:01:14
Strange way to say it, but I guess mommies are weird.
1:01:17
Yeah. All
1:01:18
right. I want to ride this man. Of course. And I want
1:01:20
to let you.
1:01:21
You guys are offering me curses. All
1:01:23
right. So there's only one thing to be
1:01:25
aware of. Okay. One thing before
1:01:28
I say the word that sends all
1:01:30
of these gliding men over and before
1:01:33
I say that word, which of course is here
1:01:35
and at that all of the flight men, they
1:01:37
spread their arms and they catch the
1:01:40
the breezes, the clockwise winds
1:01:42
of the of the James Woods and they take
1:01:44
flight and all of you are lifted up,
1:01:46
up, up, up, up. Oh, no. Oh,
1:01:49
oh, normal Michael. Not oh, no. Oh, yes,
1:01:51
you're flying. You're flying. You're gliding
1:01:53
up, up, up into the sky.
1:01:57
Move into the great blue beyond.
1:02:00
You see the beautiful, pillowy,
1:02:02
cumulus clouds of the sky. You
1:02:04
feel the absence of the ground underneath you.
1:02:06
There is no ground. You are
1:02:08
in the air flying through the sky.
1:02:11
You feel the wind in your hair. Hey,
1:02:14
hey, hey, hey.
1:02:20
Just in time,
1:02:24
I am flying. You got one
1:02:26
track.
1:02:27
My footy. Check it out. Hey,
1:02:30
check it out. I'm flying.
1:02:31
Yeah. You're
1:02:38
dodging and weaving and moving around in
1:02:40
the skies. It's incredible.
1:02:42
You're doing it. You're all really flying.
1:02:45
Ain't that Mr. Mister on the radio? Oh
1:02:48
my god. I've never seen the Teenage Woods
1:02:50
from up here.
1:02:51
It's amazing. You've
1:02:56
never seen the world like this. You're looking down
1:02:59
on the woods, and you can see further off
1:03:01
into the horizon than you've ever been able to see in
1:03:03
your life. The top
1:03:05
of Roleshaven doesn't
1:03:06
compare to the view there. Doesn't compare
1:03:09
to this view. As you look down infinitely
1:03:11
on these woods that stretch out, you can see
1:03:13
the K River, the mighty K
1:03:15
down below you. You can see it's
1:03:18
shrinking. It's shrinking as you're moving up into
1:03:20
the sky, but you can see the tiny road,
1:03:22
the witch hunters,
1:03:23
all of your problems. They seem
1:03:25
to be shrinking away down below
1:03:27
you. It's just you in the sky.
1:03:29
Tony!
1:03:35
That little bit of spit, that little bit of spit,
1:03:37
it falls and falls and falls and
1:03:39
falls and falls and falls and falls, and
1:03:41
it picks up speed and terminal velocity
1:03:43
and it moves through the skull of one of the witch hunters.
1:03:45
Yes! Ha ha ha ha ha!
1:03:48
Ha ha ha! Hey!
1:03:51
Freddy, yes! Yes, you've gone to this.
1:03:53
It's amazing! Stir-fry as well. Stir-fry,
1:03:56
stir-fry spits as well. Stir-fry!
1:03:59
And you spit! It leaves!
1:06:00
You see a little bit of... I don't
1:06:02
see her at home, but you see something strange
1:06:05
going on around the the soaking valley. It seems
1:06:07
to be... What is that? What's
1:06:10
going on? Is it... is it... seems to be an odd
1:06:13
bluish hue to the... something very
1:06:15
odd is going... But at that, before you can really truly
1:06:17
concentrate on what's going on way way
1:06:20
off very far in the distance Your
1:06:23
gliding man becomes agitated
1:06:25
Whoa, whoa,
1:06:27
whoa, whoa, whoa, what's that? What's the
1:06:29
matter? The gliding man says, there was no time!
1:06:32
There was no time! There was no time to tell you! But
1:06:34
unfortunately, we have natural predators!
1:06:36
We have gliding men predators in the sky! Look
1:06:38
now off to the side!
1:06:39
You see off in the distance is... oh no These...
1:06:43
these men, these gliding men, these natural predators
1:06:45
of the gliding men, they've caught an eddy and they're
1:06:47
circling all of you! They look exactly
1:06:49
like the gliding men except they have wicked expressions
1:06:52
on their faces and they have... oh no! They
1:06:54
have weapons! They have swords!
1:06:57
They have javelins! They have morning stars! They
1:06:59
have... one of them is swinging a chain around
1:07:02
his head! One of them has a baseball bat
1:07:04
with nails sticking out of it! One
1:07:06
of them has something that looks... oh,
1:07:08
oh no, it's too terrible!
1:07:09
It's too terrible to even describe,
1:07:12
but I'll try! It's a... oh no! It's
1:07:14
a ping pong battle! But on the very end
1:07:16
of it, instead of a bouncy ball, it's a...
1:07:19
oh, oh no! It's a vial of poison!
1:07:23
It hits his paddle
1:07:24
and the paddle begins to evolve and gets silly! He
1:07:26
falls from the sky! No! Of
1:07:29
course, man's natural enemy is man!
1:07:32
Albie's gonna look at the closest villainous
1:07:35
man. His mouth is wide open and he's just
1:07:37
gliding towards you! He has nunchucks!
1:07:40
She's going to sweep her arm... She's
1:07:43
going to sweep her arm behind her creating a
1:07:45
violent gust of wind blowing towards him.
1:07:47
He's
1:07:47
gonna make a dexterity saving roll! He
1:07:50
gets a critical vial! He does an extremely cool
1:07:53
move with his nunchucks and the gust
1:07:55
of wind hits him and he's
1:07:56
knocked! He says, no, no, no!
1:07:59
He lands on spikes! Down on the ground,
1:08:02
you don't see it, but I do! And the listeners, they
1:08:04
have to see it too! He lands on spikes! What are
1:08:06
spikes doing down there? A spike salesman
1:08:08
says, huh?
1:08:09
Is there any chance that Albie
1:08:11
can try to like intercept those nunchucks?
1:08:14
Yeah, yeah, you can try, you can try, but the nunchucks
1:08:16
are also, they're falling, they're
1:08:17
falling through the sky. You're gonna have to make a manhandling
1:08:19
roll to steer your gliding man
1:08:22
over towards the nunchucks, which even now fall
1:08:24
down, but oh no, directly below you is
1:08:26
the storm. The storm, they're falling into the
1:08:28
storm. Forget it! But you were gonna try,
1:08:30
you don't wanna do it,
1:08:31
you passed off the idea, oh no! Oh no, try it!
1:08:36
18, you are just able to grab
1:08:39
one of the nunchucks, you do not do a cool trick
1:08:41
with it. A nat 20 would have meant you did a cool
1:08:43
trick and you grabbed it, instead you simply grabbed
1:08:45
it.
1:08:45
Okay. Albie, that was competent!
1:08:49
Thank you, Bello! And she's gonna swoop
1:08:51
back up towards the, sorry, she's gonna
1:08:53
swoop back up higher above the storm. Yes,
1:08:55
you're up above the storm now, and these weapon
1:08:58
gliding men, the evil ones, you can
1:09:00
tell them apart because they have wicked expressions
1:09:02
on their faces. You can tell that they're naturally
1:09:05
evil. Bello's going to cast Fog Cloud
1:09:07
to try and disorient the
1:09:10
predatory gliding men. You shoot
1:09:12
a Fog Cloud over at the men. The men, unfortunately,
1:09:15
they are circling you, there's no way you're gonna be able to
1:09:17
get all of the men without also getting you, but you
1:09:19
are able to, pick a man, pick
1:09:21
a weapon that I described.
1:09:25
The man with the chain. The man with the chain. There's
1:09:28
a man swinging a chain around, around his head. He's gliding,
1:09:30
but he's also swinging a chain around. Fog
1:09:33
forms around him and he shouts, no, no,
1:09:35
no! I'll keep swinging the chain, of course.
1:09:38
Yes, that will dissipate the fog. It's working
1:09:40
a little bit. Hmm, I'm
1:09:42
in the fog though for now. You're no spin-ya-later.
1:09:45
What, spin, what? Already
1:09:48
he's gone, he can't hear you. Uh, uh,
1:09:50
Debonesby, one of the men with the long sword,
1:09:54
he swoops over close
1:09:55
to you, brandishing his sword. He
1:09:57
pulls it from his scabbard. and
1:10:00
he shows you his steel and he says prepare
1:10:03
to die know
1:10:07
how far away as he's getting very cool he's flying
1:10:09
toward you with his mouth open he's actually going to attack
1:10:12
roll what's your easy lengthy
1:10:14
is eleven that's going
1:10:16
to hit unfortunately he takes a swipe
1:10:18
at you but not the gliding man he
1:10:21
takes a swipe at you to bones be for
1:10:25
for three
1:10:27
he slashed is that your arm it's of there's
1:10:29
more where that came from
1:10:30
i get textile and and
1:10:33
freddie he goes to wrap
1:10:35
both of his hands around these things neck
1:10:37
but the the jar of
1:10:40
pickles poopy hand against
1:10:43
still able to get the other hand like right on this guy's neck
1:10:46
performs a shocking grasp of or you
1:10:48
do i need you to make an improvised weapon roll with the jar
1:10:50
hands of
1:10:53
those three you
1:10:55
you you go to it hits them in the side of the head
1:10:57
but that's side of his head is extremely tough and
1:11:00
it feel that dreadful it barely hurts them at all it
1:11:02
doesn't do any damage
1:11:03
what i wasn't trying iraq dot i went on
1:11:06
good luck getting the other side of i have a website
1:11:11
get out loud as and
1:11:14
pretty lecture tries
1:11:15
his hand and goes to get my mac
1:11:18
you electrify your hand you go to give them it's like you guys
1:11:20
are up in the air who are moving left
1:11:22
and right and to and fro and up and down he
1:11:24
simply move his head down and do with completely
1:11:27
you don't know damage to this man he goes
1:11:29
to take a bite out of the arm of the lighting man
1:11:31
he says he ran for a quick
1:11:34
hid the galactic
1:11:35
bad neighbourhood
1:11:37
level
1:11:38
did he
1:11:41
just wants is thrown out he's gonna go to try to stab
1:11:43
the
1:11:43
when the mighty with the
1:11:46
skin membrane of the lighting and with to
1:11:48
stab and makes an attack roll a
1:11:53
myth is completely pretty
1:11:56
reaches inside of himself no longer fucking
1:11:58
around he's he's going
1:11:59
most powerful spell, the trusty
1:12:02
Lightwing Bolt. But as he does so,
1:12:05
he can't
1:12:07
quite find it. He realizes that the synapses
1:12:10
in his brain have been rerouted since he's
1:12:12
become gobletified. But there's
1:12:14
something in there, and he reaches
1:12:16
out and you see that
1:12:19
familiar ripple of the goblin
1:12:21
flesh in the bones of the beast, but it's in
1:12:23
the wicked man. He is bestowing
1:12:26
the flesh. What the fuck is this? You
1:12:29
bestowing flesh? What is happening to this man? Please
1:12:31
describe. He's transforming molecules
1:12:33
inside of him, moving organs around,
1:12:36
ripping skin apart,
1:12:37
putting it back together, turning
1:12:39
bones into jello. Oh
1:12:42
no, no, no, no, no! And
1:12:44
as you do that, the skin membrane begins to
1:12:46
fall apart,
1:12:47
and he falls, and he falls directly down
1:12:49
into the skin-eating
1:12:51
storm.
1:12:52
Oh my god,
1:12:54
that was gross!
1:12:55
That's what it feels like for me right
1:12:58
now, but I'm good at it! He
1:13:01
wasn't! At that Cordelia,
1:13:05
a gliding man, a wicked gliding man glides
1:13:07
over towards you with his arms completely
1:13:09
outstretched. He has, what is
1:13:11
that, an umbrella? Seems like a simple umbrella
1:13:14
until he pulls, oh no. It
1:13:16
was actually a long blade disguised
1:13:19
as an umbrella, and he goes to stab you with
1:13:21
the blade, and he says, I tricked you! I
1:13:23
tricked you! It's a tricky one of us,
1:13:26
and I ruled a 19! Oh
1:13:28
shit. For
1:13:30
seven damage! So,
1:13:34
Cordelia does that thing where when somebody stabs
1:13:36
you, you grab the blade? Yes, yeah,
1:13:38
yeah. Oh, and it's going to do an extra one damage
1:13:40
to the inside of your palm. She'll take it. Okay.
1:13:43
And she jams her hand into the coin pouch, grabs
1:13:46
a handful of coin coupons,
1:13:48
and slams him
1:13:49
in his face and says, see you in hell!
1:13:52
You slam the coins into his eyes and he goes, what the! He's
1:13:57
gone. She,
1:13:59
he's been so-
1:16:00
Can I try that again or is that...
1:16:02
I need to keep all of
1:16:04
that including you asking to try it again. Okay.
1:16:08
Yeah, so you look in the camera and shout, Mummy's
1:16:10
curse, Mummy me? Sir
1:16:12
Frank, while you celebrate, another man,
1:16:15
he swoops up directly above
1:16:17
you, and he's holding, he's clutching both
1:16:19
sides of an iron maiden open. He's
1:16:22
gliding up in the air with like one thousand
1:16:24
pound iron maiden. It's like a closet
1:16:27
that you open and there's spikes on the inside and he goes
1:16:29
to close it around you, around you
1:16:31
and your gliding man. He's gonna make an attack roll.
1:16:36
And it's gonna work. He
1:16:38
goes to close it on you, Sir
1:16:40
Frank, and he's moving down and he
1:16:43
begins to close and close, but this thing is very heavy. It's
1:16:45
extremely unwieldy and
1:16:47
it's going to do...
1:16:51
It's going to
1:16:52
do thirteen damage. Albie's
1:16:55
gonna try to throw the nunchucks at his genitals.
1:16:58
His genitals? He is also nude.
1:17:00
His genitals are exposed. Make
1:17:02
an attack roll on his genitals. Soon they'll be exposed.
1:17:06
Okay.
1:17:06
Ooh! A
1:17:08
nineteen without any kind of modifiers.
1:17:11
A nineteen? You throw the nunchucks.
1:17:13
You just let go. I made it for his balls.
1:17:16
Can I get a description of really focusing
1:17:18
in on it, you know, because it's gonna work?
1:17:20
Yeah. Okay. Albie sees
1:17:22
this happening. She feels
1:17:25
it's turning with her gliding man right now. She
1:17:27
tries to steer him in the
1:17:29
direction of the Iron Maiden flying man
1:17:32
and she throws the
1:17:34
nunchucks right at his balls.
1:17:36
And the nunchucks
1:17:38
you let go and it's that perfect shot. The
1:17:42
nunchucks, they're spinning around, around in the air. He's
1:17:44
so distracted with this Iron Maiden. The nunchucks
1:17:47
wrap around his balls and they just
1:17:49
keep moving and they pull his balls with
1:17:51
him and he says, No, no,
1:17:53
no! My
1:17:55
family name! The
1:17:57
right of the family jewels! Oh,
1:18:00
that's gonna- Oh, I'm
1:18:02
gonna feel that in the morning! And
1:18:04
it rips his balls
1:18:06
out, and it rips, it's fucking all
1:18:08
of his cum out. It's
1:18:10
stored, and it rips and he goes, oh, oh,
1:18:12
oh, no, no, no! And he lets go of
1:18:15
the Iron Maiden, and it falls down
1:18:17
into the skin-eating storm below. As
1:18:19
he tries to, he reaches out, he tries to fly towards
1:18:21
his balls, but they're falling,
1:18:22
they're connected to the nunchucks, they're getting heavier and
1:18:24
heavier, they're falling into the skin-eating storm.
1:18:27
The, oh, jeez, uh-oh, uh-oh. Oh,
1:18:30
no, oh, the- Oh, no, we
1:18:33
ran out of money, I can't describe what's happening. Oh,
1:18:36
it's bad. Stirf, man. Stirf,
1:18:38
watch out for the cum!
1:18:41
Stirf-eye doesn't watch out. Whoa.
1:18:43
I was gonna let you roll for it.
1:18:44
A little
1:18:47
bit cum hits you, dude. Ha ha ha ha
1:18:49
ha! Hey!
1:18:51
Hey! Justin!
1:18:54
Serve! One of
1:18:57
them, another one, Cordelia, another
1:18:59
gliding man, there are two gliding
1:19:01
men working together. One of them is aiming
1:19:03
a large cannon, and the other
1:19:06
is gliding a fuse. Gliding
1:19:10
the fuse up a cannon, like a big, anti-nableship,
1:19:15
like a big cannon, aims
1:19:18
it directly at you, one of them likes the fuse and they both
1:19:20
nod.
1:19:21
Cordelia checks the sword, she just got into the barrel,
1:19:23
hoping to wedge it between the side of the barrel
1:19:25
and the cannon. Ball. Make
1:19:29
an attack on it. Oh, that was a great
1:19:31
idea. The
1:19:34
sword, it goes into the cannon, it jams the cannon,
1:19:37
lights the fuse, the fuse is getting closer and closer and
1:19:39
closer. Oh no. She waves.
1:19:41
They, they wave, what
1:19:43
could this, what could this, oh no, there's an
1:19:45
explosion! Why? They
1:19:48
explode, they're both gone. Whoo!
1:19:51
There's only two wicked gliding
1:19:54
men left. One of them has a morning
1:19:56
star and
1:19:56
is heading directly for bellow. Great.
1:20:00
The...
1:20:02
The wicked man with the Morning Star glides
1:20:04
right behind Belo and Belo's noble
1:20:06
gliding man. Belo knows
1:20:09
this is an important moment. Belo can
1:20:11
see the Teenage Woods in front
1:20:13
of him. He can
1:20:16
taste it. He knows that this is
1:20:18
the most important leg of their journey. And
1:20:21
he thinks back. He thinks of all the
1:20:23
things they've learned and
1:20:26
all the things they've gained while they've traveled through
1:20:29
the James Woods. He thinks even to some
1:20:31
of those adventures that we may not have shared
1:20:33
on this very podcast. And
1:20:36
that is when he reaches into
1:20:38
his pack and draws forth
1:20:42
that fabled knife.
1:20:44
The Blade of Eternal Stomp. Holy
1:20:46
shit. Now? Oh my gosh. Okay,
1:20:48
make an attack roll with advantage. Oh,
1:20:52
natural 20! Oh my god! A nat 20! You
1:20:54
get another roll and you can take the higher roll. Okay.
1:20:58
Oh, I get a natural 21. Uh,
1:21:00
uh,
1:21:00
you buy it. Take the 20. Okay. Alright,
1:21:03
yeah, yeah, you make an attack roll for double damage. Okay, that's gonna be... So
1:21:05
that's gonna be double slumbers. Double slumbers.
1:21:10
That's 14. 14? You
1:21:12
do 14 damage and you plunge this man.
1:21:14
The blade, it enters... It hits him right
1:21:17
in between the ribs. Oh, it
1:21:19
goes in. He looks at you and he comprehends. He
1:21:21
says, no, it couldn't be. He's
1:21:23
got the blade, the Blade of Eternal
1:21:25
Slumbers, but I'll never wake up! Belo
1:21:27
pulls him closer with the knife and
1:21:30
he looks him in the eye and he says, sweet
1:21:32
dreams. And he says,
1:21:34
no, no, no! And he grabs the Blade
1:21:36
of Eternal Slumbers as he falls asleep.
1:21:39
And then falls asleep again, even deeper,
1:21:41
taking the blade with him. No!
1:21:45
It worked, Belo. But at what
1:21:47
cost?
1:21:48
There is one more wicked gliding man.
1:21:51
He has a little plastic, like, shark
1:21:53
bitey instrument. He looks around
1:21:56
at all of you and says, ah, you! And
1:21:58
he begins to glide away from the blade.
1:21:59
the rest of the group.
1:22:02
Honest misunderstanding!
1:22:03
Woo-hoo!
1:22:07
Yeah! Freddy
1:22:10
leans down and kisses his man on
1:22:12
the cheek. The man looks
1:22:14
back at you and he kisses back and says,
1:22:17
don't tell
1:22:17
why! Never
1:22:19
friend, never tell why. Bella
1:22:23
watches the last wicked
1:22:26
gliding man fly away and then looks
1:22:28
down watching as the figure of the
1:22:30
wicked gliding man he stabbed fade into
1:22:33
the storm and he thinks, and he says
1:22:35
out loud, it's okay, I'll
1:22:37
get it back after a good night's sleep! You
1:22:42
watch as the man is just, he's ripped apart,
1:22:44
the storm rips his skin apart, the blade
1:22:47
of eternal slumber, which oh no, it was made of the
1:22:50
skin of the first sleeper. It's ripped
1:22:52
apart, the blade of eternal slumbers
1:22:55
is gone, it's atomized.
1:22:56
Lord Dreamstar will
1:22:58
be crushed! And
1:23:03
you later.
1:23:06
["A Gliding Good Time"] Now
1:23:09
that's what I call a gliding
1:23:11
good time. Oh,
1:23:13
you know, I, look, I'm trying to add
1:23:16
puns into my thing. You
1:23:18
know, I'm trying to incorporate, that was
1:23:20
Ali Fisher as Cordelia, Ali
1:23:23
Minado as Albie, Christopher
1:23:26
Hastings as Frederick de Bodesby, Joe
1:23:28
Lepore as Bello, Tim
1:23:31
Platt as stir fry, and Branson
1:23:33
Reese as everything and everyone
1:23:36
else. What a guy, I revere him above
1:23:38
God. Root Tales of Magic
1:23:41
is produced by Taylor Moore and Fortune
1:23:43
Horse and by Bucket of Milk, edited
1:23:46
by Sam Grant and sound design
1:23:48
and scored by Pontiac Sanders
1:23:51
with additional sound design for a
1:23:53
Michael Gelfey.
1:23:54
Also, Tyler
1:23:56
Button and Sydney and Benjamin
1:23:59
Paul. They helped so much
1:24:01
that they are I said
1:24:03
earlier that I reviewed Branson above
1:24:06
God I reviewed them above Branson
1:24:08
so that what does that tell you all
1:24:10
right?
1:24:11
I'll see you in two weeks unless
1:24:13
the crows pick out my eyeballs,
1:24:15
which is an active threat good night
1:24:25
That was a hate gun podcast
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