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may apply. Terms of supply available at paintyourlife.com/terms. Welcome
1:05
to Where's Home Really? With
1:07
me, Jimmy Famorewa. In
1:09
this podcast, I speak to a household
1:12
name about what home really means to
1:14
them. Is it their childhood home? Is
1:16
it the dish that a family member
1:19
has perfected and cooks like no other
1:21
person? Or is it something
1:23
less tangible? To try and
1:25
understand this sense of home, we touch on
1:27
four key elements, which are
1:29
a person, a place,
1:33
a phrase, and a plate. So
1:36
for me, one of them would be
1:38
a place and it sounds really obvious,
1:41
but it's more of a landmark, I
1:43
guess. It's the Thames. If
1:45
I think about what really makes me feel
1:47
like I'm back home, looking down on a
1:50
plane it's about to land, going
1:52
on a run or going over a
1:54
bridge. And that moment when you look
1:56
out at the Thames, there's such a
1:58
feeling of like memory of being logging
2:00
and just kind of like
2:02
feeling like you're at home and just
2:04
feeling really lucky to live in an
2:06
amazing city like London. So that's
2:08
my one but what is my guess gonna
2:11
come up with? Let's see if you can
2:13
guess who they are. Do you have any
2:15
regrets about your time on Strictly at all?
2:17
I think it all aligns, it all aligns
2:19
man, no regrets. It's the best thing I've
2:21
ever done. I was able to first live
2:23
a dream but at the same time also
2:25
showcase who I am, my
2:27
culture, tell my family story,
2:29
inspire my daughter, inspire my siblings, my
2:31
friends. I remember one of my closest friends
2:33
Ben, he's a tough guardian boy. He literally
2:35
messaged me because I love you to the
2:38
moon and back. He never expressed himself like
2:40
that to me but he was so, he's
2:42
like I've never experienced this feeling. Today's
2:47
guest is a comedian and presenter. Born in
2:49
the Democratic Republic of Congo, he moved to
2:51
the UK at the age of eight and
2:53
settled in London. After having somewhat
2:55
stumbled into comedy whilst at university,
2:57
he has since become a household
2:59
name. He's hosted the MOBA Awards,
3:02
is a team captain on ITV's
3:04
primetime panel show, sorry I didn't
3:06
know, and presents the official UK
3:08
Afro Beats chart show on BBC
3:11
Radio 1 Extra. And
3:13
most recently millions saw him
3:16
putting his best foot forward
3:18
and wiggling like a man possessed
3:21
as part of the lineup for
3:24
2023's Strictly Come Dancing.
3:26
Eddie Caddy, my guy, welcome.
3:29
Listen, a man possessed indeed.
3:33
The wiggle was, honestly,
3:36
it was like a wonder
3:39
of the world man. I've
3:42
read recently that you described your hips
3:44
as illegal. Yeah, yeah. Illegal hips, man,
3:46
they listen to no one. They
3:49
listen to no one but just the instructions
3:51
of the ancestors, as one would say.
3:54
Go forth and conquer, my man. Thank
3:57
you so much for joining me. I'm so looking
3:59
forward to... talking to you. It's a pleasure, it's
4:01
a pleasure. Let's start right there because it feels
4:03
like it taps into what we're hopefully going to
4:06
talk about and what I
4:08
particularly loved about seeing you on Strictly
4:10
and what I've loved about your comedy
4:12
anyway to be honest is
4:14
that it taps into where you come from.
4:16
Almost everything is funneled through that and you
4:18
were teaching a BBC prime
4:21
time audience about Congolese culture, you
4:23
know, through the medium of dance,
4:25
through the medium of flamboyance, through
4:27
who you are. If
4:30
I ask you where's home really, is that,
4:33
is it Congo? Is it just always that
4:35
or is it a little bit more complicated?
4:37
How do you have to kind of approach
4:39
that question? It's definitely a mixture, you know,
4:42
it's a compromise, it's a collaboration, you know,
4:44
there's many words I could use in that
4:46
space but it is that because I've spent
4:48
the majority of my life, not just my
4:50
adult life, my life in the UK. So
4:52
the UK is certainly home for me but
4:54
in order for that to be a comfortable
4:57
home the foundations were set in Congo. So I
4:59
came over here at the age of eight and
5:01
I took, I brought Congo with me and a
5:04
lot of things that I've established in my life
5:06
have been based on the principles of two Congolese
5:08
people, my mum and dad, you know what I
5:10
mean? And then it's like the contributions of uncles
5:12
and aunties and the food that you eat at
5:15
home and the conversations that you're having and the
5:17
do's and don'ts, they all come from that space
5:19
and then it's like, but I think that's what
5:21
the UK is about, you know, the great melting
5:23
pot of the world. So, you know, that contribution
5:26
of Congo is what I brought over, that's what
5:28
makes it a comfortable home for me. In
5:31
any way that I've done, whether it's been
5:33
stand up, presented the
5:35
foundation of who I
5:37
am and how I stand out, my
5:40
superpower was always stem from Africa, always from
5:42
Congo and I'm very proud of that. So
5:48
let's start with your place. Where are you going to go
5:50
for? I feel like I know, but as you say, your
5:54
identity stems from that compromise of
5:56
multiple places, but what place are
5:58
you going to go for? the
6:00
one that really speaks to this idea of home
6:02
for you. You know what? So
6:04
it is a cluster of
6:06
different places, but ultimately it's described
6:09
as church. The idea of
6:11
church that's defined me from very young,
6:13
from before, you know, even left Congo
6:16
to come to the UK, but especially
6:18
growing up in the UK, it's the
6:20
Sunday rush. Mum's
6:22
saying, have you creamed your face? Why
6:25
is your face so dry? I don't think you would. You
6:27
don't move. You don't go. You're going to have
6:29
to give me a minute. I've got PTSD. You
6:32
remember that Jimmy? He's like, well, why
6:34
are you worried about my dry face when we're going
6:36
to talk to Jesus? Why are you? Jesus
6:38
will moisturise my face. How about that? Why
6:41
are your trousers so long? Put
6:44
on the right shoes. Why are you wearing your
6:46
Ashtuff boots to church? It was all that. It's
6:49
a really, really good choice and
6:51
it's a fascinating one and I
6:53
think it all resonate with so many people.
6:56
But that point about
7:00
questioning it as a child, do you feel like it's
7:02
something that you've grown to
7:04
appreciate as you've got older really
7:06
and kind of learnt to sort
7:08
of recognise the significance of it?
7:10
Because as you say, when it's
7:12
so central to your life as
7:16
an immigrant or as a diaspora, it
7:18
can be a bit confusing when you're a kid, right? There
7:21
is this onus, there's this thing that you have to
7:23
do that your friends don't necessarily seem to have to
7:25
do. Thank you. And
7:27
that's it. You're right on the money. It's like your
7:30
friends, I know what my friends are doing on a Sunday. Do
7:32
you know what I mean? They did five or five football. They've
7:34
invited you countless times. They've given up. Do
7:36
you know what I mean? But it's also, the way I look
7:39
at church is, you know
7:41
this, especially being African as well, our mothers
7:43
would take like five days to cook a
7:45
good meal, right? But then when you
7:47
taste that meal, you're like, ah, cool.
7:50
Makes sense. Every time. That's
7:52
what church was for me. When I was younger,
7:54
it was like every week. And Wednesdays, midweek woman,
7:57
but it set the foundation, it set a lot of
7:59
principles. It's creative. to the person that I am today,
8:01
you know, because of it. And it was more my
8:03
mom, she was a prayerful woman. You know, it was
8:05
tight, it would be like, it's time for us to
8:08
pray before we eat and she would take an hour
8:10
praying. It's like, the food's cold, woman. But,
8:12
you know, you then grow up and then she lets
8:14
you fly out the nest and you go and
8:17
then you remember those things. Those moments of
8:19
hope, when you feel really low, there's
8:22
a conversation, there's someone available there
8:24
that mom has introduced you to, you
8:26
know? And it's that for me. But
8:28
then, when you're younger, your friends
8:30
are saying, come on, let's football mate. And
8:33
now, come and we're going to church. We
8:36
went to church last week. Yeah,
8:38
I know, we're going this week too. You
8:40
went on Wednesday. Haven't you already been today?
8:42
Yeah, yeah, yeah, yeah. It's
8:45
crazy. You came to the country as
8:47
an eight year old and I feel like that's
8:49
probably quite significant. I've seen you talk previously about
8:52
remembering that slight struggle of,
8:55
and you've turned it into some of your
8:57
comedy of arriving and learning to
8:59
speak a new language, learning to communicate,
9:02
learning new behaviors. How
9:04
did that kind of affect you and what role
9:06
did comedy have in that? Was the comedian a
9:08
newborn at that point or was it already kind
9:10
of there and you just kind of had to
9:12
adapt it to a new language? I always say,
9:14
I always think when it comes to comedy, I
9:16
think, okay, when I was at university, you know,
9:18
there are also, how did you get into comedy?
9:20
So I was at university and we
9:23
put together a showcase at the University of Kingston
9:25
Uni and I hosted it and I was really funny. But
9:28
actually those foundations came much earlier than
9:30
that. I think when you're trying
9:32
to keep your head above water, when you've
9:34
been just dashed into this deep end of
9:36
a new country, new language, new friends and
9:39
the language barrier was the one because I was a
9:41
guy where the only words are
9:43
new at an early age, I don't know where I picked this
9:45
up. Maybe I was on the plane. Maybe it
9:48
was maybe my uncle that was going to an English school
9:50
in Congo, but it was just like, fine. And
9:53
hello. And I
9:55
got through some stuff with that, you know. At
9:57
the barbers, fine was all right. You
10:00
know, hello, would you mean that's you for
10:02
the day? It lines you up terribly and
10:04
you're like fine. Absolutely. I'm
10:07
coming back and picking your hair up from the
10:09
floor, saying give me back my money. You know,
10:11
but it was literally at school, the
10:13
struggles of not understanding what someone is saying,
10:15
and then you now having to express yourselves
10:17
just by body language, really. And me being
10:19
stubborn and speaking to them in French, or
10:21
Lingala, my mother tongue, just straight back at
10:24
them. There were people who took a liking
10:26
to that character because the confidence came from,
10:28
I don't really care what you say to
10:30
me. I care more about what I'm trying
10:32
to say to you. You make friends with
10:35
those who are embracing you for that, and
10:37
it's like the food, the weather. Honestly, in
10:39
Congo, I remember if it rained, we were
10:41
looking forward to that as kids,
10:43
because the water, believe it
10:45
or not, is hot. So we're running outside
10:48
and playing football in the rain. And a
10:50
lot of people, when you say that they
10:52
imagine you've been in the rainforest, they
10:54
would say, no, no, no, it's the middle of
10:56
the city, it's raining, we're out there kicking balls.
10:58
We're playing tag. This was a real thing. Couldn't
11:01
do that, no, you're kidding. You'll be coughing
11:03
after five minutes. But it's those things that
11:05
define me then being able to go, and
11:08
the privilege of going, oh, my goodness,
11:10
I get to see the world from two different sides.
11:16
Let's stick with the idea of language
11:18
and hit on your phrase. What
11:21
are you going to go for? Brother, this one might
11:23
just hit you right out of the pancreas. It's
11:26
very simple. You will grow into it.
11:28
The foundation of that for me was
11:31
clothing. Clothing, but
11:33
there was other things that it's almost like
11:35
your parents say you will understand when you
11:37
get told apart. It was clothing.
11:39
It was the fact that, you know, if
11:42
we go back to church or even school
11:44
where you get that blazer that's
11:46
extra big, I'm a size
11:48
three, why am I getting a size four? You will
11:50
grow into it. You know, sometimes hand me down from
11:53
your cousins and your cousin comes over, they live in
11:55
Tottenham, I'm down in Fulham, they come for the summer
11:57
and they bring you some nice
11:59
trainers. They've worn it. They've worn
12:01
it a few times. Literally walking in their
12:03
footsteps. Literally and badly
12:05
too. You know, slight tackling yourself
12:08
as you're walking. But
12:10
it was that. And then you
12:12
learn to appreciate that. I
12:14
mean, that made it work, man. They made
12:16
it work. I always remember this like it
12:18
was yesterday. And this is a real story.
12:21
Pee. Every Tuesday we have double
12:23
pee. Physical education. And
12:26
you're playing football one week, and then you might
12:28
do whatever the next week. And then these trainers
12:30
are now battered. And then you've gone to your
12:32
mom in the morning, like, mom, I need new
12:35
trainers. And it's almost like you're bothering
12:37
her. What do you mean? I only bought it
12:39
last week. No, man, you bought it two years ago. You
12:41
bought it two years. You said I would grow into it.
12:43
They've grown out of it. And then she's
12:45
like, oh, okay, okay, okay. And
12:47
then the next morning you come and she's like, you've
12:49
forgotten, mom, the train. It's because I bought it. But
12:51
where is it? It's outside. I said, I
12:53
haven't seen this by that blue plastic bag. Now,
12:56
the blue plastic bag, Jimmy, was the bag
12:58
that if you went to, I don't know,
13:00
the local fruit sellers, that's the
13:02
bag they used to put all the oranges in.
13:04
But your trainers are inside the blue plastic bag,
13:06
which indicates where they came from. And
13:10
you take those trainers out, you're like, yeah, I'm
13:12
going to get battered in school for the next
13:14
five terms. And that was it, though.
13:16
It was the idea of them making
13:19
it work all the time. And
13:21
it's like, you'll one day understand for yourself.
13:23
And I do. I get it now. There's
13:25
a profundity to it as well, isn't there?
13:27
This idea of you will grow into it.
13:29
You will understand. And
13:31
that is absolutely beautiful, man. And
13:34
so true and so redolent of what I
13:37
think a lot of people would have
13:39
gone through. And I think similarly to
13:41
the revelation about church or the deeper
13:43
sense of understanding, I feel like it's
13:45
one of those things that you really
13:47
appreciate when you grow up. And you're
13:49
like, oh, wow, they were doing the
13:52
best they could. I'm always
13:54
really, really fascinated about the ways in
13:56
which the environment
13:58
that you grew up in... the
14:00
way things were in your household that you grew up in
14:03
is either carried forward
14:05
into like how you live as like
14:07
a as an adult or you
14:10
know we had Big Zoo on the show and he
14:12
was talking about his games room
14:14
is like out of control in terms of
14:17
his video game setup because like
14:19
he didn't have yeah because of the
14:21
lack like is that something that you
14:23
kind of that you feel you've
14:25
carried forward or is there an element is
14:27
there a sort of vestige of your parents
14:29
still in you now or is it still
14:31
taking shape in terms of that
14:34
part of your childhood and home and how you've
14:36
kind of interpreted it in adulthood it's crazy
14:38
because it feels like therapy now you
14:40
saying that for like you triggered I'm going
14:43
to face my truth because I
14:45
won't stop by and train it what happens is
14:47
you're not on a stage where you look at
14:49
it you go swipe oh I like that I
14:51
can get it I don't need
14:53
to knock on mum's door anymore and I know how
14:55
my own door yeah I can get it and I
14:58
get it and then it's like that moment of oh
15:00
that's those nice and I think that's all we look
15:02
for because you might put put them on once and
15:05
you don't see them for a year and go oh but
15:07
he's in about that time they're relevant to you now let's
15:10
talk about the reason why you know you're
15:12
able to travel you you know whether it's
15:14
for work or other things the trainer collection
15:16
yeah comedy you almost to a degree fell
15:19
into it yeah I'll let you know diversity
15:22
what's your journey been with that because as you
15:24
say the thing that you lead with or the
15:26
thing that a lot of comedians lead with is
15:28
this is where I'm from you know
15:31
the this is my culture these
15:33
are the differences these are some of the
15:35
characters you're almost in pasta mode and
15:37
then I presume you need to develop your
15:39
voice you need to kind of find other
15:42
things that you're interested in
15:44
and make you laugh you need
15:46
to find your unique perspective so
15:48
what's that been like and your
15:50
journey with with comedy right from
15:52
being inspired by certain people to
15:55
you know where you are now yeah I
15:57
think I'm very privileged that with
15:59
me the foundation of comedy for me,
16:02
it was almost like coming from a naive,
16:05
but I had no idea that
16:07
I wanted to be a comedian. You know, you have
16:09
people that go, I want to be a comedian. There
16:11
has never been a moment, even up until now, there's
16:13
never been a moment where I went, I want to
16:15
be a comedian. I'm going to be a comedian. I
16:18
used to watch, I would see people like
16:20
Steve Martin and Eddie Murphy and
16:22
all these guys, right? And even
16:25
Richard Blackwood and like me growing up, I didn't
16:27
touch them to stand up. Robin
16:29
Williams, I didn't. I used
16:31
to watch people like Victoria Woods. So on
16:33
a Saturday night, they'll come on, they had
16:35
Ronnie Cole, but these guys were funny people.
16:37
But I never used to think, oh, stand
16:39
up comedian. I just thought these guys are
16:41
funny. That's like the people they are. And
16:44
you don't understand that they are actually, you
16:46
know, partaking in your development. Yeah. Right. It
16:48
wasn't, I was at university, the idea was
16:50
always finished uni for my dad to justify why I
16:53
brought you over here. Because I could have brought your
16:55
cousin and called him my son. Really
16:58
my son. And then you'd have been the
17:00
twin that didn't want, that we left behind.
17:03
But it was that right. So absolutely, bro.
17:05
I would have been Kay, I'd have been
17:07
bending the lab, beckoning the rain boy. But
17:10
like it was that it was getting
17:13
to university. I was part of the African Caribbean
17:15
society. And once again, that always said, do extracurricular
17:18
stuff to add to your CV. These are the
17:20
things that you think, oh yeah, big man is
17:22
right. So I joined African Caribbean society as a
17:24
spokesperson, then eventually like the president, and we put
17:27
together a showcase and you know, everyone asked me
17:29
to host it. But actually at the time we
17:31
wanted to ask, we were asking a certain comedian
17:33
to do it and then we couldn't afford them
17:36
as a student. So I said, I'll do it.
17:38
And it just ended up being a very funny
17:40
showcase, right. And people start coming up to me
17:43
from different unis. I was going to Kingston uni
17:45
then he had guys from Brunel University Coventry coming
17:47
up to me and say, can you host our
17:49
showcase? And that eventually became
17:51
me doing the university circuit, just
17:53
hosting showcases, but it wasn't up
17:55
until I graduated, I finished. And someone suggested you
17:57
are a very funny host. You know, she come
18:00
to this comedy show and just perform these
18:02
funny songs that you perform. And
18:04
that's where it became like, I
18:07
really like people's reaction. Because that could
18:09
be me, very African with
18:11
it. Just innocently talking about, you
18:13
know, what happens at home, why
18:15
we talk in a certain way. And everyone
18:17
in order start to relate. I
18:19
could feel a spirit of relief from a lot
18:21
of people saying, all your rep, you're really representing
18:23
us. You have to understand, once I finished uni,
18:26
I had a job. And that
18:28
job lasted only a year. Because I
18:30
got sacked because I took too much
18:32
time of trying to perform. And
18:34
my dad said, you will fail. You
18:37
have ruined your life doing all this. My dad didn't even come
18:39
and see me for, watch me do, perform
18:41
for a long time. Cause it was like, what is this
18:44
clown behavior? But when
18:46
he eventually did, it was like,
18:49
oh, you've got something. When was
18:51
that moment? It was, so
18:53
it was in North London. Archway,
18:55
there was a little showcase that was happening. Audience
18:58
was probably maybe like 150 people. This
19:01
was after a couple of years of that being stubborn.
19:03
And it was just like my sister kept saying, you
19:05
just go and watch him. And
19:07
he came to watch me. And
19:10
I always turned this moment into, you
19:12
know, there's a joke that comes with it, but the idea, the
19:14
reality of it, that my dad watched, and
19:16
he was just like mesmerized. And I could
19:19
see him in the audience looking around and
19:21
how impressed people, how they were laughing and
19:23
clapping and the show finishes. The people queuing
19:26
up to shake my hand with all different
19:28
cultures. And him sitting on the side holding
19:30
my coat, actually. And
19:32
then people, I was like, yeah, that's my dad. Oh, he's just, oh.
19:35
And he's like, yeah, he's dad, that's his dad, you
19:37
know? But the joke is that I always say, I
19:39
was in the audience cracking jokes for an
19:41
hour. And that is just looking around, nodding.
19:43
He's just nodding, nodding. Didn't laugh, didn't crack
19:45
a smile. And the show finishes and I'm
19:47
going, dad, did you enjoy? He said,
19:49
that was the best performance I've ever seen. You
19:52
are talented, you are, Eddie, I'm shocked. And I'm
19:54
like, but you didn't laugh. He said, I'm used
19:56
to busy nodding. Why would you nod? Eddie, I
19:58
was too busy counting the money. 20
20:00
pounds, 20 pounds. There's 150
20:02
people here. That's a mortgage paid. What
20:05
is our next show? And that's it.
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21:44
back to Where's Home Really, where my
21:47
guest is the amazing Eddie Caddy. My
21:49
guy. We're talking about significant people in
21:51
your life, so let's hit upon your
21:54
person. It will always be this person.
21:56
So before I mention them, it's to
21:58
understand when I'm talking. I'm talking about dancing
22:01
in the rain, and playing football in the
22:03
rain, and going to church. When
22:06
I'm talking about my first day at
22:08
school, what it means to be
22:10
Congolese, and those foundations, what
22:12
always takes me back home when I get
22:14
too carried away, and thinking,
22:17
where are you from? When
22:19
I get lazy, and
22:21
I work extra hard, because I go, this goes
22:23
a much longer way than you think it does.
22:25
It's my grandma. It's always been my grandma, always
22:28
will be my grandma. She's left us
22:30
now, go rest her
22:32
soul. But she's
22:34
in a better place, number one. And secondly,
22:36
she's still, she's around, you understand? But
22:39
it's been hard. She, any
22:41
memories I have of
22:43
Congol, my earliest memories is my grandmother. That's
22:46
my mom's mom. My parents had me young.
22:48
They were like 18, 19 when they had me. So
22:50
my grandma pretty much was there. I
22:52
stayed with her most of the time. She would
22:54
hold my hand, we'd go into the Catholic church
22:56
every Sunday. Wherever she went, I was there. I
22:59
almost feel like there was no way that my
23:01
grandma was, that I never went. I was always
23:03
with her. She had a bar. That
23:05
bar was open in the evening. But during the
23:07
day, early morning, she'd take my hand and we
23:09
would go to the local baker's, and she would
23:11
just buy all these baguettes and stuff, and then
23:13
we'll go back outside the house that she'd be selling
23:15
them. You know? And then at
23:17
some point we'd go to her farm, which may be
23:20
like, maybe, I don't know, an hour outside of Kinshasa.
23:22
And we'll go to her farm, and I'll just watch
23:24
her do her thing. I'll get in
23:26
trouble with my uncles and my grandmas and I don't touch
23:28
my grandchild. You know? Like, protective. Absolutely.
23:30
And it's that. So then we move over
23:32
to the UK, and it's
23:35
like staying in touch with
23:37
her. And wanting, longing to go. I didn't
23:40
go back to Congo 18 years after we
23:42
came to the UK. So it's
23:44
like, looking for her straight away as soon as we
23:46
went there. And I will go back at least three
23:48
times a year, just to see her, you know? Until
23:50
she passed. And it's like, she was
23:52
always that. She was always the reason why
23:55
I will keep working hard, because when she got
23:57
ill, I wanted to be able to say, I've
23:59
got it. and
26:00
Disney, I hear. Everything went, photos,
26:02
everything went. But she, and everyone was switching
26:04
on me, but my grandma. And
26:07
it was that, it was like, stop,
26:09
stay away from him. People will remind me later
26:12
on, do you remember when you burnt out? Yeah,
26:14
yeah, people won't let you forget it. Leave him
26:16
alone, you know? And that's the connection that we
26:18
had. She's very calming and just loving and she
26:20
always drew me back home. Do
26:26
you have any regrets about your time on Strictly
26:28
at all? Like it's a strange thing, isn't it?
26:30
Cause it, you know, you roll
26:33
the dice almost. Like, you know, you don't
26:35
know at the start of the competition who's
26:37
going to be in for one week. You
26:39
were, you were there five weeks, you know,
26:41
you had some amazing moments. You kind of,
26:44
I thought you, you did brilliantly and obviously
26:46
you're doing great things now, but do you,
26:48
yeah. How do you reflect on the experience?
26:51
I think it all aligns. It all aligns,
26:53
man. No regrets. It's
26:55
the best thing I've ever done. The hardest, the
26:58
best thing I've ever done is,
27:00
I would remember sometimes during
27:02
the training, Monday
27:05
and the Tuesday, when you get this new routine and
27:07
you've gone, how do you
27:09
expect me to get this done in four days
27:12
and you struggle through it? You know, there's times when
27:14
Karen would send me for a nap. I'm going to
27:17
take a nap from now ahead. Oh, thank you. Thank
27:19
you. Cause you know, I have a short attentional span.
27:21
Sometimes I'm just like, she'll be speaking to me, bro.
27:23
I'm doing a mannequin challenge. I'm just watching her. I'm
27:26
watching her. And
27:28
she would apologize in advance. She goes, I'm sorry,
27:30
Monday and Tuesday, it's going to be
27:32
a hard one. It should be really tough for me.
27:34
Then the Thursday comes and you've got the routine and
27:36
I kid you not, tears drop because you're so in
27:38
it. Tears drop, you start
27:41
punching the floor. I can do anything. It
27:43
was those feelings every single week. And then meeting
27:45
some of your, some people that you watch like
27:47
Les Dennis, you know, like what's your family fortune
27:49
when you're young or you never think you'd be
27:52
next to Les Dennis. And then your dad meeting
27:54
him and your dad's first word saying, hello Les,
27:56
show me the fortune. I'm like that. That
27:58
was never a phrase if I'm in fortune. It was never
28:00
for a G. I love with the Fights' father. You
28:03
know, but it's those moments... Just
28:05
making up his own catchphrase that he's
28:07
quoting. But it was
28:09
like there was different departments
28:11
of appreciation and understanding that
28:13
it's a full circle moment.
28:16
But no regrets. I think within those five weeks, I
28:19
was able to first live a G. You
28:21
know, made me really fall in love with
28:23
showbiz because everybody behind the scenes are amazing
28:25
people. At the same time, I also showcase
28:27
who I am, my culture,
28:30
tell my family story, inspire my daughter,
28:32
inspire my siblings, my friends. I remember
28:34
one of my closest friends, Ben, you
28:36
know, and he's like, Ben's five years
28:38
older than me. We went to
28:40
uni together. He's a tough, guardian boy. And him
28:42
saying, literally texting me because his wife was a
28:44
big, strictly fan and I invited him down to
28:46
come to the show and it was a dream
28:48
for her. But him sitting there when
28:50
I did the Man in Black and got my
28:52
first 10, he literally messaged him because I love
28:55
you to the moon and back. And I've never,
28:57
he's never expressed himself like that to me, but
28:59
he was so, he's like, I've
29:01
never experienced this feeling, you know, and it was
29:03
that. And all those things achieved
29:05
within five weeks, I'm making a good
29:07
friend in Karen and her becoming my
29:09
sort of Mr. Miyagi, you know, I
29:12
cannot regret, cannot regret. Did
29:15
you feel like, because clearly
29:17
you talked about Congolese culture and
29:19
importance of dance and representing that and
29:21
thinking of yourself as a dancer, right?
29:26
Was there ever a moment where I don't know,
29:28
you felt like that was almost held against you,
29:30
that you are rhythmic, that you, do you know
29:33
what I mean? Like, and I always wonder on
29:35
the show sometimes if there's this, there's
29:37
this kind of feeling that if
29:39
you can sort of razzle dazzle, the
29:42
judges almost kind of like come down on you
29:44
a bit harder. They remind you, they remind you,
29:46
but I think the judges also, they saw my
29:48
card, man, they understood that, you know what, it's
29:50
beyond dance for this guy. Straight
29:52
away. Cause from the beginning I did say, I said,
29:54
listen, they, yeah, they did the judges, but they're my
29:56
best mates. That means they're my
29:58
maintenance engineers because I. I've come here
30:00
to learn something different. It was beyond
30:02
dance for because they would use that
30:04
word. You have musicality. I'm like, just
30:07
say rhythm. Let's
30:09
call it a spade. Don't
30:11
be using these words. I can't say.
30:14
I'm taking forever. Just say rhythm. You've
30:16
got musicality. I'm like, what is that?
30:19
But it's that. I think it was a reminder
30:21
of you got rhythm. You've got
30:23
the source. I really want to put it.
30:25
But in this world, we look
30:27
for something different. And I respect that. We've
30:33
not really talked about food, even though
30:35
it's such a vital component in African
30:38
culture, generally. And I know Congolese culture
30:40
and West African culture. So what
30:42
are you going to go for? What is your
30:44
plate? What is your dish? What is the taste
30:46
that is home to you? So
30:49
I'll say in Lingala, it is
30:51
lo somadissu amusuni. So
30:54
that is rice with
30:56
white kidney beans, too. And
30:58
beef. My goodness. That. And
31:01
I can replace the rice with kuanga, which is
31:03
like cassava, boiled into. And
31:05
then it's wrapped in a leaf. And it's
31:07
pretty hard. It's almost like mashed potatoes, but
31:10
10 times harder. Right. Right. And
31:12
the garnish will call it eba, I believe. Yeah. But
31:16
it's that. That meal
31:18
for me is just what
31:20
will always, even if my mom
31:22
said the craziest thing that will
31:24
annoy me. African parents,
31:26
they knew how to apologize with food.
31:29
They will say, oh, they will regret your existence.
31:32
Look, I wish I had it. I wish I
31:34
had another girl. Why would God give me a
31:36
boy who can't even just put
31:38
Vaseline on his lips, embarrassing me at
31:40
church every week, and you're angry. You're
31:42
a failure. You can look at your
31:44
mock results. You are mocking us. That's
31:46
the only other thing they'll say.
31:49
You got to go upstairs. You
31:51
go upstairs, you see, am I adopted? Like,
31:53
what happened? I think it's my real parents. And
31:56
in the past, an hour later, come and eat your
31:58
food. you come downstairs and
32:00
you can smell it and you go, do you know what it's not that
32:02
cute you know? Would
32:04
it always fall away that quickly or
32:06
would you kind of hold those like,
32:08
hold those grudges and would
32:10
there ever be as well
32:13
as the food would they kind of, well let
32:15
me put it this way, would the food be
32:17
almost, you'd feel like she knows she went too
32:19
far. She does. And
32:21
the thing is that feeling will go
32:23
away in instalments, it doesn't, that first
32:25
bite you go, all right, let's break
32:28
this down, let's dissect this as we
32:30
digest this, you know? But
32:32
it will go and then she sits down and she comes and
32:34
she goes, do you want some more? And you go, oh this
32:36
woman, you a charmer, isn't it? Bro, you
32:38
a charmer? No, no, no, no. Wow, this
32:40
apology. It's very good. She's begging now. And
32:42
then she'll put extra meat, she'll put
32:45
the beef, you know, because the beef will beat
32:47
inside the white kidney, she'll just swim it. And
32:49
then she'll put the extra meat and she'll say, well, would you like
32:51
to drink? And I'll say, well, here we go, woman, I
32:54
forgive you. One of the things
32:56
that I quite often finish up on is this
32:58
idea of your culture
33:01
or heritage and its
33:03
impact on the wider world. When you think of
33:05
Congolese culture, obviously you've had a big hand in
33:08
people's growing interest and
33:10
knowledge in Congolese culture, but how
33:12
do you see it? Like it's
33:15
a misunderstood country in many ways,
33:17
it's rich and abundant in
33:20
a lot of kind of really
33:22
meaningful senses and maybe challenged
33:24
in others as a lot of African nations
33:26
are. How
33:28
do you see it in terms of its wider
33:30
impact? I think Congol's always been a
33:32
big part of a global culture. People
33:34
just didn't realise that now we have
33:36
social media, information gets shared around a
33:38
lot quicker and a lot
33:40
wider. So then people
33:43
like myself who are very aware of
33:45
those information are able to deliver, especially
33:47
being at the forefront, being able to
33:49
deliver in a way that people can
33:51
digest easily. So when we
33:53
do talk about the idea of the
33:55
impact of Congo and a lot
33:57
of people just hear Congo and they think, oh, yes.
34:00
It's the war. Then you realize, actually,
34:02
it's the second largest space in
34:05
Africa. It's a massive terrain. So then we
34:07
have the second largest rainforest in the world,
34:09
the deepest river in the world. And then
34:11
some of the world's most important minerals come
34:13
from Congo. Then you start talking about the
34:15
contribution to technology and where that comes from.
34:17
Then you look at history. And then suddenly
34:19
it's like, people that used to
34:21
laugh at the way Congo is, people dressed. Suddenly
34:23
you're looking at the catwalk, you're like, well, you're
34:25
all dressing like that now. You're all dressing like
34:28
that now. But it's that impact. Dance
34:30
is the same thing when they talk about
34:32
Roomba, music coming from Congo and going all
34:34
the way to South America and the Caribbean.
34:36
And then having this full circle moment where
34:39
the world celebrates this style of dance. But
34:41
it's all of those things. And then you go,
34:43
well, actually, no, it's a
34:46
big contribution. It's a massive contribution. And I
34:48
think every now and then I'll go
34:50
online and then people will
34:52
send me information in my own country and
34:54
they're shocked. And that's the great thing about
34:56
me doing so already. Is
34:58
the idea where people sit down and they go, oh, what did it,
35:01
Congo, oh, wow. But
35:04
for me, it's never about talking
35:06
about the challenging side. I think enough people
35:08
are taking on that space. And what that
35:11
does is it makes people stay away from
35:13
visiting the country. What I like to do
35:15
and go, oh yeah, that is happening. Especially
35:18
in the Eastern part of Congo, but it is so
35:20
big. It's like, if you're in London and something's happening
35:22
in Germany, you'll be like, yeah, we need to figure
35:24
that out. London is where it's
35:26
at. And it's that same thing when you go
35:29
Congo, there's so many things to see, so much
35:31
enjoyment to have. And you almost
35:33
don't want to leave us at that stage, but that's
35:35
the energy that I try to put out
35:37
into the world. Eddie Caddy, you're making it better
35:39
for Congolese kids, for African kids and for all
35:42
of us. My brother. Thank you so much for
35:44
joining me, bro. Pleasure is all mine, thank you
35:46
for having me. That was incredible. Thank you for
35:48
this therapy session. I'll be sending you the bill.
35:51
Yes, please do. Honestly,
35:53
love that bro. Appreciate you. I
35:56
love your work, my brother. Thank you, man.
35:58
Keep doing what you did. Thank you, bro. I
36:03
don't know if I've ever had
36:05
my face hurt so much from
36:08
laughing and smiling. That was just
36:11
unbelievably good. I
36:14
was a fan from Strictly and a
36:16
fan of his comedy, but I
36:18
just didn't realize what a sort of beaming
36:22
life force of energy he is, how
36:24
sharp he is, how honest he is,
36:26
how funny, how frank. I
36:28
absolutely loved it. So
36:31
many stories, so many quotable lines, but just
36:33
thinking of him and his grandmother,
36:35
that bond was
36:38
so special, the idea that
36:40
his dad went to his
36:42
first comedy show and immediately was counting
36:44
the amount of money that his son
36:47
could make, but also at the same
36:49
moment being proud, it's just the
36:51
essence of what this show's about.
36:54
Eddie Caddy, what a start and what a joy to have him
36:56
on. So
36:58
that's all for this week's episode of Where's
37:00
Home Really with me, Jimmy Femorema. You can
37:02
catch up on all the amazing stories we've
37:04
featured in series two via your favorite podcast
37:08
platform. And don't forget to
37:10
give us a follow and leave a little
37:12
review to help us spread the word. And
37:15
we also have a website. Take a
37:17
look at where'shomereally.com for all sorts of
37:20
interesting bits and pieces about the series.
37:22
It is also a very
37:24
good place to go to revisit our
37:26
whole back catalog. From
37:29
Podomo and Listen, this has been Where's
37:31
Home Really hosted by me, Jimmy Femorema.
37:33
The producers are Taiyoh Pupula and Aidan
37:36
Judd. The executive producers for Podomo are
37:38
Jake Chudnow and Matt White and for
37:40
Listen is Kelly Redmond. Until
37:42
next time. If
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For 24-7 support, just call, text or
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