Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:04
Ninth story studios, getting
0:06
story a voice.
0:16
This is Addison peacock. And you're
0:18
listening to the wicked library.
0:26
At Kroger, we want our fresh produce
0:28
to meet your expectations, which is why
0:30
we're dedicated to doing up to a twenty seven
0:33
point in expection on our fruits and veggies, checking
0:35
for things like scarring. In fact, only
0:37
the best produce like zesty oranges and
0:39
crisp carrots reach our
0:40
shelves. Because when it comes TWL fresh, are
0:42
higher standards mean fresher produce.
0:45
Kroger, fresh, for everyone. Save
0:47
big on your favorites with the buy five or more,
0:49
save a dollar each sale. Simply buy five
0:51
or more participating items and save the dollar
0:53
each with your card. Kroger, fresh
0:55
for everyone. The TWL workout
0:57
goal at Planet Fitness doesn't just feel great.
1:00
It feels eighty's pop up jam great.
1:02
But when they got to go that way more
1:04
stop than what you want to do. And
1:07
now when you become APF black card member,
1:09
your glow can be even greater with a free
1:11
Amazon Halo fitness tracker. Sign
1:15
up for the p f black card for one dollar down and
1:17
just twenty four ninety nine a month. Bring a friend,
1:20
enjoy massage chairs, and get a free Amazon
1:22
Halo View. Deal ends March fifteen.
1:24
Twelve month commitment applies, see how clever details.
1:31
Warning. The Wicked Library is
1:33
a horror fiction podcast. Created
1:35
for mature audience. Our
1:38
stories contain graphic descriptions of
1:40
pain, murder, violence,
1:43
blood, betrayal, and inhumanity.
1:46
Monsters win, people die,
1:49
and hope is often shattered. There
1:51
is also beauty, heart, catharsis,
1:55
and raw emotion. Fear
1:57
may be deeply personal, but
1:59
we all share If at any
2:01
time a story takes you to a place too
2:04
dark, turn on the lights, press
2:06
pause, or press stop. And
2:10
always remember that unlike
2:12
in the real world, these nightmares
2:15
and your participation in them are
2:17
under your control.
2:33
Welcome back to the Wicked Library, and
2:35
welcome to season twelve. This
2:38
is episode number twelve o one.
2:41
I'm Daniel Fojtek, and I thank you for
2:43
listening. It's been a while since I've
2:45
shared a news story with you. Ninth
2:47
Street Studios has recently relocated to
2:49
the deep dark woods of Central
2:51
PA. So I apologize
2:54
for the delay in getting fresh wicked tales
2:56
out to you all, but Now
2:58
that I'm settled into the ancient mountains
3:00
of Appalachia, where the stars are
3:02
bright, the woods are dark, and
3:04
the voices of ancient things come on
3:06
the wind. You can expect more
3:08
regular content. I'm
3:11
thrilled to present two wicked tales as
3:13
we kick off season TWL. Going
3:15
forward, all stories will be heard first by
3:17
Patreon supporters and then later
3:19
shared with the full audience. A
3:21
sincere thank you to those of you who are supporting
3:24
the show. Without you, this show
3:26
would not be possible. Our authors
3:28
and everyone else involved in making the show
3:30
thank you for your support of this show and
3:33
of independent horror fiction. If
3:35
you're not yet supporting the show, you can do
3:37
that at patreon dot com forward slash
3:39
wicked library. For as little as
3:41
three dollars a month, You can help make the show you
3:43
love possible and get fun rewards.
3:46
A lot of hard work and money goes into making the
3:48
wicked library, and I really do
3:50
rely on the support to help me pay the authors,
3:53
voice actors, composer, and
3:55
artists. In addition to knowing that you're
3:57
a part of making the show possible, You can also
3:59
get fun rewards like ad free episodes
4:02
at higher bit rates. And at higher
4:04
levels of support, you'll get early access
4:06
to our stories, bonus stories,
4:09
and even more. You can support
4:11
us at patreon dot com forward
4:13
slash wicked library. today
4:16
we present two dark tales told by Graham
4:18
TWL, custom scores written
4:20
by Nico Vitez of We Talk
4:22
of Dreams. Now, let's
4:25
get wicked. With today's first Dark
4:27
and Creepy one last
4:29
performance in Gibtown by
4:32
Lamont a Turner.
5:19
Whose idea was it to go to Gibsonton?
5:22
Nicole asked, has Brandon beat
5:24
his head against this steering wheel with exaggerated
5:27
angst. Let's go see the freaks.
5:29
You said. It'll be fun. You said.
5:32
It would have been fun. Hemoaned.
5:35
If you'd told me your dad's car had an oil
5:37
leak before we were already a hundred
5:39
miles
5:40
out, you should have
5:41
told me you didn't have a car before you asked
5:43
me out? She shot back,
5:46
sounding a lot harsher than she had intended.
5:49
Brandon waved his middle finger in her face,
5:52
grabbed a vinyl poncho from the back
5:54
seat and pulled it over his head
5:56
before pushing open the car door.
5:59
wind blew rain into his face
6:01
as he jumped out and went around to front
6:03
of the car to raise the hood. Nicole
6:06
saw plumes of smoke drift
6:08
back to envelop the car and
6:11
imagine the sound of raindrops sizzling
6:13
on the hot engine. Even
6:15
with the windows up, she could hear
6:17
Brandon cursing.
6:19
The hood went back down. And a
6:21
moment later, Brandon was back in the driver's
6:23
seat,
6:24
reaching around the seats to retrieve
6:26
towels. He rubbed his hands on the
6:28
towel, leaving black smudges on
6:30
the white terry cloth. There's
6:32
oil all over the place. He
6:34
said from beneath the green hood, I
6:37
don't think the engine is fried, but the alternator
6:39
belt got too slick and came off.
6:42
Can't you just put it back? She asked
6:45
trying not to sound too naive. It's
6:48
all chewed up, he said, dejectedly.
6:51
Besides the battery is already dead,
6:54
Maybe we could get a jump. She said
6:56
hopefully, you see any other
6:58
cars in the last hour? He
7:00
snapped. Routing the sticks
7:02
in the middle of the night during a thunderstorm, nobody's
7:05
stopping for us. Besides
7:08
jump would only get us a few miles before
7:10
she died again. We're
7:12
screwed. Nicole
7:15
started tapping on her phone while Brandon
7:17
let a cigarette. Where are
7:19
we? She asked, batting at
7:21
the smoke. Brandon jabbed at
7:23
the button on the door and quietly cursed
7:25
himself for forgetting the windows had
7:27
died. With the battery. Some
7:30
were on old US forty one. He
7:32
told her, opening the door just far
7:34
enough to toss his cigarette out.
7:37
Good luck getting anybody to come out in this
7:39
mess at this time of night though. Can
7:41
you be more precise? I
7:44
don't know. We're probably a few
7:46
miles from the main highway. Find
7:48
us on your GPS. She
7:50
was still trying to determine their exact location
7:53
when yellow flash lighting lights appeared
7:55
behind
7:55
them. A minute
7:57
later, knuckles appeared out of the darkness
7:59
to wrap on Brandon's window. Brandon
8:02
and Nicole both jumped. They'd
8:04
both been looking in their side mirrors and
8:06
had seen no one approach. Brandon
8:09
opened his door a crack and
8:11
saw a giant in great coverall
8:13
staring down at him broke
8:15
down, asked the giant,
8:18
seemingly unfazed by the raindrops
8:20
splattering on his bald head. Brandon,
8:23
spellbound by the man's thick
8:25
asymmetrical features could only
8:28
nod. With his jutting brow
8:30
and a chin that disappeared into a
8:32
thick bulllike neck. The man
8:34
would have looked at home and the prehistoric man
8:36
exhibit at the museum, but for
8:39
his lack of hair. Lacking
8:41
even eyebrows, he seemed somehow
8:43
unfinished like a Halloween mask
8:46
just out of the mold. You
8:48
picked a bad night that as a
8:50
tornado touched down just a few
8:52
miles north of here. Go
8:54
ahead and put her in neutral, then you
8:57
folks can go sit in my cab. He
8:59
said, jerking a thumb the size
9:01
of a cucumber at the flashing lights.
9:05
Brandon nodded again. He
9:07
turned the in the ignition and shifted the
9:09
car out of park before pulling another
9:11
poncho from the back seat and dropping
9:14
it into Kohl's left. A
9:16
few minutes later, they were both in the cab
9:18
of the giant's truck with Nicole
9:20
sitting on Brandon's lap in the bucket
9:22
seat. I thought you said no
9:24
one would stop to help? Nicole
9:26
chided. I'm not sure anyone
9:29
human did. Did you get a look
9:31
at that guy? Brandon asked,
9:34
pulling back her hood so he could see her face.
9:37
I could only see he was big. She
9:39
responded. He has to be at least
9:41
seven feet tall. I almost
9:43
tripped over his boot when I got out of the
9:45
car. Brandon said, I
9:48
could have got in it and sailed to China if
9:50
I put a sail on it. I
9:52
must have a hell of a time walking upstairs.
9:55
Despite the rain, it took the man surprisingly
9:57
little time to hook up the chains and
10:00
get the car onto the bed of the truck.
10:02
Before Brandon and Nicole could decide
10:04
if the monkey skull on the dashboard
10:07
was real or just a plastic
10:09
prop, the man was climbing into
10:11
the driver's seat. What's
10:13
wrong with her? He asked, wrapping
10:15
a big hand around the shifter She
10:18
talks too much in bites her nails. Brandon
10:21
quipped, changing his answer to
10:24
alternator after getting elbowed
10:26
in the ribs I know
10:28
a good mechanic over in Giptown. He
10:30
won't be open for a few hours, but there's
10:32
an all night diner right across the street.
10:36
giant responded ignoring the
10:38
joke. Giptown, is
10:40
that far? Nicole asked,
10:42
shifting her weight on Brandon's bony
10:45
lap. That's what the locals call Gibson,
10:48
Brandon told her. Looks like we'll be
10:50
making it there tonight after all. What
10:53
do you folks wanna go there for? Ask
10:55
the giant his deep voice expressing
10:58
genuine puzzlement as though they had just
11:00
told him they wanted to spend the night in a
11:02
public toilet. I
11:04
was wondering the same thing, Nicole
11:06
said, digging her heel into the side
11:09
of Brandon's chin. I
11:11
heard there's a bar where all the sideshow performers
11:13
hang out. Brandon said, giving
11:16
Nicole a jab in the thigh. I
11:18
thought I might try to interview them for an article
11:21
I'm planning. If you're looking
11:23
for freaks, I can take you someplace
11:25
where there's all kinds of them. Said
11:27
the giant It's just a few blocks
11:30
down from where we're taking your car. Brandon
11:33
expressed his enthusiasm for the idea.
11:36
And then the conversation died as the
11:38
driver turned his attention to the
11:40
road. The headlights barely
11:42
made it dent in the blackness, leaving
11:45
Brandon with only Nicole's weight on
11:47
his legs to distract him from the sound
11:49
of the rain pounding on the roof of
11:51
the cap. In a constant staccato,
11:54
like the tapping of a thousand skeletal
11:56
fingers. If he had been in
11:58
his own vehicle, he would have had the radio
12:00
at full volume and a cigarette
12:02
between his lips, but he was merely
12:05
a passenger and the giant didn't
12:07
seem to mind the noise. He
12:09
sat hunched over the wheel, squinting
12:12
at the darkness beyond the windshield, while
12:14
Nicole's attention was fixed on him.
12:17
She studied the man, mesmerized
12:19
by his ugliness. The
12:22
pattern on the roof subsided as they
12:24
drove out of the storm and passed sign
12:27
identifying the border of Gibson.
12:30
The giant took a detour off the highway
12:32
onto a narrow road. Strangled
12:35
by the overarching trees. Branches
12:38
came to life in the yellow light, strobing
12:40
atop the and clawed at them
12:42
as they passed. Weeds
12:45
reached up from cracks in the pavement
12:47
to rake the bottom of the truck as they
12:49
rolled over them. Brandon
12:51
wanted that cigarette now more than
12:53
ever. What's that up ahead?
12:56
Nicole asked, drawing Brandon's
12:58
attention from the swamps on either side
13:00
of them. They were coming upon
13:02
a fence stretched across the road.
13:04
As they grew closer, Brandon saw
13:06
the road widened and ended just
13:09
before an iron gate set in the middle
13:11
of a fence about eight feet in
13:13
height. Did you make a wrong
13:15
turn? Brandon asked the giant
13:18
as the truck slowed to a stop. Out,
13:21
ordered the man opening his door
13:23
and jumping out onto the road. Nicole
13:27
twisted around to search Brandon's face
13:29
for some clue as to how she
13:31
should react. Saw only confusion
13:33
reflected in his eyes. Brandon
13:36
opened his mouth to speak, but was
13:38
cut off by Nicole's scream as
13:40
the passenger door was thrown open
13:43
and she was yanked from the cab. Out
13:46
repeated the giant reaching back
13:49
in again to pull Brandon out.
13:51
He landed hard on his shoulder next
13:53
to Nicole who was already scampering
13:56
to get up and away from the big man.
13:59
What are you doing? Brandon
14:01
shouted clutching his arm. You
14:03
said you wanted to talk to the freaks
14:06
replied the giant. Well, here
14:08
they are. He stretched
14:10
out his long arm toward the gate,
14:13
guiding Brandon's gaze to the
14:15
rows of stones behind the
14:17
iron bars. Brandon
14:19
tried to rise, but a huge hand
14:22
shot out and wrapped around his throat.
14:24
Slamming his head against the side
14:27
of the truck. Brandon
14:30
dreamed he was being stabbed in the face
14:33
by a thousand tiny daggers.
14:36
Waking, he opened his eyes and
14:38
immediately raised his left arm
14:40
over his face to block the rein.
14:43
He tried to push himself up off the ground
14:45
with his right, but couldn't get it to
14:47
move. So instead, he rolled over
14:49
on his side to face the road.
14:52
He was alone. The wind
14:55
whistled through the trees, mocking
14:57
him as he shouted Nicole's name.
15:00
He shouted it again and again,
15:02
but Nicole did not answer. Finally,
15:06
managing to get his knees under him, he
15:08
tried to stand but a sharp
15:10
pain in his head forced him back down.
15:14
He lay there, panting, unable
15:16
to fend off the rain that melted his
15:18
face, while waiting for the pain to
15:20
subside. As it faded
15:22
to a dull ache, he rolled over
15:25
and crawled to the gates of the cemetery.
15:28
Pulling himself up on the bar as he noticed
15:30
a light off in the distance. He
15:32
hung there, squinting at the yellow
15:35
square of light, floating in a sea
15:37
of black. It was coming from the
15:39
window of a fishing camp on the edge
15:41
of the swamp. He
15:43
knew he had to get to that house but
15:46
he would have to cross the cemetery. He
15:49
slowly left go of the gate and tested
15:51
his legs. They wobbled
15:53
a bit, but he could stand. And
15:55
as long as he didn't try to move too quickly,
15:58
the pain in his head was tolerable enough
16:00
for him to walk. He tugged
16:02
on the gate, and it had started to creek
16:04
open when he lost his footing and stumbled
16:07
back. As he
16:08
steadied himself, the wind howled
16:10
and blew the rain back into his face.
16:13
The gate flew open, clanging against
16:16
the fence. Brandon
16:18
took a deep breath to clear his head
16:20
and then staggered into the cemetery.
16:24
His feet sank in the soft
16:26
earth as he wandered between the stones
16:29
heading for the light. Under other
16:31
circumstances, he would have been eager to investigate
16:34
such McCabra surroundings searching
16:36
for material for one of his articles on
16:39
the arcane and Utre. But
16:41
now all he could think of was finding
16:43
help God only knew what
16:45
that monster was doing to Nicole. He
16:48
wondered how long he'd been unconscious and
16:50
how far the giant could have gotten. Maybe
16:53
it was already too late. The
16:56
rain slowed, coming in fits
16:58
now, but the wind was unrelenting
17:01
It pushed back against him, striking
17:04
out on behalf of those whose graves
17:06
he tried upon. His
17:08
head throbbed and the pain returned
17:11
in flashes that blurred his vision
17:13
and took away his breath. He
17:15
collapsed on the steps of a crypt, a
17:17
few feet from a stone obelisk
17:20
adorned with bar reliefs of
17:22
circus clowns. In
17:24
the dim light of the distant camp,
17:26
they seemed to move, coveting
17:28
around the monument as though performing
17:31
one last show for him. He
17:33
shook his head and looked away. But
17:35
when he looked back, expecting to
17:37
see a static sculpture, he
17:40
found none. The clowns
17:42
had vanished. He walked over
17:44
and ran his hand down the surface
17:46
of the smooth stone. There
17:48
were no markings other than an inscription
17:51
at the base reading in memory
17:53
of those who lost their lives in
17:55
the Midland fire of nineteen thirty
17:57
TWL, may they find the joy
18:00
in the next world that they brought to
18:02
others in this one. Midland
18:05
fire. He'd heard of it
18:07
somewhere. He stared at the
18:09
inscription trying to remember Yes.
18:13
He had read about it while researching an article
18:15
on circuses in the Depression era.
18:17
A circus tent had gone up in flames.
18:20
As the fire spread. Rather than
18:22
rushing to safety, the clowns had
18:24
continued their performance to calm the
18:26
children in the audience while they were let
18:29
out to safety. By the
18:31
time the last of the children were out,
18:33
it was too late. The tent
18:35
came down smothering them in
18:37
a blanket of flame. The
18:39
fire then spread to the stables and
18:41
the trailers inhabited by the sideshow
18:43
performers many of whom were not
18:46
able to escape due to their physical
18:48
limitations. Almost
18:50
fifty performers as well as two
18:52
Lion and several horses
18:55
died that night. He
18:57
traced to crack in the stone with a trembling
18:59
finger. The stones around him
19:02
leaned in the tall weeds. The
19:04
inscriptions worn away along
19:06
with the memory of the people lying beneath
19:08
them. Lives erased by
19:10
neglect. Nobody had
19:12
been here in a very long
19:14
time. Brandon
19:17
fell to his knees in began sobbing
19:20
like a drunk on his tenth shot
19:22
of bourbon. Nicole, the
19:24
pain in his head and numbness in
19:26
his arm, the wind and the rain.
19:29
It was all too much. He
19:31
couldn't go any further. He
19:34
was done. He curled up
19:36
in the mud at the base of the monument, the
19:38
numbness in his arm spreading throughout
19:41
his body. Then
19:44
somebody laughed. Brandon
19:47
looked up to see a clown standing
19:49
on the step of the crypt. A
19:51
gust of wind threw muddy water into
19:54
Brandon's face and slammed the cemetery
19:56
gate shut but the balloons in
19:58
the clown's hand did not wave her.
20:01
The clown's laughter grew louder,
20:04
more manic. Other voices
20:06
joined the chorus as shadowy figures
20:09
stepped out of the darkness. Some
20:11
were clowns. Others scurried
20:14
forward on their hands and loped
20:16
over the stones dangling extra
20:19
limbs. A thing with no limbs
20:21
at all flopped in the mud propelled
20:23
by the undulations of its torso.
20:26
Brandon screamed and the light in
20:29
the distance went out. Brandon
20:31
awoke with a light in his eyes.
20:34
Looking past it, He saw the tow
20:36
truck driver standing over him.
20:39
I thought I killed you, said
20:41
the giant. Guess your head
20:43
is harder than I figured. He
20:46
clicked off the flashlight and stuffed it into
20:48
the pocket of his coverals. Then
20:51
he reached down and grabbed Brandon
20:53
by the shoulders, lifting him up
20:55
to stare into his face. What
20:57
the hell are you screaming about? You
21:00
might have gotten away if you'd kept your
21:02
trap shut. He said
21:04
giving Brandon a shake before casting
21:06
him back down. Where
21:08
did they go? Brandon muttered
21:11
looking about. The giant
21:13
looked around too and seeing
21:15
nothing, let out a long,
21:18
ruthless chuckle. Guess
21:20
I must have scrambled your brains. He
21:22
said, don't worry. You
21:25
won't have to deal with it much longer.
21:28
Brandon watched the giant kick over a
21:30
tombstone with his oversized boot.
21:33
He picked it up and raised it over
21:35
his head. Brandon covered
21:38
his face and waited for the stone
21:40
to come crashing down. Something
21:44
snarled and then roared. It
21:46
echoed through the cemetery, rattling
21:48
the gate. A brass eared
21:50
fell from a niche in the wall of the crypt,
21:53
and the weeds bent down and parted
21:55
as the roar grew louder. Brendan
21:58
lowered his arm to see the giant. The
22:01
stones still over his head
22:03
had turned to stare at something approaching
22:05
from the direction of the road. What
22:08
the hell? It ain't
22:10
possible. He shouted
22:12
before hurling the stone. It
22:15
obviously had no effect on whatever
22:17
was out there for the big man
22:19
turned to run. Brandon
22:21
left up and ran as well, going
22:23
as fast as his trembling legs would allow,
22:26
weaving around the gravestones The
22:29
giant had less luck. He
22:31
stumbled as his boots collided with
22:33
the stones hidden in the tall grass,
22:36
As Brandon overtook him, he saw
22:38
the man go down. The roar
22:40
was replaced by the sound of the man's
22:42
screams. As Brandon passed
22:45
the last graves and found himself
22:47
on a gravel path leading to
22:49
the camp. As he got closer,
22:51
he saw the bed of the tow truck jutting
22:54
out from behind the cabin and
22:56
knew he would find no help there.
22:58
He might, however, find
23:00
Nicole. Reaching
23:03
the cabin, he peered in the window, afraid
23:05
he might find the giant hat accomplices. But
23:08
the room was empty. A large
23:10
pot simmered over the fire in the hearth
23:13
before a long table. In
23:15
the light of the flames, he could see straps
23:18
hanging over the side dangling
23:20
above a large metal tub. Finding
23:23
the door unlocked. He crept in,
23:25
still wary of the possibility of someone
23:28
lurking in the next room. He
23:30
saw a set of knives of various sizes
23:32
arranged neatly on a tray beside
23:35
the table. The table itself
23:37
was metal, and had a groove along
23:39
the edge with a hole in the corner
23:41
over the tub. He
23:43
stared at the dark stains in the grooves
23:46
and the scratches on the surface. And
23:48
swallowed the bile forcing its way
23:50
up his throat. He
23:53
found the coal tied up on a bed
23:55
in the next room, unconscious but
23:58
alive. The cell phone still
24:00
in her pocket had just enough power
24:02
left to call the police. Brandon
24:08
watched the workman he had hired put the
24:10
new cemetery gate in place. Behind
24:13
him, another crew was replacing the
24:15
stones in the newly mowed yard,
24:18
straightening them after cleaning them up.
24:20
Scraping away years of mold to
24:22
give names back to those resting
24:25
below them. In some cases,
24:27
had been consulted and new stones
24:30
were erected. Brandon's
24:32
account of his escape from the man the press
24:34
had dubbed the cannibal killer had
24:36
become a best seller, resulting
24:39
in a fortune in book sales and a
24:41
lucrative series of lectures. The
24:43
people buried in the cemetery had
24:45
saved him. Putting on one last
24:48
performance in an effort to spur him
24:50
on and then saving him from the
24:52
certain death at the hands of the giant
24:54
after their efforts to revive him had
24:57
failed. Keeping their
24:59
memory alive was the least
25:01
he could do. As for
25:03
the giant, All that was ever found
25:05
of him was a foot, still
25:07
lodged in an oversized boot.
25:10
Nobody was able to identify certain
25:12
the animal that had gnawed that foot
25:14
off. But Brandon was certain
25:17
if the tooth marks had been properly examined
25:19
by someone with the proper experience It
25:22
would be revealed that the giant
25:24
had been killed by a lion.
25:36
America needs reliability, roads
25:38
to keep supplies moving. Energy
25:41
to power every moment, and
25:43
we need that reliability now.
25:46
Hundreds of new infrastructure projects
25:48
are awaiting government approval projects
25:50
that will supply thousands of jobs
25:52
and improve American lives. But
25:55
new red tape from the White House could create
25:57
years of backlog or worse,
26:00
project cancellations. Ohio
26:03
can't wait any longer to build back better.
26:05
We need progress now. For better
26:07
roads, more affordable energy,
26:10
and a reliable supply chain.
26:13
Help break the gridlock call center
26:15
brown 2022242315.
26:21
And tell our senator we need him
26:23
to cut the red tape and get
26:25
Ohio moving
26:26
again. 2022242315,
26:32
paid for by the coalition for American jobs.
26:36
America needs reliability, roads
26:38
to keep supplies moving, energy
26:41
to power every moment, and
26:43
we need that reliability now.
26:46
Hundreds of new infrastructure projects
26:48
are awaiting government approval, projects
26:50
that will supply thousands of jobs and
26:53
improve American lives. But
26:55
new red tape from the White House could create
26:57
years of backlog or worse
27:00
project cancellations. Ohio
27:03
can't wait any longer to build back better,
27:05
we need progress now for
27:07
better roads, more affordable energy,
27:10
and a reliable supply chain
27:13
Help break the gridlock, call center
27:15
brown 2022242315.
27:21
And tell our senator we need him
27:23
to cut the red tape and get
27:25
Ohio moving
27:26
again. 2022242315,
27:32
paid for by the coalition for American jobs.
27:43
Up next, we dig deep into
27:45
the darkness with the quiet ones,
27:48
intent on nurturing the most
27:50
delectable soil by TWL
27:52
Morgan.
28:02
I leaned back on the grass and watched them.
28:05
A few wear overalls. One
28:07
guy walks by wearing a bare skin
28:09
smock and nothing else. His
28:11
white hairy ass exposed when
28:13
he passes Some carry
28:16
pales of dark soil. Like
28:18
my dad, I bet none have
28:20
ever been near a farm. I feel
28:22
the urge to grab one and shake sense
28:25
into them, but they are bedazzled.
28:28
The mold has turned them into these strange
28:31
agrarians. It's obviously
28:33
a lot more complicated than that, but
28:35
the frustration is hard to stifle, or
28:38
it's not frustration at all, but
28:40
fear. Nearby,
28:43
a man and woman each clothed
28:45
in dirty jeans, t shirts,
28:47
and green kitchen aprons marked
28:49
with whole foods in white letters,
28:52
tidy a spot they've dug and filled
28:54
with potting soil. A wheelbarrow
28:57
rest to their side, a worn
28:59
shovel leaned against that.
29:01
The mound of darker soil bumps
29:03
up from the grass. They
29:05
rest their weight on their tibia's knees
29:08
bent and gaze in reverence
29:10
at their creation. I
29:12
see no seedling. Maybe
29:14
they have only begun to carry out their
29:16
plan. The
29:18
woman
29:18
is young, pretty. Dirty
29:20
blonde hair freckles. Hard
29:23
to say if she knew the guy before this
29:26
or if they became enamored of the same
29:28
spot, On the way back to
29:30
the office and I stop at a corner store
29:32
for some smokes, that I'll
29:34
watch out, the clerk says
29:36
in his thick New England accent, handing
29:39
me the pack. They say the
29:41
molds got into the tobacco crops.
29:44
Yeah. Thanks. I say,
29:48
thing is, I know the risks
29:51
just like everyone else, not that
29:53
it will matter much soon enough besides
29:57
cigarettes are making a comeback. Outside,
30:01
leaned against his Bodega wall, I
30:04
taste the sweet relief of the tobacco
30:06
leaves. Letting the smoke
30:08
swirl in my mouth before inhaling
30:10
all the way down. There's
30:12
something thrilling about that tarpness
30:15
even more so than the nicotine. A
30:18
man strolls past me with potting soil
30:20
caked to his face as if he'd
30:23
been eating it and nods as my
30:25
cloud of smoke drifts into him.
30:27
His hands are heavy with dirt TWL.
30:30
Dark half rings under the fingernail
30:33
tips while the nails themselves
30:35
are nearly black with the mold under
30:37
the surface. I
30:40
take my time walking home. The
30:43
weather is perfect. Such
30:45
a blue sky, lots of
30:47
sun, a touch of breeze,
30:50
the sidewalks are full, kids
30:53
ride their bikes and run play
30:55
ball. A grown man does
30:57
summer solts in the grass at Procter
30:59
Park. This is the first stage.
31:02
Some people have remained at with no further
31:04
symptoms, not yet anyway.
31:07
It includes a rejuvenation of what people
31:09
have been calling loving nature.
31:12
Akin to loving kindness. If
31:15
this were the only way it affected us,
31:17
we might call it a silver lining.
31:21
But it is not, and we
31:23
do not. But
31:25
my building, I find the three Taylor brothers.
31:28
There used to be four. Passing
31:30
a basketball to each other in front of the stoop.
31:33
Bounce pass, quick throw, too
31:36
high. Into the street. An
31:39
oncoming Tesla quickly slows and
31:41
stops, the driver asleep.
31:44
Seth the oldest boy, John's
31:46
after the ball, and the car drives
31:48
itself off when he's clear. Hey,
31:51
mister Dallas. They say,
31:53
nearly in unison. Boys,
31:57
how's your mom? Josie
31:59
Taylor has had sad eyes whenever
32:02
I've her the past week, irises
32:04
like black cups of coffee. She's
32:07
on the phone, says Reggie,
32:10
your dad again? It's
32:12
not the sort of assumptions I'd ever
32:14
say to their mom, but the boys don't
32:17
notice. Don't know. He
32:19
says, She's crying, so
32:21
probably, I
32:24
shrugged hiding the concern.
32:27
The boys go back to passing the ball.
32:29
And I slip up the steps. The
32:31
building foyer smells musty. Not
32:34
a good sign. I'd call the landlord
32:36
about it, but he never did anything even in the
32:38
best of times. At the third
32:41
floor hallway, I put mirror to the
32:43
tailor door. Complete
32:45
silence. The urge to knock
32:47
is so strong that I clench my fist.
32:50
My intentions are impure. I'm
32:52
thinking about taking her in my arms and
32:54
kissing her. I head
32:56
back up the next flight to my fourth floor
32:59
apartment. Cable
33:01
news is once again dominated by
33:03
angry talking heads. That
33:06
hasn't changed through this slow moving
33:08
apocalypse. For some
33:10
reason, the primary reaction I have
33:12
when people discuss it is shame. I
33:15
wanna hide from it. And wherever
33:17
I turn, it's there. So
33:19
I fill myself with the idea that
33:21
though everything is fucked up, can
33:24
make the world small as tiny
33:26
as the crevice in cup hands. Yes,
33:29
the threat is real. And
33:31
older blonde woman shouts. But
33:34
the crazed reaction of Democrats is
33:36
just another of their socialist attacks
33:38
on capitalism. Her
33:41
eyes bug out so weirdly that I think
33:43
she must be on acid. The
33:45
Liberals on the panel jerked back in
33:47
full horror This isn't
33:50
global warming, Lana. One
33:52
of them, a young Latina, says,
33:54
Drowley, not real lizing she's just
33:56
unintentionally shit on global warming.
34:00
An older man is wearing a straw hat
34:02
and overalls on otherwise bare
34:04
shoulders Maybe they needed a
34:06
token moldy, but he looks ridiculous.
34:09
A short length of hay even juts from
34:11
the corner of his mouth I
34:14
changed the channel before more shouting
34:16
erupts. Discovery
34:18
has a show about the media and the
34:20
scientists who first investigated it.
34:23
Or bastards. After
34:25
a commercial break, they display projections
34:28
for the fate of humanity. The
34:30
curved graph bends sharply
34:32
upward. Its peak coinciding with
34:35
a date within the next two months. I
34:38
turn off the TV. Two
34:40
snowbirds tweet in the tree next to
34:42
my kitchen window. The little
34:44
kitchenette table for two pushes against
34:47
the low frame, a rusted fire escape
34:49
just beyond. I watched
34:51
the white rusted songlings hop from
34:54
branch to branch. And wonder if
34:56
birds have empathy and
34:58
decide this is doubtful. My
35:01
cell vibrates. Mom,
35:04
I let her go to voice mail. Last
35:07
talked to dad at taking the sleeping on his dirt
35:10
pile. I quickly stream
35:12
some music. It shuffles to my
35:14
classical channel and starts right
35:16
off with Debo sees prelude
35:18
to the afternoon of a fawn. It
35:21
transports me far and deep
35:23
until I imagine I'm looking through the eyes
35:26
of one of the birds. The
35:28
ground glows red with squiggly
35:30
lines. Which I realize are the
35:32
heat signatures of worms burrowing
35:34
through the topsoil. Wind
35:36
currents rattle the leaves, the
35:39
sent of Poland is overpowering. The
35:42
peace ends so softly that I
35:44
linger in my meditative state. My
35:47
tea kettle's whistle alerts me back.
35:50
I'd forgotten I'd turned on the burner.
35:53
Camma mile tea made I grasped
35:55
the cup with both hands to feel the
35:57
warmth. The brown splotches
36:00
under my thumbnails are right in my
36:02
face. Sip.
36:05
Turn to look outside. I
36:08
need a lemon wedge for this tea.
36:10
More music and meditation. Another
36:13
cup of tea after. My
36:15
heart beats so fast. I can't help
36:17
but focus on its intense pulse.
36:20
The birds, I think, and the
36:22
wind, the pollen and the
36:24
bees, seeds, and
36:26
those curling sprouts I
36:29
put my TWL cup in the sink and dropped the
36:31
lemon wedge into the coffee can on the
36:33
counter, a peek inside.
36:37
The growing heat will be a good start
36:39
to my compost. Mom
36:42
coughs rather than cries. It's
36:45
an involuntary reaction she's
36:47
always had. Through the phone
36:49
though, it's hard to tell the difference. James,
36:52
why can't you come home? I
36:55
gulp down whatever my first thought
36:57
is. No planes are flying
36:59
mom. I can't drive across the country.
37:02
TWL would take me weeks. Gas stations
37:04
are closing. It's not like it used
37:06
to be. What about a bus
37:09
Sarah Watkins' daughter took a bus home
37:11
from Chicago. Do you need money?
37:14
I can wire some to you. Wire
37:17
some money. I wonder if
37:19
banks still do that. On
37:21
the street below, the Taylor boys are
37:23
screaming. Not in a fighting
37:25
way, but in a pubescent boy
37:27
ADHD way. Their
37:30
easy rowdiness makes me smile. Though
37:32
I'm trying to be distracted. No
37:34
money, mom. Look, I'm in Boston.
37:37
The bus would take weeks too. Any
37:39
driving would be risky. I wish
37:42
I could come. I know you need my
37:44
help with dad. Her
37:46
sigh nearly breaks me. It
37:48
points an accusing finger at me.
37:52
I understand. To
37:54
be honest, it won't last another week anyway.
37:58
The silence carries a heavy weight.
38:01
I wanna talk to dad. No.
38:04
What I want is to hold his hand
38:06
look in his eyes and shake him. Mom
38:09
slouches at her kitchen table. Without
38:11
her even speaking, I can picture it.
38:15
Mom, I love you.
38:18
I'll try to figure something out. She
38:21
pauses These long silences
38:23
from her are unusual. Her overeager
38:26
nervousness always has her mouth moving,
38:28
filling every empty space.
38:31
I taste dirt, James. As
38:34
soon as I wake up in the morning, like
38:36
during the night someone has scribbled it into
38:38
my mouth, she
38:40
starts to cry quietly. My
38:44
own tongue has tasted like it's slimmed
38:46
with mud for the last few days. It's
38:49
made eating a chore rather than a pleasure.
38:52
Have you tried planting your teeth? What?
38:56
She says incredulously. Prushing.
39:00
I'm quick to snap back realizing
39:02
my slip. Brushing your
39:04
teeth. That should help. Another
39:08
excruciating pause. I wonder
39:10
if she's blanking out as well. The
39:13
two of us grasping in the dark
39:15
for each other, three thousand miles
39:17
apart and our words carried on
39:19
digital currents. Such
39:22
a long break in conversation, an
39:24
emptiness akin to listening to
39:26
the
39:26
wind. Mom,
39:30
I
39:30
love you too. Go
39:32
on
39:32
now. I've taken up too much of your
39:34
time. Before I can
39:36
answer, she calls out
39:39
Bruce? No. No.
39:41
Don't lay in it. Please
39:43
dear come.
39:45
The line cuts off. It's
39:47
like reaching from a boat edge to a drowning
39:50
person, only to watch them disappear
39:52
into the waves. Calling back
39:54
would do no good. Mom has
39:56
carried the curse of empathy her whole life,
39:59
and she's decided to let me be,
40:01
to let each of us be. Around
40:05
ten o'clock and knock rattles my door.
40:08
Not loud, not belligerent, but
40:11
timid, like tree limbs brushing
40:13
against the side of a house. In
40:16
the peephole, Josie Taylor
40:18
bites her lip and tries not to
40:20
stare directly ahead. And
40:22
take several deep breaths and open the door.
40:25
She wears a white sleeveless blouse
40:27
with a rounded black collar. Tight
40:30
jeans grip her legs all the way to
40:32
the ankles. Her head
40:34
bends down so that her black hair
40:36
hides her face. My
40:38
gut tightens and then releases fast
40:41
in spasms. James,
40:45
I swallow hard. Joseph?
40:49
Do you want to come in? She
40:51
hesitates though with obvious agitated
40:53
energy bustling through her. Yes.
40:57
I let her go first down the short hallway
41:00
to the living room. My apartment
41:02
isn't much. Kitchen opposite
41:04
the front door. Short haul,
41:07
tiny bathroom, living room,
41:09
bedroom. My furniture is an
41:11
accumulation of things inherited and
41:13
purchased items made of thin
41:15
fabric over cheap wood. She
41:18
takes the same spot on the couch she did the last
41:20
time she was here, and I plop beside
41:22
her. As I did before. Listen.
41:26
She says, glancing up with those
41:28
fabulous eyes. I've
41:31
missed you. I'm sorry I haven't
41:33
responded. I understand. She
41:36
shakes her head. No, you
41:38
don't. Especially with everything
41:40
going on, it was cruel of me. I
41:42
said things in the heat of the moment that I know
41:44
gave you a different impression. It's
41:46
just you don't need to explain.
41:50
I take her hand. Her
41:52
fingernails show brown streaks underneath
41:54
them. I know for a fact they weren't
41:56
there the week before when my lips
41:59
kissed or fingertips. It occurs
42:01
to me that one of us might have infected the
42:03
other, but that doesn't bother
42:05
me. The mold is in everything
42:07
now. One way or another,
42:10
it'll get all of us. I
42:12
came to ask you something though, your
42:15
opinion. Sure.
42:17
Anything, I say, then
42:23
she immediately begins to cry. I
42:26
squeeze her hand. So soft,
42:28
like a bundle of moss. I
42:31
still have them in the apartment, I
42:33
wanted to know if I should take him somewhere else
42:36
outside, I guess. What
42:38
does Jimmy think? It
42:41
still feels awkward to say her husband's name
42:43
out loud. Jimmy
42:45
can't face it. He won't travel
42:47
back here. He says it's too difficult
42:50
that the interstates are in bad shape.
42:52
I said, but these are your sons.
42:55
I think maybe he doesn't have long himself. I
42:59
nod and don't reveal my own shame
43:02
at using the same excuses. That's
43:05
hard then. Could
43:07
I see Ben? Would you
43:09
allow that? A
43:11
shiver runs down her arm and transfers
43:14
to me. It's a kinetic shock,
43:16
like when someone has shuffled across carpet
43:18
and pushed out their finger, except
43:21
this is more a slow wave. Sensual,
43:24
almost communication of a kind.
43:27
We both sense the connection. Both
43:29
see the brown splotches under our nails
43:32
shift and swirl. What's
43:35
going to happen in my boys? What,
43:38
James? I've no one to give
43:40
them to Do you understand?
43:43
I was going to ask you, we
43:46
embrace. I would
43:48
say I let her solve on my shoulder. But
43:51
I'm doing plenty myself. Her
43:53
neck bends so gracefully, lilting,
43:57
soft. The scent of lavender
43:59
wafts from her hair. Her body
44:01
heat flames against my cheek. We'll
44:04
figure something out. Let's
44:07
see what we can do about Ben. I
44:10
stand and lead. Her retentent
44:12
weight fights me, but only slightly.
44:15
It is less hesitation than weariness.
44:18
Out my door down the stairs,
44:20
the landing's bulb of phasing with a
44:22
tense strobe, a mouse skittering
44:25
in its magical way down what must
44:27
be giant steps. Thank
44:30
you. She says when we are at
44:32
her door, it is not so
44:34
much a thank you as a sigh of relief.
44:37
What are the boys doing? In
44:40
bed, despite appearances,
44:42
I managed to be a good mom. I
44:46
kiss
44:46
her.
44:48
There's little passion in it, more
44:50
come passion. It
44:53
soothes both of us, like something
44:55
needing to be done and put out of the
44:57
way. She slides in her
44:59
key, a gentle click.
45:02
We're inside. Her
45:04
layout mimics mine, but her
45:06
furnishings are one economic class
45:09
higher FO leather tables
45:11
that don't wobble, bookshelves that
45:13
hold actual books rather than junk.
45:17
She's right. She has been a good
45:19
mom despite everything. Her
45:21
apartment is tidy and even
45:23
inviting. The brothers think
45:25
the youngest Ben went with their dad
45:27
to visit his family. Her world
45:30
is a shambles. It's them
45:32
she's still the best mom. In
45:35
here, she says, the
45:38
one difference in her apartment compared to
45:40
mine is a second bedroom to
45:42
the left of the living room. The
45:44
boys must share a bedroom. I've
45:46
never seen her bedroom and being
45:48
led in this way is comfortably intimate.
45:52
Once inside that sanctuary, I'm
45:54
happy to find it's packed with personality.
45:57
A thin bed cover shows a woman
45:59
in meditation Each of her
46:02
chakra points glowing a different color.
46:05
Beads hang on the wall as a substitute
46:07
to a headboard for the bed. Three
46:10
lava lamps bubble, and cycle
46:12
through different colors. Book shelves
46:14
otherwise fill every wall, crammed
46:17
with books incentives burners,
46:19
wooden and bronze sculptures, smiling
46:22
cement butters as bookends. The
46:25
smell is nog chompa and sage.
46:28
On the open windows ledge, a foot
46:30
tall plant grows from a pot,
46:33
plain looking with several tendrils
46:35
of thin green leaves It
46:37
is not any kind of house plant.
46:40
That's him. She points
46:42
at the plant. I suspect
46:45
Ben gets a lot of sunlight in this east
46:47
facing window and that he will outgrow
46:49
that pot quickly. Tears
46:52
fill the edges of my eyes. I
46:55
hope the transition wasn't painful. The
46:58
news keeps saying it's not, but
47:00
how would the doctors know? The stages
47:02
from flesh and blubber to cellulose and
47:05
chloroplasts don't allow the victim any
47:07
detailed narration. At
47:09
that point, gelatinist cocoon
47:12
has wrapped them. I release
47:14
her hand and walk to the window sill,
47:16
putting out finger to stroke one of Ben's
47:18
leaves Oh, no.
47:21
She moves quickly to grab my wrist. He's
47:24
poisoned Sumak. The
47:27
image of her peeling away the layers of
47:29
the shriveled cocoon to find the sapling
47:31
inside and then fill the pot
47:33
with soil and gently mounded
47:35
over his roots. It's
47:37
too much. To think that
47:39
she's been looking at him as she falls asleep
47:42
and then wakes again each day, We
47:45
embrace like a couple beside their
47:47
infant's crib tomorrow.
47:51
It's all I can manage to say. Do
47:54
you wanna sleep here? Away
47:57
the shame again. It's
47:59
made me impotent. And
48:02
heard about that one in other reports. She
48:05
grasps my hands.
48:07
Again, that current between us
48:10
Just sleep. Let me
48:12
curl into you.
48:15
I'm gone before the boys wake for school.
48:18
How and why school still goes
48:21
on as a mystery to me? Though
48:23
I still go to work? Well,
48:25
did go to work. Starting
48:28
today, there isn't much sense
48:30
in it anymore. Josie
48:33
arrives at my door with Ben once they're
48:35
gone. I make coffee.
48:38
Ben sits between us atop my little
48:40
kitchenette. I can see
48:42
why she smiles rather than cries
48:44
in his presence It's like a
48:46
wave of energy emanates as
48:48
if he's still there somehow. I
48:51
pull up the text message my mom sent early
48:53
this morning and show it to Josie She
48:56
gasps. Is that your dad?
48:59
I work up a half smile. Yes.
49:03
Not sure where mom got that glass case.
49:06
It reminds me of the one from beauty and the beast.
49:10
Josie actually laughs at that. Right?
49:13
The cursed rose. She
49:16
hands me back the phone. I take
49:18
another look at the picture. A
49:20
stiff danyline head thick
49:22
with puffed seeds. I
49:25
can make out my mother's reflection in the curved
49:27
glass. Phone pushed close.
49:30
He must have woken in the night and half buried
49:33
himself in his mind in the yard. He
49:36
did her a favor. She says,
49:39
such innocence in her face. I
49:42
again picture her pulling apart Ben's
49:44
cocoon to plant his seedling. Are
49:47
you okay? Funny.
49:51
Since I saw the text, I'm relieved,
49:54
just that mom's alone now. I
49:57
feel like I should be upset about that. She
50:00
knows how to take care of herself. Her
50:03
tone implies more hope than certainty.
50:07
We take our time with the coffee. No
50:10
rush. Another sunny
50:12
day blew as an ocean above
50:14
us. The songlings dance
50:16
in the tree again. Once we
50:18
decide to leave, I carry Ben.
50:21
And once we reach the store, we switch.
50:23
That I can carry the shovel and bag of
50:25
potting soil we've purchased. Her
50:28
choice is Delaney Park. Even
50:31
though it's a half hour walk, it passes
50:33
by in an instant. Suddenly
50:35
we're crossing within the line of trees.
50:38
Taking careful steps through the undergrowth
50:40
and making our way to a little clearing
50:42
with ample sun. Do
50:45
you mind digging? I
50:47
take the shovel. Soon
50:49
we're bed over, Ben's spot, each
50:51
patting at the mound. It's
50:54
so soothing. That feel of
50:56
cool soil. The important
50:59
part is to craft the perfect shape.
51:01
When my hands are thick with wet, black
51:04
dirt I wiped them on my t shirt.
51:07
Josie chooses her pants. We
51:09
only used a third of the bag. We
51:11
should make another mound. She says
51:13
excitedly. I
51:15
can only smile because she's right.
51:18
I dig another round hole She
51:21
pours the soil in carefully. That
51:23
sun is perfect, directly
51:26
overhead now, as warm as the womb.
51:29
When she starts patting down the dome of
51:31
soil, I kneel and help. Our
51:34
shadows shift around us even
51:36
though no time seems to pass. Each
51:39
time I touch the dirt, I
51:41
stop to admire the work, then
51:44
must touch it again. A
51:46
worm wriggles through the grass near
51:48
my leg as delicately as
51:51
possible with my fingers barely
51:53
grazing its flesh. I pinch
51:55
it up. Scoop a cubby into
51:57
the soil, place it inside,
52:00
and smooth over the top. That
52:02
is so beautiful, James. Yes,
52:06
I think. It really
52:08
is.
52:35
Thank you for listening to episode number twelve
52:37
o one. Today's authors were Lemont
52:39
a Turner with his TWL, one
52:41
last performance in Gibtown and
52:44
TWL. M. Morgan with his TWL, the quiet
52:46
ones intent on nurturing the
52:48
most delectable soil. Today's
52:51
stories were told by Graham Rowett, I'm
52:54
Daniel FoyTec, and I've been your host
52:56
today. If you'd like to find out more about
52:58
my work, you can check out ninth story dot com
53:00
Victoria's Lyft dot com or follow
53:03
me on Twitter at d FoyTek. Our
53:05
resident composer and executive producer
53:07
is Nico Viteze of We Talk of Dreams.
53:10
TWL for today's episode was created by Greg
53:12
Shaffer. Our producers are Meg Williams
53:15
and Daniel FoyTek. To find out
53:17
more about the Wicked Library in our other shows,
53:19
visit the wicked library dot com and
53:21
ninthStory dot com. If you'd like to
53:23
help us continue to bring you our collection of
53:25
dark details, please consider supporting
53:27
us on Patreon at patreon dot
53:29
com forward slash wicked library.
53:32
You can also help us by leaving a five star
53:34
rating and short review on Apple Podcasts.
53:37
These ratings and reviews help other listeners
53:39
find the show, which helps us generate
53:41
revenue to ensure no one contributing
53:44
to our show works for free.
53:46
The Liquid Library is created by Ninth Story Studios
53:48
LLC. All rights reserved.
54:06
America needs reliability. Roads
54:09
to keep supplies moving, energy
54:11
to power every moment, and
54:13
we need that reliability now.
54:16
Hundreds of new structure projects
54:18
are awaiting government approval, projects
54:20
that will supply thousands of jobs
54:23
and improve American lives. But
54:26
new red tape from the White House could create
54:28
years of backlog or worse
54:30
project cancellations. Ohio
54:33
can't wait any longer to build back better.
54:36
We need progress now for
54:38
better roads, more affordable energy,
54:40
and a reliable supply chain.
54:43
Help break the gridlock, call center
54:45
brown 20222242315.
54:51
And tell our senator we need him to
54:53
cut the red tape and get Ohio
54:56
moving
54:56
again. 2022242315,
55:02
paid for by the coalition for American jobs.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More