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Side Effects of Black Popular Culture (with Nicco Annan)

Side Effects of Black Popular Culture (with Nicco Annan)

Released Wednesday, 6th March 2024
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Side Effects of Black Popular Culture (with Nicco Annan)

Side Effects of Black Popular Culture (with Nicco Annan)

Side Effects of Black Popular Culture (with Nicco Annan)

Side Effects of Black Popular Culture (with Nicco Annan)

Wednesday, 6th March 2024
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Episode Transcript

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0:00

Welcome back to Dealing Together. First caller?

0:02

I bought three sweaters to get the fourth free. Oh,

0:04

you got fleeced. Next caller. I traded my

0:06

old Samsung at AT&T for a new Samsung Galaxy S24

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Plus and shows my plan. That's

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not a bad deal. It is not. Our

0:13

best smartphone deals. Your choice of plan. Learn

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how to get the new Samsung Galaxy S24

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Plus with Galaxy AI on us with eligible

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trade-in. AT&T. Connecting changes everything. Offers vary

0:22

by device subject to change. S24 Plus 256

0:24

gigabyte alpha available for limited time. Terms and

0:26

restrictions apply. See att.com/Samsung for details. Before

0:31

we get into this episode of Small Doses Podcast,

0:33

check out what you missed this week on the

0:35

Small Doses bonus podcast. I'm where I

0:37

told you I was. She's like, well, can

0:39

you come back? Can you come back the way you came?

0:41

And I'm like, why? She's like, because she wants to see

0:44

you. I said, who? She's like the vice president. I

0:49

said, what? She's like, yes,

0:51

come on here. I just want to see you. Can you get back over here?

0:54

Force. So that I'm

0:56

like stuttering. I'm just like, what am I reading?

0:58

Apparently, oh, yeah, just so you all know, we're

1:00

reading this for the first time together. Some of you may

1:02

have read that. I'm reading this with a perspective that purposely was like, let

1:05

me do this with you. The

1:08

sex workers that Mr. Combs forced Mr. Jones to bring back

1:10

to his home on or about February 2nd, 2023. Incident.

1:16

Mr. Jones believes Mr. Combs drug

1:18

to him. Gotcha.

1:22

And I said, wow, this

1:25

is so anti-Black in so

1:28

many ways. I mean, it's unbelievable. First of

1:30

all, you are comparing

1:32

Barbara Lee, Representative Barbara Lee, former

1:34

Black Panther Barbara Lee, candidate for

1:36

Senator Barbara Lee with

1:40

a grifter. Is

1:43

that it is very important

1:46

when we are doing this work to

1:50

hear each other, you

1:52

know, and to

1:55

strengthen our bonds, not weaken them and

1:57

not let people who don't give a

1:59

fuck about. either of us weaken them. Uh,

2:02

that. Yep, you can be there

2:04

when we record live or you can just

2:06

check it out for yourselves on Patreon. So

2:09

make sure to catch the Small Doses Bonus

2:11

episodes now available on my Patreon, Amanda Fields.

2:14

Also make sure you go to Amanda Fields

2:16

by trying to sign up for the newsletter.

2:18

We got so much information in there as

2:20

well as let y'all know when I got

2:22

new things going on and when I'm coming

2:24

to your city. We are adding tour dates

2:26

to Philly, to Baltimore, Boston, and you do

2:28

not want to miss it. So make sure

2:30

you go to Amanda fields.com and sign up

2:32

for the newsletter. All right. We're

2:34

about to get into this next episode. This is one

2:36

of my favorite people. Y'all. I'm

2:38

so happy we got to do this. Check

2:40

out Small Doses with me going on. AKA

2:43

Uncle Clifford right here. Look

2:59

at us. Doing

3:09

what we do. It's

3:13

so long. When's

3:17

the last time I saw you? What was that,

3:19

March? No, was that last year? No,

3:22

it was, um, Juneteenth. That was last

3:24

year. Juneteenth was last year. June. Oh,

3:26

that wasn't this June. That wasn't this

3:28

June. That was not this June. It's

3:30

not just Juneteenth, no. What

3:32

about when we- Is Smart Funny Black? Yeah,

3:35

but when was Smart Funny and Black? When Smart Funny and Black

3:37

is always going on? No, not right now.

3:39

Oh, well, when you going back on tour? We'll be going in May.

3:41

I don't know. I have something else

3:43

I have to do first. It's so much fun.

3:45

Like, that was like, yeah, that was- Actually,

3:48

that's a perfect

3:50

segue because we were talking about Black popular

3:52

culture. And Smart Funny

3:54

and Black is couched in Black

3:57

popular culture being just as

3:59

important. Important

4:01

as black history because for

4:03

us black popular culture is history,

4:06

yeah, like it's not so You

4:09

know when when nico arrived

4:12

in his flyness we hadn't derived

4:14

when he arrived we hadn't derived

4:18

What we would we hadn't decided

4:20

on what we would surmise to speak on

4:22

and so While chit

4:25

chatting we came to the topic

4:27

of black popular culture because your

4:29

role on P-valley

4:31

as uncle cliford Has

4:34

had such an impact beyond simply

4:36

just oh wow like i'm washing

4:40

yes, and that is

4:43

indicative of the power of black popular culture the

4:45

same way that like Claire

4:48

huckstable Is

4:50

a real mother Like

4:53

that's like dark skin on this

4:56

is She's

4:59

a real mother she's a real mother So

5:02

is the light skin on this I know but

5:05

no one calls her life skin on this. This is

5:07

true She's not dark skin on

5:09

this they call her daphne Is

5:11

that her name? Yes. Hey daphne. Hey daphne

5:14

I would love to do an episode with her

5:16

because I know that that you got to be a

5:18

special kind of Solid to step into that right

5:20

and to still have to hear about it All

5:23

these years later. Oh she's here. She's like

5:25

I just auditioned. I was a working

5:28

actor Okay, but that's the culture that

5:30

you're talking about. Yes, you know what

5:32

i'm saying? It lasts forever It's

5:34

interesting because like sometimes, you know, you're

5:36

doing something You're

5:39

just doing your art you're just

5:41

doing what's placed on your spirit, you

5:43

know to do and then to realize

5:45

hey This is

5:48

going to be around forever Do

5:50

you understand what i'm saying? Yes, it's around forever.

5:52

There's always going to be some especially like streaming

5:54

and everything is now like It's going to be

5:56

right, right, right, right, right, you know, there's going

5:58

to be some chat There's children out

6:01

there. When was it that they were

6:03

just learning about, um, uh, what

6:05

was it? I just heard it the other day. Teach

6:08

the babies. It wasn't the

6:10

Cosby show. Martin. They

6:13

still get that because of the reruns, but there are

6:15

certain shows that like they never, I

6:17

can't, it's, I'm a family matters. Cause

6:19

I'll run them down. Family

6:23

matters. My brother and me, a Cosby

6:25

show, a different world. My

6:27

wife and kids throw out any of them.

6:29

If anybody has any other suggestions, um, good

6:31

times. It wasn't family matters,

6:33

but I think about good times often because

6:36

that was, I didn't

6:38

live in the projects, but I had cousins

6:40

who did. And then

6:42

later in Detroit, which part of Detroit you live? You

6:44

said it was that West side. West side. That's what

6:47

I thought. Why? Cause

6:49

he said it was a different level of. Look, my grandma

6:51

was on the East side. So, and look, and I worked at

6:53

the car wash on the East side, seven mile in Van Dijk.

6:57

That's where I got a lot of my rough, rough.

6:59

Yeah. Yeah. Yeah. Yeah. That's where I learned how to

7:01

shank and you know, and do all the things.

7:09

Hey, I'm just saying like, you can't be coming from

7:11

the D and be like, you know, that

7:14

and New York, so like it made life.

7:16

That's more, I think easy. I also knew

7:18

how to navigate through it

7:20

all being black, being a full

7:23

figured man, being gay to be in

7:25

all of the things. Oh,

7:27

a full figured man. I never considered that

7:29

to be a thing. That's

7:32

a thing. People

7:35

like when they meet you, when they meet me in

7:37

my mind, it's just like, you just, you know, you would

7:39

think negative, like you're a big negative, but I've never considered

7:41

it as like a full, do you consider yourself to have

7:43

hips? Oh, I do. Have you? I'm

7:50

like, I haven't seen a show. Oh,

7:54

baby. These hips, these hips, these lips and

7:56

all the things. But

8:01

it's about embracing, and it took a minute to be able

8:03

to get to a place, to be able to embrace all

8:06

of that. Did this character help with that at

8:08

all? It forced it, yeah. But

8:10

I was more intentional

8:13

prior to actually playing the character, I think just

8:15

because of having to go through those

8:17

things, and when you deal with identity, being

8:21

from African descent also, here,

8:23

black Americans, growing up, I

8:27

literally was fourth grade, that African

8:29

booty scratcher. Where's your family

8:31

from? My father's from Ghana. Okay. Yeah,

8:34

my father's from Ghana. That's my mom. Mm-hmm.

8:36

And so, born in Accra, grew up

8:38

in the Kofitawa. Wait, you were

8:40

born in Accra? My dad. I was

8:42

like- No, no, no, my dad. No,

8:44

you say, no, you all the time, where have

8:46

I been? Exactly. No, I'm still trying to learn

8:48

the language, you know. But I

8:50

think that when you have a lot of that

8:53

oppression against you, you have to fight

8:55

and educate through that. Remembering,

8:58

oh, what did you do this summer?

9:01

What's your favorite food? You know those kind of questions and things

9:03

like that. And when I would say peanut butter soup, or I

9:05

went to see my grandmama in

9:07

Ghana, and they were like, what? You

9:11

did just cruel, ignorant children. We

9:13

did not know. Why are the kids

9:15

so cruel? Because they ain't never been on

9:17

no plane. Because we talking

9:19

about socioeconomic issues. You know what I'm

9:21

saying? When are we getting passports? When

9:24

are we actually traveling? That's not somewhere in a

9:26

car. You know what

9:28

I mean? Yeah. Damn. You know,

9:30

it affects a lot of different things. Having

9:33

to go through all of that, and then, oh,

9:36

you want to be this actor? You want to be this

9:38

dancer? What are you gonna- Yeah, I feel

9:40

like Nico, they had to see it coming. I

9:42

mean, were you the child? I don't feel

9:44

like you were some like meek and mild

9:47

child. I

9:49

mean, was it a situation where you

9:51

got the call? No, you can't, you

9:53

were the greatest. I've

9:55

always been in my truth, and

9:58

I have been able to define it. my truth through

10:00

those adversities, you know what I'm saying?

10:03

I feel like you've always been a

10:05

performer. Really? Yeah. Yeah,

10:09

mass president. Okay. Come

10:13

on. We are the music makers.

10:16

We are the music makers. And we are the dreamers

10:19

of dreams. Traveling

10:22

around lone scene breakers and sitting

10:24

by desolate streams. World losers

10:26

and world forsakers for whom

10:28

the pale moon is. But

10:30

we are the movers and shakers of the world

10:32

forever it seems. You

10:34

better. I got

10:37

you a grip top sock but that's it. That's

10:39

all I know. We went

10:41

to purchase college. Yes, we did go

10:43

to the conservatory at purchase. A theater arts and film. You

10:46

made it all the way through. I

10:49

was removed. You don't

10:51

know this story. You don't know this story. No. Yes.

10:56

When did you leave? At the end of

10:59

my freshman year, an individual named Christian, last

11:01

name beginning with P, he lied

11:03

to the teacher to you, Laley Noble, who was a

11:05

full racist. And he just

11:07

like told her that I was listening to my headphones

11:09

in class and he was doing this to try to

11:11

sacrifice somebody so that he wouldn't get cut. And

11:14

her being the bat shit crazy racist that she

11:16

was, I was the only black woman in my

11:19

class. So it was like an easy

11:21

target. Oh my gosh.

11:23

Yeah, because the year before me was like shahada.

11:25

Oh, you were with, yeah, because it was black and he

11:27

black. No,

11:30

they had one life skin girl and it was me. They had one

11:32

black girl and she was... But do you think how that sets

11:35

you up for your level of advocacy

11:38

and being able to advocate for yourself? I think being

11:40

raised on Bob Marley set me up. Come on. No,

11:44

I'm just saying, I feel like I was hearing rebel music

11:48

from such an early age that I just

11:50

was that kind of person. But

11:55

no, and then I left the conservatory and I appealed

11:57

because they were like you need to take a year

11:59

off. I said, no, I don't want to take a year

12:01

off, like either let me back in.

12:03

They were like, well, no, they tried to kick me out.

12:05

Then I appealed. They said, we can't take the word of 25 students

12:08

over professor, because I got everybody to write letters

12:10

in my defense. And then they were like, Dan

12:12

Hanassian, I remember said, we can't take the word of

12:15

25 students over a tenured professor. And so

12:17

then I took a year off, came back, but I

12:19

didn't take a year off of class. I just took

12:21

a year off of the conservatory. So you were still

12:23

at the school. I was still at purchase. That's what

12:25

I remember. And then I created my own major, so

12:27

that I just finished on time. And I still

12:30

had to go back to Dean Irby and was like,

12:32

I need you to sign off so that I can

12:34

create this major of African-American studies with a concentration in

12:36

visual and performing arts, so I don't lose my credit. And

12:39

he really tried to act like he wasn't gonna sign this

12:41

shit. And I literally said to him,

12:44

you tried to ruin my life. Sign

12:46

the paper. So he

12:49

signed it. And then five years later, I was DJing at

12:51

SOBs and he was dating Alicia Keys' mom. And he said,

12:53

can I get a shout out? Okay.

12:57

Hi Dean. This

12:59

is your shout out from small doses

13:03

with the host, creator, producer,

13:06

activist, woman of God,

13:10

gorgeous beauty, Amanda

13:12

Seals. Greetings. So

13:18

that was the time. That was my purchase. I

13:21

forgot that when I was there, you had

13:23

been out of the program and stuff like

13:25

that. But you know what? Throughout all of

13:27

that madness, you still kept your fight. Like

13:30

you still, I

13:33

didn't know that deep, deep,

13:35

deep any like hurt or conflict.

13:37

I still saw you like pushing

13:39

to make shit happen. Yeah, we

13:42

come from a different time. Like

13:44

I don't think I was suppressing feelings. I think it

13:46

was just like, you gotta say the

13:48

course. Like these people can't disrupt. They're not

13:51

gonna take you. Yeah. Yeah, you don't know

13:53

me like that. No. I'm curious

13:55

how, how

13:57

we, and if I'm honest, like that. I

14:00

feel like how so much beautiful black popular

14:02

culture gets created. It's pressure. It's like the

14:04

pressure of diamonds, you know How

14:08

did you find your way? To

14:11

P Valley, I'm sure you've told the story a

14:13

million times and I don't just mean like in

14:15

terms of the audition process But like once you

14:17

booked it, how did you was

14:20

it an easy like, okay uncle Clifford's already in

14:22

me Or was it like I gotta arrive at

14:24

him Um arrive

14:27

at her oh Because uncle

14:29

credit them her she

14:32

uses she her pronouns Uncle

14:35

Clifford is non-binary. I think because

14:37

of the process of having but

14:40

isn't the use of the word uncle Okay

14:44

using the moniker of uncle and

14:47

Clifford yet using she

14:49

her pronouns. There's that dichotomy

14:51

Yeah, I think there's

14:53

these flashbacks that happen in P Valley,

14:56

you know that everyone kind

14:58

of like didn't see coming But it was like, oh wait, we're

15:00

here wait, this is the history way But

15:03

when you really look at the show to

15:05

me history is all around us You know

15:07

every time that I go when I go

15:09

home when I see my aunt's or I

15:11

go to you know When my grandmother was

15:14

alive going to her house, there's old things

15:16

There are things that just have lasted throughout

15:18

time whether that was the television whether it

15:20

was the landline phone That's

15:23

still there the VHS, you know what I'm saying?

15:25

That's still there and it's like why do you

15:27

still have those stacked over on the side and

15:29

those ebony maggot those jet magazines? Okay,

15:36

I think that you know, that's a

15:38

part of like the thread of holding

15:40

on and giving us identity

15:42

so When

15:44

we would go back in time and you see the younger

15:47

version of the character running

15:49

across the club and She

15:52

says uncle ever come on over here like just

15:54

as a kid, right? And I think about for

15:56

me I have always when I

15:58

was a child had that old spirit

16:02

where people said, did you been here before?

16:04

Or like I used to hang around older

16:06

people because I was my mom's only child.

16:08

So, you know, so it was always like,

16:10

I'm sitting down doing homework while you do

16:14

nails and stuff like that after work. And

16:16

I'm doing my homework during my algebra and

16:18

reading and things like that. So the

16:21

uncle component of uncle Clifford is

16:23

basically saying you will take all

16:25

of who I am. I

16:28

won't have to change for anyone.

16:30

And this is how I choose to identify in

16:32

the world. Just like when some people say, I

16:34

don't like when you call me bitch, like I

16:36

had said, she's a bad bitch. I said that

16:39

about you earlier. You may be

16:41

a person that's like, that's offensive to me. It's

16:44

very subjective. Depends on who says that. And how you

16:46

say it. And how you say it. Yeah. But

16:49

you have that right to identify and express,

16:51

I don't want to be identified as that.

16:54

Don't use that word for me and we

16:56

can keep it moving. Yeah. I'm

17:02

not even frightened. Sometimes I legit

17:04

forget to eat. And when

17:06

that happens, I'm not in the mood to try

17:08

and like figure out what I'm going to cook.

17:10

No. And I also know that people will simply

17:13

cook better than me and I can get right

17:15

to them on DoorDash.

17:17

Yes, that's right.

17:19

Listen, DoorDash has saved

17:21

your girl so many

17:24

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17:26

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17:28

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17:30

you a discount on the DoorDash and

17:32

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17:34

me. Don't let yourself go the whole

17:36

day and then realize, oh my gosh,

17:38

that's why I'm cranky because I haven't

17:40

eaten anything. No. Tap into DoorDash and

17:42

get you some nutrients in your system.

17:44

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18:00

Murray and Select markets. How

18:04

did you get and co clifford I want you know

18:06

this is not have an easier and v seem very

18:08

tight. Good night. Of

18:12

let's say some the So enterprise. Restaurant

18:15

is it appropriate for I

18:18

will Power as an hour

18:20

and it is interesting to

18:22

see Amanda I am. I

18:24

don't know what you're talking.

18:27

Okay where I keep it

18:29

say right Seabirds I keep

18:31

a ride is who gets

18:34

Uncle Clifford? That part. Of

18:36

he has been any get the ball like oh you pointed

18:38

to an insecure like it's so opposite of you like how

18:40

did you like. Doing you know and

18:42

I'm like well and as such as the

18:44

like it i had people that I like

18:46

ten of mimic her ah five and then

18:49

over time like she does became more. More.

18:51

Natural as I can Seventy like

18:53

instantaneously, you know, Whereas like, I

18:56

think, Uncle Clifford. Is.

18:58

A lot more layered you know

19:00

and this in the writing like

19:02

you that you experience more trauma,

19:04

more of just a complex experience.

19:06

So I think. I'm curious.

19:08

like I mean how. Was.

19:11

It difficult at all. Two more.

19:14

Years. And then to stay in a. Yes,

19:17

because usually like on said. I

19:19

don't. Do not that are you my

19:22

bed. Are that method? I'm just like.

19:24

You know when you get Nico? Like

19:27

they are times when I have the correct people

19:29

ah and or like when I say correct like

19:31

set them straight like. I'd be like. Doesn't.

19:34

Equal take. This

19:36

is ego. a right arrow don't do that,

19:38

but without the database sent over backwards like

19:41

as Uncle Clifford mixers. I use my full

19:43

rein in other ways, but I let people

19:45

know. Be. Some that know character right

19:47

now. Yeah, the mother fucker man. A Sockets

19:49

you don't get it twisted. Don't do that

19:51

shit again. And listening for. There

19:54

was an individual I insecure who will call us.

19:56

By our character names. In real, I'm

19:58

a. Real? I didn't. What?

20:00

Literally Having to ignore? Them

20:05

set. Of for them to

20:07

such. As. Like.

20:10

Tiffany Sydney Sydney in

20:12

A Thing. In. A Theater.

20:15

No. No. Other

20:18

answer is as big as a pitcher. but

20:20

would you say I'm not going crazy? I

20:23

know the fuck out and I have with

20:25

yeah every tear to that you play as

20:28

an artist I think that zoom lens yourself

20:30

to the craft. You know there's definitely things

20:32

that I have net. Of

20:34

myself to reading the character

20:36

but. I'm not known by

20:38

Mary and life I am gay. Rights

20:41

and I also felt that I had

20:43

the right as a gay man to

20:45

be able to play and portray a

20:47

member of my community that was a

20:50

part of the Lgbtq plus because if

20:52

I did not buy that. Line

20:54

of Logic I would never be able to plates in

20:56

Lear. And then I say oh. Actually I

20:58

would have my father was a print so

21:00

I have a royal my Welcome to Winter

21:02

by Discontent Do you understand what I'm saying

21:04

and I think that we have to be

21:06

able to know yourself and a lot of

21:08

ways and as an artist explore. So I

21:10

went. Something. Like

21:13

real talk like I would go shopping.

21:15

I would go over to that Tj

21:17

Maxx. the marshals was over was over

21:19

by by the airport. Ah

21:22

yes yes I would go over there

21:24

and I were I went to specifically

21:26

a lot of black places us and

21:28

I would stop. At. The department's

21:30

was like a discount apartments or by

21:32

the marshals. The Ross, Tj Maxx and

21:34

I would go into the women's department

21:36

and I would go in our try

21:38

on shoes and I would trust and

21:40

I was starting at that point I

21:42

was really just looking for something that

21:44

our were for the audition I would

21:46

have was cause. I was

21:49

getting ready for the audition before the

21:51

audition came. Out. With

21:53

manifesting really? absolutely. Cut.

21:55

Out with them. Fuck in L A. I come from New York,

21:58

I didn't I have. representation. In

22:00

and all those things are when I got

22:02

here. And Twenty Thirteen in a way. I.

22:05

Was like okay. Guy.

22:07

We want to do a reset. As I said, I

22:09

want it more and my life. Or tank. Yes. And

22:12

I want more. My life. And so when I got

22:14

out here. About Like All right. You

22:16

hear you can be did it is is is is and I

22:18

was like a. Yard

22:21

Line july it so I just hit the

22:23

ground running and because I had done the

22:26

readings of the played the workshop the full

22:28

production hadn't been done at the time and

22:30

so I was back in New York. Do

22:32

not as doesn't affect you know what I

22:34

thought this nugget so let me work on

22:36

that. So when I went shopping I would

22:38

see how people looked at me. I

22:41

would be just internally the process of

22:43

like oh how do you find some

22:46

the next going to fit your body

22:48

yes that's was a full figure because

22:50

of high Really sucked into an account

22:52

of. How does my body

22:55

occupy space? I you're hearing this.

22:57

It's the craft of. See

23:00

it is. but alas that real

23:02

life said of like. I

23:04

don't get a lot of in. Nico doesn't

23:06

get a lot of scrutiny. As.

23:09

Maybe someone that may be center

23:11

or more feminine and presents a

23:13

sense because I'm big, because I'm

23:15

sally, because I'm a Texas, I

23:17

guess. But like back in a

23:19

day like when I was twenty.

23:22

Nine, I was too soft in what like

23:24

physically or just like energetically and what the

23:26

negroes would say in the community when you're

23:28

twenty, do this. With

23:31

Aca use real deal with your real

23:33

and the you know we are all

23:35

fighting to so many different perceptions of

23:37

what we see, what we're supposed. To. the

23:39

interesting place in that regard to is. It

23:41

says i'm some everybody. Yes,

23:44

Like. I mean, there was a full dance. And.

23:47

Theater arts like the whole conservatory know you

23:49

know the dogs were than that. With the

23:51

other hand, there. Was also commuters like

23:53

liberal. I thought it was also

23:55

fascinating because and public until for

23:57

this but. That. Conservative. itself

24:00

was like very high level art.

24:03

But the actual liberal arts school

24:06

was more... Regular. Regular. Attainable.

24:10

It was a safe school. Yeah.

24:12

And there's nothing wrong with that. Like for me,

24:15

that was the beautiful part about purchase. So

24:18

there was a balance. Yes. Because I wasn't hanging around people

24:20

that was so lofty and all this stuff. It's like me

24:22

living close to Woodland Hills. That's it. Do you understand what

24:24

I'm saying? Let me go tap in, give me a piece

24:26

of chicken. Tap out. Yo, can you

24:28

swipe me, Amanda? Right. Yo, let me

24:30

have some of your meal plans. Yes!

24:32

I like a grilled chicken with

24:34

cheese and a honey. That's

24:36

what it was. I can taste it. I can

24:38

literally taste. Why? Because

24:41

I ate it every day. A grilled

24:43

cheese? A grilled chicken with cheese. And yes,

24:45

sometimes I would get a grilled... Ooh, I actually want

24:47

a grilled cheese. That's a whole other

24:49

episode. We could have literally done side effects of

24:52

purchase. We could have. You know I

24:54

ended up doing the commencement speech. When? For

24:56

graduation. This year? No, for my

24:58

graduation. I was a commencement speaker. See, that's

25:00

what I'm talking about. That's what

25:03

I'm talking about. And I called

25:05

it all out. It's on YouTube. See,

25:08

this is why I love that people... This

25:11

is who you've always been. Oh, well, this is

25:13

who you've always been. Correct. And when

25:15

you know that, I think that when you do have a calling

25:17

on your life and when

25:19

you actually answer, there is a different

25:21

response. How

25:24

did I prepare? Again, I shop,

25:26

but I also lived life. So

25:28

I taught. You know, I was a teacher in New

25:32

York, and I taught high school, and it

25:34

was something that fed

25:37

me in a whole other kind of way. Of

25:39

course. You know, to be able to...

25:41

What did you teach? Willin High School, Greenberg Central... For

25:44

the subject? Theater. Oh!

25:47

There was no dance until when they were trying to make me

25:49

teach astrology. I was like... Astrology

25:52

or astronomy? Astrology?

25:56

Yeah. As an elective, they wanted to

25:58

provide electives for the little children, and I was like... Y'all,

26:00

that don't make sense. One, I'm not accredited in this.

26:02

And I was like, what am I gonna do? Do

26:04

dance patterns, mocking stars? Like

26:07

what? And I was like, oh, well, there's

26:09

something there, but. Astrology as

26:11

a kid's class? High school.

26:14

You're a Gemini, you're a Libra. It

26:17

was all gonna be too much, but I did

26:19

not do that. It was theater and dance. And

26:21

I supported the English classes with art and literature.

26:24

Did black popular culture play into any of that? Absolutely,

26:26

because I was, my kids, when they left,

26:28

they would get to college freshman year. We

26:31

read this, we know Toni Morrison, we did

26:33

this. They had a knowledge of who they

26:35

were. And I'm gonna say black

26:37

and my Latin students, because the school was mixed,

26:39

but I always thought it was crazy. I was

26:42

like, there's all these Latin children. Where,

26:44

ain't no Latin productions? What

26:48

are we doing? All of y'all are

26:50

taking Spanish classes that as an elective, but you

26:52

can't speak it outside of Ola Como Esta. So

26:55

I was like, okay. But they Esta el Daniel.

26:57

Boom, you better than me. But

27:00

I will be like, oh, so we gonna do the House of

27:02

Ramona Iglesia. We are gonna do

27:04

Lydia. We're gonna expose people to Latin

27:07

writers as well. So it was

27:09

just a matter, for me, that's how I grew up.

27:12

I grew up having access and

27:14

knowing who I was,

27:16

reading. What are some

27:19

of the black popular culture things that you feel

27:21

like shaped you? Like I

27:23

can definitely tell you that the fact that I

27:25

can speak to Jasmine Guy still blows my mind

27:27

because Whitley Gilbert was very much a part

27:29

of my like adolescence. Same

27:31

with Tisha Campbell. Like I'll never get over

27:34

that. I will never get over

27:36

that. Tisha Campbell knows me and loves me. I

27:38

will never recover from that because that, there

27:41

weren't standup comedians. Like there weren't a lot

27:43

of women, black women standup comedians that got

27:46

a lot of like visibility, but for

27:48

the comedians, listen,

27:50

this is Tisha and Jachina and

27:53

Cree Summer and Jasmine. I

27:55

love them. Like that's

27:57

the same meme. So I would say like who

27:59

the pop. culture that like informing

28:02

the most was fame. Gene

28:05

Anthony Ray. I'm kind of wondering where

28:07

I've been. Come

28:11

on. What do

28:15

I see? Yeah. I

28:19

want it to be Gene Anthony Ray so

28:21

bad. Heart Latch. Do, do, do, do,

28:23

do. I was giving you know, Miss Graham.

28:26

I'm ready, you know what I'm saying? Yes. Wait,

28:29

what's the closing song? Oh, wait. Speaking

28:31

of astrology. It's something about this. Come

28:34

on, what's the closing number of fame? I

28:37

don't know. All I know is electric.

28:40

You talk about. I sing

28:42

the body electric. The body

28:44

electric. I celebrate

28:46

the me yet to come. Ha,

28:49

ha, ha, ha, ha. I

28:51

talk to my own reunion.

28:55

When I become one with

28:58

the. What I love

29:00

is that you are into the whole movie. You

29:03

are into the whole movie. I'm

29:05

a between us. I

29:07

celebrate my. Yeah. Yes.

29:11

I'm going to fill your

29:13

thoughts. Yes. You better go ahead and

29:15

remember these lyrics. You better remember these lyrics. You

29:18

have to like that was my thing. More

29:20

so the TV show. OK. More so the

29:22

TV show. Then the movie. That.

29:26

I just love that it was. Oh,

29:29

they get to feel. Oh, they get

29:31

to do stuff like. Oh, OK.

29:33

So like I was already ready before

29:35

high school of. Rehearsal

29:38

to eight o'clock. You know what

29:40

I'm saying? That was the stuff that kept

29:42

me out of trouble. It kept me off

29:44

the streets. So when I. So literally seeing

29:46

it represented. Change me. I

29:48

have to ask them why. If

29:51

they have had that same. Like

29:54

if things have had that same effect on the clear community.

29:56

Not to be confused with the clear community.

29:59

The clear community. because I feel like

30:01

this is so common for us. It's like,

30:03

oh, we signed. So I can be it.

30:05

Yeah. Because sometimes you don't get to see it in

30:07

your family. Sometimes you don't get

30:09

to see it in your household, your neighborhood.

30:11

Yeah. So if I can see it on

30:13

TV, something that

30:16

changed me. There

30:18

was that first year, 2020, 2020. I

30:23

know. I know. That

30:26

part. But there was this nugget. We really lived

30:28

through that. We lived it. What?

30:31

That's why we scarred now. Well, this is why I take

30:33

my time now and get space. But

30:36

there was this young man. He

30:38

had pictures on his Instagram story

30:40

and he attacked me. And

30:42

there were these pictures of all of these,

30:44

I call them icons and pillars in our

30:46

community. He was looking at

30:48

Sidney Poitier. He was looking at Oprah.

30:50

He was looking at Ruby Dee. And

30:54

then he had a picture of Uncle Clifford up

30:57

there. And I bawled

31:01

because I was like, oh. Illustrious

31:04

League of Master Blacksburg. This matters.

31:06

Yeah. Like it was something that just

31:08

told me, it was like, yeah. I feel like

31:11

I remember that. It was more than just like me

31:13

and like. But it's a lineage, right?

31:16

And because I knew those

31:18

that came before. Yeah. I

31:20

knew that. Those were not

31:22

just black faces. Those were people that I

31:24

looked up to that like,

31:26

whew. You

31:29

remember Joan Potter at purchase? I

31:31

know who she is. So she

31:33

told me sophomore year, we were

31:35

doing Shakespearean scenes. Like old. I

31:38

loved Joan. I didn't experience her. Got you.

31:40

She was just like a little white lady

31:42

to me. She was actually. And she sold

31:44

me her Mercury Cougar for $525. I

31:48

love it. So I bought that car from her and it was

31:50

good. Cause off you go from

31:52

Connecticut to purchase. Right, right, right. But I

31:54

got up to do my scene one day

31:56

and we were, it was from Othello

31:59

and she. Which scene? Put up your sword so

32:01

that you will rush them. I don't even remember.

32:03

I know it's me and Iago. I

32:06

know what scene it is. What? I'll bet

32:08

you I know what scene it is. It's sad because if they always do the same

32:10

scenes and I'll be like, it's the whole play, y'all. I

32:12

think it's probably the scene where Iago

32:15

says, I

32:17

left that left. The handkerchief.

32:19

Right. Because he's like pointing

32:21

out to Aselo that Cassius is talking to.

32:24

He plants the seed. I think that actually was the scene.

32:26

I think that was the scene. Because that's the scene. He

32:29

plants the seed in Aselo's mind that Shorty is

32:31

wiling. And

32:33

here you go. What you going to do with it?

32:36

With just one line. I

32:38

like not to laugh. And how do you know you're

32:41

such a baddie? I

32:44

really paid attention in school. Clearly.

32:47

Clearly. But that she, I remember. So

32:49

did you play Cassius or Aselo? I

32:51

play with playing Aselo. And

32:53

I remember I had these fry

32:55

boots. You know, fry boots was a

32:58

thing back in New York. Yes. So

33:00

I had my fry boots on. And

33:02

I think acting may have been after lunch or something

33:04

like that. So I think I had

33:06

one of them off because my foot was hurting.

33:09

And so it was the first round. And I had just

33:12

walked up. I'm sitting

33:14

up on the stage or in the studio

33:16

and I'm breathing, doing my

33:18

thing. And afterwards

33:20

she was just like, my dear, you'll

33:24

never be able to play Aselo. You

33:27

have to do this. And you did it. And

33:29

she broke it down. And

33:31

I said, what'd you say? And

33:33

she was like, you have to do this

33:35

in your body and you have to pull up and your

33:37

posturing. And literally

33:40

midterms when we had evaluations

33:42

or whatever. That

33:44

was where I was in her office. And

33:46

she was like, what's wrong? And I was just like,

33:48

nothing. I was very distant. And she said, what's wrong

33:50

with you? I said, listen, you told

33:53

me I was going to be able to play with though. And I

33:55

did. And now you're giving me all this

33:57

good feedback. She was like, I've never said that to

33:59

you. I said, yes, you. You said right here boom

34:01

boom boom boom boom boom boom boom boom

34:03

and she said, Nico, you

34:06

walked up there with one shoe on. I

34:10

said you'd never be able to play a fellow.

34:12

He's a king. You're not looking like a king.

34:14

You're not carrying yourself like you should.

34:17

You have everything that you need to

34:19

be successful. You are like a young

34:22

Sydney Portier. And

34:24

I'm trying to get you there. And

34:26

your young self is not being, I

34:29

wasn't being focused and she was saying how

34:31

I show up. And

34:33

so when she said that, we'll allow it. Right.

34:36

I said, why you ain't say that from the beginning?

34:40

Why does that have to decrypt, decode?

34:43

Yo, she did. Like, you know, you had me

34:45

here feeling this way for a whole time. Ding.

34:47

But I'm glad that we got it out. But

34:50

like for me, I've always

34:52

had to like prove that

34:54

I was worthy or that I had

34:56

it. And I'm ready for this chance.

35:00

And that was not something

35:02

that told me that I was less

35:04

than. Y'all just don't see it.

35:06

Right. Y'all just don't see it. So I

35:09

guess being the only child, having

35:11

this vivid imagination and staying in

35:13

my own world, it worked to

35:16

my benefit. So I would

35:18

just go, I would shop,

35:20

I would take all of these things

35:22

that I gathered and kind of put

35:24

them together when people looked at me

35:26

crazy. Why are you trying no shoes

35:29

on? You know, what are you doing

35:31

in this department? And normally you could lie and

35:33

be like, oh, I'm looking for something for my mom. But

35:36

when you see me hold this up to

35:38

myself or look in the mirror.

35:41

We got the same build. Right. Exactly. Like,

35:43

what is it doing? And I

35:45

took in how people saw me. That's

35:48

how I started to really get

35:50

my tentacles around how people looked

35:52

at non-binary people. I

35:55

would go out, try things on, prepare

35:58

for the role. I would take myself on dates. Oh,

36:00

like try life experiences on. By

36:02

myself, you know, and just see what

36:04

it was doing. I knew what I

36:06

did not want to do. And

36:09

that was be a joke. A

36:11

trope. Yeah. I wanted to dismantle that

36:13

and I wanted to be able to

36:15

give us something else to digest. Not

36:19

just a comedy of, oh, he's wearing a wig. I'm

36:25

not even frightened. Sometimes I legit

36:27

forget to eat. And when

36:29

that happens, I'm not in the mood to try

36:31

and like figure out what I'm going to cook.

36:34

No. And I also know there are people who

36:36

simply cook better than me and I can get

36:38

right to them on

36:40

DoorDash. Yes, that's right.

36:42

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36:44

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36:46

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36:48

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36:55

don't be like me. Don't let yourself go

36:57

the whole day and they realize, oh

36:59

my gosh, that's why I'm cranky because

37:01

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37:04

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37:06

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alcohol. Drink responsibly. Alcohol available

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only in select markets. So

37:27

you've mentioned now like, okay, fame

37:29

showed you like I

37:32

can be there. I can be in a space where like

37:35

I'm doing art all day, right? You mentioned, I

37:37

can't remember if we were recording it, but you

37:39

mentioned how like good times took you

37:41

to the hood, right? In ways

37:43

that reminded you of like, you know, your family

37:46

that lived in that space, but it also

37:48

gave you frame of reference and context for like

37:50

an experience that you didn't have that was still

37:52

like very innately black. What do you feel

37:54

like Pea Valley does for folks in that regard

37:56

as a part of the black

37:59

pop culture? Cannon I think it does

38:01

a lot of things because I think

38:03

that when people watch the show

38:07

The little isms that they pick up

38:09

on whether it's the Tupperware Whether

38:11

it's the the little chillin's a little piece of

38:13

foil it

38:16

gives Permission to

38:18

be and it also says that you

38:20

are okay. There's nothing wrong with you.

38:22

You don't have to change I Think

38:25

that culturally seeing the South Yeah

38:29

Represented is something that is very different and I

38:31

think a lot of times we try to shy

38:33

away from that in this country and

38:39

I feel like when people are

38:41

watching P Valley they get permission

38:44

To watch what they deem

38:47

like naughty and not

38:49

just the sexual things

38:51

You know because there's so many people that watch the show and

38:53

they say is that what it's like in the strip

38:56

club And I think but

38:58

you judging this girl for dancing and you talk

39:00

about then you ain't never been inside of a

39:03

strip club Well,

39:06

honey, I mean that's a deeper I mean,

39:09

yeah but they're just to be able to see

39:11

the athleticism to be able to see like The

39:14

family component. Yeah, you know, like

39:17

these are the grounds they're in characters. Mm-hmm

39:20

Yeah, and it's real experiences real experiences

39:22

that I think most people who haven't

39:24

been stripping Right been through

39:27

well, you know That's to me the beauty

39:29

of black popular culture, right? What it's done

39:31

is it allows us to have representation to

39:33

tell stories about us that we otherwise would

39:35

not get to tell and that Otherwise people

39:37

wouldn't even get a damn about. Mm-hmm, right?

39:40

So it validates existence

39:43

of Uncle Clifford Mm-hmm, and

39:45

Uncle Clifford is a character representing Real

39:48

people in the world have a

39:50

real people in the world responded to you in

39:52

this role Like

39:54

how do you feel like it's

39:56

shifted? It's overwhelming to be

39:58

honest with you It's just so interesting.

40:01

Unforwhelming in like a... Good way. Ooh.

40:04

In a good, positive way. Talk to me. You

40:06

know, you can do your appearances at different, you

40:08

know, clubs and things. Oh, okay,

40:10

yeah. And all those kind of things. And I've

40:12

been there and I've done that, you know, and

40:15

primarily because I wanted to be with the people. I

40:18

wanted to make sure, like, I don't want to be

40:20

just creating this in no Hollywood. Let me just be...

40:22

Yeah, man. Let me be with my people, people.

40:24

When you keep here and then you

40:26

go out in the world, you get a

40:28

greater sense of what

40:30

the actual impact of your doing is.

40:33

And it changes it. It changes it. And

40:36

that question of, what are you doing here? I've

40:39

had that when I was riding the bus. You're like, what do

40:41

you mean by doing here? I'm getting to my destination.

40:43

Yeah. Yeah, but you're like...

40:45

And I'm like, no, it's

40:48

me. But you feel so comfortable. I

40:50

am. Can you pass me to

40:52

play to that chicken? You

40:55

know what I'm saying? I feel like it

40:57

just put me in a place. I experienced

40:59

so many different types of people that

41:02

come up to me talking about the

41:04

show and specifically Uncle Clifford,

41:06

people who you don't think should. I

41:09

was walking in New York. Do you know Jocelyn B.O.? No. Play

41:12

right? No, I don't. You should check

41:14

her out. She got some great stuff going on.

41:16

Yaya Braiding Shop or something like

41:18

that on Broadway right now. Jocelyn

41:21

B.O. Okay. She

41:24

says to me, I was leaving her and her husband.

41:26

They had just got married. We were leaving the Soho

41:28

House and you're having this experience, right? I was like,

41:30

I ain't even got no Soho House membership, but hey,

41:33

y'all got to come on. I'm coming for lunch. Went

41:35

to lunch, leave. I hadn't been

41:38

in New York a while. I'm trying to

41:40

walk east. I walk west. I turn around. You

41:42

know, you just don't know what I'm saying. I'm like, oh, yeah, I'm going

41:45

around. I turn around. I'm walking.

41:47

There's five brothers walking down toward

41:49

me, 14th Street. Okay. 14th

41:52

where? Okay. Yeah,

41:54

I see it. They walk in towards me

41:57

and these are brother brothers. These

41:59

are niggas.

42:03

Okay. Like coming ready. And

42:06

but they're also in Union Square. So that part,

42:08

you don't know where they're coming from. Yeah. You

42:10

know what's going on. But I'm like, what is

42:12

this? Not the belt line. What's that thing that

42:14

they got? They got some training. The, the, the,

42:16

the, the something. The

42:18

Highline Highline is some new shit that I ain't been there

42:20

before. And all the things. Yeah. Oh, you got a park

42:22

in the middle of Manhattan. Okay. All right. All right. I'm

42:25

here for it. I'm like, this is like when we was

42:27

going to the club over here, but it's fine. So

42:30

anyway, like, hey,

42:34

so they walk over to me and they

42:36

mean grilling me. Not the mean

42:38

mug. They mean mugging me hard

42:40

body. In my mind, it feels

42:43

like beat it. You're

42:45

so stupid. And here I am on the phone. Like,

42:48

yeah, no, not no little niggas either. That's

42:51

what I'm saying. So I'm like, what's

42:53

about to go down? It's you learned how

42:55

to shank in East Detroit. So

43:00

one of them says to me, he says, as I'm

43:02

trying to walk past, he was like, you think you're

43:04

going to get past me? I was

43:06

like, what? You know,

43:08

when it, when it fought, it was like, you

43:11

think you won't get past me. I see you.

43:13

We love that shit. Oh, good. Oh

43:19

my God. And I was like,

43:21

and I was like, oh

43:24

shit. Like an all in was like, yeah, man,

43:26

that's some shit. You're winning next season. And I

43:28

was like, wow.

43:32

Wow. Because the way that people

43:34

can have perceptions against uncle Clifford, you can have

43:36

perceptions against those brothers. Yeah. Do

43:38

you understand what I'm saying? But

43:40

for them to, I don't know how they identify

43:43

when they ask for no number. I ain't saying

43:45

they was on no low and stuff like that.

43:47

Because that's the other thing that people try to

43:49

say like, Oh, those that like it, they on

43:51

the low. No, they could also just like it.

43:54

Like the show. Like they are brothers with an

43:56

open mind. Well, they also, you know, they were

43:58

watching for titties. That part. And then you

44:00

snuck in. Hello!

44:04

You want some pitties in your common now? Ha

44:06

ha ha ha ha ha ha ha ha ha

44:08

ha ha ha ha. But you know

44:10

what? What? They

44:13

watch in that show and they

44:15

know that that shit is happening. In

44:17

real life. Yes. Because they got

44:19

homies. Yes! You understand what

44:21

I'm saying? There are Uncle Clifford's everywhere. To different

44:23

extremes. What's the rapper's name? What rapper?

44:26

In the show. A little murder. There's little

44:28

murders everywhere. I thought you were talking about

44:30

real life. No. No. Little

44:33

murder. Yeah. Just like you

44:35

see in real life. Wait, are y'all coming back? This

44:37

track's over. Hello. Hallelujah.

44:40

Hallelujah. Hallelujah. Ooh,

44:42

so feel who I'm at. Ooh,

44:44

pass them peas. Pass them peas and penises. They're gonna be

44:46

different, Ryan. Yeah! Some koochie

44:48

gonna be wet up in her!

44:51

Come on! Come on! Some

44:53

hott's gonna be lean. Not here. The koochie's

44:55

not gonna be wet. Why your koochie gonna be wet? Because I'm out

44:57

the streets. The streets ain't

44:59

where they get wet. I mean,

45:02

I'm gonna be painting. And?

45:06

I have friend events plans. Please,

45:08

goodbye. You have friend events plans. You can paint

45:10

and you can write. You can ask. Yes, yes.

45:13

None of this to me thinks of like which koochie, though. But

45:15

it's your thoughts. I get off

45:17

when my ideas manifest and I see it

45:20

and I be like, Yo, I did that. I

45:23

did that. Yes. Yes.

45:25

Give it to me. And

45:27

I have to digest it myself. Like

45:30

doing stuff like on TV versus theater. Like I

45:32

have to sit with it and I'll watch it.

45:34

So you do watch? Absolutely. Because

45:36

you know people be like, I've never watched myself.

45:38

I'm like, oh. I watch. I watch. Do

45:41

you watch to enjoy and then watch the study? Do you watch

45:43

just the study? Like how is it for you? I

45:46

watch to see what the fuck we did. Right.

45:48

Because people don't know that we shoot

45:51

the shit and

45:53

you don't know how it's gonna end up. How it's coming together.

45:55

So who they're gonna, what they're gonna cut, what

45:57

they're gonna do. I mean, last season of insecure. We

46:01

shot so much footage,

46:04

because we usually shoot for two and a half months

46:06

and we shot for six months because of COVID, et

46:08

cetera. I was like, how y'all

46:11

gonna fit this in the show? Let

46:13

me see, let me see. Just watch. Because we was there

46:16

for 16 hours that day. Okay. I

46:18

better see every coverage. That

46:21

it was there, okay? And if you don't use it

46:23

here, you better use it online. I better see it

46:25

in the booth for real. Right, okay. It

46:28

better come up, because I bled for it. I

46:30

bled for it. Tias. For real.

46:32

Yeah, real tears, actually. I love that for

46:34

you. I mean, when you talk about it

46:37

being overwhelming,

46:40

tell me more about that feeling. Like,

46:42

is it just like shocking, like

46:44

surprising? Is it fulfilling? Is it

46:47

healing? It's not surprising. It's

46:49

not surprising because I knew my intent

46:53

in creating. And my

46:55

intention in creating was being able

46:57

to create a space where we

46:59

can be una-fucking-apologetic. Why is that

47:01

important in this iteration of Black

47:04

pop culture? Where else we gonna do

47:06

it? It's

47:08

one thing to say I'm doing it in my life, but

47:11

I'm constantly gonna be hit opposition,

47:13

right? I'm gonna constantly hit these obstacles. I'm constantly

47:16

gonna hit people telling me, no, you can't do

47:18

that, or you can't say that, or where you

47:20

going? You can get that on the

47:22

edit, in the script, you know what I'm saying?

47:24

But once you have identified what this is, the

47:27

script is there, you fall in the pocket.

47:31

I remember this one time, me and Morocco, Morocco

47:33

plays Big L, and we were in the kitchen,

47:36

and we were just talking, and he

47:38

had a toothpick, and

47:41

he was just picking his teeth and just talking.

47:43

And I was like, this is so colored. What

47:46

did you do? I was like, you should do that in the scene. And

47:48

he was like, we at the

47:50

bank. We at the bank. We

47:53

at the bank. And he did

47:55

that scene, and I was like, and

47:57

then he put the toothpick in his beard. I'm

48:00

right here to get it later. Yeah, of course.

48:02

And I was like, now that, now that, that's

48:04

a specificity that I can get down with. It

48:07

allows us to just be able to play

48:09

and like get lost. You

48:11

know, there's a lot of freedom in

48:14

that art and to be able to take that.

48:16

I know it doesn't happen all the time, Amanda.

48:18

I've been in this game a long time

48:20

and it does not happen all the time

48:23

that you get to do something that actually

48:25

feeds you. That I'm not just giving

48:27

and giving and pouring and y'all taking and taking and taking

48:29

and taking for me. That's why there

48:32

are periods on social media. Nico,

48:34

go on. Right. I'm here

48:36

and listen, and I might tap in. I'm actually

48:38

there every day, but y'all need to see what

48:40

I ate. Y'all don't need

48:42

to see, y'all don't need to see who

48:44

I'm in the car with. Y'all need to see my mama. Y'all need,

48:47

you see enough. Let

48:49

me fill up. Yeah. Let me fill

48:52

up. So when I meet these people, one

48:54

time I said some wild shit. I was

48:56

like, yo, y'all acting like Michael Jackson is back. No.

49:00

And it wasn't about like a fandom thing. It

49:03

was, it's a real reverence. Baby, I feel that

49:05

pull on my spirit. It's a reference. When people

49:07

are talking like, I'm in a club and then

49:09

the girl is like, and you don't understand another.

49:12

And I'm like, oh, she's having a whole Mississippi

49:14

moment for real, for real in real life. Come

49:17

on. Cause everybody says, oh, I'm the

49:19

this on the show. I'm the this.

49:21

They all identify with the seed themselves.

49:25

And it's like, you can't

49:27

beat that. That's worth

49:29

those 16 hours. Dead

49:32

ass. Because I'm looking at

49:34

somebody that's like, shit, I

49:36

didn't even know. I

49:38

was just in Memphis this summer. I've been in

49:40

Memphis a lot this summer working on stuff. And

49:43

it was at the Southern Heritage Classic, you know,

49:45

football game is going, I go to the tailgate.

49:47

I'm hanging in the booth with all the

49:49

Greeks. Okay. All the Greeks. I

49:51

don't want to offend nobody with the calls. Cause

49:54

y'all be the K-Memo, the divine nine.

49:56

But like I was over here with

49:58

the Zetas. with the AKA's,

50:01

I was there with the Q's

50:03

and the kappa's. Every

50:05

single black person I walked

50:07

past was acknowledging,

50:11

was embracing, and it wasn't just

50:13

on some fandom, like there

50:15

was not sign this. It

50:18

wasn't even just taking a picture. It's weird is

50:20

not the word, but. It was home,

50:22

this one black woman, she said, Uncle

50:24

Clifford coming on in, he coming over to the booth, he

50:26

coming home now. That's what she

50:28

said. The heat coming home now, come

50:30

on and they handed me a plate of some

50:32

ribs without the sauce, and

50:35

some baked beans, and some greens. Just

50:37

a little taste on the thing. Yeah.

50:39

And I'm walking around with my plate, and

50:42

I'm eating it like, what are you doing?

50:44

And I'm like, you dropping fish? Come

50:46

on, it was so like, just, it's

50:52

like when we play spades. Yeah. It's

50:54

like when we play dominoes, like it

50:56

is just rare that you get to have that. So

50:59

to be able to do that and experience it from

51:02

people who say, gay people

51:05

don't exist, or I don't like this, but

51:08

then come to me and say, my grandchild is,

51:10

I think like Uncle Clifford. Wow.

51:14

I haven't spoken to him in a long time. I'm

51:17

gonna call him. Those were like the DMs that I were

51:19

getting. I was getting DMs. This

51:21

one brother told me, I used to beat up on

51:24

people like you. He talking to

51:26

me as if I'm really Uncle Clifford. I used to

51:28

beat up on people like you. I never thought about

51:30

the fact that, you had a mom

51:32

or a family and shit like that,

51:36

or the ever going, I watch

51:38

a show with my girl. You know, they

51:40

quantify that they watch a show with a girl, they girl,

51:43

but that's some shit. Like y'all are doing some

51:45

real shit. But I felt so compelled to

51:47

contact you. Mm-hmm, yeah. And

51:50

that's in life, that's in me. It's everything.

51:53

Essenfest, this woman, she's a professor

51:55

at a college down in New

51:57

Orleans, her and her husband

51:59

were. in a line. I didn't

52:01

even know the line had started. I was just trying

52:03

to get to the bathroom, but you know, people stop

52:05

you and stuff like that. So

52:08

she's talking about how her students talk

52:10

about the show and every

52:12

week when she starts to do, they

52:15

had to give their own dissertations and

52:17

talk about the socioeconomic breakdowns and the

52:19

themes that were in the

52:21

episode and how they apply in life and what

52:23

would you do. It was literally like using it

52:25

in college and I was like, oh,

52:29

this is what you can only dream. This is

52:31

only what you could dream. I ain't talking

52:33

about no numbers and what's the ratings and

52:36

stuff like that. That's great. All of the

52:38

things, but what is happening is actually affecting

52:40

real people. Then after that,

52:42

Amanda, this man that was behind her was

52:44

her husband. I didn't know it was her

52:47

husband. He came over to me and he

52:49

had tears in his eyes and he said,

52:52

you saw my child earlier today. You

52:55

met my child and I was like, that's

52:57

nice, sir. I don't know who your child is. It's a

52:59

lot of people I've met. And

53:02

he said, my child is kind of

53:04

like Uncle Clifford. My child is kind of like

53:06

Uncle Clifford. He has

53:08

nails, a little short scissor. And

53:12

I said, were they wearing a green, olive

53:14

green shirt? And he

53:16

said, yeah, I think so. He

53:18

said, my child came home and

53:22

I haven't seen my child that happy

53:24

since they were 17. After

53:26

meeting you? And

53:28

what I see is what

53:31

you do. I'm sitting here with you right now and I

53:34

see what this is. I

53:36

didn't know how to love my child. And

53:39

I'm seeing your grandmother

53:41

Loretta Devine. I'm seeing people

53:43

love Uncle Clifford. I

53:46

didn't know that it could be just that simple.

53:49

And he was just talking and he was confessing.

53:51

And this man is crying. He's in his fifties.

53:53

He's balling. And I'm sitting here like, and you're

53:55

in Memphis. This was in

53:57

New Orleans. And

54:00

so I was becoming full and he was

54:02

like, I'm sorry, I'm not trying to take up the new

54:04

time. And I said, no, I'm gonna hold you right there.

54:06

Everybody else can wait because I give a lot. Yeah, yeah.

54:08

I give a lot. So when

54:10

it's coming and being my cup is being poured into, I'm

54:13

going to take it. I'm going to take it.

54:15

Right. You know, so it's

54:18

stuff like that. It's amazing. And I

54:20

also know it's rare. Yeah, I know

54:22

that it's rare. There are other other

54:24

queer people. I'm not the first gay

54:26

man. I ain't the first person. I'm

54:28

not the first. I'm not going to

54:30

be the last, but I swear because

54:33

it is different for me. How

54:35

can I not say something? I was

54:37

on the fucking stage girl at the

54:40

NAACP, the National Association

54:42

for the Advancement of Colored People.

54:45

And here I am with this

54:47

organization that has for so many

54:50

years had a certain reputation. That's

54:53

why I was looking crazy. I

54:55

was like, oh, shit, they really doing this? We

54:58

were, wait, oh, my God. You

55:00

see my little, my little combination

55:02

is great. Did you do AXO?

55:05

Yes, no, yes, yes, I did do AXO

55:07

too. So I know the

55:09

NAACP from back in the day, like

55:11

as a kid. The AXO is the

55:14

Academic, Cultural, Technological, Scientific Olympics. So,

55:16

you know, in high school, you go

55:18

and you can compete in all these

55:21

different competitions and things like that. So

55:23

there was just a level of investment and

55:25

connection with community that I had growing up.

55:27

So in it, I'm sitting here like, OK,

55:29

yeah, it's nice to be in the room.

55:31

And indeed it is. And I'm

55:33

sitting down and I said, oh, they got some good

55:35

seats this year. I

55:39

was nominated before, but it was in

55:41

Covid. So I live. Oh, OK. And people

55:43

talking all this stuff. You know where I was.

55:45

Where? I threw a whole little ceremony for the

55:47

NAACP at the old hotel that I used to

55:49

work at. That ass. I

55:51

called him. I was like, hey, I need to rent out the room. Rent

55:55

out the room. Oh, Nico, you don't have to

55:57

rent it out. We'll do that. Great. I appreciate.

56:00

Can I know know what? Overnight yes

56:02

via saw was there in Iraq Hims

56:04

at all is wonderful. The cast was

56:07

they have the air by. This is

56:09

our premier we haven't had not. Come

56:11

on come on it's just very black.

56:13

A very black comedy in the mony

56:16

mony in the doors open. Come in

56:18

we hear. Bring. Some cookies

56:20

bring and cupcakes from the main

56:22

guy? That okay, exactly. And

56:24

bring the liquor. Let's go,

56:27

let's celebrate. So it's it's

56:29

it's autumn things. Will. Y'all

56:31

are very that I bring into

56:33

question. And so we're going

56:35

to head over to the Him and Diverse and

56:38

answer some of the ask questions with me going

56:40

on says you want to join the Seal squad

56:42

and get his little extra taste than you know

56:44

what to do Go to the and Me a

56:47

Diverse that. Came in.

56:53

And ninety cents hands? I

56:55

legit forget to eat. And

56:57

when that happens I'm not in the

57:00

mood to try and like figure out

57:02

what I'm gong clock nom and all

57:04

some other people who simply both better

57:07

than me and I can get right

57:09

so them on door-yes that's right. listen

57:11

door that had saved young girls so

57:14

many times and if you're really bad

57:16

even get you would-pass and that gives

57:18

you a discount on the door dash

57:20

and that you are doing so they'll

57:23

be like me. don't let yourself go

57:25

the whole day and they realize. All

57:27

my dad's That's why I'm cranky

57:30

because I haven't eaten anything. Know

57:32

sappy the door-and gets his the

57:34

nutrients in your system all right.

57:37

Door. Dash your door to More!

57:39

Download the door-at now to

57:42

get almost anything delivered Door-your

57:44

door to More Must be

57:46

twenty one who are older

57:48

to order alcohol, drink responsibly

57:50

alcohol available only in select

57:52

markets. So

58:01

before we go, just tell me this. Where

58:04

do you see this

58:07

space of Black art expanding

58:09

to? Like we, I feel

58:11

like, I feel

58:14

like we've constricted and now

58:16

I feel like there's an expansion that has to happen.

58:18

We, as an industry have constricted or as a

58:20

people? Well, I feel like we've

58:22

constricted. For me, I feel like

58:25

folks got very kind of complacent and comfortable

58:27

with just like, oh, we got money now

58:29

so we can kind of focus on that

58:31

stuff. And

58:34

create stories out of that space. Yeah. Got

58:36

you. Agreed. I

58:39

love you. Like, same. Because I so forget, like, I'm

58:41

like, forget that there's a camera here. I'm

58:44

just like, that's why I was like,

58:46

yeah girl. I

58:51

think that for me, I hope

58:53

that this show, being as unapologetic

58:55

as it is, inspires other people

58:58

to be that bold in their

59:00

truth. I think that.

59:03

And not to be movies, bold,

59:05

not that kind of. Listen,

59:07

because listen, I have a friend who is

59:09

putting things onto that platform because he doesn't

59:11

have the access to like the big studios

59:13

and stuff like that. But

59:15

we talk about all the time, make

59:18

it, keep it integral. Keep it. What

59:21

are you saying? Yeah. What

59:23

are you doing? Yeah. You know

59:25

what I mean? Long ass pause, this

59:27

drama. There's some

59:29

of that that's on that's not on to me. Okay.

59:32

I mean, I just saw the movie,

59:34

Past Lives, and there was like a

59:36

good like pancy and just like staring

59:38

at each other thing. And

59:41

I was like, I get it. But I, what,

59:44

I don't know that we needed that. I

59:46

remember also in high school, Christian Barringer, we

59:48

used to have to do a monologue every

59:50

week. And she would forget.

59:53

And so she would end up. She would forget to do

59:55

the monologue. She would, we would, we're

59:58

seniors. Like It'd be like, oh, how did. Get

1:00:00

a chance to idol never forget the she did

1:00:02

his mind my lot of the with honestly five

1:00:04

lines because it was like. You

1:00:07

are Not here. And.

1:00:18

Arms or am I getting wrestling

1:00:20

with. I guess

1:00:23

I'd say that's right side and I

1:00:25

wonder though like even have a conversation

1:00:27

about like not to beep beep or

1:00:29

you said not to be was. Not

1:00:32

to be thy you said to him was

1:00:34

you say I care of a baby either

1:00:36

To be as a is A is an

1:00:38

aesthetic at this point. Where is. But are

1:00:40

we being like a leaders? Yes. okay.

1:00:43

And Lisbon sometimes. If nothing wrong with

1:00:45

that, there's a place for everything, I

1:00:47

think. That when it comes to

1:00:50

black popular culture and leaders, I'm

1:00:52

doesn't have to be couched in

1:00:54

respectability. Agreed or south and

1:00:56

percent of thousand. Is more so

1:00:58

quality and salvation? Yes Yes! So I

1:01:00

don't think it's like a leaders I'm

1:01:02

like oh this is better than you.

1:01:04

It's more just like can we not

1:01:06

is due to see just because we

1:01:08

can Cause I'm talking. About like own and

1:01:10

Mccandless Yes! And sometimes I think we

1:01:12

will still operates on a place of

1:01:15

scarcity. Vs. Abundance in that.

1:01:17

And I have you know in the D I

1:01:19

Y we need some. We do that unless. I

1:01:21

agree with that, but I also think that that

1:01:23

might be a part of. Because. Of

1:01:25

technology. We're seeing all of the

1:01:27

the little recital. normally that she

1:01:29

would go see your cousin doing

1:01:31

acts and now it's just like

1:01:33

everybody is putting their Basements show

1:01:36

online. I. Did mean you have all

1:01:38

you have. But. Sometimes I

1:01:40

think we ought. I'm. Speaking

1:01:42

for myself like so be like let me just pulls out

1:01:44

and a slang. Challenge. Yourself. To.

1:01:48

Elevate. It isn't right. Like you don't need

1:01:50

to necessarily have more money to elevate and

1:01:52

need is needed. Give yourself a little bit

1:01:54

more. Or. Be

1:01:56

a little more fearless. In. Bringing

1:01:58

other folks' opinions, And, you

1:02:01

know, kind of just letting the

1:02:03

ego go. Do you think you

1:02:05

get that because of who you are? Because you've had

1:02:07

mentorship though? I didn't have mentorship. I

1:02:10

didn't really have mentorship. I feel like I had

1:02:13

training. You

1:02:15

know, but I didn't really, I don't feel like I had.

1:02:17

There's a difference. Because if I had had mentorship, I feel

1:02:19

like my nervous system would have been a lot calmer. Like

1:02:24

I was always spending, like fighting for

1:02:26

myself because I didn't have anyone to go to, to

1:02:28

be like. So this happened and how could

1:02:30

I have managed this better? And how could I have dealt with

1:02:32

this better? Like it was just bumps and bruises and bumps and

1:02:35

bruises and bumps and bruises until

1:02:37

you just like, let me,

1:02:39

let me stop and

1:02:41

figure out how to not and do that on my

1:02:43

own because there isn't anyone to really, and that's what

1:02:45

therapy has helped me with. But

1:02:49

you sir, are an icon. How does it feel?

1:02:52

Why do you say that? Because you

1:02:54

already said it. You said that sir

1:02:56

had a gallery of individuals.

1:02:59

I mean, I mean,

1:03:01

but that's Tyrone somewhere over in. Who do

1:03:03

you think determines who icons are? Baby, you

1:03:05

better say it and bring it all around.

1:03:09

You better say it and bring it. That's who

1:03:11

makes icons. The people, the

1:03:13

people who make icons. That's

1:03:16

why when you call yourself a genius, it's like, shut the fuck

1:03:18

up. Someone else

1:03:20

calls you. You're like, yeah. Oh, yes. Oh,

1:03:24

yes. Shimonet. Well, we love you.

1:03:28

We love what you're contributing to this black

1:03:31

popular culture space. We

1:03:34

love that you are a master

1:03:36

blackpert. I am

1:03:38

because of you. I'm happy. I

1:03:40

love you. I love you.

1:03:43

Your resilience, your creativity, nothing is ever

1:03:45

going to stop you. There

1:03:47

are a lot of people that are

1:03:49

inspired by what you do and see

1:03:51

you. Just know that

1:03:54

it is difficult. Absolutely.

1:03:57

This shit ain't easy at

1:03:59

all. What makes you keep going though? What

1:04:02

else am I gonna be at Earth? You

1:04:05

could be a professor. It's the same bullshit

1:04:07

everywhere you go. That is correct. So

1:04:10

you just decide which bullshit you, or if

1:04:12

you're lucky, you get to decide which bullshit

1:04:14

you feel most fulfilled by. What

1:04:17

can you get the most nutrients out

1:04:19

of? And as far as this space,

1:04:21

I have always loved black popular culture

1:04:23

before I even knew what it was,

1:04:25

before I even got a name for

1:04:27

it. And it is an honor to

1:04:30

be considered someone who is pouring into

1:04:32

the canon of it. And it

1:04:34

is an honor to have you here with us as

1:04:36

another who does the same. It's an

1:04:38

honor to be here. I'm

1:04:45

not even frightened. Sometimes I legit

1:04:47

forget to eat. And when

1:04:49

that happens, I'm not in the mood to try

1:04:51

and like figure out what I'm gonna cook, nah.

1:04:53

And I also know there's people who simply cook

1:04:56

better than me and I can get right to

1:04:58

them on DoorDash.

1:05:00

Yes, that's right. Listen,

1:05:03

DoorDash has saved your

1:05:05

girl so many times.

1:05:08

And if you're really about it, you can

1:05:10

get you a dash pass and that can get

1:05:12

you a discount on the DoorDash in that

1:05:14

you're doing. So don't be like me. Don't let

1:05:16

yourself go the whole day and then realize,

1:05:19

oh my gosh, that's why I'm

1:05:21

cranky because I haven't eaten anything.

1:05:23

No, tap into DoorDash and get

1:05:25

you some nutrients in your system,

1:05:27

all right? DoorDash, your

1:05:29

door to more. Download the

1:05:32

DoorDash app now to get

1:05:34

almost anything delivered. DoorDash, your

1:05:36

door to more. Must be

1:05:38

21 or older to order

1:05:40

alcohol. Drink responsibly. Alcohol available

1:05:42

only in select markets. I'm

1:05:47

not even frightened. Sometimes I legit

1:05:49

forget to eat. And when

1:05:51

that happens, I'm not in the mood to try

1:05:53

and like figure out what I'm gonna cook, nah.

1:05:55

And I also know there's people who will simply

1:05:57

cook better than me and I can get right.

1:06:00

right to them on

1:06:02

DoorDash. Yes, that's right.

1:06:04

Listen, DoorDash has saved

1:06:06

your girl so many

1:06:09

times. And if you're

1:06:11

really bad at it, you can get

1:06:13

you a dash pass and that can

1:06:15

get you a discount on the DoorDash

1:06:17

and that you're doing. So don't be

1:06:19

like me. Don't let yourself go the

1:06:21

whole day and then realize, oh my

1:06:23

gosh, that's why I'm cranky because I

1:06:25

haven't eaten anything. No, tap into DoorDash

1:06:27

and get you some nutrients in your

1:06:29

system, all right? DoorDash, your

1:06:31

door to more. Download

1:06:33

the DoorDash app now to

1:06:36

get almost anything delivered. DoorDash,

1:06:38

your door to more. Must

1:06:40

be 21 or older to

1:06:42

order alcohol. Drink responsibly. Alcohol

1:06:44

available only in select markets.

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