Metalworking has been central to the rise and success of Birmingham over hundreds of years. But how has this industry affected the culture of the city? Did the experience of working with metal and hearing the continuous clang of metal-on-metal seep into the personality and creativity of Birmingham’s inhabitants?

Gregory Leadbetter’s poem traces this story from the discovery of ore in the Staffordshire hills, through the Staffordshire Hoard, the Birmingham Pieces from the Knights Templar, the establishment and development of Birmingham as a great metalworking centre becoming the Toyshop of the World, the development of steam power by Matthew Boulton, being the birthplace of the Industrial Revolution and the City of a Thousand Trades, all the way to the birth of Heavy Metal Music.

Metal City is a co-commission between BBC Radio 3 and The Space with funding from Arts Council England. It’s a collaboration with Royal Birmingham Conservatoire. And special thanks to Birmingham City University’s School of Jewellery for metal facilities.

Producer Melvin Rickarby, grandson of a metal worker and whose dad moved from the metal factory to the steel strings of the bass guitar.Producer Rosie Boulton, great great granddaughter of a brass maker.

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