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Decoder Ring: The Gen X Soda That Was Just "OK"

Decoder Ring: The Gen X Soda That Was Just "OK"

Released Wednesday, 28th February 2024
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Decoder Ring: The Gen X Soda That Was Just "OK"

Decoder Ring: The Gen X Soda That Was Just "OK"

Decoder Ring: The Gen X Soda That Was Just "OK"

Decoder Ring: The Gen X Soda That Was Just "OK"

Wednesday, 28th February 2024
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0:00

Taste the Mediterranean through March

0:02

19th at Whole Foods Market.

0:04

Save on animal welfare certified

0:06

bone and beef short ribs,

0:08

sustainable wild caught sockeye salmon,

0:10

and more. Find sales on

0:12

Parmigiano Reggiano, charcuterie and ground

0:14

lamb. Grab an olive boule

0:16

bread from the bakery. Plus,

0:18

wines from the Mediterranean start

0:20

at just $8.99. Taste

0:23

the Mediterranean now at Whole Foods

0:25

Market. Must be 21 plus. Please

0:28

drink responsibly. There's

0:36

a rite of passage that's coming for you, whether

0:38

you want it to or not. They're

0:40

called, among other things, millennials. It's

0:42

when your generation is lapped by the one

0:45

coming up behind it. Gen Z is the

0:47

next wave, and turns out there's quite a

0:49

bit that makes them uniquely them. You may

0:51

be a little skeptical about the very concept

0:54

of generations. You might think that they're just

0:56

conjured up to sell us stuff and make

0:58

us feel like we belong. It

1:01

doesn't matter. You've heard of Gen

1:03

Y, but what about Generation Alpha? The

1:06

world turns, young people get older, they

1:08

look at the new young people and say,

1:11

what's your deal? I'm a little scared what the

1:13

Alphas are going to be like as a pack.

1:17

In the early 1990s, the

1:19

generation of the moment inspired

1:22

even more head-scratching than usual.

1:24

Generation X. They

1:26

apparently feel the older baby boomers have

1:28

taken all the good jobs and all

1:30

the good real estate. They

1:32

are angst-ridden, a bit bitter, and

1:34

their chief talent seems to be

1:37

the ironic aside. The

1:39

skeptical, flannel-clad, authenticity-craving

1:42

members of Generation X had watched

1:44

the baby boomers sell out their

1:46

values, morphing from hippies to yuppies.

1:48

And they were not impressed. Everything

1:51

on TV sucks. Yeah,

1:53

yeah, yeah, that sucked. Notoriously

1:56

disdainful, Gen X was particularly put

1:58

off by money. marketing, which presented

2:00

a problem for companies trying to

2:03

sell stuff, who began

2:05

to explore novel sales pitches. And

2:08

no product from this era was

2:10

marketed with more novelty than

2:12

one from Coca-Cola. What

2:16

exactly is OK? A

2:18

carbonated beverage. Why

2:20

the quotation marks around beverage to

2:23

make it more special. What

2:25

makes it so special? The OK-ness

2:27

of it. OK

2:29

soda was a soft drink that sold itself

2:32

by underselling itself, an attitude that was right

2:34

there in its name. If the

2:36

kids were skeptical about advertising, here was

2:38

advertising that said, I know,

2:41

right? OK soda

2:43

has been criticized for marketing efforts that

2:45

exclude some people. This

2:48

wasn't a soda for everyone, just

2:51

for people in on the joke.

2:53

But even so, these ambitions were

2:55

not small. And for a brief

2:58

moment, even Coca-Cola thought a soda

3:00

promising to be just OK

3:03

just might be a

3:05

billion dollar idea. This

3:15

is Decoder Ring. I'm Willa Paskin. 30 years

3:19

ago, OK soda arrived in

3:21

select stores. Instead of crowing

3:23

about how spectacular it was, it offered

3:25

up a liquid shrug, a oozy

3:28

irony. It was an inside

3:30

joke of a soda for people who knew

3:32

soda wasn't cool. And it

3:34

promptly went viral and

3:36

then had to try and figure out how

3:39

to sustain itself. In

3:41

today's episode, we're going to ask

3:43

how Coca-Cola, a company predicated on

3:45

the idea that soda is more

3:48

than OK, ever bankrolled such a

3:50

project. A project that depending

3:52

on how you look at it, was

3:54

either a corporate attempt to market authenticity

3:57

or a bold send up of consumer

3:59

capital. A project that

4:01

either utterly, predictably failed, or

4:04

that surprisingly almost succeeded.

4:07

So today on Decodering, how

4:10

do you make the taste of a

4:12

generation? When

4:36

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4:38

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4:43

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4:45

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4:47

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4:53

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4:55

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4:58

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5:00

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5:04

terms at discover.com/credit card.

5:10

I want to start the story of OK Soda

5:12

a couple of years before the first Gen X'er

5:14

was even born. When Coca-Cola

5:16

reigned supreme and its rival Pepsi

5:19

decided to do something about it. In

5:26

the 1860s, Pepsi began appealing directly to

5:28

young people on one side of the

5:30

so-called generation gap. And

5:37

it worked. Aligning themselves with the young

5:39

baby boomers helped Pepsi grow faster, as

5:42

did another infamous campaign. That's

5:45

why the Pepsi Challenge has been asking thousands

5:47

of people across the country to let their

5:49

own tastes decide. In ads featuring

5:51

the Pepsi Challenge, regular people blind

5:53

taste tested both colas. late

6:00

1970s, Coke was still the larger

6:02

company, but Pepsi had been gaining on

6:04

it for years. Coke needed

6:06

to shake things up. So the

6:08

president of the company took a

6:11

young, ambitious Mexican-born Pepsi employee

6:13

named Sergio Zeman out to

6:15

lunch. And he said, so what do

6:17

you think of Coke? I said, I think

6:19

you guys are incredibly

6:21

powerful and successful, and

6:24

you just squander every opportunity that

6:26

you have. So he offered me a

6:28

job. Zeman understood his new

6:30

role in very specific terms. I

6:33

got hired to challenge the status

6:35

quo. The status quo

6:37

at Coke had long been, we make

6:40

one flagship product that tastes one way.

6:43

Zeman was charged with spearheading the

6:45

first drink to challenge that.

6:47

Oh, it's new. Diet Coke. And

6:49

you're going to drink it. Diet

6:54

Coke launched in 1982. Its

6:56

success showed Coke that it

6:58

could change, while also turning Zeman

7:00

into a company wonderkind.

7:03

For his troubles, he was put on

7:05

Coke's next new top secret project. One

7:07

met to combat Pepsi's claim about

7:09

its taste. For nearly a

7:12

century, Coca-Cola has had the same distinctive

7:14

taste. Well, hold on to your hats.

7:16

It's being changed. New Coke was rolled

7:18

out with much fanfare in April of 1985

7:20

by a Coke leadership, sure it

7:25

was going to revitalize the company. What

7:27

do you think about Coke changing its formula? I

7:30

don't like it. Why not? It's

7:32

too sweet. I don't like it. I don't

7:34

like it at all. I don't understand it

7:36

because they were doing fine, I thought. They

7:38

can't do it. That's un-American because we fought

7:40

wars to have a

7:42

choice, to have freedom. Something

7:45

like 75% of America says they didn't

7:47

like new Coke. But I know we're

7:50

dead. We're done. 77

7:53

days after launching New Coke, the

7:55

company backed down and reintroduced the

7:58

original Coke, now called Coca-Cola. Coca-Cola

8:00

Classic. We're really sorry

8:02

for any discontent that

8:04

we may have caused for almost three months.

8:08

And Coca-Cola Classic is truly a

8:10

celebration of loyalty. Coke

8:12

had blundered badly, and someone

8:14

was going to have to pay at the price. I

8:17

was the guy that took the blame. It

8:19

was convenient, right? I mean, I was disposable. New

8:22

Coke's failure was an odd kind of failure,

8:24

though. It ended up reminding people

8:26

how much they loved the old Coke,

8:29

and the company started to gain market

8:31

share over Pepsi. So this

8:33

failure ended up being an

8:35

unwitting success, albeit one that

8:37

cost Sergio Zeman his job. It

8:40

was also one from which you could take

8:42

all sorts of lessons. And

8:44

for our purposes, I want to point at

8:46

two in particular. The first has to do

8:49

with risk. New Coke was

8:51

a huge risk that failed massively, and

8:53

yet the company not only survived, it

8:56

thrived. Someone not so

8:58

conservative could point to what happened and say, it's

9:00

not that risky to do new

9:02

things. We just lived through violently

9:04

space-planting with new Coke. What

9:07

could be risky compared to that? The

9:10

second lesson has to do with taste. One

9:13

of the ideas driving New Coke was

9:15

that taste is all important. Pepsi

9:17

was beating Coke in taste tests, so Coke

9:20

made a soda that tasted better. It

9:22

should have all been easy from there. But

9:24

it wasn't. Because what

9:26

Coke tasted like mattered less than

9:29

what Coke and the tradition of

9:31

Coke meant to people. And

9:34

I'm drawing all of this out because it

9:36

has direct bearing on the birth of OK

9:38

Soda, a risky

9:40

project dreamed up by Sergio Zeman

9:43

that began with no particular taste

9:45

at all. highly

10:00

caffeinated, anti-freeze-colored Mountain Dew.

10:03

But Coke didn't make a tea or

10:05

a seltzer, and sales of its Mountain

10:08

Dew rival, Mellow Yellow, were minuscule. Coke

10:11

again needed a change, and so

10:13

five years after he'd left the

10:15

company as the fall guy for

10:17

New Coke, Sergio Zeman was brought

10:19

back to challenge the status quo, now

10:22

as the chief marketing officer. And

10:24

Sergio thought he knew exactly what Coke

10:26

needed. I think we've got to

10:29

create a brand new sultry from scratch. Nobody

10:31

had launched a brand new sultry. Mellow

10:33

Yellow was a copy of Mountain Dew.

10:35

Powery was a copy of Gatorade. This

10:38

was a brand new something. And

10:40

he wanted to develop it in a brand

10:42

new way. We always start in

10:44

the lab, and we try to come up with a new

10:46

flavor, then we kind of stick a brand on it, and

10:49

then try to market it. And he said, let's

10:51

reverse that. Brian Lanahan was

10:53

an employee at Coca-Cola when Zeman tapped

10:55

him to become his director of special

10:57

projects. Let's go find

11:00

an idea that connects with

11:02

consumers, aka teenagers, and then

11:04

build the product to suit

11:06

the brand. Brian was the

11:08

point guy on this new undefined soft

11:10

drink, one that wouldn't start with a

11:12

taste, but with a brand custom made

11:14

for young people. And it

11:17

was unusual in another way too. This is

11:19

all, of course, top secret. Coke

11:21

loves to have, you know, secrets. The secret formula

11:23

locked in the bank vault is the wellspring of

11:25

the company. The company wanted

11:28

this new project to be secret for

11:30

a reason. Because there was a

11:32

sense of ideas got deboned as

11:34

they went up, and by the time they

11:36

got to the top, all the edges had

11:38

been honed off. Did this project have a

11:41

secret code dam? Yes, it was called Project

11:43

X. You can't believe it. In

11:50

the summer of 1993, Coke reached out to

11:52

a number of advertising agencies

11:55

about Project X, including

11:57

Wyden and Kennedy. Just do it!

12:02

Wyden and Kennedy was Nike's agency, and

12:04

like Nike, it was based in Oregon,

12:06

in Portland. Campaigns like

12:08

Just Do It and sneaker ads featuring

12:10

the Beatles song Revolution had helped it

12:13

build a reputation as one of the

12:15

hippest advertising shops in the country. They

12:17

were cooler than we were. We were like Coke.

12:21

So we wanted to be out there on the

12:23

edge of culture. And this is Coke letting its

12:25

hair down. They said to us, look, you

12:27

understand, teen boys. We're doing amazing

12:29

work for Nike. We're getting killed

12:32

by Mountain Dew. And we

12:34

need to create a drink that would be

12:36

successful as a teen boy audience. Robin

12:38

Janitis was fielding new business at Wyden and

12:41

Kennedy when Coke called. They were looking for

12:43

kind of the overnight

12:45

success billion dollar brand. So

12:47

I went to Dan Wyden and said, hey, Dan,

12:49

Coke called. And of course, when Coke calls, any

12:52

agency is going to be like, yeah. And he's like,

12:54

why would we want to work with them? Robin

12:56

explained to Dan Wyden, her boss, that

12:58

though the project was coming from stodgy

13:01

old Coke, it was a rare opportunity

13:03

to make a brand completely

13:05

from scratch. Coke

13:07

asked Wyden and Kennedy to put together a

13:09

team dedicated to this new, unformed

13:12

brand. Well, we basically went

13:14

out to talk to teen boys and

13:16

we were asking them about their lifestyle and

13:18

what they were interested in. And there was

13:21

definitely like kind of an

13:23

air of pessimism. I think there

13:25

was this sense that brands were all about

13:27

celebrities and beautiful people. Everything

13:29

was asking them to be more than who they were.

13:32

I'm just this kid who's trying to

13:34

become an adult and trying to assemble an

13:36

identity. And all these brands are

13:38

putting these images out of me that I have to live up

13:40

to. And at one point, this one kid

13:42

just said, you know, everyone, all these sodas like try to

13:45

act like they're going to change your life and really so

13:47

does just okay. For

13:49

some reason, that just rippled through us and we're like, what

13:52

if, what if soda was just okay? A

14:00

little quiet part out loud.

14:02

Soda is just. Fine.

14:06

In acknowledging this, the bread was

14:08

putting itself in cahoots with the

14:10

consumer. It was making eye contact

14:13

and winking about all the patronizing

14:15

this honest basic brands the pretend

14:17

they're so great. Brands.

14:19

That include of course, Coca

14:22

Cola itself. And

14:24

you know that's not gonna play well from

14:26

Sausage The Tower in Cook for. So.

14:28

That is Not. How they sold the name

14:30

to Cope. Instead, the official

14:33

story about where okay so does name

14:35

comes from the one you reading articles

14:37

and books hinges on a series of

14:39

connections. Between the word okay

14:41

and the word coke. Like

14:44

oh and gay or the second

14:46

and third letter in the word

14:48

coke And okay, his Coke stock

14:50

ticker symbol k O backwards. But

14:53

the most compelling connection of all

14:55

is it. apparently Cook is the

14:57

second most well known English language.

14:59

Word in the World. And.

15:02

The first. Is. The

15:04

word Okay so that that sense

15:06

of scope and scale helps bring

15:09

the idea into the building because

15:11

it sits at that languages big

15:13

business and power and worldwide effect.

15:18

So. Okay, soda had its name even if

15:20

it was a name that many different. Things

15:22

to different people now all

15:25

they had to do with

15:27

figure out every single other

15:29

details. Taste.

15:47

the mediterranean through march nineteenth

15:49

that whole foods market save

15:51

on animal welfare certified bone

15:53

in be short ribs sustainable

15:55

while that sockeye salmon and

15:57

more find sales on par

15:59

Reggiano Reggiano, charcuterie and ground

16:01

lamb, grab an olive boule

16:03

bread from the bakery, plus

16:05

wines from the Mediterranean started

16:08

just $8.99. Taste

16:10

the Mediterranean now at Whole Foods

16:12

Market. Must be 21 plus. Please

16:15

drink responsibly. At a

16:17

time when information continues to come at

16:19

us faster and faster, sometimes

16:22

you need to hit pause and

16:25

rewind. NPR's

16:30

Through Line takes you back in time to the

16:32

source of the news stories filling your seats. Find

16:35

NPR's Through Line wherever you get

16:37

your podcasts. The

16:43

core creative team tasked with making OK

16:45

Soda wasn't your typical group of marketing

16:47

suits and advertising executives. You know, you're

16:50

putting something out into someone else's space

16:52

that they don't even want to see, but they're

16:54

going to run into it. You're kind

16:56

of polluting. Charlotte Moore was an art

16:58

director at Widening Kennedy, and she

17:00

was amused to find herself selling a soda

17:03

that promised everything would be OK. I'm

17:05

a person who never thinks that things are going to

17:07

be OK whatsoever. And so

17:09

for me personally, there was a lot

17:11

of just making fun of myself. Charlotte

17:15

was teamed up with a copywriter named Peter

17:17

Wegder, who was just as ambivalent about

17:19

advertising. It was just

17:22

a way to make money. It wasn't actually

17:24

what I set out to do. He

17:26

wanted to be an artist, and so he

17:29

would take jobs, save some money and leave.

17:31

In fact, he'd already quit Widening Kennedy once,

17:33

but then he got a call about the

17:35

Koch Project. I was

17:37

destitute and I just had

17:39

to have work. And I remember I looked

17:41

at a job as a photo finisher. I

17:44

thought, OK, this is minimum

17:46

wage and toxic chemicals. So

17:49

I guess I'll throw my hat back in

17:51

the ring. Advertising is better than that,

17:53

basically. Yes. Let me put it

17:55

this way. It pays better. Peter and

17:57

I got along really, really well in terms of.

18:00

kind of like just batting the ideas

18:02

back and forth. You know, I

18:04

would say things to him, or vice

18:06

versa, that were completely absurd, but Peter

18:08

knew how to play with that frequency.

18:12

Any brand has to establish, let's just say,

18:14

for lack of a better word, a voice,

18:17

personality, some kind of a presence. We

18:20

just went about building that. Charlotte

18:23

and Peter wanted the brand to be interactive,

18:26

but low-tech. They wanted it to

18:28

be surprising by tweaking familiar forms.

18:30

They wanted it to be intricate

18:32

and absurd. And to

18:34

make it real, they knew they

18:36

were gonna need way more than

18:38

just concepts. The role I had

18:40

as I walked in was, how

18:43

do I bring kind of shape and

18:45

voice and form to it from

18:48

a design perspective? That's Todd

18:50

Waterberry, the designer who joined the team

18:52

to handle the logo, the packaging, the

18:55

two liter bottles, the cans. And

18:57

the cans are where I want to

18:59

start looking closely at what this trio

19:01

would build, because there wasn't

19:04

just one. Ultimately, there

19:06

were seven. They were sleek and

19:08

graphic, in silver, white, red, and black,

19:10

with the okay logo slapped on like

19:13

a sticker. They had large, deadpan faces

19:15

staring out of them, including one drawn

19:17

by the now-famous graphic novelist, Dan Clowes.

19:20

They were dappled with text, and

19:22

they looked like metallic Alt Weeklys,

19:24

vending machines, zines. Some

19:26

of them would be placed in cardboard 12 packs, covered

19:29

in illustrations. But Todd

19:31

didn't stop with what was on the outside

19:33

of the box. And I had

19:35

this idea of printing on the inside of it,

19:37

so when you'd open it up, you'd want to

19:39

find out, like, what is this? In

19:41

one instance, he drew a diagram, outlining how to

19:44

turn the box into an ice cube tray. This

19:48

sort of absurd, unduly elaborate

19:50

humor was all over the

19:52

project. Okay, so does

19:54

name, might be Lacadaisical and Blase, but

19:56

in every other way, the brand was

19:58

trying hard to... Use and of

20:01

light. it's target customer with send.

20:03

Us of traditional marketing. Perhaps moral

20:05

to pseudo would make you feel

20:07

even more okay. Please note there's

20:10

no such thing as too much.

20:12

Okay miss. we

20:14

were trying to to talk to people and

20:16

a tone of voice or in or register

20:18

that. Might. Have somebody

20:21

oscar address them in a way the

20:23

hadn't been addressed before. Peter

20:25

Row and Okay Soda Manifesto The

20:27

kicked off with the line what's

20:29

the point of okay. Well.

20:32

What's the point of anything Todd

20:34

made? Okay, so to shoelaces and

20:36

Pocket T is with lines. When

20:38

the Manifesto inside of the Pockets

20:40

Charlie came up with the idea

20:42

of putting in. Okay, so the

20:44

same letter in the mail he

20:47

described oddball coincidences that the cell

20:49

people after they drank. Okay. and

20:51

then they decided to turn the

20:53

T letter idea into. A Tv

20:55

commercial work. This is a television series

20:57

of are promoting cultures And then there

20:59

was the hotline or managed to persuade

21:01

the people in Cook a poet to

21:03

do and Eight Hundred number. And I

21:06

think at that time they had no

21:08

eight hundred numbers for any of their

21:10

brands. For the answer to the old

21:12

color of it okay or blow. Or

21:15

the corporate over okay code for the

21:17

for lack of especially for you. Callers.

21:20

The one eight hundred number would

21:22

be able to use the keypad

21:24

taken Okay Soda personality inventory Assessing

21:26

their levels of okay ness, they

21:28

would be able to hear more

21:31

okay soda coincidences. Or be

21:33

put on perpetual hold or

21:35

here up home among other

21:38

delightfully ridiculous options. Are.

21:46

They would also be able to leave messages

21:48

of their own or. Things

21:51

start investing itself as

21:53

generous. As it just goes and

21:55

goes out is kind of dangerously close

21:57

to just. Amusing. Yourself,

21:59

But for. money. You were

22:01

developing this world that

22:04

became incredibly identifiable. If

22:06

you scour this world, though, there is

22:08

one thing that is not identifiable. And

22:11

it's what the soda, what the fluid

22:13

that people would put in their mouths

22:16

actually tasted like. In

22:18

fact, the only description of the

22:21

drink itself in all of this

22:23

is that it's a carbonated beverage

22:25

with the word beverage in

22:27

quotes. There is that

22:29

acknowledgement that it is just soda. It

22:32

is just what it is. This

22:34

is what made OK Soda unique. It knows

22:37

it's just a soda, and that's kind of

22:39

respectful and refreshing. There

22:42

was, however, a more pragmatic reason

22:44

the soda itself was barely mentioned

22:46

in any of the zany materials

22:48

the team was developing. And

22:51

it said it didn't have a taste

22:53

yet. The

23:04

history of HIV and AIDS is the history

23:06

of people who were told to stay out

23:08

of sight and who refused. Gay

23:11

men, but also injection drug users,

23:13

women and, yes, children who contracted

23:15

the virus. Join us

23:17

for the series, Blind Spot, The Plague in

23:19

the Shadows. How much pain

23:22

could have been avoided had we

23:24

paid attention sooner? And what lessons

23:26

could we have learned from History

23:28

Channel and WNYC Studios? Listen wherever

23:30

you get podcasts. So

23:39

you'll recall OK Soda was developed in

23:41

a new way. Brand first,

23:44

then the liquid. Don't start in

23:46

the lab, start out in the

23:48

field. You'll also recall

23:50

that OK Soda was developed in secret

23:52

so it could stay weird. But now

23:55

it's time to stop keeping the secret

23:57

in order to develop the soda itself.

24:00

I remember our first meeting with the technical folks, they

24:02

have their own building in the Coke complex and they

24:04

wear white coats. They're almost like the high priests and

24:07

priestesses of Coca-Cola. Brian Lanahan, the Coke

24:09

employee, was part of the OK team.

24:12

And we sat down with the head of technical and he goes, OK,

24:15

what do you want me to make? What should

24:17

the drink taste like? Peter Wegner,

24:19

the copywriter, was there too. And

24:21

I said, ironic. And he just

24:24

looked at it. He

24:26

wasn't amused, but the idea of, you know... The

24:28

taste of irony. Peter Exactly. There in lies the

24:30

problem as we had gotten so far into the

24:32

idea that it was like, how do we pin

24:34

it to something you're going to buy and drink?

24:37

Thus began a long belabored process

24:39

in which OK soda had to

24:41

become a soda. The

24:43

team had some ideas. Ironic might be

24:45

a difficult flavor profile, but OK soda

24:48

was not supposed to be a regular

24:50

soda. It was supposed to be for

24:52

people who got it. Maybe it

24:54

should be less sugary. Maybe it shouldn't

24:57

be carbonated. Maybe it should be sold

24:59

in smaller batches in smaller non-chain stores.

25:02

Maybe it should be put out by a

25:04

company with a different name that was just

25:06

owned by Coca-Cola. Peter Of course, none of

25:09

that fit with the scale that Coke wanted

25:11

to bring to this because they saw the

25:13

idea as like, this is the second most

25:15

understood word in the world. We can have

25:17

this everywhere and we'll sell millions, you know.

25:20

Peter Ultimately, they landed on a drink

25:22

with a reddish-brown color and a taste

25:25

that already was kind of everywhere.

25:27

We ended up choosing a product that was

25:29

based on what's called a suicide, which is

25:31

a nickname for when teenagers are at Burger

25:33

King or McDonald's and they take a squirt

25:35

down the fountain line and they take some

25:38

orange and some Dr. Pepper and some Coke and you mix

25:40

it all up. In taste

25:42

tests in the lab, people seemed to like

25:44

it and the project started to gain momentum.

25:48

Coke had wanted a soda that wasn't

25:50

conventional or created by committee and now

25:52

OK soda was just about the weirdest

25:54

drink they'd ever made. They

25:56

were thrilled. Peter The Excitement around the

25:59

idea. Cause it to just

26:01

get put on this fast train. you know,

26:03

into the Coke system. And the

26:05

cook system did with a Coke system

26:07

does it. Took this odd ball during

26:10

aimed at a stand offish and selective

26:12

audience and tried to treat it like

26:14

Coke. So for example,

26:17

cooks lawyers looked into trade

26:19

marking the phrase things are

26:21

going to be okay. And

26:23

in the run up to it's release, Okay

26:25

Soda was featured in Time Magazine. Serious

26:27

prestigious, lots of eyeballs, but.

26:30

Not exactly the bible of. America's

26:32

Youth. Then Coke introduced it

26:34

to journalist and investors and a

26:37

lunches at the Four Seasons in

26:39

New York and started running wall

26:41

to wall print radio and Tv

26:43

advertisements in the spring of Ninety

26:45

Ninety Four. As the soda was

26:47

released in seven test markets including

26:50

Seattle asked in Boston and Little

26:52

Rock, Coke predicted okay, so that

26:54

would become a one billion. Dollar

26:56

brand So we went from

26:58

com of this edge of

27:01

culture idea to this is

27:03

gonna be the biggest thing

27:05

since coke that sounds like

27:07

a jinx but somehow. It

27:10

wasn't. Loved. It like

27:12

the flavor of it was nothing like I have

27:14

ever tasted before. That. Doesn't mess.

27:16

He spent the summer of Ninety Ninety

27:19

Four biking and rollerblading around his home

27:21

town in West or Minnesota. Just

27:23

as the print the pressure of override

27:25

the town is eight of very small.

27:28

We have roughly about seventeen hundred people

27:30

have already when this was happening so

27:32

I would have been of right around

27:34

thirty yards in your your because of

27:37

he songs over twelve. That

27:39

se cousin Matt purring ten. Matt

27:41

would come for the summer, but two weeks

27:43

those summers, those are the best source of

27:46

all time. The cousin spend their

27:48

days outside often stopping it one of the

27:50

convenience stores to fuel up on sugar. One.

27:53

Day was show up. And. There

27:55

is this. Gray. Bottles.

27:58

And as a says okay. on it. It

28:00

was kind of this weird blend of really kind

28:03

of strange art that you've never really seen

28:05

on a soda before. You know one of

28:08

the cans has a person sitting on a

28:10

rock with a cloud above their head that's

28:12

supposed to usually say something but it's empty.

28:14

Right they included the word beverage in quotation

28:16

marks on the packaging. I was

28:19

like what what is this?

28:21

This is crazy. It had

28:23

this really funky like fruity

28:25

soda cola Dr.

28:27

Pepper like it tasted wild.

28:29

So from that day we would buy

28:32

a ridiculous amount of soda and

28:34

that's when we discovered the the 1-800

28:36

number on the bottle. Due

28:39

to the controversial nature of this

28:41

product a toll-free number has been

28:44

established to handle stories regarding its

28:46

consumption. That number is 1-800 I

28:48

feel okay. We encourage you to

28:50

repost the good things that happen when you drink

28:52

okay. We called that number I

28:54

don't know Matt maybe a million

28:56

times that summer like we go to the

28:59

one payphone in town and just hog that

29:01

payphone all day calling that 1-800 number and

29:04

leaving the craziest most rambling messages.

29:07

And Dusty and

29:09

Matt were not alone. Yeah

29:11

I was drinking okay soda

29:14

and like everything tried to be

29:16

okay for the day. Color seemed

29:19

a lot brighter too. That toll-free

29:21

line we were getting like a million calls

29:23

a week. High school principals were calling the

29:25

company because they said kids are in the

29:27

skipping class to hang out on our payphones.

29:30

I drank okay cola. I

29:32

came up with this song. Like

29:38

oh it's caught on that beer. These

29:40

people understand it even better than we

29:42

do. Hi this is Linda from Denver

29:44

and I drink okay and then I

29:46

can read my dog's mind. They determined

29:49

that if you called 1-800 I

29:51

feel okay. If you called it

29:53

one time you called back

29:56

an average of eight more times. It

29:59

was like crashing. 18

30:01

key servers, people went

30:03

bananas. The Wyden and

30:05

Kennedy team began hatching a plan to

30:08

launch an OK Soda website. The first

30:10

ever website for a Coke product. An

30:12

early Usenet group popped up on the internet

30:15

for fans of the can's design. And

30:17

OK sold a million units in just

30:19

seven test markets. If we had been a

30:22

startup, we would have been high-fiving. But

30:26

as Brian Lanahan knows as well as

30:28

anyone, OK Soda was not a startup.

30:30

Coke wanted a billion dollar brand ASAP

30:32

and they didn't have the patience to

30:35

noodle around with OK Soda. Even

30:37

though there was one fundamental aspect

30:39

that needed work. We

30:42

kind of just had some anecdotal

30:44

data coming in that this was

30:46

a bad tasting drink. Like

30:48

maybe the chemists had succeeded a little

30:50

too well and they're not entirely serious

30:52

brief to make an ironic beverage. Peter

30:55

Wegner, the copywriter, decided to do

30:57

his own investigating. Going to a

30:59

local Portland 7-Eleven to see how

31:01

OK Soda was doing. And what

31:04

I found was three or

31:06

four liter

31:08

containers that had

31:10

a couple of gulps taken

31:12

from them, not more. And then they dished them on.

31:15

So I just think people didn't

31:17

like the way it tasted. Even

31:20

OK Soda superfans, Matt and Dustin,

31:22

couldn't sell their friends on it. Like,

31:24

you guys got to try this. It's the best

31:26

thing. No, no, they hated it. Almost

31:30

every single person involved with OK

31:32

Soda thinks there was something wrong

31:34

with the taste. Though it's

31:36

not quite as simple as it just tasting

31:38

bad. Because there are bad

31:41

tasting drinks that succeed. Think

31:43

about the syrupy slick of an energy

31:45

drink like a Red Bull. In a

31:47

vacuum, it doesn't taste that good. At

31:49

least not to me. But what it

31:51

does do is justify why. It's

31:53

a quasi medicinal product that's giving

31:55

you energy. And in that context,

31:58

you can tolerate even a. appreciate

32:00

the cloying, thick taste.

32:03

It gives you a framework for

32:05

understanding what you're drinking. The question

32:07

that people asked was, what does it

32:10

taste like? Todd

32:12

Waterberry, the designer on the project. And being

32:14

able to say, oh, it's

32:17

a cooler, spicier version of

32:19

root beer. Oh, okay. Or

32:22

it's this orange soda that's super zesty

32:24

or has like caffeine in it. Oh,

32:27

I have a, I have a reference point for

32:30

it. But okay, soda

32:32

didn't provide a reference point. It

32:34

didn't say it tastes like being

32:36

mischievous at the soda fountain. It

32:39

didn't say it tastes like not caring about

32:41

what you drink. So you drink everything at

32:43

once. This was in part

32:46

a knock on effect of the backwards

32:48

development process. For a long time, Peter

32:50

and Charlotte and Todd didn't know what

32:52

the taste was. It

32:54

may also have been a hangover from

32:56

new Coke and the idea that taste

32:58

wasn't that important. But the

33:01

other thing happening here is

33:03

that selling people on the

33:05

soda, the liquid, was antithetical

33:07

to okay, soda's whole promise,

33:11

which was to cut the bullshit. It

33:13

was never about what was in the

33:15

can. I mean, it's, it's sugar

33:17

water. It's not a boon

33:20

to civilization. Even as

33:22

the problems with the taste became clearer,

33:24

all that was added to the cans

33:26

was a circle describing it as a

33:28

unique fruity beverage. And its

33:31

own winking ads couldn't fully commit to

33:33

saying what it tasted like. Amber

33:36

C. thinks it's a mixture of many

33:38

different soft drinks. Domain D. feels it's

33:40

a key slash citrus combination. To Todd

33:42

W., it's carbonated 3-7.

33:44

All point to the feeling of okayness that

33:47

may result. By

33:49

mid 1995, Sergio Zeman, the Coke

33:51

executive who'd kicked all of this off,

33:54

was having doubts about okay,

33:56

soda's future. It's not doing well.

33:58

I mean, it's doing okay. Right? But it's

34:00

not doing well. So he says he

34:03

had the super agent, Michael Ovidts, assemble

34:05

a panel of A-listers for him. Zeeman

34:07

says it included Danny DeVito, Penny

34:10

Marshall, and Jerry Seinfeld, whose

34:12

publicists did not respond to

34:14

my request for comment. And

34:16

Sergio says he presented OK Soda to all

34:18

of them. So we go through

34:21

the whole thing, and then Seinfeld

34:23

says to me, it's never going

34:25

to work. And I go, oh,

34:28

tell me more. Zeeman says

34:30

Seinfeld talked to him about the structure

34:32

of a joke. He explained

34:35

that you've got a set up, a

34:37

delivery and a punchline. And according to

34:39

Zeeman, Seinfeld said OK Soda was set

34:41

up all wrong.

34:44

He says, so you're coming here telling me

34:46

that this is the greatest suffering in the

34:48

history of the world. And then when somebody

34:51

says, so how is it, people say, OK.

34:56

Seinfeld had honed right in on the contradiction

34:58

that had been there from the minute OK

35:00

Soda got its name. Was

35:02

it supposed to be the world's greatest

35:05

beverage, globally popular and widely known? Or

35:07

was it supposed to be an ironic

35:10

self-aware brand for people delighted to see

35:12

a soda owning up to the truth

35:14

that soda was nothing special? Sergio

35:17

Zeeman knew which one he thought was

35:20

the answer. It should

35:22

have been named Extraordinary or

35:25

Fantastic. He immediately got on

35:27

a plane back to headquarters. And once he was there,

35:29

he says he went up the elevator to talk to

35:31

the CEO. And I tell him this

35:33

story about Seinfeld. And he looks at

35:35

me and he says, I agree

35:38

with you. I think we're going to kill it. And

35:40

we killed OK Soda. In

35:44

1995, just a year after

35:46

it launched, Coke started pulling OK Soda

35:49

from the shelves. Coke did

35:51

not ultimately want to be in

35:53

the business of making a niche product

35:55

for people who wanted to roll their

35:58

eyes about soda. unless

36:00

it was going to be an out of the park home run.

36:03

And OK Soda was not. And

36:06

this is not, I don't think, just because

36:08

Coke's expectations for it were off

36:11

kilter or too high. It's

36:13

because Seinfeld was right. OK

36:16

Soda was an imbalanced

36:18

joke. And not just to

36:20

the suits at Coke, to

36:22

the customer, too. They

36:25

experienced the setup, the spectacularly

36:27

strange marketing, the twisted Zen

36:30

slogans, the cans that looked like zines, the

36:32

1-800 number. They

36:34

experienced a brand that was, if they

36:37

were the right kind of person, extraordinary.

36:41

And then they bought it, popped it open,

36:44

and tasted the ordinary

36:46

rusty colored sugar water

36:49

inside. And

36:51

it fell flat. It

36:53

really was just a soda. After

36:59

OK Soda was killed, the team that

37:02

made it disbanded. Brian Lanahan,

37:04

the Coke emissary on the project, realized he was

37:06

never going to work on anything else as interesting

37:08

if he stayed at the company. And

37:10

besides, he and Robyn Janitas, the wide

37:12

Ben Kennedy employee who'd gotten the call

37:14

about Project X, realized there might

37:17

be something going on between them. So

37:19

I quit Coke and came out to Portland

37:21

and to hang out with her. Hey,

37:23

I actually met the person who changed

37:25

my life through this. She's

37:27

now Robyn Lanahan. Our

37:30

kids have OK Soda t-shirts. And

37:32

they walk around with them and people stop them everywhere

37:34

and ask about them. So we've lasted longer than

37:37

OK Soda. So you could say it changed my

37:39

life for sure. Their children's names both

37:41

start with the letter O, and

37:43

that's not a coincidence. Todd

37:45

Waterbury, the designer, moved onto Target, where

37:48

he is the chief creative officer. Charlotte

37:51

Moore, the art director, has had a

37:53

long career as a creative director, and she

37:55

now works for a pasta company in Italy. He

37:57

did become an artist, his playful witty art.

38:00

artwork has been shown in major museums across

38:02

the country. And O.K. Soda

38:04

was his last advertising gig. There

38:07

were definitely moments when it was

38:09

confusingly art-like, where I

38:11

felt like God have been given permission to

38:13

do stuff at a huge

38:15

level, reaching millions

38:17

of people. And there's

38:20

enormous response. And

38:22

I am prepared to cut the cord on

38:24

this at any moment. The

38:27

brand they all made together, its

38:29

look, sensibility, ambivalent attitude, the Dan

38:31

Clow's illustrations, remained so distinctive that

38:33

O.K. Soda cans have become collector's

38:36

items, with a six-pack going for

38:38

nearly $200 on eBay. Matt

38:42

and Dusty, who fell in love with

38:44

O.K. Soda as kids, and who are,

38:46

I feel, obliged to point out, millennials,

38:49

or some of its leading collectors. They

38:51

even have a working O.K. Soda vending

38:54

machine. It, of course, has no

38:56

O.K. Soda inside of it, but they've found

38:58

a workaround. Dusty and I have taught

39:00

our kids, like, what we think the

39:02

recipe is. Two parts Coca-Cola

39:05

to one part orange soda with

39:07

a cap of Dr. Pepper. That's about

39:10

right on. Coke, for

39:12

its part, has not launched a soft

39:14

drink from scratch since O.K., opting

39:16

instead to make many different versions of

39:18

its existing products and to buy

39:21

up smaller brands. And

39:23

if you walk past the refrigerator aisle in a

39:25

convenience store or a gourmet shop these days, you

39:27

will see dozens of beverages aimed

39:30

not at a huge audience, but

39:33

just a small one, trying to speak

39:35

to different niches in a voice that

39:37

resonates with them. This

39:39

is how products are sold now that the

39:41

mainstream has fractured and companies can't

39:44

reach everyone, even if they tried.

39:46

In aiming for a demographic that

39:48

really got them, O.K. Soda was

39:50

prescient. In its interactivity, its

39:53

virality, its utter lack of concern about

39:55

selling out, and in the way its

39:57

logo looks like it could belong to

39:59

a street- brand, it was too.

40:02

And this makes people wonder

40:04

if OK Soda could have

40:06

thrived in some other circumstance.

40:09

If it wasn't just a bizarre play

40:11

from a big company, but an idea

40:13

a little before its time. But

40:18

I think the low simmering, decades-long

40:20

interest in OK only exists because

40:22

it did fail. It

40:25

was quintessentially Gen X to believe

40:27

that some things shouldn't be

40:29

sold. Only in

40:31

failing could OK Soda

40:34

embody that belief. To

40:36

be the taste of Gen X, failure

40:38

was the fitting option. Success.

40:42

That's some other generation soft drink.

40:46

OK, it's a feeling that

40:48

everyone loves. Unlike being

40:50

cold and not having

40:52

gloves. Thank you. I'd

41:15

also like to thank David Cowles, Art Chantry, Seth Godin, Jeff

41:17

Beer, Gabriel Ross, Mark

41:25

Hensley for all of the OK

41:27

Soda commercials, and Mark Pendergrass, whose

41:30

book for God, Country and Coca-Cola

41:32

was indispensable. If

41:34

you haven't yet, please subscribe and rate

41:36

our Feed and Apple podcasts or wherever

41:38

you get your podcasts. And

41:41

even better, tell your friends. If

41:43

you're a fan of the show, I'd also

41:45

love for you to sign up for Slate

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Plus. Slate Plus members get to listen to

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Decoder Ring without any ads and their support

41:51

is crucial to our work. So please go

41:53

to slate.com/Decoder Plus to join Slate Plus today.

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From The Podcast

Slow Burn

In 1978, state Sen. John Briggs put a bold proposition on the California ballot. If it passed, the Briggs Initiative would ban gays and lesbians from working in public schools—and fuel a growing backlash against LGBTQ+ people in all corners of American life. In the ninth season of Slate’s Slow Burn, host Christina Cauterucci explores one of the most consequential civil rights battles in American history: the first-ever statewide vote on gay rights. With that fight looming, young gay activists formed a sprawling, infighting, joyous opposition; confronted the smear that they were indoctrinating kids; and came out en masse to show Briggs—and their own communities—who they really were. And when an unthinkable act of violence shocked them all, they showed the world what gay power looked like.Want more Slow Burn? Join Slate Plus to immediately access all past seasons and episodes of Slow Burn (and your other favorite Slate podcasts) completely ad-free. Plus, you’ll unlock subscriber-exclusive bonus episodes that bring you behind-the-scenes on the making of the show. Subscribe now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen.Season 8: Becoming Justice ThomasWhere Clarence Thomas came from, how he rose to power, and how he’s brought the rest of us along with him, whether we like it or not. Winner of the Podcast of the Year at the 2024 Ambies Awards.Season 7: Roe v. WadeThe women who fought for legal abortion, the activists who pushed back, and the justices who thought they could solve the issue for good. Winner of Apple Podcasts Show of the Year in 2022.Season 6: The L.A. RiotsHow decades of police brutality, a broken justice system, and a video tape set off six days of unrest in Los Angeles.Season 5: The Road to the Iraq WarEighteen months after 9/11, the United States invaded a country that had nothing to do with the attacks. Who’s to blame? And was there any way to stop it?Season 4: David DukeAmerica’s most famous white supremacist came within a runoff of controlling Louisiana. How did David Duke rise to power? And what did it take to stop him?Season 3: Biggie and TupacHow is it that two of the most famous performers in the world were murdered within a year of each other—and their killings were never solved?Season 2: The Clinton ImpeachmentA reexamination of the scandals that nearly destroyed the 42nd president and forever changed the life of a former White House intern.Season 1: WatergateWhat did it feel like to live through the scandal that brought down President Nixon?

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