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San Francisco Theatre Scene (TM)

Barbara A. Brewer

San Francisco Theatre Scene (TM)

A weekly Arts, Entertainment and Performing Arts podcast
Good podcast? Give it some love!
San Francisco Theatre Scene (TM)

Barbara A. Brewer

San Francisco Theatre Scene (TM)

Episodes
San Francisco Theatre Scene (TM)

Barbara A. Brewer

San Francisco Theatre Scene (TM)

A weekly Arts, Entertainment and Performing Arts podcast
Good podcast? Give it some love!
Rate Podcast

Episodes of San Francisco Theatre Scene

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Advice to the Young Artist: Make the Most of Every OpportunityPart 8 - Very Close to CD-Quality MPEG-4 (Broadband) (5.6M)Part 8 - High Quality MPEG-4 (ISDN) (3M)Part 8 - Highest Quality MPEG-4 available for Dial_up (1.5M)
Learning Directing Techniques Teaching ChildrenPart 7 - Very Close to CD-Quality MPEG-4 (Broadband) (5.6M)Part 7 - High Quality MPEG-4 (ISDN) (2.8M)Part 7 - Highest Quality MPEG-4 available for Dial_up (1.8M)
Central Works Theater Ensemble of Berkeley is referenced in this segment.San FranciscoBay Area Theatre: A Portrait of Myopia and Its ConsequencesPart 6 - Very Close to CD-Quality MPEG-4 (Broadband) (4.9M)Part 6 - High Quality MPEG-4 (ISDN) (2.5
In this segment two performing arts companies are referenced; Word for Word and Thick Description, as is The Bay Area Playwrights' Festival. Also referenced is the children's book, The Wind in the Willows.The Future: Hosting and RegionalismPart
In this segment, Gee talks more about breaking out of stereotypes. He talks about producing Thorton Wilder's The Long Christmas Dinner. He also references August Strindberg, Henrik Ibsen, Noh Theatre and Suzan-Lori Parks 365 Days/365 Plays.Brea
In part three, Gee starts by explaining the impetus for starting the Oakland Public Theatre. Next he tackles the thorny issue of ethnicity in theatre in the Bay Area. He mentions Shotgun Players, California Shakespeare Company and African Ameri
Introducing other authors whose works will be read during the performances, Gee explains their relationship to Wright. Gee references Richard Wright's, Black Boy and Native Son, James Baldwin's Notes of a Native Son, Chester Himes an author,
Norman Gee, is the originator, artistic director and producer of Oakland Public Theatre in Oakland, California. As an Oakland actor and director he saw a need for a theatre whose mission was to serve the people of Oakland. Hence he created Oak
Part 8 - The Future (3:10)In this segment, O'Keefe discusses The Marsh as a venue for reaching varied audiences.Part 8 - Very Close to CD-Quality MPEG-4 (Broadband) (1.1M)Part 8 - High Quality MPEG-4 (ISDN) (2.2M)Part 8 - Highest Quality MPEG-4
Part 7 - Walt Whitman's "Song of Myself" as a Performance (11:33)In this segment of the interview, O'Keefe explicates Whitman's famous poem as he discusses the process of bringing "Song of Myself" to the stage. O'Keefe, like one of his mentors
Part 6 - Theatre as a Mind Altering Experience (6:35)In this section O'Keefe discusses the foundations of his body of work. In it, he references the Christo Running Fence, an art installation in Marin and Sonoma counties from 1972-1976. He al
Part 5 -The Politics of Theatre (6:35)In this section, O'Keefe describes how theatre in the Bay Area has become driven by market forces rather than creativity. Among other topics John Lion's contribution to San Francisco theatre is discussed i
Part 4 Experimental Theatre vs. Straight Theatre- (6:08)In this section O'Keefe discusses experimental theatre's takeover and demise. The Kitchen as well as P.S. 122 is mentioned as are performance artists; Steve Reich, Philip Glass, Laurie An
Part 3 - Music's Connection to Theatre--the language of poetry (4:09)In this section, O'Keefe makes references to Homer's ODYSSEY and ILIAD.Part 3 - Very Close to CD-Quality MPEG-4 (Broadband) (5.8M)Part 3 - High Quality MPEG-4 (ISDN) (2.9M)Pa
John O'Keefe, playwright, director and solo performer, is one the originators of The Blake Street Hawkeyes in Berkeley, California. He was one of the leaders of experimental theatre in the Bay Area in the early 1970's and has continued leading
I have been busy rehearsing for the California premiere of PURGATORIO by Ariel Dorfman. For more information about the production go to mysticbison.com I will continue interviewing theatre personalities after the play closes.
Part 6 - Acting and Directing Applied to Interpersonal Communication (4:14)Part 6 - Very Close to CD-Quality MPEG-4 (Broadband) (3.9M)Part 6 - High Quality MPEG-4 (ISDN) (2.0M)Part 6 - Highest Quality MPEG-4 available for Dial_up (1.5M)
Part 5 - Directing (5:26)Part 5 - Very Close to CD-Quality MPEG-4 (Broadband) (5.0M)Part 5 - High Quality MPEG-4 (ISDN) (2.6M)Part 5 - Highest Quality MPEG-4 available for Dial_up (1.9M)
Part 4 - Improvisation and Developing Acting Proficiency (4:11)Part 4 - Very Close to CD-Quality MPEG-4 (Broadband) (3.9M)Part 4 - High Quality MPEG-4 (ISDN) (2.0M)Part 4 - Highest Quality MPEG-4 available for Dial_up (1.5M)
Part 3 - In this segment Donna Davis discusses the lineage of the acting that she teaches. Mentioned in this segment are Konstantin Stanislavski, originator of the Moscow Art Theater and the method, a synynom for the then revolutionary techniqu
Donna Davis, actor, director and acting instructor, working in Berkeley California, teaches Stanislavsky's acting method as interpreted by Maria Ouspenskaya and Richard Boleslavsky , both of whom started and ran The American Laboratory Theatre
Part 5 - Stage Management: (7:36)Part 5 - Very Close to CD-Quality MPEG-4 (Broadband) (7M)Part 5 - High Quality MPEG-4 (ISDN) (3.5M)Part 5 - Highest Quality MPEG-4 available for Dial_up (2.6M)
Part 4 - Pragmatic Set Construction(8:10)Part 4 - Very Close to CD-Quality MPEG-4 (Broadband) (7.5M)Part 4 - High Quality MPEG-4 (ISDN) (3.8M)Part 4 - Highest Quality MPEG-4 available for Dial_up (2.8M)
Part 2 - In this segment Bert talks about his favorite set design designing for QUASIMODO, THE HUNCHBACK, a play he directed with the Performing Artists Group. (4:29) Part 2 - Very Close to CD-Quality MPEG-4 (Broadband) (4.1M) Part 2 - High Qu
Bert Van Aalsburg is an all around theatre worker, working as a scenic designer, stage manager, director and actor. Currently he is the stage manager for the Lorraine Hansberry Theatre Company in San Francisco and this summer he will be the sta
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