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a sinclair he killed her and

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that's what you'll do to you want to get tossed get

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let's go then let's go pro

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through are you anyway i'm not of here

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and here are you okay

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know he said no

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i'm not okay sorry i'm

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not going to break your heart l and color i

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like your skirt

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you know you can like

0:31

something without touching you want

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me to touch you don't move i that

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why you know and

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we supposed to just ignore the bruises on your knuckles

0:40

or they should never let you out of my sight i'm

0:43

going to take care of ya okay

0:46

well i'll assign

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present the foxes of hide spill episode

1:48

nine the corinthian prophecy

1:50

whether

1:52

you believe in ghosts or not it makes

1:55

little difference to me both

1:57

a skeptic am the believe pay equally to

1:59

get down to the true

2:00

The path to soul-searching, I found,

2:03

is also the path to revenue. That's

2:06

show business.

2:12

This is The Foxes of Heydsfield,

2:14

starring Carey Mulligan, McKenna Grace,

2:17

Christina Mucaro and Phoebe Tallgin.

2:25

The local star and the global star

2:27

are a different thing. At the Séance

2:29

parlor with the proper lighting and on my own terrain

2:32

there are no problems. But at the largest

2:34

theatre in Rochester in front of 800

2:37

skeptics, well

2:39

that's a whole other can of hell. November

2:42

11th, 1849. Preparations

2:46

for Corinthian Hall are almost complete,

2:49

a year in the making. The

2:51

post-coalition is a powerful press

2:53

machine with marketing, promotion,

2:56

fleckery and

2:57

spin. They've

2:59

got flyers on every corner of Rochester.

3:02

Adverts in every broad sheet from here

3:04

to Wisconsin, our newest state.

3:14

The telegraph machines and steam locomotives

3:17

have caused word to spread quicker and

3:19

wider. The

3:21

scope of their influence has no boundaries,

3:24

including their plans for the Sisters

3:26

Fox. I

3:29

don't want to see the term witches in the trades anymore. Any

3:33

journalist who prints that will be tarred and feathered,

3:35

I'll make damn sure of it. Well in the absence

3:37

of, what are the credits to replace

3:39

it with? Spirit

3:41

medium or medium, something that

3:43

says there's simply messengers delivering from beyond.

3:46

How exactly do we align mediums

3:49

with abolitionists and suffragists?

3:51

We're not selling dead talkers, we're selling communion.

3:54

We're not selling seances, we're selling religion. And

3:56

that's fine, but we should apply a name to it.

3:59

religion. Hmm, I don't know some

4:02

sort of ism. Afterlife.

4:05

The spirit world. Niezm

4:07

has to go with the word. Niezm. Niezm. Niezm. Niezm. Yes,

4:10

in a long move. Hmm.

4:12

Spiritualism. There.

4:15

Spiritualism. Yes. I

4:18

read it in a book once. Yeah, I like it. We

4:20

should steal it. Agreed. Let's

4:23

rebrand it, make it our own. Well

4:25

done, Katie. Katie

4:26

was becoming quieter and

4:28

more withdrawn while Maggie

4:30

was rising up, embracing

4:32

her manifest prophecy and

4:35

eating the press for lunch.

4:37

Now what says Margaret

4:39

Fox about the scientists calling

4:41

you and your sisters duplicitous and dishonest?

4:43

I say go to Corinthian

4:46

Hall. And what do you say to your detractors

4:48

who call you nothing more than mere charlatans

4:51

or stage magicians?

4:54

Well, I would say go to

4:56

Corinthian Hall. There's

5:00

a rumor about the usage of gadgets and devices hidden

5:03

under your frocks between your thighs.

5:04

That is a fallacy specifically

5:07

hawked by the pioneer society. The

5:09

only thing between my thighs is the power

5:11

to seduce and reproduce. How

5:13

about you? A libido the

5:16

size of a pea, I imagine. We

5:19

channel spirits. Commuting with lost

5:21

souls and loved ones. Unlike

5:23

your penis, it's no small thing. It's a very

5:25

emotional and philosophical experience.

5:28

Do the ladies mind

5:31

that skeptics, hecklers and

5:33

cynics alike will be attending these

5:35

four nights? Bring

5:36

them all, I say. We'll take all the press we

5:38

can get. An estimated 75%

5:41

of opening night attendees are predicted

5:44

to be antagonistic.

5:45

By the fourth night, we'll have that cut

5:47

in half. The foxes

5:50

won't be disrupted or disturbed

5:52

by laughing and cackling in the aisles. Nothing

5:55

disturbs the unflappable Maggie Fox,

5:58

the moor, the merrier.

5:59

Katie Fox, who is strangely

6:02

not in attendance.

6:03

She takes this very seriously,

6:06

and I don't care to expose her to smear

6:08

campaigns, Mr. Lewis. I see.

6:10

So, all audience members,

6:13

good and bad, are welcomed by the sisters.

6:15

Allow me to paraphrase the sonnet

6:18

which has yet to be written. Give

6:21

us your tired, your poor, your huddled

6:23

masses yearning to breathe free. Send

6:27

these the homeless and tempest tasks to me. Give

6:32

us the wretched refuse of your teeming shore. Give

6:36

us the whole fucking lot of them. We'll

6:38

take them all.

6:39

Leah,

6:47

we've got a very big problem here. Adelaide, what's

6:50

with all these people here? A bit of a red

6:52

alert issue here. Where's the rest of your

6:54

people? We were promised full protection. They're

6:57

out

6:57

searching, Miss Fox. Searching for what? That's...

7:01

That's what I'm trying to tell you, Leah. Well, out with it, woman. Katie's

7:05

gone missing. What

7:08

do you mean, missing? We took her to Penfield, just

7:10

like you asked. Yes. For solitude

7:12

and so on. Yes, yes. And

7:16

then, upon returning,

7:18

well, she disappeared somewhere along the pit's betrayal.

7:21

Disappeared? Disappeared. Disappeared?

7:23

When did this happen? Two nights

7:25

ago? Two nights ago? Yes,

7:28

ma'am. We're tracking her. Why was I not informed?

7:31

We felt we could find her before the end of your

7:33

press tour. Mother of fucking shit.

7:35

We also assess that your reaction would be equally

7:37

volatile, whether at the time of the disappearance

7:39

or two days on. Well, is there any information

7:42

on the whereabouts of my sister? Or am I supposed

7:44

to just simply explode into spontaneous

7:47

combustion?

7:48

Well, we believe we spotted her near a safe

7:50

house due east yesterday. East? Heidsville.

7:53

Heidsville? Yes. That's where we believe

7:56

she's headed as well. On the night of our show,

7:58

we have a show in our...

7:59

24 hours Adelaide.

8:02

Yes. Our first show,

8:04

Opening Night. Yes,

8:07

I've crunched the math and there are a

8:09

larger assortment of problems

8:10

on the docket. Well

8:13

we will just have to to

8:15

send her word or message

8:18

her to get back here. That's

8:20

not an option. Why not? Because

8:24

David blocked all

8:26

communication last year for our protection.

8:29

No postmen or messengers are

8:31

allowed on the property. That was

8:33

by design. Strictly speaking

8:35

the only way to get to David's farm

8:37

is the way that you and Adelaide did, which

8:40

is in person.

8:42

Jesus Christ. Let's

8:45

not inform

8:47

Amy Post yet about

8:50

that. We tried to keep it under

8:53

wraps with her as well Miss Fox but Mrs.

8:55

Post is a very...

8:57

Ultimately she's um... She's

9:00

Amy Post. Yes. Katie

9:02

was going to be a problem.

9:04

At 13 years old I thought maybe I

9:06

could control her. I

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12:03

Katie Fox, a star was born.

12:06

Was I jealous? Yes. I

12:09

immediately hated her and was obsessed with

12:11

her in the first instant. But when you're

12:13

in the middle of a boxing match, you're not thinking about

12:15

the punches as much as the person. How

12:18

do I pummel my opponent into submission?

12:20

That's probably all I was thinking through years of

12:22

adrenaline, sweat and blood seeping

12:25

into my eyes. How

12:27

can I win? You

12:30

need to get Katie back. I'm aware. I mean, what

12:32

the fuck, Leah? What do you want me to say? She

12:34

disappeared in the middle of the night on your

12:37

underground railroad.

12:37

You want me to sit here and tell you I'm fucking

12:40

happy about it? She's the star, Leah. Yes,

12:42

I understand that. You need to go back to Heidsville

12:44

and close the fucking deal. Already out

12:46

the door. And you need to learn to control her

12:48

in the future. You understand? I understand.

12:50

And in turn, you need to control

12:53

your husband. My

12:55

husband?

12:55

What on earth is that

12:57

supposed to mean? I don't know. What do

12:59

I mean, Isaac? I'm

13:02

sorry. I was reading. What

13:04

was the question? The question was,

13:07

how would a tiny rogue fox know

13:09

how to get from point A to point

13:12

B on the underground railroad?

13:14

Now, wait just a minute. How would she know,

13:16

for example, how to avoid the traps planted

13:18

for the slave hunters or the landmines

13:20

built by the machinists? Are you insinuating

13:23

that my husband had a hand in this? How could little

13:25

Katie Fox navigate the correct

13:27

depots or access points without

13:29

being privy to published guides, maps

13:32

or pamphlets? How dare you accuse

13:34

my husband of betrayal? Allow me

13:35

to rephrase. Who would

13:38

have the motivation, the knowledge

13:40

and the wherewithal to pull off such an

13:43

intricate coup? Ridiculous. Isaac,

13:45

tell that you had nothing to do with it and that we are done

13:47

with the foxes for good. For

13:50

God's sake, men, speak the fuck up. Tell this

13:53

plump bitch that you are properly insulted. Isaac.

13:59

Isaac, please. Please

14:04

help me make sense of your lack of response.

14:07

Indeed, Isaac, illuminate us. Tell

14:09

us how an unwell 13-year-old waif

14:12

takes a two-day journey back to Heidsville

14:14

without her meds. Without protection,

14:17

without being escorted through an elaborate web

14:19

of secret routes, meeting points, and safe

14:21

houses.

14:25

I suppose, hypothetically,

14:29

she would need the proper assistance.

14:31

And who would have given her that? Someone

14:35

like me. Jesus Christ.

14:39

Isaac, have you gone mad? Not that I'm

14:41

aware. Then what the actual fuck, Isaac?

14:43

What have you done? A

14:46

young girl who I've become very

14:48

close with came to me asking

14:50

for help, pleading with

14:52

me to help her get back home

14:55

so she could be given some peace.

14:58

And when I looked into her purple eyes, I

15:01

knew instantly that

15:03

it was my God-given

15:04

mission to provide her with that

15:06

support. Well, that's just terrific,

15:09

Isaac. That's just fucking great. We need her

15:11

for Corinthian whole, Isaac. What's

15:13

wrong with you?

15:13

She's sick, Amy. She

15:16

needs proper care and attention. This is

15:18

her moment, Isaac. The biggest moment

15:20

of her life, of all our lives. You

15:22

take a small girl from Heidsville, and

15:24

you start filling her ego with

15:27

meds, an adulation

15:29

coddling and pampering her day

15:31

in, day out, breeding her for months

15:33

on end to be the medium prophet

15:35

of lost souls. And then one day,

15:38

you toss her up on stage

15:41

in front of a thousand ply mob of minions

15:43

and mud slingers, and I guarantee

15:45

you, she'll never be the same

15:48

again.

15:48

Isaac, I hate to break this to

15:50

you, but you've been played. Her number

15:53

one talent is manipulation, second

15:56

only to speaking to the dead. You've

15:58

been gaslit.

15:58

Well, she doesn't talk through.

17:59

squarely in your court.

18:03

Right. Well, I

18:06

guess there are really only

18:08

three options when you get right down to it then.

18:10

Go on. One,

18:13

we actually believe your wise

18:16

husband and for the sake of Katie's health

18:18

we call the whole thing off. We

18:21

do not. Okay then. Two,

18:24

the show must go on and

18:26

we do it without Katie.

18:29

We do not. Right, of course.

18:32

Which leaves us with the third and final

18:35

option. Correct. That

18:37

being, I leave for Hidesville this second

18:39

and somehow arrive there within three hours

18:42

which is an implausible and an infeasible amount

18:44

of time. Correct. Then

18:46

I somehow convince a child prodigy with

18:48

psychic powers who hates my fucking

18:51

guards that her life would somehow improve

18:53

if she were to hop back in a wagon with me to Rochester

18:56

and smile alongside each other for four nights

18:58

in a row while conjuring up the dead. Correct.

19:01

Got it. And then when we get to Corinthian

19:04

Hall in less than two hours, which is

19:06

impossible, we'll cheerily hop on stage

19:08

and hope to god she doesn't bath up ectoplasm

19:10

with stage fright like she did last time in

19:13

front of over one thousand people. That

19:16

all sounds right. And

19:19

unless I'm missing something there are

19:21

still no direct trains

19:23

to Hidesville as of yet,

19:25

correct? No, there are not.

19:28

Perfect. We have a plan. Just

19:30

going to have a quick shot of rye here.

19:33

Now then. I'll

19:38

need your fastest

19:39

buggy. I

19:44

and I alone needed to

19:46

convince the grandeaver to return.

19:50

What I hadn't considered out of all the obstacles

19:53

was David.

19:55

The property still had stragglers

19:57

and acolytes, gazing at

19:59

me in a loop. lost trance just as they did

20:01

before. As

20:04

I walked through the zombie apocalypse, I

20:07

noticed a shrine and tombstone where

20:09

Red Taylor was killed. Added

20:12

to the deja vu was a small army

20:14

of woodsmen bodyguards, or protectors,

20:17

who surrounded the property with rifles

20:19

and muskets.

20:22

They were expecting me, moving

20:25

aside as I ascended the porch. It

20:28

was like I was being welcomed inside

20:30

by a trove of barnyard knights

20:32

of armor. They

20:35

led me to the very table I

20:37

first

20:37

met Katie at. And

20:39

there was Katie and

20:41

David, waiting for

20:43

me in silence. David,

20:47

good to see you, eh?

20:51

OK, I understand.

20:52

But before I waste my time, I just

20:55

need to know if I'm wasting my time. And

20:58

then David turned to Katie,

21:01

and I shit you not, she whispered.

21:04

Pumblewort, sugar takes, stop.

21:08

Not necessarily. What the fuck

21:10

was that? I'll be speaking on

21:12

her back. So is

21:14

this a negotiation? Um,

21:18

yes. And is she

21:20

going to speak fucking English for it? J

21:23

Pumplable, Spooksacks, Din, Kivolish.

21:26

Bulldog. No. No? That's

21:30

it? That's everything she just said. Katie

21:33

feels that it is you who needs

21:35

to speak and not her. OK.

21:41

Well, so here

21:43

it goes. Katie,

21:47

I was lost

21:50

in life. I was just

21:53

sort of barreling along, like one does,

21:56

coasting through marriages and motherhood and

21:58

never really once thinking.

21:59

about my own future, or even

22:02

the present, or my family, or friends, or

22:04

anything even remotely important,

22:07

until I came here.

22:09

May it to you. There are

22:11

essentially two eras of my life, before

22:14

Katie and after, and I can tell

22:16

you, with 100% conviction that the after part, this

22:21

past year of my life, has been the most exhilarating,

22:25

exciting, and frightening journey

22:27

I've ever been on, more than all of the

22:29

previous years combined. I'm

22:32

scared to hell of you. That's the God's honest truth.

22:34

I have no idea what you're going to do next. I

22:37

don't know if you're going to cry, or scream, or

22:39

barf, or conjure the dead, or kill me

22:41

in my sleep, but let me tell you, sister, I am fucking

22:44

down for it. I'm all in. I

22:47

may be an asshole, and I may be riddled

22:49

with flaws, but if I have to leave this house without

22:51

you, I'm sure as fuck not going back to Rochester.

22:54

What's the point? Without you in my life,

22:57

what is the fucking point? This

23:00

is my way of telling you I love you, by the way. Some people express

23:03

themselves in gibberish, and other

23:05

people are just emotionally retarded, and I sort of

23:07

fall on the latter half of that spectrum, so

23:09

you can take it all you've got. I'm not here as your

23:11

sister, or your mother, or

23:14

even your distant aunt. God knows I'm

23:17

no good at being any of those things. But

23:19

I am here to tell you that you don't

23:21

need any

23:23

of those drugs, Katie,

23:25

because you are

23:28

the drug. You are the fucking

23:30

drug.

23:31

I can't get enough of you. And I have a feeling

23:33

I have a sneaking little suspicion that

23:36

other people will be addicted to, and

23:38

that the whole fucking world would be helplessly addicted

23:41

to you if they could just see you in the flesh.

23:44

Pumper, cinebra, pun,

23:47

penis again. You're probably thinking

23:49

right now, I hate this bitch, but also I'm feeling pretty good right now. Hmm,

23:51

that's weird. Why is that? Because

23:54

I am encouraging you, and that is something

23:56

I have never fucking done, and I am truly, truly

23:58

sorry for that.

23:59

I've never once given you a well done

24:02

or lifted your spirits or admitted any

24:04

fault But I promise you Katie

24:06

as God and the dead are my witness

24:09

that not only will I encourage you moving

24:11

forward? But that my encouragement will

24:13

most assuredly Take the place of all

24:15

those little fucking vials and colored pills you

24:17

ingest into your soul. I want

24:19

to manage you I want to be your manager

24:22

not your mother And I want

24:24

to watch you and Maggie become the greatest

24:27

show on earth Then

24:29

maybe that

24:29

sounds superficial, but it's all I've got and

24:32

it's all that I really want and quite frankly I haven't got

24:34

any more time for this bullshit. So

24:36

what's it gonna

24:36

be? Are you in or

24:39

are you out? Okay

24:45

She doesn't want to have anything to do with press

24:47

promotions or any of the bullshit She doesn't want

24:49

to be listed on the posters or any promotional

24:52

materials She also

24:54

wants a piece of the profits

24:56

Five percent twenty

24:59

fuck you for each sister double

25:02

fuck you 20 percent for

25:04

the two thirty 20 with

25:07

a piece of the house deal Yep

25:14

Well,

25:15

we have two hours and ten minutes to

25:17

make a four-hour trip be back

25:20

yes And That

25:23

was it and on the way back

25:26

for the first time in my life Katie

25:29

smiled

25:30

She

25:33

was reunited with her sister and Every

25:36

soul in Rochester was out there just

25:39

beyond the curtain to love us hecka

25:41

lost and judge us And

25:44

here for your pleasure are the Fox

25:46

sisters

25:49

But it didn't matter anymore Because

25:53

I knew I fucking

25:55

knew whatever was waiting for

25:57

us beyond that curtain the good

26:00

The good, the bad, and the deadly ugly.

26:03

Whatever kind of hell was in store for us,

26:06

I already knew.

26:09

I'd already won.

26:15

The Foxes of Hidesville stars... Kerry

26:18

Mulligan as Leah Fox. Phoebe

26:21

Tonkin as Adelaide Granger. McKenna

26:24

Grace as Katie Fox. Christina

26:27

Bruccato as Maggie Fox. With

26:29

additional roles by the criminal content players

26:32

including... Written

26:39

and directed by Sean Christensen.

26:42

Executive produced by Kerry Mulligan, Sean

26:44

Christensen, and Gabriel Mason.

26:47

Co-executive produced by... Produced

26:53

by Brendan Hubbard and Adam Vollerich.

26:55

Associate

26:57

produced by Nick Massetti. Sound

27:00

designed by Brandon Jones.

27:03

Composed by Darren Morsey. Editing,

27:06

mixing, mastering, and additional music

27:08

by Nick Massetti. Additional

27:11

editing by Sean Christensen and

27:13

Adam Vollerich. Marketing

27:15

lead, Ellie Kotapusch. Production

27:19

assistance by Mylyssa Fitzsimmons.

27:21

Artwork by Lon Chan.

27:24

Credits read by Natalie Press. Special

27:27

thanks to Dave Williams, The Invisible

27:29

Studios, and Fancy Film.

27:31

Music by Mylyssa

27:35

Fitzsimmons. Music

27:38

by Mylyssa Fitzsimmons.

27:41

Music by Mylyssa

27:43

Fitzsimmons. Music by Mylyssa

27:47

Fitzsimmons. Music

27:49

by

27:51

Leafcutter ants don't actually

27:54

eat leaves. They use leaves

27:56

to feed to their crop, and

27:58

their crop is a...

27:59

fungus, that they cultivate themselves

28:02

inside of their ant colonies. In fact,

28:05

this fungus garden is

28:07

not only their food supply,

28:09

but it's their actual home. Hi,

28:11

I'm Kendall Long, and some of you may remember

28:13

me from a show called The Bachelor, where I was

28:16

known as the weird taxidermy girl. I

28:18

was on a quest for love, but on my podcast,

28:21

Little Curacities, I am on a completely

28:23

different quest, and that is the quest

28:25

for knowledge. Little Curacities with Kendall

28:27

Long is where I get to explore things that inspire

28:29

me,

28:29

like zoology, entomology, science,

28:32

and everything the natural world has to offer. Follow

28:35

Little Curacities with Kendall Long wherever you're

28:37

listening now, and join me on an adventure

28:39

of research and scientific exploration as

28:42

we gain a greater sense of the world around us.

28:46

The world is pretty strange, isn't it?

28:49

Yeah, a lot stranger than you might think. Are

28:51

we talking cryptids, ghosts, UFOs, that

28:53

sort of thing? Oh hell yeah. It's only every

28:56

week on Bigfoot Collectors Club. Hi,

28:58

I'm Michael McMillan. I'm Bryce Johnson. And

29:00

I'm Riley Bray. Each week on the Bigfoot

29:03

Collectors Club podcast, we talk to amazing

29:05

guests about their personal paranormal history

29:07

and share stories of high strangeness. Sasquatch.

29:10

Check. Aliens, obviously.

29:13

Dogman. I mean,

29:15

let's not get carried away.

29:16

Sometimes we chat with actors and comedians

29:19

about weird stuff they've experienced, like

29:21

how did this get made so paul shear? Other

29:23

times we talk to experts about the realm

29:25

of the unknown, like Monster Quest producer

29:28

Doug Hichek. We also do deep dives

29:30

into topics like Roswell, Men in Black,

29:32

even the abominable snowman. So check

29:34

out new episodes of Bigfoot Collectors Club every

29:37

Wednesday on Wood Elf Media or wherever

29:39

you get your podcasts. Your reality

29:42

may depend on it.