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0:01
As a long time Foreign correspondent,
0:04
I've worked in lots of places,
0:06
but nowhere is important to the
0:08
world as China. I'm Jane Perlez
0:10
former Beijing Bureau Chief for the
0:13
New York Times. Join me on
0:15
my new podcast, Face Off Us
0:17
vs China where I'll take you
0:20
behind the scenes in the tumultuous
0:22
Us China relationship find Face Off
0:24
wherever you get your podcasts. Hello
0:37
and welcome to a History of
0:39
Egypt podcast Interview. My. Guest
0:41
today is Lloyd Llewellyn Jones
0:44
professor of Ancient History at
0:46
the University of Cardiff in
0:48
Wales. Professor. Llewellyn Jones
0:50
joins us today to discuss
0:53
his new book. The Cleopatra's
0:55
The Forgotten Queens of Egypt.
0:57
The world knows the name
1:00
Cleopatra thanks to the exploits
1:02
and achievements of Cleopatra the
1:04
Seventh, the last Queen/pharaoh of
1:07
Egypt. Far. Fewer
1:09
people know that Cleopatra is,
1:11
well, the seventh and met
1:13
before her. There was a
1:15
whole line of accomplished influential
1:17
women bearing that name. Professor.
1:20
Llewellyn Jones has previously specialized
1:22
in the social and political
1:24
history of Ancient Greece and
1:27
of Persia. His. Published works
1:29
include articles and books in
1:31
those fields and also in
1:33
Hollywood portrayals of the ancient
1:35
world. For. Enthusiasts of the
1:37
Hellenistic Era, the Age of Alexander
1:40
the Great and his successors, Professor
1:42
Llewellyn Jones, acted as the costume
1:45
consultant for the Two Thousand and
1:47
Four film Alexander a personal favorite
1:49
of mine, As you'll
1:52
see in this interview, Professor
1:54
Llewellyn Jones is knowledgeable and
1:56
enthusiastic, with a knack for
1:58
making complicated histories. Far more
2:01
accessible, it's a great conversation and
2:03
I think you'll enjoy it. The
2:07
music for this episode as by
2:10
Michael Levy from his album an
2:12
Ancient Liar and as includes pieces
2:14
on Ancient Greek melodies from the
2:16
second and first centuries bc a.
2:19
My thanks to my Go for allowing me to
2:21
use his music. If you enjoyed it, you can
2:23
find it on his Went. And
2:25
the. Now. That
2:28
let's begin the interview. In.
2:37
Part One Way to introduce the
2:39
Cleopatra's as a group. Where. Did
2:41
they come from? What role did
2:44
they play as queens of a
2:46
Greek household rolling Egypt? And how
2:48
did they deal with their complicated
2:51
family politics? Professor. Llewellyn
2:53
Jones takes us through
2:55
international weddings, family dynamics,
2:57
and political conflict. Let's
3:00
begin. Hello! Professor of Alan
3:02
Jones How are you? I'm.
3:04
Very good. Thank you very much indeed. Guess thank
3:06
you for joining the History of A to podcasts.
3:08
I think it's gonna be honest the if I
3:11
think vegetation it. Thank. You know I'm
3:13
willing to us from Cod of at the
3:15
moment. Is that correct? A priceless rights from
3:17
wet and windy Wales? How and haven't I've
3:19
sprained? Yeah, Yes. For and how is life
3:21
and Cod at the moments? Oh,
3:24
it's so it's pretty frantic. It's always busy
3:26
I'm I'm glad to stave off to Turkey
3:28
at few days time to do some touring.
3:30
Know so the robot sites last I'm looking
3:32
for? it's it's a lot that wrote a
3:35
changer for a change of space is as
3:37
good as any. figure. this of us how
3:39
exciting. So light for most of my lesson
3:41
as they might know your best as a.
3:44
Scholar. Primarily as a Persian carry
3:46
At first and foremost, that and I
3:48
was your major research specialty, and that's
3:50
where a lot of your earlier publications
3:53
have focused on. Sites.
3:55
Both the first question is
3:57
what brought you from Persia
3:59
and. The down to the Nile Valley.
4:01
There. Were two explanations I suppose the
4:04
first one is to do with my
4:06
research because I have worked on. The.
4:08
Hellenistic World's for quite some time have
4:10
been. It's been. A quieter sort
4:13
of subset I suppose of my work
4:15
on Persia. But. I publish books
4:17
on E Bay really had it just
4:19
appeared on the Hellenistic courts on the
4:21
clear in the several of the Cleopatra's
4:23
already. So these kind of course, societies
4:25
of the kind of legacy of the
4:28
Persian world supposed has always been an
4:30
interest to me. But. I suppose
4:32
when it comes to Egypt per se,
4:34
when I like many. Ancient
4:36
Historians my first So. The.
4:39
Dive into ancient history when I was
4:41
in my late teens or throw my
4:43
twenties was actually to do Egyptology. Now
4:46
nice in I studied a hieroglyphs you
4:48
know, via the old gardeners grammar yeah,
4:50
console of that on so we know
4:52
I've I've always been really interested in
4:55
Egypt. And I hope that I
4:57
can return to Egypt do some more
4:59
in the future as well because you
5:01
know if it's a rich field and
5:03
I think there are many areas that
5:06
still a not covered on. I'm particularly
5:08
interested in gender and also called society
5:10
so I hope I can ask you
5:12
to successes it basically those two things
5:14
and of love of Egypt's initially I
5:16
would just stayed with me and more
5:19
recent been other the kind of academic
5:21
work out between of the hellenistic moves
5:23
in particular. Next. On and I
5:25
guess to zero in on that specific I
5:27
you know you mentioned tender and so many
5:29
of your articles and previous publications have focused
5:32
on these thinkers. And this
5:34
book as focus very specifically on
5:36
a particular name or particular category
5:38
of name. Which is that Cleopatra's
5:40
Yeah, So what was the initial
5:43
spot for this particular focus? Wells.
5:46
Several things began. The first is.
5:48
There's. Been a vogue within
5:50
scholarship in the last fifteen
5:53
years to concentrate on the
5:55
Hellenistic royal women. Off.
5:57
The Ptolemaic House in particular that
6:00
in the first four generations of
6:02
the ptolemy it's so we've had
6:04
really, very fine studies. Acid
6:06
are we the second? Barry Nike the second.
6:09
These kind of our early Ptolemaic queens. And
6:11
then of course we have to jump right
6:13
to the end to the dentist. A to
6:15
Cleopatra. The service. On. I've always
6:17
been fascinated by these what happens
6:19
to the Hellenistic World. In
6:22
the second than the first
6:24
centuries and traditionally. Historians
6:26
have seen a kind of
6:28
decline and fall or scenarios
6:30
slide into decadence. Back kind
6:32
of rhetoric has gone on.
6:35
But. I'm never. Convince
6:37
by that sort of reading on.
6:39
In fact, when I worked with
6:41
a colleague, Alex Mccauley. On. A
6:43
joint book request on After The Third
6:46
and Cleopatra cf. We. Decided to
6:48
name the second and out the
6:50
snow. Second and first century's a
6:52
high hellenistic period. Because. In fact,
6:54
what happens in up here it is
6:56
all of the things that we consider
6:58
to be Hellenistic Rich on a really
7:00
so. It's not a Pope moment of
7:02
declaring the talks, but it's actually moment
7:04
of codifications. On. A just so happens
7:07
within that period. These. Seven
7:09
remarkable women. Who. Are
7:11
ruling Egypt step out of the sources
7:13
on I thought would these women really
7:16
need to be look that's because they
7:18
haven't we? A proper scholarly
7:20
treatments in about thirty years. And
7:23
they barely touched the surface
7:25
of most people's knowledge of
7:27
antiquity. It's not even the
7:29
keenest Egyptologists know much about
7:31
the Cleopatra's on, so I
7:33
thought it's a good thing
7:35
to bring them back into
7:37
the public sphere again. I
7:40
should say they were given a very brief I would say. And
7:42
I think he was nineteen eighty three. When.
7:44
The B B C created a
7:47
follow up. Really wanted to sort
7:49
of capitalize on the success of
7:51
I Claudius. Remember the Tv show
7:54
on it made an eight part
7:56
serious series called the Cleopatra's on.
7:58
It was pretty. The by
8:00
everybody because they were people.
8:02
Couldn't actually believes that the
8:04
events of the drama were
8:06
historical because they are so.
8:09
Outrageous. So much com.
8:12
A such a kind of grown in your spectacle
8:14
around what happens to these women and i think
8:16
know bbc be to is just switched off their
8:18
sex. I couldn't believe what was going on. But.
8:21
I remember watching it and I loved
8:23
it and Infected and the whole series
8:25
is still available on you tube. I
8:27
recommend your listeners to go and have
8:29
a have a watch and because actually
8:31
everything you see that. Is pretty
8:34
pretty accurate in terms of
8:36
the narrative. So that
8:38
they always had a flurry
8:40
into popular culture that they've
8:42
ever really enjoys. So it's
8:44
time to get them. Center.
8:47
Stage again Mariner Thera. The.
8:49
Ptolemy definitely our a family where. The.
8:51
Truth is stranger than fiction, isn't It
8:53
Gets really, is absolutely absolutely. And that's
8:55
why I love about history, though. Sometimes.
8:58
You know, why bother to
9:00
invent new story lines? Because
9:02
history unload. Has got everything
9:04
you could possibly wants as rely on that
9:07
to them. I. Often wonder
9:09
how much of same Game of
9:11
Thrones has crept from Ptolemaic history
9:13
because some of those events are.
9:15
Straight. Out of the or are they
9:18
really off know there's been a focus
9:20
their say that Game of Thrones. what
9:22
was really sort of based on the
9:24
Walls of the Roses about know I
9:26
think some of the machinations the go
9:28
on there are special especially since I
9:30
do. They begin Cesspool teeth that runs
9:32
through cable phones have enough purely Ptolemaic
9:34
you couldn't find that's in any Shakespeare
9:36
history. Certainly. Absolutely. While
9:38
speaking of, you mention that sort of
9:40
revival in scholarship politically around some of
9:42
these women at least the earlier Elliott
9:44
Gordon, although that that may be happening
9:47
in the more academic around rather than
9:49
simply out the public So much so
9:51
for the benefit of my listeners. Could.
9:53
You give us a brief introduction to
9:56
what are the major sources for this
9:58
high Hellenistic period. Both greg. Roman.
10:00
I'm Hellenistic specifically, but also from Egypt
10:02
itself. You know, whatever. I'm yeah Jeff.
10:05
Major pillars of reference here. Certainly
10:07
when I think by and large
10:09
people have steered away from studying
10:12
the how to disappear because there's
10:14
not a kind of convenient go
10:16
to text. so first student so
10:18
I'm classical Greek store history for
10:21
instance, know you've got a rotted
10:23
acidity Santa for least celebrates of
10:25
of historiography. One. Nothing really
10:27
like that survives from the have it
10:29
is to period so you have to
10:32
use a very very diverse range. Of
10:35
materials and because we dealing with
10:37
a world. Where. The Greeks
10:39
are basically extending. Their
10:43
reach into all these old
10:45
established civilizations around the Mediterranean
10:48
Sea and beyond. Then.
10:50
It means a course that we also
10:52
have to deal with multiple languages as
10:54
well, and that's a big ask for
10:56
anybody to do. So. In
10:59
doing this book alone, for instance,
11:01
besides my previous work, I've had
11:03
to work with Egyptian tax both
11:06
hieroglyphs ptolemaic i was so lethal
11:08
injection as well as demotic hereafter
11:10
the. Greeks. Not
11:12
classical Greek coined a Greek which
11:15
is the kind of popular Greek
11:17
of the second century bc. He
11:19
also little bits of last in
11:21
the coolest because some of our
11:23
Latin sources report machinists as well
11:25
as Aramaic cuneiform. So anybody. Trying.
11:28
To specialize in the haven't to world
11:30
as to be polls. And.
11:33
Stretch that abilities to the limit. Really?
11:35
I'm glad that are Lots of people
11:37
are doing some really great philologists to
11:39
taking on some of these challenges. And
11:41
besides that of course then you have
11:43
to be familiar with. The. Arts
11:45
and the Architecture of the archaeology.
11:48
I'm of the period as well
11:50
because. We. Need all of
11:52
these things and all Fight club
11:54
pieces of this huge jigsaw of
11:56
this period. What can be achieved
11:59
by bringing all of us very
12:01
the spirit sources together is actually
12:03
a very thrilling experience. What?
12:05
I really love about working on this
12:08
period. The late hour makes a high
12:10
as it is to clear it is
12:12
a really truly is the diversity of
12:14
material such have to deal with. So
12:16
it's everything from. Tax
12:18
receipts. Personal letters,
12:21
Documents On a stronger. Imperial.
12:25
Royal inscriptions in both
12:27
Greek and in a
12:29
hieroglyphics religious texts wills.
12:32
Recipes. Everything I mean, you name
12:34
it I. It's been thrown at me during
12:37
the research of this but it's been really
12:39
fantastic because I feel as a you get
12:41
very very close to the people. Who.
12:44
Wrote these things are crafted. They
12:46
sit. And one thing that I do,
12:48
but I can appreciate about the book is that you
12:50
do provide a very robust. Set of
12:52
references at the and not just
12:54
a bibliography, but. Are broken
12:56
down by subject and sculpture and so
12:58
us even down to individual names of
13:00
you want to learn about. Ptolemy has
13:02
the Levy reference or he has the
13:05
area are the highest. I thought it
13:07
important because I really hope is that
13:09
this buckley heritage others to go and
13:11
look at this period you know especially
13:13
the Egyptologists among because the Ptolemaic period
13:15
is such an important one. For
13:17
the preservation of. Ironic
13:20
culture if nothing else. When we
13:22
go down along by cruises today
13:24
so many of the the temples
13:26
and sites that we enjoy our
13:28
because all images instructions so we
13:30
have to give them a notes.
13:33
For their preservation of the for on the
13:35
past. So yes I would say your listeners
13:37
don't be afraid of the Ptolemy as they
13:39
all your friends and I hope that scene
13:41
of the references you find it will be
13:43
of use. They weren't
13:45
each other's friends, but they are. Our
13:48
friends are now half an hour and
13:50
a some. Okay, well. Let's. Begin
13:52
with the more details historical
13:54
discussion. Then one thing that
13:56
I particularly enjoyed coming that
13:59
came across the book was.
14:01
You. Place a particular emphasis right from
14:03
a stop at frequently throughout. An.
14:06
Emphasis on a how visible
14:08
the Cleopatra's ah as a
14:10
tool of diplomacy uniting the
14:12
Ptolemaic and so look at
14:14
households. And obviously I'm not a
14:17
hellenistic historians of as is not something I
14:19
had thought about mean any particular detail. But.
14:21
They are the two major. Political
14:23
dynasties of the reason men. Then you
14:25
also have the one up in Macedonia
14:28
itself. So you have you could touch
14:30
on briefly. Where do that Cleopatra's of
14:32
Egypt come from? Where does the first
14:34
one come from? And then how does
14:37
that role as sort of. Political.
14:39
Bargaining Chips Carry on for their
14:41
story. The A sober the
14:43
time the the book begins in the
14:45
second century. the kind of political. Overview
14:48
of the Hellenistic world is essentially in
14:51
the south in Egypt and stretching across
14:53
North Africa, a little pockets of islands
14:55
like De Los in the Mediterranean, the
14:57
Aegean we have the Ptolemaic and En.
15:00
Route. From Alexandria but also with
15:02
a strong power base in the
15:04
sea bite in the area of
15:06
Upper Egypt as well. On it's
15:08
great rival really is to the
15:10
east and that's the solution to
15:12
the states and the saluted kings
15:14
or the as essentially of. The.
15:16
Persians who came before them and
15:19
so that main area of rule
15:21
is the is the Levant stretching
15:23
the from Israel, Palestine right the
15:26
way up to Syria and then
15:28
inland. Into. Modern
15:30
day Iraq easily pushing towards
15:33
the borders of Iran as
15:35
well. That. Empire was
15:37
in a constant state of
15:39
flux, printing and expanding according
15:41
to the activities of the
15:43
salute his enemies in the
15:45
east. The path the hands
15:47
on this person on Tennessee
15:49
who had ambitions of territorial
15:51
expansion of their own. The.
15:53
Way which the salukis in the
15:56
Ptolemy is interacted. I had for
15:58
at least two hundred years. Been.
16:00
On basically a kind of a read a
16:03
little. All of the time. There. Were
16:05
constance border skirmishes? usually attacks
16:07
around about Palooza, which was
16:09
the city that sat on
16:11
sort of border between Egypt
16:13
and the saluted round. But.
16:15
In particular, both sides were
16:18
fighting for a very, very
16:20
fertile area of man. Called.
16:23
Toys Syria. Is
16:25
how they knew it. We today
16:27
would call it the back of
16:29
valley in Lebanon. Very very rich,
16:31
fertile land and therefore worth a
16:34
lot of money and constantly. Our
16:36
make sorrows were invading sleep. It's
16:38
plans to unaudited to grab this
16:41
area in modern day Lebanon and
16:43
a sloop. It's grabby fact. And
16:46
by the time we get sued the
16:48
beginning of the book we've already has
16:50
six was in serious experience was that.
16:53
Oh, and it looks as though with
16:55
more we're going to continue because who
16:57
was ruling? In the city
16:59
Kingdom at the time was probably
17:02
the greatest. Warlords,
17:04
Of the whole hellenistic
17:06
period. And. That's Antiochus the
17:09
third. Antiochus even took
17:11
the Monica the Great during his
17:13
lifetime. I mean, he really did
17:15
bottle himself on Alexander and he
17:17
was from interval in his conquests.
17:20
Bats p was also getting tired
17:22
of these kind of border skirmishes
17:24
with Egypt. And want a
17:26
sort of consolidate his rule elsewhere.
17:29
I'm rather than taking up all this energy
17:31
and all of of his finances Missy's constant
17:33
squabbles for the Egypt he decided to see
17:36
if you could settle a piece at all.
17:38
And of course what he did was what
17:40
all kings, not history of done. He.
17:42
Turns to the figures of his daughters
17:44
to see how he could married of
17:47
off to make alliances. He had at
17:49
least four daughters. Of. The one
17:51
who is interesting to us is the
17:53
third of his daughters and her name
17:55
is Cleopatra. That's the first time
17:57
we have this name. In the
17:59
Highlands. Period. House.
18:02
The. Life Of Alexander The Great Because
18:04
Alexander the Great sister. Was. Called
18:06
Cleopatra on I think that gave the
18:08
name a kind of to das. My.
18:11
Dignity amongst the hellenistic
18:13
diners. So. This Cleopatra
18:15
Cleopatra The first weekend. Call
18:17
her. Is be troth
18:19
to a Pharaoh Ptolemy the Fish.
18:21
He's a little bit younger than
18:23
her, probably about ten years younger
18:26
than her and she is shipped
18:28
off to Alexandria. With. A huge
18:30
retinue, a great deal of wealth
18:32
as a a dowry. They married
18:34
in Alexandria and she becomes the
18:36
Queen of Egypt. I was really
18:38
remarkable about this woman is that in a
18:40
she knew nothing of she didn't know her husband
18:42
it's all she do nothing of this land but
18:44
she learns very very quickly and in fact
18:46
she became. Much. Loved by
18:49
the Egyptians and they provide her
18:51
with a nickname is a corner
18:53
Syrah. Which. Means the Syrian. So
18:55
for them she was always Cleopatra
18:57
Syrah on from there on. A
18:59
really Cleopatra as a name. Becomes.
19:02
The domestic named par excellence.
19:05
All. The other women.
19:07
Of the royal family because she kind
19:09
of set some mobile. For. What
19:12
good queen ship! Could. Be.
19:14
On how she does, that is in
19:16
diverse ways. First of all, she. Doesn't.
19:19
Meddle in political affairs,
19:22
and she certainly has.
19:25
Had no intention of trying to
19:27
do her father's dirty work on.
19:29
I think that when she first
19:31
arrived in Alexandria, The. Alexandria courtiers
19:33
were very suspicious of and I'll surely
19:36
this woman has been a coming and
19:38
she's gonna bring you know Antiochus his
19:40
policies and before we know it will
19:42
all be salute kids But she never
19:44
did that. She was incredibly loyal. To
19:47
her husband. To such an
19:49
extent that about fifteen years
19:51
into their marriage. He
19:53
gave her an honorific title.
19:56
And we see this utilized
19:58
in the inscriptions and hieroglyphs
20:00
in where he calls her
20:02
his beloved sister. And
20:05
that's very important thing for the
20:07
Ptolemy stressed or local sister can
20:09
be just beloved and in Egyptian
20:11
context as as you'll know Bashir.
20:13
Be. Application Of Sisters Senate.
20:16
In. Egyptian. In Greek it's
20:18
Adelphi so that the it is actually
20:20
know a blood sisters was meant to
20:23
be. So she's made an honorary Ptolemy
20:25
if you like. This. Is
20:27
very important to them because. The.
20:29
First generations of Ptolemy. He's.
20:32
Had practiced brother, sister
20:34
marriage. Sir Ptolemy the second
20:36
had taken his full sister Austin or
20:38
We the second does wife. More.
20:41
Recently, Ptolemy the third
20:43
had taken his sister.
20:45
Arsenault economy forth back and his
20:48
sister Athena we the third housewife
20:50
and really, Ptolemy the fifth. Only
20:53
kind of consented to the marriage
20:55
with Cleopatra siren. Because. He didn't
20:57
have a sister to marry. On
20:59
So this is why in a
21:01
way he takes on Antiochus his
21:03
proposal up and brings in this
21:05
absolutely princess. So. Hearts
21:08
and the people of Egypt take it off
21:10
as he promotes to this honorary title of
21:12
sister. A not mean safe for
21:15
that they can kind of. Activates.
21:18
A very important pieces
21:20
Egyptians theology. And that
21:22
is they can play the roles
21:25
of Isis the Cyrus because of
21:27
course as you know Isis and
21:30
Osiris would have brother, sister and
21:32
husband wife. And because. Children.
21:35
Or risk as well. So this
21:37
way they played two feet. Way
21:39
in the Ptolemy Smith Said thing
21:41
to Egypt semis themselves. I mean,
21:43
case that sort of backfired on.
21:46
Amongst the Greek speaking subjects
21:48
living in Alexandria, the Nile
21:51
Delta. Well. They could also
21:53
justify this union. his brother, sister.
21:55
By. Saying of course that in the Greek
21:58
pantheon. zeus was
22:00
also married to his sister, the
22:02
goddess Hera. So there was
22:04
this kind of double speak that
22:06
was going on in a theological
22:08
setting, which really made and strengthened
22:11
the Ptolemy's position as monarchs
22:14
of Egypt. And
22:16
actually when Ptolemy the
22:18
fifth died, Cleopatra
22:20
the first became a
22:23
regent for her elder son,
22:25
Ptolemy the sixth. And the first
22:27
thing she did in what
22:29
was going to be her will, she died
22:32
shortly afterwards, but her will was implemented,
22:34
was to make sure that her
22:37
son married his full-blood
22:39
sister, Cleopatra the second.
22:41
So she makes sure that
22:43
this Egyptian, this
22:45
pharaonic style of
22:48
union was probably
22:50
embedded within the
22:52
politics and the religious
22:54
philosophy of the royal house.
22:57
I don't, I think maybe the
23:00
Ptolemies were a little bit blindsided
23:04
by their knowledge of Egyptian history because we
23:06
know that not every pharaon, far
23:08
from marriage, you know, a
23:10
sister or let alone our children. But
23:12
of course it did happen, Ahmaud Ramesses
23:14
II for instance, but it wasn't as
23:16
popular as I think the Ptolemies thought
23:19
it was, they thought they were doing
23:21
the standard pharaonic thing by
23:23
continuing this practice. And it worked
23:25
extremely well for them in
23:27
these kind of propagandistic theological
23:30
terms. So
23:44
we have introduced the Cleopatras
23:46
as Queens of Egypt. But
23:48
of course they were not Egyptian
23:51
in the hereditary or family lineage
23:53
sense. How did the
23:55
people of Egypt living under a
23:57
Greek royal house react to this
23:59
new Kingdom, Professor Llewellyn
24:01
Jones explains. Then we
24:04
explore the role of a
24:06
Cleopatra who ruled outside of
24:08
Egypt, a remarkable
24:10
tale of international diplomacy,
24:12
political acumen, and imperial
24:14
ambitions. So
24:23
building on from that, you know, we talk about
24:25
them Egyptianizing to a
24:27
certain degree, presumably to
24:30
increase their legitimacy as a, as
24:32
you've partly termed in the book, a sort
24:34
of colonialist government that treats Egypt
24:37
as a sort of a territory that
24:39
is the spoils of war almost, essentially
24:41
the whole country just ripe for exploitation.
24:45
But of course, this Egyptianizing
24:47
approach is not entirely successful. And we
24:49
do have the very famous incident
24:51
that you discuss at some length in the book,
24:53
which is the Theban Rebellion, and
24:55
the texts that emerge
24:57
around this time, really
25:01
rejecting the idea of foreign rule
25:03
in very explicit terms. Can
25:05
you tell us a little bit more
25:07
about this and that in terms of
25:09
what it represents, particularly for the Ptolemaic
25:11
dynasty as a whole, and perhaps for
25:13
Cleopatra, Sera specifically, what does the Theban
25:15
Rebellion achieve and what does
25:18
it really represent and what's its lasting impact?
25:20
Certainly. Well, we must remember
25:23
that right the way
25:25
through the 300 years of
25:27
the Ptolemaic rule of Egypt, Egypt
25:30
is essentially two areas. There
25:32
was Alexandria, which was
25:35
almost completely Hellenic, and
25:38
the Nile Delta, which was mainly settled
25:40
by Greeks who had been given land
25:43
and monetary incentives
25:46
by the Ptolemaic kings to settle there. And
25:49
they came from all over the Greek-speaking world.
25:51
But if you push down
25:53
basically beyond a suit down
25:55
to Aswan, that was still
25:58
the heart of Egypt. was
26:00
very much Egypt for the Egyptians there. And
26:02
even though the Ptolemies tried to impose
26:06
a kind of Greek sense of being
26:09
there, they built, for instance,
26:11
a city called Potolomace, and
26:13
some 50 miles north of Thebes
26:15
of Luxor, the Greekness
26:17
never really took off. The
26:19
other thing that we can see operating,
26:21
and this is where the demotic and
26:24
hieratic evidence becomes so important, is
26:27
that we can see the discrimination
26:30
that many Egyptian families had to
26:32
cope with during the
26:34
Ptolemaic period. So for
26:36
instance, they were taxed heavier
26:38
than any Greeks. Their
26:41
lands could be taken away from
26:43
them. Sometimes their lands that had been in
26:45
the family for generations could be
26:47
taken away and given to Greek settlers instead.
26:52
There were discrepancies in
26:54
individual rights, and
26:57
of course, the whole
26:59
bureaucracy of Ptolemaic Egypt
27:01
functions through the language of Greek.
27:04
So if you weren't a Greek speaker, straight
27:06
away really, you were barred from
27:08
certain things. Think of the way
27:10
in which Britain operated in
27:13
India in the late 19th
27:15
and early 20th centuries, and I think there
27:17
are some parallels that we can see there.
27:19
So kind of not surprisingly really, in
27:22
the fourth or fifth
27:24
generation of Ptolemaic rule, there
27:26
became an increasing kind of liberation
27:29
move going on amongst the
27:31
population of the Thebides. Probably
27:35
endorsed by some of the priesthoods
27:37
as well. Don't forget, the temples
27:39
were really the powerhouses of Upper
27:41
Egypt. They always had been, of
27:43
course, they were where
27:45
the wealth was stored. We can't
27:47
really tell how much some
27:50
of these popular movements were
27:53
supported by the temples, but I get
27:55
a feeling, I can see their fingerprints
27:57
on a lot of the hapilis. The
28:00
reign of Ptolemy to stress and Cleopatra
28:02
Syrah. We. Get the biggest
28:04
rebel you did seats which loss
28:06
for some twenty years almost during
28:09
which time. The. Ptolemaic.
28:11
Governance of Upper Egypt simply ceases
28:13
to operate so there are no
28:15
taxes pouring into Alexandria Us. I
28:17
mean, people are. There's a lot
28:19
of. There's.
28:21
The as user putting who
28:23
has it name's himself. traditional
28:25
Gibson names. And. There
28:27
is a lot of fighting that
28:30
takes place of around seeps around
28:32
out com write them down to
28:34
a swan. When. Greek troops
28:36
are sent in on regular rotation
28:38
supply to to quell the uprising.
28:41
Eventually. Of course it is quelled and
28:43
and things do com dog. But. We're
28:45
left to the really interesting literary
28:47
heritage I'm from. this great Fee
28:50
But Uprising where we have these
28:52
kind of. Chronicles.
28:54
And so called oracles purportedly written
28:56
in the past in the days
28:58
of Amenhotep the third and so
29:00
forth but actually of cause really
29:02
be in Britain of the time
29:04
of the rebellion when you really
29:06
get a sense of why. The.
29:08
Egyptians didn't like the Greeks and how
29:10
they responded to recruit island or read
29:12
you are a little bit of what
29:14
if I made this is known as
29:16
the Demotic Chronicle lower risk kind of
29:18
oracle really on it's certainly dates to
29:20
to this period is has that kind
29:22
of ring to it to sort of
29:24
The Book of Daniel in the Hebrew
29:26
Bible is back as a cop apocalyptic
29:28
kind of literature and them sir goes
29:30
something like this. They. Are foreigners?
29:33
Ah see of our land a
29:35
full of tears. Time. Will
29:37
bring them the foreigners. The. Egyptians
29:39
or robert people have fallen
29:41
in slaughter. They are coming to
29:44
Egypt. They are foreigners on the east and
29:46
they are foreigners on the west of the
29:48
land. They are coming to Egypt. The foreigners
29:50
will be allowed to come into all of
29:52
each. They will be masters of Egypt. It
29:54
is the Greeks who will come to Egypt.
29:56
They will rule Egypt for a long time.
29:59
and then it'll about this kind of messianic figure
30:01
who will rise up and save the people, may
30:04
the hero live, he will be
30:06
the ruler in the specified time. So
30:08
we get a lot of this kind
30:11
of apocalyptic literature, which, you
30:13
know, when you compare it to other sort of
30:15
little apocalypses that we have, for instance, in the
30:18
Hebrew Bible with Daniel in the New Testament in
30:20
the Book of Mark, for instance, whenever
30:22
local populations are up against
30:24
something tremendous, they often think
30:26
of themselves as being
30:29
at the end of times. And this
30:31
is certainly what the Egyptian populace in
30:34
Upper Egypt were thinking at that time. So
30:36
we get a really, really good insight from
30:38
the surviving documents of the Egyptian
30:41
mindset of life under
30:43
colonial rule. And
30:45
this Egyptian ruler who establishes himself, does
30:47
he take a queen of his own?
30:50
Does he try to establish a new
30:52
dynasty? We have no evidence of
30:54
that at all. He does change his name from
30:58
one set of Osiris titles to
31:00
another, but we have very, very
31:02
little to say about him as
31:05
a person at all. But certainly
31:07
he's around and he's troublesome. And
31:10
according to some of the sources,
31:12
Pahlemi V allowed him to live
31:15
at the end of the rebellion. According to
31:17
others, he was clearly executed. And you know,
31:19
you pay your money and you take your
31:21
pick with that kind of dilemma. Okay.
31:25
And so that
31:27
rebellion lasts for 20 years. So
31:30
I guess we should really call the civil
31:32
war in its own sense. In a way
31:34
it was, yeah, absolutely. Following that, though, the
31:37
Pahlemi household is not destroyed by
31:39
that rebellion, spoilers. Not in the
31:41
sense that Pahlemi V eventually does
31:43
die and Cleopatra Seral Cleopatra I
31:45
continues. And this brings me to
31:48
a question that crops up repeatedly
31:50
through the book. It's a major
31:52
theme, which is the Cleopatra
31:54
is taking on the
31:56
role of sort of the senior ruler, not just
31:58
an ornament, not just a queen. not just
32:00
a supporting figure for her husband,
32:03
but to actually be the leading force in the
32:05
government of the day. Can you tell
32:07
us a little bit more about that in general terms? I don't
32:09
want you to recount the whole book, but
32:11
what is the political role that these
32:13
queens play when they get the opportunity
32:15
to govern? You know, by
32:17
and large, I think it's down to
32:19
personality rather than institution
32:22
per se. It
32:24
just so happens that in this 150 year period that
32:27
my book covers, the women seem
32:29
to have been far more adept at
32:31
being politicians and governors than
32:33
the menfolk of the dynasty were. The
32:36
men, with one or two
32:38
exceptions, Ptolemy VIII, Potbelly, were
32:41
pretty unremarkable as rulers. And
32:44
so the women just stand out. And
32:46
that's because in a way they did
32:48
seize the opportunity to do so. Sometimes
32:50
they kind of bullied and
32:52
harangue their way to the top. And
32:55
sometimes it naturally came to them because
32:57
their husbands or brothers were more than
32:59
happy to give them that power.
33:01
So to give you the
33:04
best example of this, I suppose, is
33:06
the finger of Cleopatra III. Now
33:09
she had come
33:12
to marry the king Ptolemy VIII
33:14
as a very young girl, maybe about 16 or 17, at
33:17
a time when her mother was
33:19
already married to the same king. So
33:22
we have Ptolemy VIII, Potbelly, enormously
33:24
fat king, on the throne with
33:26
a mother and a daughter as two queens at one
33:28
at the same time. Did not make for a happy
33:31
home. But something about that really,
33:33
he kind of made, put
33:35
some grits and some fire in
33:37
Cleopatra III's belly. Because when
33:39
she was widow, she
33:42
essentially became the kingmaker
33:44
in Egypt. And she had two
33:46
sons, Ptolemy IX and Ptolemy X.
33:49
Ptolemy IX, she just simply disliked.
33:53
So she promoted as much as she could. And
33:55
then she called Ptolemy X onto the throne. This kind
33:58
of backfired against her. the
34:00
Egyptian courtiers who insisted that their
34:02
elder son should be king. But
34:05
when he does take up the mantle
34:07
of pharaoh as Ptolemy IX, she
34:10
completely dominates his reign, completely
34:12
and utterly. It is she
34:14
who sets the standards for
34:16
taxes. It is she who
34:19
orders foreign diplomatic ventures with Rome,
34:21
with the rest of the Hellenistic
34:23
world. It is she who calls
34:25
for shots when it comes to
34:28
declaring war. And importantly,
34:30
it is she who takes
34:32
precedence in all pharaonic religious
34:34
rites and rituals. And
34:36
Cleopatra III, during her
34:38
reign, takes on more
34:41
religious titles than any
34:43
queen in Egyptian history.
34:45
She just invents them for
34:47
herself, including she has
34:49
created for herself a male
34:52
priesthood to worship her
34:54
as the living Isis. So
34:57
not a semblance of Isis, but
34:59
the living Isis worshiped in temples
35:01
throughout the whole of Egypt. And
35:03
we can really see her dominance on
35:06
temple walls. So one
35:08
of my favorites is that the
35:10
little temple of Hator in Dirla
35:12
Medina. And there on the side
35:14
of the the sanctuary, the inner
35:17
sanctuary, just on the outside of
35:19
that, we see her offering Jha's
35:21
ointment to the
35:24
divine triad of Thebes, and
35:26
her son, the king, stands
35:28
behind her. This is
35:30
really remarkable, as you know, that the
35:33
structure of Egyptian art is rigid, and
35:35
it's the pharaoh first, the queen then
35:37
does her progression, everything standing behind it,
35:39
maybe even at a smaller scale. But
35:42
here, Cleopatra is up front and center.
35:44
And that goes for every representation we
35:46
have of the queen, both
35:48
during the reign of Ptolemy IX
35:51
and then of Ptolemy X as well.
35:53
And at Edfun, we
35:55
have 20 meter
35:57
high images of
35:59
Cleopatra's the third alone, with no
36:01
king around her whatsoever. And
36:04
she is propitiating the
36:06
gods who are acting
36:09
out the drama of the murder of
36:11
Osiris. You'll know these wonderful reliefs on
36:13
the side of Edfu Temple. She
36:16
is there with her priestesses, no king,
36:19
no sons, nothing at all. She
36:21
takes that role herself. And
36:24
this is a precedent that is
36:26
continued by some of
36:28
her successors. My favorites of all
36:30
the Cleopatra's is Cleopatra V. She
36:35
was married to her uncle, Ptolemy
36:37
V. She was much, much
36:39
younger than him. She gave him several
36:41
daughters and a son who
36:43
died young. But she, like
36:45
her grandmother, Cleopatra III, also
36:47
believed and was capable of
36:50
individual rule. And in fact,
36:52
when Ptolemy V died, Cleopatra V
36:55
became the first Egyptian
36:57
queen since the Pharaonic period
37:00
to rule independently. And
37:03
on the rear wall of
37:05
Edfu Temple, she is represented
37:07
honoring Hatter alone in
37:10
a relief which is over 30 feet high.
37:13
It's really, really quite remarkable. So
37:15
there's the precedent all set up. These
37:17
women were capable. And I just
37:19
think they, you know, they, it
37:22
all fell into place for them because they
37:24
had unable husbands
37:26
and sons and
37:28
they just had political acumen.
37:32
And I think really that's the
37:34
key to understanding the
37:36
proper role of Cleopatra VII,
37:39
the last Cleopatra, you know, the Liz Taylor,
37:41
because she's so often regarded as a kind
37:43
of lone wolf. We only know
37:45
her story. But in fact, if you can see her
37:48
in the context of the
37:51
Cleopatra's that preceded her, everything
37:53
slops into place, you can really
37:55
see how she became the
37:58
woman she was because the, you know,
38:00
her ground. mother, mother, great grandmother, and
38:02
set the precedent for her all the
38:04
time. And I do think that
38:06
Cleopatra VII knew her family history very well.
38:08
She was a sharp cookie. Teutarch tells us
38:11
that, of course. But, you know, we can
38:13
see it in operation. So when Mark
38:15
Antony doled out the eastern
38:17
half of the Roman Empire to Cleopatra
38:19
and her children, Cleopatra herself took
38:22
a new title on
38:24
her coinage. And in
38:26
Greek, it read Cleopatra sei
38:28
notaira, which means Cleopatra
38:30
the newer goddess. In
38:33
other words, she was recognizing that her
38:36
great grandmother, Cleopatra III,
38:39
had made herself a living goddess.
38:41
And now she was reactivating
38:44
that she was the newest version
38:46
of Cleopatra III, besides
38:48
which the term Cleopatra
38:51
thea, Cleopatra the goddess, was
38:54
also the name of one of
38:56
her great aunts who had
38:58
completely dominated the saluted
39:01
realm. She was a Ptolemaic princess
39:03
and the sister of Cleopatra III, who
39:05
completely dominated Syria as well.
39:08
So Cleopatra VII knew the women
39:10
of her family, I think. She knew her ancestry
39:13
extremely well. A couple
39:15
of questions that sort of build on that. So, for
39:17
example, going back to the wall of
39:19
the Edfu temple, the three major
39:22
sides of that are all decorated
39:24
with large-scale Ptolemaic figures. But,
39:27
you know, just from your description there, we have Cleopatra
39:29
III, V and VII who all
39:31
appear within the same general area.
39:34
And also, actually, Cleopatra VI is there
39:36
as well. And that's
39:38
often missed. So, you know, there's
39:40
been a huge debate for a long time about
39:43
who was the mother of Cleopatra
39:45
VII. And, of course, recently Netflix
39:47
made a documentary and there was this whole
39:49
debate about, you know, was the mother of
39:51
Cleopatra Black? Because people have said, oh, she
39:53
was probably an Egyptian concubine because we don't
39:55
know who she was. Well, that's not true
39:57
at all. We do know we have very
40:00
very clear evidence of who she
40:02
was. It's just that people are looking at
40:04
the wrong place. They're looking for the classical
40:06
evidence. She doesn't appear in the
40:08
Greek and Latin sources, but she's there up
40:11
front and center in the hieroglyphic sources. And
40:13
just behind the first great pylon in
40:16
Edfu, there she is standing
40:19
next to her husband, Ptolemy XII, and
40:22
she is called Queen Cleopatra, who
40:24
is called Trophina. So Cleopatra VI,
40:26
Trophina, oh, that she was a
40:28
Ptolemaic princess. So I think we
40:30
can put to bed the whole
40:32
debate about Cleopatra VII's mother.
40:35
But you're right, in a way, this little
40:38
sort of enclave within the temple
40:40
of Edfu is this pion of praise,
40:42
really, to the Cleopatra. What
40:44
I was going to ask specifically
40:46
was more of the practicalities of
40:48
decorating that temple. Is
40:52
it being decorated in stages or are
40:54
the subsequent generations recarving sections to
40:56
add themselves? By and large,
40:59
the sections that have the
41:01
images of specific queens are
41:04
carved around the time of their
41:06
appearances about their reigns. So,
41:08
for instance, we know that
41:11
Cleopatra II is
41:13
depicted with hotbelly
41:15
Ptolemy VIII together with their young son,
41:17
Memphis, and they are named that way.
41:20
As a mirror image to that scene, we
41:23
have Ptolemy VIII's hotbelly with
41:25
his second wife, Cleopatra III,
41:29
and their son Ptolemy IX
41:31
as well. So they are definitely images which
41:33
are set up at that time. Likewise
41:35
with Cleopatra III and Cleopatra V.
41:38
But what you do see in Ptolemy, temples
41:40
all over the place, especially
41:43
from the later reigns, so
41:45
from Ptolemy IX through to
41:47
Ptolemy XIV-15, we have
41:50
empty cartouches, of course. So you
41:52
have these representations of kings doing
41:54
all the ritual requirements, but the
41:57
cartouches are completely blank. And
41:59
I think that's because there was such
42:01
a disconnect between what was happening on
42:03
the throne in Alexandria and getting that
42:05
information all the way down the Nile
42:07
to Aswan and beyond. So
42:10
I think rather than gambling on terms
42:12
and titles, sculptors were
42:14
simply leaving cartouches blank. And
42:16
they've been left blank all of this time, you know, it
42:19
gets, you know, fill in this as you need to essentially.
42:21
And that happens with some of the other later
42:23
queens as well. And
42:25
you briefly touched on the Cleopatra
42:28
who went to the Seleucid Empire
42:30
and was a very powerful political
42:33
figure there. Can we expect
42:35
at some point a history of
42:37
the Seleucid Empire from you?
42:40
I'd like to do it. I mean, I think there are
42:42
better people than I out there to do it. But
42:44
it is a remarkable world. And
42:47
I think what I've done in this
42:49
book is to try to show
42:51
how quite literally intermarried these
42:54
two dynasties were. So
42:56
from the time of Cleopatra's sire, the
42:59
Syrian princess moving into Egypt,
43:01
what we have from there on in is
43:03
this continual toing and
43:05
froing of royal brides over
43:08
the border. And
43:11
really, Cleopatra Cyrus,
43:14
three granddaughters, all
43:17
married, granddaughters or great granddaughters, let me
43:19
see. Cleopatra
43:22
Cyrus' granddaughter Cleopatra Fia
43:24
married into the Seleucid
43:26
dynasty. And then Cleopatra
43:28
Cyrus, three great granddaughters,
43:30
all Ptolemaic princesses, all
43:33
became successive queens of
43:35
the Seleucid realm as well. So by
43:37
the end, by the time we get to
43:39
Cleopatra VII, you can barely put a pin
43:42
in between a Seleucid and a Ptolemy.
43:44
They are so closely aligned, really. And
43:46
I think that's probably the best way
43:49
to see them from the second
43:51
century onwards, that they are one dynastic
43:53
unit to all intents and purposes.
43:56
Okay. And do the wars stop or do they
43:58
carry on? stop
44:00
after Ptolemy VI, but
44:03
we it opened these marriages of
44:05
these Ptolemaic princesses to rival Seleucid
44:07
kings, opens up a can of worms
44:09
there and what we have devastating
44:11
civil wars in the
44:14
Seleucid realms which actually kill off
44:17
every one of these Ptolemaic princesses, not
44:19
one of them survives the wars. Okay,
44:23
that's a real chaos of Cleopatra. Really.
44:39
We have explored the lives,
44:42
loves, diplomacy and wars of
44:44
the Cleopatras and their Ptolemaic
44:46
house. Now we
44:48
tackle the big one, the most
44:50
famous Cleopatra of all, Cleopatra
44:53
VII. The
44:55
object of admiration, hatred, lust
44:57
and no small amount of
45:00
envy, Cleopatra VII endures
45:03
as a symbol far beyond
45:05
her earthly deeds. Professor
45:07
Llewelyn Jones takes us through this
45:09
phenomenon, including the question
45:11
of Cleopatra's lineage, who was
45:13
her mother? Why is
45:15
she so famous compared to all
45:18
her accomplished predecessors? And
45:20
what do we really know of
45:22
her politics, personality and life? So
45:30
this brings us, you know, we've covered several
45:33
Cleopatras but ultimately they
45:36
are all overshadowed by the last
45:38
and this is a key theme in the book,
45:40
it's sort of the main focus of the introduction
45:43
but it crops up repeatedly. Why
45:45
does Cleopatra VII so dominate
45:47
the discourse as compared
45:50
to those who came before her? Why is she
45:52
the one that stands out? I
45:54
think it's because her memory has
45:56
survived more clearly than
45:58
all of the others. And
46:01
that's because really, during
46:03
her own lifetime, her
46:06
enemies, the Romans, were already creating
46:08
her mythology. So by
46:10
the time of her suicide, they
46:12
had cast her as this, well, in
46:14
the Latin they call her fatale monster,
46:17
this horrific woman. She
46:20
is the serpent of the Nile. She
46:22
is the slayer of men. She
46:25
eats Roman senators for
46:27
dinner. And this is
46:29
up and running already. And basically from that moment
46:31
on, from the Roman conception of Cleopatra
46:34
in that way, right the
46:36
way up until the modern world, every
46:38
successive generation of human
46:40
beings have claimed Cleopatra
46:42
as their own and
46:45
molded her into whatever shape
46:47
they want her to be. She's been pulled
46:49
in stretch. She is such an elastic figure in
46:52
that kind of way. So
46:54
she's been the ultimate fan
46:56
fatale in French Orientalist
46:59
paintings of the 19th century.
47:02
She's been the onscreen goddess
47:04
with Claudette Colber, Vivienne
47:06
Lee, Elizabeth Taylor, of course.
47:09
She's been a camp icon.
47:11
She's been hailed as a
47:13
heroine of Black Lives Matter.
47:16
She's been claimed for the Me
47:18
Too movement constantly. We
47:20
are projecting ourselves on
47:22
Cleopatra the Seven. So
47:25
that's why she has survived. But
47:28
what we know of her really, most
47:32
people could probably write on the back of a box
47:34
of matches. It's the image,
47:36
it's the fantasy that has
47:39
the kudos, not her real life. And
47:41
so what I wanted to do in this book was to
47:43
try to get back to her real life as much as
47:45
possible. And
47:48
I think that's what I wanted to do in the context
47:50
of the other Cleopatra. I
47:53
should say there are a few things which are
47:56
quite remarkable about her. I mean,
47:58
she is a woman of note. None of
48:00
her previous Cleopatra's had to do.
48:02
I mean, Rome wasn't in that position.
48:04
It was growing in power, but not
48:06
in that way. What I do
48:08
find interesting about Cleopatra VII is
48:11
that unlike any of the other Cleopatras, she
48:13
showed no desire
48:16
to be seated on
48:18
the throne of Egypt next to
48:20
her husband-brother. So in
48:23
her father's will, it stipulated that Cleopatra had
48:25
to share the throne with her
48:27
younger brother Ptolemy XIII. She
48:29
completely rejected that and actually went to
48:32
war against him. And
48:34
likewise, after his death, when
48:36
Julius Caesar put her on the
48:38
throne of Egypt and compelled her
48:40
to marry her youngest brother Ptolemy
48:42
XIV, again, she rejected
48:44
that and had him killed too. So
48:47
unlike the other Cleopatras who were happy to sit
48:50
with nondescript husband-brothers on
48:52
the throne, Cleopatra simply rejected it.
48:54
And I don't know why. I've
48:57
really speculated about it. I can't quite understand
48:59
why. But then we see a
49:01
real sea change happen after
49:04
she gives birth to her first son,
49:07
Caesarean, the son of Julius
49:09
Caesar, or Ptolemy XV, since
49:11
he is rightly known. From
49:14
after his birth, the only
49:16
thing that matters to Cleopatra VII is
49:18
obtaining the throne
49:21
of Egypt for Caesarean. But
49:24
never for herself, all the things
49:26
she does, throwing in her lot
49:28
with Mark Antony, for instance, is
49:31
never for her power. It's
49:33
for the power of Caesarean
49:35
and to ensure that the
49:37
throne of Egypt passes to him. So
49:41
she in some ways rejects everything
49:44
that Cleopatras did before
49:46
in terms of brother-husband
49:48
marriages, but takes
49:50
on that mantle of the protective Queen Mother,
49:53
if you like, to ensure that
49:55
Caesarean gets onto that throne. and
50:00
feline of Cleopatra
50:02
and Cisarian. We have
50:05
Cleopatra in the front position, Cisarian
50:07
standing time. But by the
50:09
time we get to that very famous image
50:11
that we have 30 foot high carved into
50:13
the real wall of the Temple of Dendola,
50:16
there we have the young Cisarian who could only
50:18
be a boy of eight or nine at that
50:20
time looking like an adult in
50:22
the complete pharaonic regalia, including the
50:25
hepresh, the war crown. And
50:27
taking the secondary position is Cleopatra the
50:29
servant. She has promoted
50:31
him completely to the kingship. So
50:34
that's an interesting thing. And unfortunately,
50:37
we have a lost relief
50:40
from the Temple of Nehebet at
50:42
El Qab, just south of Luxor,
50:45
which only survives in early 19th century
50:47
sketch. But
50:50
it shows Cleopatra giving
50:53
birth to Cisarian. She
50:56
is surrounded by the seven
50:58
hatters, the kind of good fairies of
51:00
myth. But
51:02
we see her, her arms are
51:04
raised and held above her head
51:06
while the child Cisarian is
51:09
delivered from her womb. While
51:11
at the same time, she
51:14
depicted in the vulture crown
51:16
and the feathered headrest standing
51:19
next to the goddess Mutt, watches
51:21
herself give birth as well. And
51:24
that is an absolutely unique
51:27
relief in the whole of Egyptian
51:29
art. I've never come across
51:31
that anywhere else at all, not
51:33
even in the most sophisticated divine
51:35
theologies of birth theologies of Ramesses
51:37
II or Amenhotep III. This
51:40
is really, really going the extra
51:42
mile to link her to Cisarian
51:45
and to the legitimacy
51:48
of his reign as well. So again,
51:50
I find fact is so much
51:52
better than fiction. The real thing
51:54
is more than love for me. That's
51:56
interesting. I'm glad you clarified that because one of the
51:58
questions I was going to have That was. How.
52:01
Much of the depiction of her as a.
52:03
Lone Wolf when it comes to have
52:05
brothers versus them. Carrying. Queen
52:08
region for has some. I was
52:10
curious how much of that is divided
52:12
between the Greco Roman sauces and the
52:14
Egyptian. so the Egyptian seems to vary
52:16
strength very much present that mother had
52:18
row quite strongly. Most. Definitely very
52:20
very much indeed. Whereas.
52:23
The queen is barely. I don't
52:25
think she's ever represented with a
52:27
province. We only ever got
52:29
get it in Epithets Army New Queen
52:31
Cleopatra to Ptolemy Are you see of
52:33
way Ranting Tom I'm young. Of
52:36
it's just like enormously but we don't
52:39
get recitation So yes you're you're right
52:41
to be the Egyptian as it's just
52:43
for grounds This vision of Cleopatra as
52:45
the of to that stage must have
52:48
clearly pushing the sun's with single mother
52:50
superior pretty well. Yeah, if I could
52:52
ask you to speculate wildly, would you
52:54
characterize Herb early lone wolf status. versus.
52:57
Had queen mother status. Would.
52:59
You do? You see it as a. Again
53:01
speculating as a genuine emotional concern for
53:04
her son or do you see it
53:06
as a and political terms as establishing
53:08
her own dynasty buses brothers him she
53:10
can't necessarily control. They have their own
53:12
ideas. How does it all come together
53:14
in your mind. I think there's
53:16
a little of both as I think
53:18
that's the idea of of the uncontrollably
53:20
on ability of brothers. Is. Something
53:23
that concerned or Cleopatra's nice unclear.
53:25
Our seven shared in that. But.
53:27
I do believe. When.
53:29
She looked into his baby blue eyes. It.
53:31
Was pure love. Sources are in on. this
53:34
is what you get I think in. Latin
53:36
and Greek sources is this
53:38
is devotion. You. Know she was. When
53:41
all the chips are down, you know When
53:44
she was getting prepared to commit suicide, she
53:46
still. Believes. That her
53:48
son could be saved some sheath. For.
53:50
Instance Center Fleet of ships down
53:52
the Nile. And a swan
53:55
the ships were taking the sure
53:57
on marched across the desert. So.
53:59
That they could the out into the Red
54:01
Sea and takes his aryan off to safety
54:04
in India. But. On the plan was
54:06
scuppered an answer to this is our it. Didn't.
54:08
Live. Out his mother's death by
54:10
only a matter of days before. I'm
54:13
Octavian would have killed him, and I
54:15
really do get the feeling that he
54:17
was everything to her. I'm some
54:19
of the Greek sources say that in the
54:21
days leading up to her suit suicide, she
54:24
actually went on on hunger strike. First of
54:26
all, to ensure that her. I
54:28
had children would be saved by clear
54:30
up but is aren't particularly an actor.
54:33
Augustus oh okay but of agree to that
54:35
she started to be to get. Maggots.
54:38
So at least one thing from the
54:40
Elizabeth Taylor Cleopatra where she has that
54:43
as our vision of Caesar being murdered
54:45
and her first thought is my son?
54:47
At least that yes, families I think
54:49
it might think it is Absolutely yeah.
54:51
So. To sort of
54:53
and light hearted questions festival. Who
54:56
is your favorite? cinematic? Cleopatra if you
54:58
have one. Yes, I
55:00
love true that called back. In
55:03
the Nineteen thirty two.
55:06
To. A passer by Sessile be the
55:08
bell. I love her because and that
55:10
kind of style of it. Early Hollywood's
55:13
sort of before the kind of. The.
55:15
Moral Crunch that went on. She's
55:17
very much the kind of high
55:19
society posts das. Ah, she's kind
55:21
of like a fifth average girl.
55:23
You though, I love her because
55:25
she's out promoting. She's ultra art
55:27
deco and I love love love
55:29
the design. That was created
55:31
by Travis as that I've i've written
55:33
a book on Hollywood's the Ancient world
55:35
are called Designs of the Past. How
55:38
Hollywood. Out on
55:40
the Cleopatra films become opinion of
55:42
but that's that's the ultimate some
55:44
people yet out product called as
55:46
a Cleopatra the I'm very partial
55:48
to that design and aesthetic myself
55:50
as well. Such a choice And
55:52
who's your favorite? Historical Cleopatra from
55:54
Egypt. Or like Cleopatra the fifth.
55:57
This. cleopatra who only rained
55:59
for about three
56:01
years, but importantly, she
56:03
reigned alone with no
56:05
man beside her at all. And you know, we
56:08
haven't seen that happen since the days of Taweret
56:10
and, you know, we can go right the
56:12
way back into Pharaonic history. And
56:15
she does it extremely well
56:17
and was much, much loved
56:19
by Egyptians and Greeks
56:21
within the country. I
56:24
wish we had more about her because
56:26
what we have really is only the
56:28
tip of the iceberg and we can't
56:30
tell anything about her personality at all.
56:32
But there she is on the walls
56:34
of Edfu Temple, looking like Liz Taylor,
56:36
actually, in her shimmering gold larvae and
56:38
her towering falcon headdress. So she's my
56:40
favorite. Cleopatra the Shiff. Cleopatra the
56:42
Shiff, okay, good choice. Now that brings me
56:44
to the end of my historical questions about
56:46
the Cleopatras. But if you have time, I
56:49
would like to ask you just a couple
56:51
small questions about your previous
56:53
work in scholarship and also in
56:55
Hollywood. So first
56:57
of all, what brought you to ancient
56:59
world and classical studies initially? What was
57:01
the attraction? Well, it really
57:03
was actually an overdose of old Hollywood
57:05
movies back in Wales on a
57:07
Saturday afternoon back in the 70s and 80s. There
57:11
used to be a sort of a Hollywood epic on
57:13
every weekend, and I was absolutely besotted
57:15
by them. So it was an overdose of
57:17
Cleopatras and Ben Hurst and The
57:19
Robe and the greatest story ever told,
57:21
really, that got me into this in
57:24
the first place. I remember then my
57:26
very first Egyptology book was a wonderful
57:28
thing called The Day in the Life
57:30
of Tutankhamun, and that was superb. And
57:32
then Lady Bird Books and all of
57:34
this, you know, so that it starts
57:36
very young, doesn't it? Very often with
57:38
those of us who love ancient history,
57:40
it's a different level of getting
57:43
into the past. It grabs us in
57:45
a more concentrated way, I often
57:47
feel. I feel that with my students still
57:49
today, you know, they choose to
57:52
do ancient history, not just history,
57:54
because some kind of spark has
57:56
been lit up in them. And that spark
57:58
for me was certainly holy. and the sort of
58:01
ladybird books. And,
58:03
you know, speaking of Hollywood, one of
58:05
the noteworthy things that you did
58:07
in the past 20 years was that
58:09
you were a historical consultant for the 2004
58:12
film Alexander. And
58:14
as I understand it, you primarily consulted
58:17
on costuming and design, is that correct?
58:20
That's right. So I worked quite closely
58:22
with Oliver Stone and his
58:24
costume props and design departments,
58:27
trying to get the look of
58:29
the ancient world right, which
58:31
in my book, designs on the past,
58:34
is something I'm very critical of, because
58:36
these films, like 1932, Cleopatra, really
58:39
filters antiquity through the modern vibe,
58:41
of course. Stone wanted to get
58:43
things as accurate as possible, and
58:46
to a certain extent I think he did a
58:48
good job. But there are still many things which
58:50
speak far more about 2004 than
58:54
about 200 or 300 BCE. So
58:58
Angelina Jolie as Olympias, you know, her
59:00
gowns, are still essentially sort
59:03
of Christiandial kind of creations with liquid waste
59:05
and so forth. But there's a lot of
59:07
good stuff there, especially the Persian materials, I
59:09
think. They did a very good
59:11
job of creating the Persian look. And
59:14
presumably you were involved quite heavily in
59:16
those specific costumes with
59:18
you? Yeah, yeah, yeah, absolutely. I
59:21
did a lot on that. Which
59:23
was a really fascinating experience, especially being
59:26
interested in film and the filmic process
59:28
as I am, because I really got
59:30
to see the dilemma that
59:32
a really fine director
59:35
like Oliver Stone can get in. Oliver
59:37
Stone has got a real passion for
59:39
history, and he wanted to tell the
59:41
story as correctly as he could.
59:43
And he had people like Robbie Lane Fox,
59:45
who's one of the world experts on Alexander,
59:47
who had his side. But what I
59:50
realized was ultimately even a
59:52
powerful director like Stone was at the back
59:54
and core of the studio. So,
59:56
you know, when the studio said, no, you can't do
59:58
that, then think about it. were dropped, or sometimes
1:00:01
things would happen in the course of filming
1:00:03
in just one day that would change everything.
1:00:05
So for instance, at one day, I remember
1:00:08
they cast a very well-known
1:00:10
actress in the role of
1:00:12
the Great Mother to Tyra, and
1:00:15
we were about to film a scene
1:00:17
where she says, you know, you two
1:00:19
are my son, and the actress pulled
1:00:21
out because of some contractual difficulties, but
1:00:24
it was too late to reset or
1:00:26
to recast, and so the script had
1:00:28
to be rewritten, and one of the
1:00:30
smaller characters had to take on
1:00:32
those lines completely unhistorical.
1:00:35
There I could see for
1:00:37
myself what difficulties
1:00:39
filmmakers are under when they're
1:00:42
trying to just represent straightforwardly
1:00:44
the past on screen. It's a minefield.
1:00:46
Has that the scene where they enter
1:00:49
the harem in Babylon and Tyra, she
1:00:51
takes the lines from Porus of Hidespeys
1:00:53
and she says she wants to be
1:00:56
treated as a queen? Okay, precisely, precisely.
1:00:58
So that should be the Queen Mother's
1:01:00
spirit. Fascinating. I have to
1:01:02
admit that I'm very, very fond of
1:01:04
that film. I like it. I
1:01:06
think it's a good one, and I think the director's
1:01:09
cut gets closer to the...
1:01:11
Which one? Yeah, yeah, yeah.
1:01:14
But I still recall reading the very
1:01:16
first script that Oliver Stone created, and
1:01:18
I've got a copy of it here
1:01:20
in my study. That's when I really
1:01:22
saw what his vision was supposed to
1:01:24
be without any compromise at
1:01:27
all, you know, and then you really understood
1:01:30
what a real passion he
1:01:32
has for the past and for the Alexander's. I
1:01:34
guess we should note though that that film
1:01:36
does not include the sister, Cleopatra, to the
1:01:39
best of my knowledge. She does not appear.
1:01:41
No, she's not there. No, absolutely not. Did
1:01:43
you try to go to bat for her
1:01:45
or were you not? There were some things you thought it's better
1:01:49
to win this battle because the war can't
1:01:52
be won. So we all learned,
1:01:54
all of us who were kind of advisors Learned
1:01:56
when to speak up. They
1:02:00
really necessary because otherwise our voices
1:02:02
would just be this constant nagging.
1:02:04
If you know, I got it
1:02:06
right. yeah but it was a fascinating spirits
1:02:08
he was not know recently I've just other.
1:02:11
Big. Documentary on on Alexander for Netflix,
1:02:13
so I was involved in that
1:02:15
quite heavily, and that was a
1:02:17
really fascinating. Experience to but
1:02:19
of course that was a documentary
1:02:22
and. While. I enjoyed about that
1:02:24
was the allows us as academics to
1:02:26
kinds of leads. The. Story really
1:02:28
And they edited it very well. So.
1:02:32
It's follow grounded in historical debate. They allowed
1:02:34
to post suit to be seen on the
1:02:36
on the screen as well, which was good
1:02:38
thing I've been meaning to watch that and
1:02:40
Up still on my watchlist, but I haven't
1:02:42
got around to it yet of us were
1:02:44
interested. So you can associate professor the Valentine's
1:02:46
and Alexander so that brings me to the
1:02:49
end of my questions. And. Thank you
1:02:51
very much for coming out to discuss.
1:02:53
I think that was a really fascinating
1:02:55
and and said during the complexities of
1:02:57
add Ptolemaic history. I really appreciate the
1:02:59
virus a that. Are you brought here
1:03:01
and and your book? Just. To untangling
1:03:03
the see a mess of people
1:03:06
who are involved in these these
1:03:08
stories. It's. And. Only I don't look
1:03:10
forward to the day where I have to start
1:03:12
untangling that for myself and my own. Our
1:03:14
podcast but. When he is a
1:03:16
must for what I did. As you'll
1:03:18
now is I tended to use their
1:03:20
nicknames as often as possible so rather
1:03:23
than just throw boards will abuse. On
1:03:25
to the original Air B, to Tens
1:03:27
or even nice whenever they will. You
1:03:29
know by addict people elites. Actually
1:03:32
help me. And handle some of
1:03:34
these lines. What's. out of curiosity
1:03:36
do you think that's how they would mostly
1:03:39
be no and in their own time yeah
1:03:41
i think so i really did i read
1:03:43
it because it must have been quite confusing
1:03:45
for the locals as well you know ask
1:03:48
him if we got mail enough ptolemy you
1:03:50
i get a's which one they were know
1:03:52
by nicknames on by personal birth rates as
1:03:54
well as absolutely up and well sesame oil
1:03:56
engines lloyd thank you so much for coming
1:03:59
on to expire these and the new book
1:04:01
will be out very shortly at the time
1:04:03
that we are recording this. So if
1:04:06
people want to follow you online, are
1:04:08
you available on Twitter, Instagram? Where can
1:04:10
they find you? I don't
1:04:12
have any real social media sort of
1:04:14
outlets at all, but you will find
1:04:17
my email address at Cardiff University online
1:04:19
and I'm always happy to answer
1:04:22
questions. Should you email me? I'll
1:04:24
be delighted to be in touch with any of
1:04:26
my listeners. And
1:04:28
you mentioned that you are taking a tour
1:04:30
group to Turkey. Is that something you do
1:04:32
regularly? I do. I'm lucky
1:04:34
enough to take tours for some really great
1:04:37
historical tour groups. I do Turkey,
1:04:39
I do Greece, Cyprus, used
1:04:42
to do Iran, but we haven't been there for quite
1:04:44
a while now. We're starting up,
1:04:46
hopefully, Egypt very soon, doing a tour
1:04:48
called the Cleopatra's Egypt. Very
1:04:50
good. And where can people find those
1:04:52
if they're interested? You'll find those on
1:04:55
the website for Martin Randall travel, Martin
1:04:57
Randall travel, the London based travel agency.
1:04:59
Very good. Very good. Okay.
1:05:01
Well, thank you so much for explaining
1:05:04
the Cleopatra's to us. I think it's
1:05:06
a really fascinating subject and you've done
1:05:08
an excellent job at explaining them. So
1:05:10
thank you very much. Thank
1:05:12
you very much as well. This
1:05:17
brings us to the end of
1:05:19
our conversation. If you have enjoyed
1:05:21
learning more about the Cleopatra's, Professor
1:05:24
Llewellyn Jones new book is available
1:05:26
now in paperback, hardback, ebook and
1:05:28
audio book read by the author
1:05:30
himself. Check the episode description for
1:05:33
links if you would like to learn more. My
1:05:36
thanks to Professor Llewellyn Jones for
1:05:38
joining us and to headline publishing
1:05:40
for organizing this interview. And
1:05:42
thank you for listening. I hope
1:05:45
you've enjoyed this little detour to
1:05:47
distant ages, forgotten cities, and the
1:05:49
lineage of Queens that is far
1:05:51
more than meets the eye. May
1:05:54
Isis and Hera bless you
1:05:56
and keep you safe. I'll
1:05:58
see you soon. You
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