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Aurelien Pederzoli, viola & Matthew Hagle, piano

Aurelien Pederzoli, viola & Matthew Hagle, piano

Released Friday, 4th March 2016
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Aurelien Pederzoli, viola & Matthew Hagle, piano

Aurelien Pederzoli, viola & Matthew Hagle, piano

Aurelien Pederzoli, viola & Matthew Hagle, piano

Aurelien Pederzoli, viola & Matthew Hagle, piano

Friday, 4th March 2016
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Program:
Robert Schumann: Adagio and Allegro, op.70
Arvo Part: Fratres
Luigi Boccherini (arr. Katims): Sonata No. 6 in A Major, G4
Robert Schumann: Märchenbilder, Op.113
Henri Vieuxtemps: Élégie, Op.30

Aurelien Pederzoli, viola

Chicago-based violist Aurelian Pederzoli trained from a young age on the violin and his talent and skill earned him wide acclaim from critics and the public alike. But something was missing. Artistic frustrations with the violin led him to pick up the viola and, to his surprise, his authentic musical voice emerged. “The sonority of the viola just seems to resonate with the fibers of my being,” Pederzoli says, “and I love the viola’s repertoire and the very communal role it plays in ensembles.” 

A finalist in the 2015 International Hugo Kauder Competition for Viola at Yale University, Pederzoli merges a deep reservoir of  musicality with wide-eyed curiosity about his instrument as a soloist and chamber ensemble player, and as a teacher at the New Music School in Chicago. He is a member of the innovative Black Oak Ensemble which pairs classical works with music from around the world, a frequent collaborator with the Lincoln Trio, and he has toured internationally with blues harmonica virtuoso Corky Siegel. A deft collaborator, Pederzoli works with other musicians of many stripes, including members of eighth black bird, bassist Matt Ulery, composer/pianist Fernando Otero, members of the Vermeer Quartet, pianist H.J Lim, accordionist Julien Labro, violinist Rachel Kolly d’Alba, pianist Christian Chamorel, violinist Daniel Rowland, violist David Aaron Carpenter, and composer/saxophonist Miguel Zenon. He also works with many of the leading composers of our time, Recent project have included Lee Hyla, Hans Thomalla, Gunter Schuller, and Robert Dillon, and he has premiered and recorded works by Augusta Read Thomas, Bernard Rands, Mason Bates,  Shulamit Ran, Sarah Ritch, Jennifer Higdon, Marc Mellitts, Nico Muhly and others.

Aurelian Pederzoli was born in France and graduated from the Paris Conservatory before moving to Chicago. He studies viola with Frank Babbitt and Li Kuo Chang. His violin teachers included Jean Lenert, Shmuel Ashkenasi, and Veda Reynolds. In 2008, Pederzoli cofounded Anaphora Ensemble to explore and present adventurous music in Chicago. Pederzoli was a founding member of the Spektral Quartet in 2010 and played with the ensemble until 2014. His work appears on recordings from Azica, Parlour Tapes+, Cedille, Southport, and Aparte labels.

A new string trio recording with Desirée Ruhstrat, violin, and David Cunliffe, cello, of music by Conrad Tao, Jennifer Higdon, David Ludwig, and Marc Mellits, is forthcoming in 2016.

 

Matthew Hagle, piano

Pianist Matthew Hagle is a musician of great versatility and depth, whose performances are a rare mixture of musical understanding, imaginative programming, pianistic mastery and beauty of sound. In solo recitals he often explores the boundaries of the piano repertoire, using thoughtful programming and committed performance to integrate newer repertoire and lesser-known older works with the traditional canon. At the moment, he is working on a more conventional project: performing the 32 Beethoven Sonatas in a series of live radio recitals. Mr. Hagle is also highly valued as a collaborator by many other artists. With violinist Rachel Barton Pine, he has released two acclaimed CDs on the Cedille label, and performed many recitals in North and South America. His piano duo performances with Mio Isoda-Hagle are highlights of the annual Chicago Duo Piano Festival. Other chamber music partners have been the Parker Quartet, the Avalon Quartet, Quintet Attacca, and with members of the Chicago Symphony Orchestra. 

Matthew Hagle has been heard in concert halls throughout the United States, including the National Gallery of Art in Washington D.C., Symphony Space in New York, and in concert at the United States Supreme Court. Outside of the U.S., he has performed at venues in England, Canada, Brazil, Australia and Japan. A resident of the Chicago area, Hagle performs frequently at local spaces including the Ravinia Festival, Symphony Center, and the Chicago Cultural Center. Mr. Hagle can often be heard on radio station WFMT in Chicago, and has also been heard on NPR’s “Performance Today” and Minnesota Public Radio’s “St. Paul Sunday Morning”. Among others, theNew York Times has described him as “a sensitive pianist”, Clavier Magazine praised the “rare clarity and sweetness” of his playing, and the Springfield (MA.) Republican remarked that he “played with unaffected brilliance and profound understanding”. Pianist Michael Kieran Harvey, covering the 2000 Sydney International Piano Competition for Australian national radio, commented favorably on Mr. Hagle’s performance of Elliott Carter’s Piano Sonata.

Mr. Hagle is a dedicated teacher of piano, music theory, and composition, whose students have won high honors in local and national competitions and gone on to study music at the Juilliard School, New England Conservatory, and Indiana University Jacobs School of Music. He is currently on the faculty of the Music Institute of Chicago, where he is director of the Musicianship program in addition to his teaching duties. Previously, he taught at the University of Notre Dame in South Bend, Indiana, at Elmhurst College, and at the International Institute for Young Musicians at the Universities of Kansas and California at Santa Barbara. His own studies were with Robert Weirich and Donald Currier at the Peabody Conservatory, with Claude Frank at the Yale School of Music (where he received the DMA), and with Maria Curcio Diamand in London as a Fulbright Scholar. A comfortable speaker on diverse musical subjects, Mr. Hagle likes to use this ability to draw connections between very new and older music, or between music and other art forms. In his spare time he likes to read on a variety of subjects, to fail to learn Japanese, and to spend time with his two children.

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