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0:00
Welcome to this bonus episode of Sound
0:02
Opinions. I'm Jim D. Regardis. My partner
0:04
is Greg Cott. And Greg,
0:06
today we're excited to announce the
0:08
winners of the 2024 Sound Opinions
0:11
Music Prize. That's in just a
0:13
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Download the app or visit
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carvana.com today. We
1:05
are back. It's our second annual
1:07
prize showcasing a few students who
1:10
really wrote exceptional songs. You're correct,
1:12
Jim. We're happy to shed some
1:14
light on these students' works. And
1:16
as always, we'd like to thank
1:18
our friends at the Goldschmidt Foundation
1:20
for donating to these students and
1:23
giving us this opportunity. And
1:25
Jim, we are in our bag this
1:27
week because we're talking with the Music
1:29
Prize winners. Absolutely, Greg. And we teamed
1:32
up with my colleague Gary Yurkins from
1:34
Columbia College Chicago's Music Department who helped
1:36
compile a list of contenders. And then
1:38
the two of us chose the finalists
1:41
from that list. We'll be hearing from
1:43
the three of them today. So we'll
1:45
go one song at a time, starting
1:47
with our first place Music Prize winner,
1:49
Mary James. Greg, I've got
1:52
plenty to say about Mary's song, Femme, but
1:54
why don't you start us off?
1:56
I loved it. It stood out. It had
1:58
this jazzy soul vibe. which I love.
2:00
It had that sassy vocal. You know, I
2:03
wrote down Girl Power. It's a cliche, but
2:05
I was feeling tremendous Girl Power energy from
2:08
your track, Mary. And then I
2:10
gotta ask you, I thought the giggle at the
2:12
end just clinched it for me. It's like, was
2:14
that spontaneous or? It was a little spontaneous. Yeah.
2:16
I thought it was cool that you left that
2:19
in there. But the, it sort
2:21
of fit the energy of the whole track. I
2:23
thought it just kind of was a perfect punctuation
2:25
point at the end. So well
2:27
done. Yeah. What a song for
2:29
the year of Barbie. Right?
2:32
I'm a femme. He's a femme.
2:34
She's a femme. And then shout
2:36
out, it's raining femmes.
2:38
I love that. Do you know
2:40
who you were quoting obliquely there?
2:44
Do I remember the name? No, but
2:47
I know the weather girls. It's
2:49
raining man. Raining man. Hallelujah. What
2:52
about that killer guitar solo? Did you
2:54
play that? I did not know that was
2:56
Stephen Ryan, the guitar player for my
2:58
band, Bred on 4th or one of
3:00
the guitar players. Red on 4th. Excellent. And
3:02
you guys play out around Chicago? Yeah.
3:04
Yeah. We've definitely, we've done a couple of gigs
3:06
and we're hoping to do some more over the
3:09
summer. Cool. Okay. Now, you know,
3:11
the photo students gave us, you
3:13
know, gallery ready bios and
3:16
the writing students were in my class
3:18
either reviewing the arts or cultural criticism
3:20
in the arts. But the
3:22
songwriting contenders, yourself included, we got the
3:24
songs and the lyrics. So we know
3:26
nothing about you. Where did you come
3:28
from to attend Columbia College and what
3:30
are you studying, et cetera? I'm
3:33
from a small town in
3:35
New Hampshire called Wolf Borough.
3:37
It's the oldest summer resort
3:39
in America. That's the Wikipedia
3:41
entry. I love it.
3:44
And I always knew that I wanted to
3:46
be a musician and I was always singing and I
3:48
got here and I was like, man,
3:51
I got to start writing songs. Very
3:53
exciting. Yeah. No, it's great. And
3:56
is this just one of many, obviously, that you've
3:58
written? Why did you select this song? one
4:00
in particular to be entered in the contest. It's
4:02
one of my favorite songs that I've ever written.
4:04
I just think that it's so fun
4:07
and really light-hearted. I love
4:09
performing it. I think that
4:11
the songwriting itself is just,
4:13
it doesn't take itself too
4:15
seriously, which I liked because
4:17
I definitely can fall into
4:19
like the indie sad thing,
4:21
but I was just excited that it was a
4:23
fun song. I'm glad you said that because
4:25
I think there is sort of a self seriousness
4:27
about a lot of indie that really
4:29
turned me off to it for a while. Well,
4:32
yeah, sad indie girl music. And you know,
4:34
we've said any boy music, especially though, especially
4:36
a bunch of white boys singing about how
4:39
sad they were and it's just like I'm
4:41
getting tired of this stuff. Emo mopes. Yes.
4:44
And this is not that. What is the song you've been called?
4:46
We haven't mentioned it, Mary. That
5:01
was a bit of femme
5:03
by Mary James, our
5:06
first place songwriting
5:08
prize winner for
5:24
2024. Let's hear from our
5:27
second place winner, Mark Berg. His song
5:29
is called Field of Rain. But Mark,
5:31
tell us a bit first about where
5:33
you come from. Yes. So I am
5:35
from just like right outside Chicago in
5:37
the suburbs. I'm specifically from Bartlett.
5:39
If anyone knows who that is, it's kind
5:41
of by Elgin. That's what I usually tell
5:43
people. It's rolling green and like horses on
5:45
occasion. Not like the loop. Horses
5:49
on occasion. Yeah,
5:52
it's far me.
5:54
Tell us about your tune, man. My song
5:57
is called Field of Rain. Yeah, this
5:59
is a song I made. Like a couple months
6:01
ago. I put this out or oh, it's
6:03
been a while now I said I put
6:05
the song out over the end of the
6:07
summer last year. Mm-hmm. And Yeah,
6:10
I just I really like the song This is my
6:12
like most recent song I like put out and I
6:14
feel like it kind of combines a lot
6:16
of my like influences into one song
6:20
I feel really inspired by like all
6:22
types of big dance music and electronic pop but
6:25
also like R&B so I
6:27
feel like this song is like a like
6:30
Middle point of all the stuff I'm
6:33
inspired by. Mm-hmm I'm glad you brought
6:35
up R&B mark because I wrote down
6:37
contemporary slow jam when I when
6:39
I heard it It's kind of sexy
6:41
in its own way, right? It's it's like,
6:44
you know those soul singers who were doing
6:46
those bedroom pop records soul records in
6:48
the 70s You know reminds me a
6:50
little yeah vibe with a little touch of the
6:52
weekend in there Yeah, yeah with the electronics and
6:54
everything sure I nailed that right? All right, Mark
6:57
Yeah, exactly a little touch of
6:59
the weekend But the fun right
7:01
laughing in 7-eleven is how I hear
7:04
this as the story of a
7:06
date You know, you
7:08
know where we're headed take my hand laughing
7:10
in 7-eleven and then magic on a
7:12
twin-size bed This is like
7:15
dorm room romance, right Mark Yes,
7:18
it's exactly that because
7:20
yeah to me this song is very
7:22
much just like this like dream romance
7:25
that like Everything feels
7:27
very like movie ask or it's like oh my
7:29
god Like it's kind of weird to experience it
7:31
in real life. And yeah, I
7:33
just think I think it's a very sweet song
7:35
There's actually like that though if you brought
7:37
up where it's like magic on a twin-size bed I feel
7:39
like can't be taken like very sexually
7:41
but that's not how I meant it at all
7:44
like it's more just the like spending
7:46
time with someone you like and Like,
7:48
you know a very intimate setting and like that's
7:51
kind of how I would sum up the whole
7:53
song Yeah, there's nowhere to sit in a Columbia
7:55
dorm room except for the bad Those
8:01
clinics I hope will get you. Yeah
8:03
for sure. I wanted
8:05
to ask you Mark about the production too.
8:07
Is that all you? All the instruments and
8:09
the electronic touches and all
8:12
your stuff or you're a
8:14
one-man band as they say? Yeah
8:16
yeah so everything that I have
8:18
for the most part everything I write for
8:20
the most part is like recorded, written, produced,
8:22
and performed by me. I love writing and
8:25
like the performance part of it but I
8:27
honestly would consider producing my main thing. I
8:30
love to produce. I've been doing it for
8:32
like just over six years now. It's like
8:34
my I love it so much. And
8:36
that love of production really shows here.
8:39
Here's a bit of Field of Rain
8:41
by Mark Berg, our second place music
8:43
prize winner this year. Field
9:00
of Rain by
9:03
Mark Berg. It's a pleasure to have you
9:06
on the show. Last but
9:08
certainly not least,
9:18
DeAndre Donegan, our third place winner. DeAndre,
9:20
tell us where you come from and
9:23
how you got to Columbia and then
9:25
tell us about your tune. So I
9:27
actually grew up in the south side
9:29
of Chicago. So I've just been
9:31
living in the city my whole life and but
9:33
yeah I just chose to come to Columbia to study
9:36
music just because yeah like
9:38
Mary said I kind of always knew that I
9:40
wanted to be a musician. Like some of my
9:42
earliest memories were like dancing and
9:44
singing to Beyonce like while my mom worked
9:46
out and just like going
9:49
to concerts and really just loving
9:51
what I saw and I went
9:53
to this one concert, this Andrew and like
9:55
our concert if you all turn apart. And
9:57
I just saw it performing and I
10:00
knew that that was kind of what I wanted to do with my life after
10:02
that. Very cool. Is that
10:04
you on the guitar, finger-picked and all that?
10:07
Yeah. Where did you learn how to play?
10:10
I actually mostly taught myself. I
10:12
had lessons very briefly when I
10:15
was in seventh grade, and it just
10:17
kind of didn't work out very well for me.
10:19
So I just kind of picked it up on
10:22
my own and started learning songs
10:24
and just picking up things as I
10:26
continued to fall in love with just playing the guitar
10:28
and being with it. You learn songs
10:30
by listening to them and then trying to like
10:32
emulate it or how does that work? There's
10:35
this wonderful app called Ultimate Guitar Tabs
10:37
that I live, breathe and die by.
10:41
Cool. But yeah, I'll
10:43
usually just choose songs that I listen
10:45
to a bunch and just go and
10:47
emulate it the best I can with
10:49
the finger-picking. Well, I want
10:51
to make it clear that as music
10:53
critics, Greg and I are always citing
10:56
references and it's not to diminish the
10:58
originality by any means, but
11:00
to compare to other artists. I
11:02
hear a little Elliot Smith in what
11:04
you're doing, DeAndre, and you may or may
11:07
not have even heard of Elliot, which is
11:09
to say I'm also a little bit worried
11:11
about you because
11:13
there's a sadness in this track.
11:15
I quit life like next week,
11:18
you know, leave hope hanging, hanging,
11:20
hanging. Is everything okay, my
11:22
friend? We have
11:24
good mental health and counseling at
11:27
Columbia. Yeah,
11:30
everything is okay. I usually channel
11:32
those emotions into my music and
11:35
into my journal. Yeah. See,
11:37
that's what people never understand, whether you're
11:39
talking blues or songs in 2025. It's
11:42
like music can be a
11:44
source of catharsis for us out with
11:46
the bad and I get joy from
11:49
doing that. Exactly.
11:51
Exactly. What do you
11:53
want to do with the music? Are you going to
11:55
turn this into a living you hope at some point
11:57
or is it kind of a serious hobby? I do
11:59
hope so. to turn it into a living. As
12:01
for how to actually make that happen, I'm
12:03
not sure what I want my relationship to
12:05
music to look like professionally, because there are
12:08
just so many different options in pathways that
12:10
you can choose. So you have
12:12
the producing, you have live performing, you have corporate
12:15
bands and experiences like that.
12:17
So yeah, I definitely want to
12:19
do this professionally and full-time though, that's
12:21
no doubt. Well, it's your generation, all
12:23
three of you, Mary, Mark and DeAndre,
12:25
that are rewriting the rules in the
12:27
music industry. Because that path that has
12:30
infected many and aspiring musicians since
12:33
the Beatles, I will be
12:35
anointed by the record company and become
12:37
a star. That doesn't exist anymore. And
12:40
you three are making the music
12:42
you want to make, that
12:44
business of like making money from it may or may
12:47
not come. But
12:49
you won a scholarship for next year or
12:52
partial. Yeah, no, exactly.
12:54
I think something
12:56
that I've had to learn is managing your
12:58
expectations as an artist, just kind of going
13:01
in with the mindset of, okay, I
13:03
just want to make something really cool, I want to
13:05
make something that I really enjoy and that I really
13:07
like. And just kind of
13:10
holding out hope that other people will
13:12
also really enjoy it. So my philosophy
13:14
is kind of focus on the music
13:16
first and really put your all
13:18
into that and really put your soul into it
13:21
so that other people can have a chance to
13:23
connect with it. Well, I think all three of
13:25
you have done that. Let's listen to DeAndre's song,
13:27
I Hear You. Last
13:30
time that you called
13:32
me was a
13:34
probably not a
13:36
bad dream. This
13:39
time it's all real.
13:41
The world is ending,
13:44
don't you need me. Now
13:48
I listen closely
13:50
to the song
13:53
and I hear you
13:56
by our third plan. winner
14:00
DeAndre Dunnigan wrapping up our
14:02
bonus episode with the Sound
14:05
Opinions Songwriting Prize winners for
14:08
2024. We hope to have all three of
14:10
them back in the future when they're superstars.
14:12
Don't forget us! That is right Jim. Congrats
14:14
to the winners of this year's Sound Opinions
14:17
Music Prize and thanks once again to the
14:19
Goldschmidt Foundation for giving us the opportunity to
14:22
forward their work. You can find
14:24
said work on our website. That's
14:26
it for this bonus episode. For
14:28
more full episodes visit soundopinions.org. To
14:31
sponsor the show, email sponsor
14:33
at soundopinions.org. Thanks for listening.
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