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Platform. Welcome
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to SpyCast, the
0:56
official podcast of the International Spy
0:58
Museum. I'm Erin Dietrich,
1:00
your host, Dr. Andrew Hammond's content
1:02
partner. Coming up next
1:04
on SpyCast. There are
1:06
lots of examples of people being inspired
1:09
to go into intelligence
1:11
because of their interest
1:14
in spies that
1:16
came from popular culture. One
1:20
of my favorite examples of this
1:22
is actually Vladimir Putin. On
1:32
March 1st, the Spy Museum will be
1:34
opening its first ever special exhibit, Bond
1:36
in Motion. The exhibit
1:38
features 17 vehicles from the James Bond
1:40
movie franchise. In its inexperience, I can
1:43
promise you won't want to miss. To
1:45
brush up on your 007 knowledge, this week's
1:47
episode is a re-release of a Bond
1:50
special from last year with our in-house
1:52
expert, Alexis Albion. Andrew
1:54
and Alexis joined forces to put the
1:56
past 70 years of Bond into historical
1:58
perspective and to help frame their conversation,
2:00
our collections team, Laura and Lauren, brought
2:03
out a fantastic selection of Bond artifacts
2:05
for Andrew and Alexis to interact with
2:07
during the recording of this episode. If
2:10
you enjoy the show, please tell your
2:12
friends and loved ones. Please also consider
2:14
leaving us a five-star review on Apple
2:16
Podcasts. The original podcasts on
2:18
intelligence since 2006, we are spy
2:22
cast. Now sit back, relax,
2:24
grab yourself a martini, and hopefully we'll
2:27
see you here at the International Spy
2:29
Museum in March. Well,
2:34
I'm so pleased to have this episode
2:37
on the anniversary of James Bond and
2:39
I think I've got the perfect guest
2:41
to do it with my colleague Alexis
2:44
Albin. So I think that would be
2:46
good to start off Alexis. Let's discuss
2:48
your favorite movie, No Time to Die,
2:51
and the bionic eye that we have, which is
2:53
a prop movie in our
2:55
collection. I'm being playful
2:57
of course. Tell us about your
2:59
interpretation of No Time to Die.
3:02
Well, that's
3:05
a loaded question if ever
3:07
I heard one.
3:09
Well, my interpretation
3:11
of it, I guess it's
3:14
the... I can't
3:16
say anything that hasn't probably been
3:19
already written about in many,
3:22
many magazines and blogs and websites
3:24
and so on. Clearly it's the
3:26
last Daniel Craig
3:28
movie and kind
3:31
of the coda in
3:34
a string of Craig films. And
3:38
you know, spoiler, spoiler, James
3:40
Bond dies at the end, which
3:43
is the big surprise. And
3:45
you know, I
3:47
think it's the... it sort
3:49
of finishes that arc of
3:52
the Craig films. Obviously
3:54
Bond's emotional journey has
3:57
Been the big feature of the Craig.
4:00
The Film and and That's
4:02
a large part of New
4:04
Time To Die. His relationship.
4:07
And you know, coming to
4:10
an end and sort of
4:12
him. Puddings family, sexless, Abbas
4:14
his own self is the
4:17
denouement of Bond I'm It's
4:19
hard you know not to
4:21
sort of take that back
4:24
and see. You know is
4:26
is Craig has to leave than than Bond
4:28
has to die as well. Which
4:31
is one way of looking at it, I
4:33
must say. Is in my
4:35
favorite? Oh, and I'm not sure
4:38
I'm and of still have a
4:40
lot of inner conflicts about that
4:42
particular ending. but. He
4:44
know it is what it is.
4:46
I think it'll be really interesting
4:49
to see how the series gets
4:51
reboot to to afterwards because we
4:53
know it is and if he
4:55
stayed in the cinema till the
4:57
bitter end as I did after
4:59
I saw No Time To Die
5:01
in the movies waiting to see
5:04
of Bond Returns. Which
5:06
is always on the screen at
5:08
the end of any born film
5:10
in Dc does. So it'll be
5:13
interesting to see how that series
5:15
is rebooted with not just with
5:17
Bombs, but you know, maybe with
5:19
the whole cast of characters because
5:21
it's hard to see continuity after
5:23
No Time to Die When James
5:26
Bond is Dead. Ah, so we'll
5:28
have to reboot it or have
5:30
to start from some point. I'm
5:33
just as. Per. The Crag
5:35
Series did with Casino Royale Anna I'm really
5:37
interested to see See where they say. That
5:40
me, How. About you and your interpretation of
5:43
has to that you don't get to just
5:45
throw out that question without having it thrown
5:47
back at. For for who are
5:49
mean, there's a few for his
5:51
own to pick up on there,
5:53
but was one of those as
5:56
weird as Daniel Craig, run For
5:58
You and Molesters James Bond. I'm
6:00
not a hard question. You know
6:02
I have to put some Connery
6:04
first because. That's where
6:06
my heart is. I think Daniel
6:09
Craig's been terrific. I mean, A
6:11
non but to. It's
6:13
it's really hard because I think Casino
6:15
Royale the first Daniel Craig films is
6:18
in. You know, the top five of
6:20
all the bomb seems. I think it's
6:22
a fantastic movie and I think he's
6:24
amazing in it. Have to say after
6:26
that. Nothing will
6:28
lives up the Casino Royale for me.
6:31
I'm so, but on the basis of
6:33
Casino Royale alone, I think com. Think
6:36
you might come second. Roger
6:38
Moore's not. Exactly
6:40
my taste. So. Ill.
6:43
I realized that he is for
6:45
some Connor his more my taste
6:47
that he's number one. Oh go
6:49
with pregnant for two and then
6:51
I guess with was more number
6:53
three to pieces Well lisa like
6:55
born charming and has set to
6:57
run of films and then that
6:59
I guess Pierce Brosnan. I know
7:01
I'm leaving out towards Lays and
7:03
Be and Timothy Dalton hard because
7:05
the be. Fully Laden
7:07
be only did one film and
7:10
an adult and to sell or
7:12
give them equal. Equal
7:14
last place. Think most was
7:17
the address them things about the Bone
7:19
series because the been gone for so
7:21
long there's different generations of attach themselves
7:23
to different bonds and you know those
7:26
are Olympian the movie critic view of
7:28
all of the phrase which one makes
7:30
the most authentic says has the best
7:33
thing the best scripts as the books
7:35
from Phases Just I was a cabin.
7:37
this was my bones I grew up
7:39
was I don't really care what the
7:42
critics is, the absolute messes My favorite.
7:44
So those those. Both the object of in
7:46
the subject of going on here. Oh yeah. Absolutely.
7:49
And you know I do. You
7:51
think? He put too much thought
7:53
into it and it is sort of spoils
7:55
thing so I like that subject is you
7:57
know just what you feel and it might.
8:00
The. The first Bond movie so
8:02
on? who starred in it Than that sign?
8:05
So just to go by surface to
8:07
go back to your friends to six
8:09
less. So I really enjoyed the movie
8:11
or sort of the good movies when
8:13
they got to be. and I guess
8:15
the have some existential anxiety because I
8:17
thought what happens in a war with
8:20
so James Bond because. As.
8:22
All have ever known. my whole
8:24
life James Bond has been and
8:26
the background of of the Coach
8:28
or a Man I'm wondering maybe
8:30
have some thoughts on this. She
8:32
does reappear so damned com he
8:35
come back as as Bond really
8:37
dead or was the franchise all
8:39
both. If there's no, James Bond
8:41
is about double o seven and
8:43
his doubles southern are strong enough
8:45
platform to weigh a movie franchise
8:47
on animals are things in the
8:49
universe? A huge gamble raise the
8:52
most successful. Movie franchise ancestry.
8:55
Why Celtic of the figures?
8:57
But then there's also and
8:59
we're going to want to
9:01
discuss thus those seven Coach
9:03
through contradictions and the Bond
9:05
franchise when flaming rule the
9:07
books though the fifties and
9:10
sixties, the very different culture
9:12
just in terms of gender,
9:14
class and period last month
9:16
so forth. So I think
9:18
the increasingly and thus comes
9:20
up and one of the.
9:22
Movies are things as as a
9:24
M and to didn't see. You
9:26
know you're a dinosaur from the
9:28
Cold War, so business can sense
9:30
The Bond is increasingly backed into
9:32
a corner in terms of. Has
9:34
coach or norms and the cultural norms of
9:36
the audience the are watching him so I
9:39
don't know we're gonna go. I'm kind of
9:41
excited to see but a really hope that
9:43
the from it doesn't die off because is
9:45
clearly one for the ages even if it's
9:47
even as a stop. Know as like the
9:50
Beatles as just as gonna live on so
9:52
those are some of the first the I
9:54
had on up. I think
9:56
in the bomb sounds you're right
9:58
that different cells. The air is
10:00
some sort of a selected. You
10:03
can have different social, cultural,
10:05
political themes of the times,
10:07
so you know this existential
10:10
crisis that you experience with
10:12
No Time To Die. I
10:14
mean, you know, maybe it's
10:16
Remo likes and of our
10:18
time. Frankly, We've been going
10:21
through sort of an excess of crisis as as
10:23
I know the film was made before cove is
10:25
at him. On this always
10:27
been to the anticipating some of the
10:29
themes all of our our day so
10:31
maybe it's appropriate in a way that
10:34
you feel that belief we feel that
10:36
where it was sort of going through
10:38
this reckoning the moments you know who
10:40
am I what to I one what
10:42
makes me happy doing these songs and
10:44
so on. so maybe it's appropriate in
10:47
that sense i'm della thing is you
10:49
know. Is.
10:51
That this idea of continuity was,
10:53
that is. Changed. Ways.
10:56
With. Casino Royale with the crank hear
10:58
about them in those always the sense
11:01
that we we know that the actors
11:03
changed but there was always this idea
11:05
of have some continuity going on so
11:07
that he get references to. Bonds.
11:10
Passed from other films and other
11:12
experiences and that was stopped with
11:14
Crag Who Can't Rebooted at when
11:16
we saw the. Early
11:18
bomb in Bonds learning to be
11:20
bombed in Casino Royale, which I
11:23
think they did wonderfully so. There
11:25
is a precedent in that sense
11:28
for not having continuity now. Also,
11:30
there's a precedent for been. Dying.
11:33
Or the Not Die hangs in the
11:36
The Fleming books. He
11:38
only live twice in the novel
11:40
and. Actually that the the
11:43
novel begins with on being being
11:45
dead. As post is not
11:47
dead on the and there's an of
11:49
it. begins with an obituary of Commander
11:51
Bombed and that we find that he's
11:54
not actually said. I don't think that's
11:56
gonna be the case for this film.
11:58
It's really hard to see. Upon
12:00
comes back from this
12:02
particular. Das. An.
12:04
Island Exploding. I mean, it's a
12:07
possibility I think they'll be disappointments
12:09
in a way, because I think
12:11
the film meant to kill him
12:13
definitively so I think he's dead.
12:15
But. I don't think it means you can't
12:18
come back again. At different points
12:20
in time. And and that's the. That.
12:22
Sort of an open books Now the
12:24
writers and know. Can. Britain
12:27
can. Bring him back at any point
12:29
Again, it could be in the midst
12:31
of his career. that bikini was clear,
12:34
whatever they once and that will be
12:36
really interesting to see. I'm but I
12:38
I don't think Bond is sad as
12:40
he said. I think he's shown an
12:43
amazing ability to adapt to the times
12:45
and. I believe the
12:47
success of the last film
12:50
and others mean so I
12:52
think it's very unlikely to
12:54
as stop having that to
12:56
stop the movies. The French.
12:58
Was frankly to see successor makes
13:01
too much money. Beer was so
13:03
else Seems to me the On
13:05
Does is often coldly Anglers, Shore
13:07
or Brothers in a town that
13:10
people use when the describing some
13:12
on his English the use Brothers
13:14
books as seems to me that
13:16
his breath as soon the more
13:19
thorough going sense of the term
13:21
saw the in Fleming's grandfather was
13:23
just as Scottish kim don't England
13:26
a farm Limited money. Flaming.
13:29
Sauce moving in a particular
13:31
social more you're the first
13:33
Bond Sean Connery them slamming
13:35
goes on to Raise Bonds
13:38
Backstory which is Hospice of
13:40
Scottish Eben. then in or
13:42
recently during the Daniel Craig
13:44
era of hard the Scottish
13:47
National Party be the majority
13:49
party in Scotland or even
13:51
my home constituencies went from
13:53
being the safest seat and
13:56
the entire youth is for
13:58
Labour. To be com. The Snp
14:00
seat which are never thought with
14:02
of hop in the Molly's Dame.
14:04
So I want the Robot book,
14:06
the Daniel Craig Arrow Bond. I
14:09
wonder if there's also something going
14:11
on there underneath about the nature
14:13
of breath and are British identity
14:15
or or a British figure? So
14:17
when as Scotland and England, the
14:19
Union of the Clones and sixteen
14:21
offset Sir James's success got sentence
14:23
Air Force of England and and
14:25
a century later Something New seven
14:27
the Union of the Parliament's. So
14:30
there's no such thing really is
14:32
a British national identity for the
14:34
great books and when the call
14:36
a of a story in forging
14:38
a nation and she talks about
14:41
how British national identity was forged,
14:43
the round ideas of and the
14:45
royal families, the empire Am, trade,
14:47
opposition to Catholicism on the European
14:49
Continent so forth. So all those
14:51
things that so the British identity
14:53
together because make an argument. The
14:55
a lot of them have dissolved
14:57
and bond as born in the
14:59
high water mark of all of
15:01
us. The Second World War, the
15:04
good, the war in Fleming's on
15:06
Intelligence Officer then this is where
15:08
a lot of the ideas the
15:10
he goes on to use come
15:12
from. So. I'm probably read
15:14
and massive was too much into the
15:16
lattice. consider this a few. Had any
15:19
thoughts or not. I mean. Bond.
15:21
Is quintessentially British. As he
15:23
said, there have been. Attempts
15:26
to has in L and
15:28
an American bombers let's say,
15:30
and and I and other
15:32
countries is all. But they're
15:34
not fond, they're just you
15:36
know there. Were adjusted
15:38
attempts to coffee some of that formula
15:40
that the British this of Bond is
15:42
is part of who he is. and
15:45
I think that's still true. Ah
15:47
miss than true in the last.
15:49
he sells these thinkers even the
15:51
settings in London. the symbols the
15:53
the bulldog, the flags or that,
15:55
the crown and so on. there's
15:58
still rife with those. Figures.
16:01
As symbols, so thing is
16:03
British, This is essential Again,
16:06
Yeah, I mean that sort of. Saints.
16:08
I think he sets up
16:10
to to different maybe interpretations
16:13
or ah different concerns about
16:15
about. British. Identity, Patriotism
16:17
and so on over
16:19
the years. I mean
16:21
interestingly, the activists who
16:23
played Hans has and
16:25
always had obviously. Connery.
16:28
Scorsese though I have read that
16:30
and he one of the things
16:32
I liked about Connery. I found
16:35
because they were thinking about the
16:37
film. It was important
16:39
for that film to appeal to
16:42
American audiences as well as as
16:44
British audiences. They thought his accent
16:46
with kind of mid Atlantic and
16:49
else wasn't to British but would
16:51
would sort of appeal broadly thought
16:53
into his his his Scottish, I'm
16:56
and we have. Ah, George
16:58
Lazenby his course australian aren't
17:00
the present process and we've
17:02
got. Quintessentially. English
17:04
Roger Moore. Who
17:07
am I missing here from Saddam? him
17:09
and he tells him his wells, a
17:11
police. And. Then. Pierce
17:14
Brosnan as Irish. And
17:16
then, but to Craig's whose English
17:18
So we we kind of have
17:21
covered in the whole United Kingdom?
17:23
There. And and Ireland's I'm
17:25
and A So again it will be
17:28
very interesting to see who they choose
17:30
and in a may be that maybe
17:32
this is just a coincidence because they've
17:34
certainly don't for the best that for
17:37
the show but the have covered that
17:39
whole range and would be fascinating to
17:41
see I'm who is chosen next and
17:43
whether they reflect you know a degree
17:46
of of diversity of for says snus
17:48
or with then at night back factors
17:50
were that might be I I don't
17:52
think it'll be American. Citizens
17:55
I think they will be British, but
17:57
Chino. At a new British
17:59
Indian. be really interesting. I really
18:01
would. I was just thinking lighter, Felix
18:03
lighter doesn't have quite the same ring
18:06
to it does it? No, he's
18:08
no. So what the listeners
18:11
don't know is that we've got
18:13
a table beside us with
18:15
some of our holdings that
18:17
relate to James Bond. Some
18:20
of them are merchandise from the
18:22
movies. Some of them are
18:24
based on cigarettes that Ian Fleming
18:26
had Bond Smoke from the
18:29
place where he got the maid in Morelands in
18:31
London. We have the book that
18:34
the name James Bond, where it comes from,
18:36
we have a number of other artifacts here.
18:38
But just before we go on to those
18:40
Alexis, like at the Spine Museum, most
18:43
people's ideas of espionage
18:45
that come through our doors,
18:48
their ideas really come from
18:50
movies, some popular culture. And
18:53
that's just the way it is. So we're
18:55
in this place where
18:57
we meet them there. And then we're
18:59
trying to inform them about the real
19:01
world of intelligence and espionage. And
19:03
you get some people that are involved in the
19:05
real world of intelligence and espionage that pour a
19:07
lot of cold water on
19:09
Bond and are quite dismissive of
19:12
it. But actually, the links
19:15
are really, really interesting. Ian Fleming was
19:17
the former intelligence officer, of course, but
19:20
here in our collection, we've got the
19:22
John Walker case, the code
19:24
for which was 007. We
19:26
have a Walther PPK that belonged to
19:28
Robert Hanson because Robert Hanson was a
19:31
huge James Bond fan. I can think of
19:34
another couple of dozen examples like
19:36
this off the top of my head. So I
19:38
know that this is something that you've studied in the past.
19:40
So just before we move on to the rest of the
19:42
artifacts, the real world of
19:44
intelligence and espionage and Bond help
19:47
us understand that connection between them.
19:49
Well, yeah, I think sometimes people
19:52
think there's this impervious war between
19:54
fact and fiction in intelligence.
19:57
And that's simply not true. We
20:00
know that intelligence
20:02
officers read
20:04
spy novels and go
20:07
and see TV shows about
20:09
spies and movies, perhaps more
20:12
than most people, because they're interested
20:14
in that topic. And
20:17
there are lots of examples of people
20:19
being inspired to go
20:22
into intelligence because of their interest
20:25
in spies that
20:27
came from popular culture. One
20:31
of my favorite examples of this
20:33
is actually Vladimir Putin, who
20:36
was so inspired by a
20:39
Soviet spy movie and
20:42
has actually claimed that that's
20:44
what really got him interested in this idea
20:47
of serving this cause, bigger than himself and
20:49
so on. But there's lots of examples of
20:51
that. And I think this
20:55
idea that, oh, that's fiction and
20:57
this is reality, that they're two
20:59
completely separate worlds is not realistic,
21:01
frankly. And
21:04
the public learns a lot
21:06
about intelligence, what they
21:09
think happens in the intelligence world,
21:11
whose spies are, how they act.
21:14
Intelligence officers from watching
21:16
TV and reading books and seeing movies.
21:19
And of course they do. How
21:21
would they not? I
21:24
mean, the intelligence world isn't
21:26
exactly hugely forthcoming in
21:29
trying to educate the public about
21:31
what intelligence really is and what
21:33
it does. That's what we
21:36
do here at the Spine Museum.
21:38
I think we fill that really,
21:40
that big gap, frankly, of trying
21:42
to explain what intelligence is and
21:44
what the realities are. But
21:46
of course most of our visitors walk into
21:48
this building with ideas
21:50
in their heads about whose
21:53
spies are and how they act, even if
21:55
they kind of know that's not really true.
21:58
And I think that those... expectations and
22:01
assumptions, it's really important to
22:03
recognize those. And there's, again,
22:06
lots of examples of
22:08
how that kind of spills
22:10
over into the real world.
22:12
I've studied the 1960s, which
22:14
is the era when Bond
22:17
really just explodes in
22:19
popular culture internationally. And
22:21
one of my favorite examples is
22:23
a great article about popularity
22:26
of Bond in Italy at
22:28
this time, and they did this
22:31
questionnaire that came out
22:33
in an Italian magazine where I think it
22:35
was an article, sorry, in an
22:37
Italian magazine about spies and things. And
22:40
they got all these letters
22:42
coming in from the public
22:44
asking questions about
22:46
spies and about becoming
22:49
intelligence agents with very
22:51
specific questions which
22:53
are clearly influenced by popular culture,
22:55
like, do I get an expense
22:57
account? Exactly how many people
22:59
do I have to kill in a year?
23:02
I mean, they're kind of – and these
23:04
are serious questions. And they were
23:06
obviously inspired by the movies. And I
23:08
think to ignore that influence is
23:11
just, you know, is ignoring the
23:13
reality of how people learn about
23:15
what intelligence is and what intelligence
23:18
officers do. So I think,
23:20
as you put it, nicely meeting
23:23
the public and our visitors where they are
23:25
is really important in that sense
23:27
and saying, look, you know, we understand what your
23:30
expectations are and where it comes from, but
23:32
now let's break that down a little bit
23:34
and let's start showing you
23:37
what the reality of the
23:40
intelligence world really is. And that's what we
23:42
do at the museum. And we fill that
23:44
educational space, which I think is a really
23:46
important role. Oscar
23:52
Wilde once said that life imitates
23:54
art far more than art imitates
23:56
life. In the case of James Bond,
23:59
I think we can agree. it's a little bit of
24:01
both. Both the novels and
24:03
the films borrow heavily from real life. Ian
24:06
Fleming is said to have based many of
24:08
the characters in the Bond franchise after people
24:10
he knew during his time in naval intelligence,
24:12
most notably gaining inspiration for the character
24:15
M from his own
24:17
boss, Admiral John Godfrey. Cassina
24:19
Royale was directly inspired by one
24:21
of Fleming's wartime trips to Portugal.
24:24
Then, after leaving a
24:26
packed casino one night, Fleming reportedly
24:28
said to Godfrey, what if
24:30
those men had been German secret service
24:32
agents and suppose we had cleaned them
24:35
out of their money? Now
24:37
that would have been exciting." Real
24:40
life has often seemed to take a page out of
24:43
Bond's book as well. Just ahead
24:45
in this episode, Andrew and Alexis will
24:47
discuss the links between some of Bond's famous
24:49
gadgets and real spy tools used in
24:51
the field. And while MI6
24:53
has yet to adopt Bond's invisible cart,
24:56
I for one still hold out hope. We'll
25:05
be right back after this. Now
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spycast. Just
28:10
to start digging into the artifacts a little
28:12
bit more, so this eye
28:14
that we have, a bionic eye, it's
28:16
a prop on loan from Eon Productions
28:18
who've been involved with all of the
28:21
movies and just going on to how
28:23
the real world of espionage and
28:26
popular culture intersect, to
28:29
me this is basically, there's
28:31
a strong connection here to the
28:34
growing fusion between
28:37
human beings and machines
28:39
or synthetic
28:42
or artificial materials
28:44
which are often called cybernetic
28:46
organisms or cyborgs. So this
28:49
is something we're increasingly seeing
28:51
where people are getting implants
28:53
or machines that can augment
28:55
the way in which they
28:57
interact with the world and
28:59
this eye in the movie helps
29:01
you record,
29:03
see, audio, visual, material
29:06
and then in the
29:08
movie this goes
29:10
to Blofeld who's in prison and
29:13
through this eye Blofeld can be somewhere
29:15
that he physically isn't. So I'm not
29:17
saying that we have something exactly like
29:19
this but this is
29:21
the general trend that we're
29:23
heading in terms
29:26
of espionage,
29:28
tradecraft and so forth, would you agree? Yeah,
29:31
I think so. I mean this is the
29:35
gadgets, the technology in
29:37
Bond. I think it doesn't
29:40
work unless it's credible in some sense
29:43
and we do know that, at least in
29:46
the films, sometimes the
29:50
Bond films have been ahead of their time
29:53
in terms of technology. My favorite
29:55
example of this is from
29:57
Russia with love, at the very beginning of
29:59
the film. of the film we see Bond canoodling
30:02
by the banks of a
30:04
river somewhere in England and
30:08
his satellite phone or his car phone goes
30:10
off. Actually it's not a satellite phone, he's
30:12
a pager, goes off
30:14
in his car and
30:16
of course he has to answer
30:18
that and it's calling him back to headquarters for
30:21
a mission. And it's a huge
30:23
thing. It's probably about, I don't know,
30:25
a foot and a half long or something like
30:27
that. It looks like one of those satellite phones
30:30
from the 90s. It's actually a pager
30:32
and it was a prototype and
30:35
at that time that was really
30:37
cutting edge technology and I think
30:40
the Bond films have been innovative in
30:42
that sense. And again I think it
30:45
doesn't work if it's so outlandish. People
30:47
say, I couldn't possibly be. I've
30:49
had a few examples of that.
30:52
Invisible cars, we won't talk about
30:54
that too much though you
30:56
can find things that say, well, it's kind
30:59
of feasible in this sense, mirrors and so
31:01
on. But the
31:03
bionic eye, no time to die, I think
31:06
we can all sort of say, yeah,
31:09
I can see that. I'm not sure how feasible it
31:12
really is. I doubt such a thing exists today
31:18
but I think we can kind of see,
31:21
yeah, I can see how that might work. Now
31:24
we do have an eyeball in
31:26
the museum on display. It's
31:28
actually a concealment device
31:30
from I believe the
31:33
World War II era. If
31:36
you had a, you have
31:38
a cavity there if you didn't have an eyeball that's
31:41
a great place to hide something and it's
31:43
sort of a fake eyeball that goes on
31:45
top there. So there is
31:47
some precedent in using the body
31:49
to conceal things. We certainly
31:52
have a number
31:54
of samples of that in the museum but
31:57
this idea of a bionic eye
31:59
is a very important that allows
32:01
you to sort of
32:04
remotely spy on somebody,
32:07
both a camera and an
32:09
audio device, or
32:11
a bug basically. I guess
32:14
you can see that as
32:17
one step toward our
32:19
becoming cyborgs. But you know the Bond
32:22
movies have used that
32:24
for a long, long time since Doctor
32:26
Now, who had a prosthetic
32:28
arm, right, which was a hook. And
32:31
then we can think of other examples.
32:33
Jules is obviously one that comes to
32:35
mind. So I think there's
32:37
been some precedence in that case
32:40
and this is kind of
32:42
the latest in technology. It's a great
32:44
little piece here that we've got.
32:46
It's sort of definitely I think the most
32:48
memorable piece of technology from that film. And
32:51
it's quite interesting to me. So the
32:54
way that the villain dies is because
32:56
Bond has a watch that
32:58
emits an electromagnetic pulse. And this is
33:00
something that's actually from the real world
33:03
of intelligence espionage, national
33:05
security. You can get nuclear
33:07
weapons that send out electromagnetic
33:09
pulses to try to basically
33:13
disable the other
33:15
side's ability to communicate with itself and
33:18
these types of things. So there's always a kernel
33:20
of truth in there. Otherwise it's just
33:22
completely outlandish. It's not believable at all.
33:24
But I mean, even thinking about self-driving
33:27
cars, I can't remember which Pierce Brosnan
33:29
movie is, but he's got the little
33:31
remote control and self-driving his car. Now
33:33
you can get a, you can go
33:36
and lease a Hyundai, get out of
33:38
the car and it will reverse park
33:40
it for you to save you having
33:43
to spend five minutes completely butchering the
33:45
operation yourself. So in some ways
33:47
I think the people are often poor a lot
33:49
of cold water again on these movies, but
33:52
I think in quite often they're pre-saging
33:55
technological developments that are coming down
33:57
the line that the general public aren't aware of.
34:00
I would contest that quite often that's
34:02
maybe the first place where they encounter this type
34:04
of stuff. Yeah, and I think
34:06
the genre in general of
34:09
the spy genre always
34:11
has to have one foot often
34:14
too in the real world. It's part
34:16
of what makes that genre appealing
34:19
and not science fiction. It
34:21
takes place in the real world and
34:23
whether that is you know some of
34:25
the technology or real
34:29
world threats. It
34:31
has to be relatable I think and recognizable
34:33
in that sense. It's part of what
34:36
makes spy film that
34:38
fits into that whole genre and
34:40
I think that's what we like
34:42
about it. And again it's a
34:44
fictional space for thinking
34:48
about talking about those
34:50
tensions, those international tensions
34:54
in national security that you know most
34:56
of us most people don't get to
34:58
discuss all the time or even think
35:00
about and it's kind of a safe
35:02
space where we can explore those tensions
35:04
and that's I think what spy fiction
35:06
is all about. And yeah I think
35:08
being ahead of its time cutting edge
35:10
you know I think we'd like to
35:12
think that our intelligence agencies
35:14
are on the cutting edge right and
35:17
do have technology which we don't have
35:19
anymore. Well sorry anymore we don't have
35:21
at the moment and we'd like to
35:23
think that there are a few steps
35:26
ahead of us I think that makes
35:28
us feel better about our national security
35:30
and so I think in that sense
35:32
again it's credible to think oh wow
35:34
they've got some cool stuff you know
35:37
they haven't seen yet. So yeah I
35:39
think that that is important and yeah
35:41
I mean there's again there are actually
35:43
examples from the movies of
35:45
them using actual prototypes that
35:48
hadn't been released yet that weren't on the
35:50
market yet. And I think there's
35:52
another example that I came across and
35:54
I think it's Bill Casey the
35:57
CIA director under Ronald Reagan.
36:00
And I think he goes to watch
36:02
a Bond movie and comes
36:05
across biometrics and apparently he
36:07
comes out and says, what the heck is this stuff, you
36:09
know, we need to get on top of it. So
36:12
there is this interplay between fact
36:15
and fiction. And of course we have
36:17
one of John F. Kennedy's favorite books
36:19
was from Russia with Love. We
36:21
have a copy of it here in the museum.
36:24
And John Amendez, former CIA chief
36:26
of disguise, good friend in the
36:28
museum, has certainly
36:31
told us that she
36:33
would come to work the night after
36:35
Mission Impossible, a really popular TV show
36:38
had been on and with
36:41
lots of innovative technology and
36:43
especially disguise. And
36:46
her team would get asked, hey, can we
36:48
do that? After
36:51
having seen something on TV, and she certainly
36:54
told us that. So I think, yes,
36:57
the movies, TV, there's sometimes a head
36:59
of reality and reality is inspired. So
37:02
I guess, again, it's not as simple as just fact
37:04
and fiction. There is a sort
37:07
of a relationship there between them and
37:09
borrow from each other. And
37:11
I think I also recall the KGB,
37:13
I remember reading somewhere that after a
37:15
Bond movie would come out, they would
37:17
watch it and then they would
37:20
be saying to themselves, you know, does the
37:22
West really have this or is this something
37:24
that we can do or, you know, what's
37:26
going on here? So it also plays this
37:29
interest in mediating role in
37:31
the code as well, I think. But
37:33
just to go back to your point about one
37:36
foot in fact and one foot
37:38
in fiction, Ian Fleming is
37:40
the perfect example, right? Naval intelligence officer,
37:42
and then he goes on to become
37:44
an author, right? Some of these James
37:46
Bond novels. Ian
37:52
Fleming was born to a wealthy family in London on
37:54
May 28th, 1908. He
37:57
was educated at some of the finest
37:59
institutions. The in England and across
38:01
Europe but was never known to
38:03
be the highest receiver or brightest
38:06
Alerts class. He much preferred skipping
38:08
science and spending his time on
38:10
sports driving cars and solidifying his
38:12
reputation as a woman. Either. You.
38:14
Can see where some Bond inspiration. Came from.
38:18
After a decade of work as a journalist
38:20
and later a banker, Fleming was recruited into
38:22
the Naval Intelligence Division during World War Two.
38:26
He was directly involved in Operation
38:28
Mincemeat, a deception operation aimed
38:30
at disguising the Allied invasion of
38:33
Sicily, Operation Ruthless, a covert
38:35
attempts to gain access to German
38:37
naval enigma codes. And yes, Operations
38:40
Goldeneye, which was a real operation
38:42
devised by Swimming that outlined the
38:44
plan to monitor Spain during
38:46
the Second. World. Where. He
38:50
died at the young age of fifty six
38:52
years old, but left behind an indelible mark
38:54
on the world that continues to grow even
38:56
today. In part to have
38:58
this is the sewed Andrew analysis take
39:01
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39:03
his installations aided a nineteen sixty six
39:05
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your show. Let's
40:37
go on to the beginning of that story and
40:40
Fleming going to Jamaica, writing the
40:42
books and in this book that
40:44
we have here, Birds
40:46
of the West Indies. So could you just
40:49
tell us a little bit more about that
40:51
and about why this is important for the
40:53
story of James Bond? Well because
40:55
Fleming himself has a background
40:58
in intelligence and so we know
41:00
that he was writing or with
41:03
a certain knowledge of intelligence
41:06
in his head. It's been during World War
41:08
II, naval intelligence and there's
41:11
been all this interest in looking and trying
41:13
to find elements in Fleming's
41:15
novels like this was inspired by
41:17
this, this was based on this,
41:19
whether it's characters or missions and
41:22
everything. And one of
41:24
the interesting missions is who's James Bond?
41:27
Who inspired Fleming to write this
41:29
character? And the name itself, James
41:31
Bond, people were interested where does
41:34
that come from? And luckily I
41:36
think Fleming's really put
41:39
that to rest. He himself
41:41
said that he had this
41:43
book Field Guide of Birds of the
41:45
West Indies, authored James
41:48
Bond and
41:50
he chose that name James Bond
41:52
because he literally thought it
41:54
was the most dull and boring
41:56
name possible. dull.
42:01
And he thought, that's the name I
42:03
want for my character. So
42:06
that's apparently where he took that
42:08
name of James Bond. As
42:10
Fleming said, Fleming said lots of things,
42:12
and that doesn't mean that people necessarily
42:15
believe him. But for example,
42:17
there's been lots of speculation
42:19
about where 007 comes from, lots
42:21
of speculation as to
42:23
whether James Bond was based on a real
42:25
person or not. And
42:29
it drives me absolutely mad. I have
42:31
to tell you, some of the things
42:33
that I just cannot stand, because you'll
42:35
see it everywhere, you know, certain people.
42:38
He was the inspiration for James Bond.
42:42
And I don't, you know, I
42:44
don't think we'll ever really know. And I
42:46
believe that Fleming might have said at some
42:48
point he was an amalgamation, which seems
42:50
to make sense to me. He really wasn't
42:52
based on any one person. But
42:55
we know that the name, and I
42:57
think that makes a lot of sense, came
42:59
from the book that I'm holding my hand
43:01
right now by James Bond.
43:04
And it's quite interesting because Fleming, just for
43:06
listeners that don't know, he buys some land
43:08
in the north coast of Jamaica. He builds
43:11
an estate that goes on to become the
43:14
Golden Eye Estate. He writes,
43:16
I think, all of the
43:18
books there. He spends one a year.
43:20
That was his schedule. I believe he was
43:23
working at the Times, at
43:25
the London newspaper. And he
43:27
would take off time during the winter, go
43:30
to his estate in Jamaica with his wife.
43:32
And he had a routine of getting up
43:35
early in the morning, going for a swim,
43:37
you know, writing for a number of hours,
43:40
not that many, churning
43:42
out a certain number of words
43:44
or pages every day. And that's
43:47
what he did continuously. He wrote
43:49
these quite quickly on
43:51
his typewriter in Jamaica.
43:53
Didn't work too hard at it. And
43:56
he managed to turn out one a year.
44:00
I have this quote here actually, that
44:02
I believe this is what Fleming wrote
44:04
to the widow of the James Bond
44:06
that wrote the book Feel Guide of
44:08
Birds of the West Indies. He
44:10
said, it struck me that this brief,
44:13
unromantic Anglo-Saxon and yet very
44:15
masculine name was just what I
44:17
needed. And so a second James
44:19
Bond was born. Nice.
44:22
Which I think is pretty nice. And actually
44:24
just the other week I was rereading
44:27
Dr. Noh, the
44:30
novel and in Dr. Noh, one
44:32
of the parts of that book is
44:34
that there's an island off
44:36
the coast of Jamaica, which is
44:39
a place where lots of guano
44:42
is, which is basically bird poo.
44:44
And there's this whole part of
44:46
the novel where there's
44:48
a couple of members of the American
44:51
Audubon Society, like a
44:53
bird watching, bird preservation society. They go
44:55
to this island and they disappear and
44:58
the Audubon Society have a
45:00
very powerful lobby that's involved
45:03
in preserving and looking after
45:05
birds in the Western Hemisphere
45:07
and so forth. So this
45:09
actually does creep into the
45:11
novels as well. And Dr.
45:13
Noh, the Audubon Society, bird
45:15
watching, or anthology. Jamaica, of
45:17
course. Jamaica. Yeah. Yeah. Yeah.
45:20
Very, very fascinating. And I
45:22
think that this is a good point to jump
45:24
onto the 007 question
45:26
because as I understand it, the James
45:29
Bond one is more or less, you
45:31
know, we could probably find a couple
45:33
of other places, but more or less
45:35
this one is put to bed, but
45:38
the 007, this is much more of
45:40
a reading, the tea leaves one.
45:42
So let's go on to that. And one of the
45:44
artifacts that we have here is
45:46
one of the theories. So they just
45:48
want to describe the artifact for our
45:50
listeners and tell us what this
45:53
theory is. Yeah. So what I have
45:55
here is a pen. It's
45:58
a KGB pen commemorating. The.
46:00
Sixtieth Anniversary of
46:02
the Kgb is
46:04
a double o
46:06
Sex. and it's.
46:09
And. As such as the traditional
46:11
safe of a of a
46:13
shield hair and in the
46:15
middle with gastar a. Kind.
46:18
Of success or and for them which
46:20
has double oh and then Kgb and
46:22
Russian letters that the top Sixty commemorating
46:25
that sixtieth anniversary. I'm not on upset
46:27
sure what the double O sex and
46:29
was I believe that might have had
46:31
something to do with counterintelligence. Up
46:33
with got them. Has. Soared
46:36
the shield and all that kind of thing
46:38
up. Here
46:40
so again, it's it's It's very
46:42
tempting to think that Fleming might
46:44
have found his him for his
46:47
inspiration for the Double and Sex
46:49
and which importantly, Is
46:51
that sex? And in M I
46:53
Six with a license to kill?
46:55
Ah, that's how you earn your
46:58
dump allow I'm that may be
47:00
Fleming was inspired by the Kgb,
47:02
but there are so many theories
47:04
about the double. Oh, and where
47:06
that comes from that saw this
47:08
is it's possibility this might be
47:10
one of them. It's a lovely.
47:13
Ardusat we have here but you
47:15
know there are theories. For example
47:17
from reds are kept playing at
47:19
a story about. And
47:22
American train that was called. A
47:25
double O seven since him playing
47:27
of course also having written that
47:30
the same story about him by.
47:33
A who We have Fleming would have read that.
47:36
In. The the oldest theory goes
47:38
back to the sixteenth century English
47:40
explorer John De. Who. Was
47:43
said to spied for Queen
47:45
Elizabeth of England who would
47:47
sign says communiques to circles.
47:50
And a sort of elongated
47:52
seven. Service.
47:55
circles currently kind of my elf a
47:57
symbol for your eyes only and the
47:59
theory that Fleming took that
48:01
code after reading a
48:03
biography of Deet. No evidence of
48:06
that, but that's a theory. The
48:08
Zimmerman telegram, famously intercepted
48:10
and decoded by British
48:13
intelligence in 1917, helping
48:15
to get America into World War I, was
48:18
coded 0075. Apparently, 007
48:25
was the international dialing code for the Soviet
48:27
Union. I think that's one of
48:29
the quite interesting things. And then,
48:32
of course, Georgetown in Washington,
48:34
D.C., Bastion for spies
48:36
in the nation's capital, zip
48:39
code for that, 200007. Now,
48:44
Fleming himself claimed in an interview, and
48:47
to say Fleming said lots of contradictory
48:49
things in interviews, said he took the
48:52
idea of the 00 section from the
48:55
fact that at the beginning of World War
48:57
II, all top secret signals from the Admiralty
49:00
had a 00 prefix. That
49:02
sounds quite compelling to me. And I
49:04
believe there's also a 00 as part of
49:07
FOE. That's the body
49:09
created by Churchill, which did lots of sabotage
49:11
abroad. And I think there was a 00
49:14
involved in that. So it
49:17
seems to me quite, if I had to guess,
49:19
I would say it was probably inspired by
49:21
something from World War II, which offered a lot
49:23
of inspiration for Fleming. That's when he worked in
49:25
intelligence. But there are many other theories. I
49:27
only named a few of them. I'm sure people
49:30
listening to this may have heard
49:32
of others as well. We don't
49:34
really know. There is no 00
49:36
section in MI6, as far as I
49:38
know. And there is no
49:41
license to kill, which
49:43
is earned by being
49:45
an MI6 officer. And
49:47
the eyes only, that's something that
49:50
comes from the real world, for
49:53
your eyes only, or for these people's
49:55
eyes only, or five eyes only. So
49:57
it's only five countries that can. that
50:01
are clear that can view the information and so forth.
50:03
I feel like it's a stroke of
50:05
genius on Fleming's behalf. And it's difficult
50:07
to know whether this is just because
50:09
I've been culturally conditioned into 007. But
50:12
it seems to me that
50:14
007 just has a ring
50:17
that any other one just doesn't have.
50:19
005, 006, 008, none of them. There's
50:23
something about that number seven as
50:25
well, right? It's almost a transcultural
50:27
phenomenon where seven is seen
50:29
as a magic number or a special
50:31
kind of number for many different people
50:34
in different cultures. But again, this
50:36
could just be because I've been raised in
50:38
the world of 007 that it makes sense
50:41
to me. It's possible. I
50:43
mean, Fleming is not a great writer,
50:45
in my opinion. No
50:48
literary genius. But he
50:50
did have a way with names, didn't he? I
50:54
mean, I think some of his characters have fantastic
50:56
names that are all familiar with Goldfinger,
50:59
Hugo Drax, of course, some
51:01
of the women's names.
51:03
Karamanga. Karamanga. He
51:06
did have a, you could say maybe had
51:08
a way with words. Perhaps he
51:10
knew that that sort of, you know, fell
51:12
off the tongue in a very sort of
51:15
engaging way. Thanks
51:34
for listening to this episode of
51:36
Spycast. Remember that next week
51:38
we'll release part two of this
51:40
special episode celebrating the 70th anniversary
51:43
of James Bond. Please
51:45
follow us on Apple, Spotify, or wherever
51:47
you get your podcasts. If
51:49
you have feedback, you can reach us
51:51
by email at spycast at spymuseum.org or
51:54
on Twitter at
51:56
INCLSpycast. Coming
51:58
up in next week's show. Blum
52:02
was a naval officer, Commander Blum.
52:05
You know, Fleming was
52:07
borrowing from what he knew. I
52:09
think that's what's important. And
52:12
I think it must have been fun
52:14
for Fleming, who sort of reveled in
52:17
this idea that Fleming and his lifestyle
52:19
in some way echoed Bond
52:21
and his lifestyle as well.
52:24
If you go to
52:26
our page, thecyberwire.com/ podcast/spycast,
52:28
you can find links
52:30
to further resources, detailed
52:32
show notes, and full
52:35
transcripts. I'm Erin Dietrich,
52:37
and your host is Dr. Andrew Hammond.
52:39
The rest of the team involved
52:42
in the show is Mike Mincey,
52:44
Memphis Bond III, Emily Colletta, Afua
52:46
Inakwa, Elliot Pelzmann, Trey
52:48
Hester, and Jen Iben. This
52:50
show is brought to you from
52:52
the home of the world's preeminent
52:54
collection of intelligence and espionage-related artifacts,
52:57
the International Eye.
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