0:00

Hi, this is Rachel

0:04

McElroy.

0:16

Hello,

0:19

this is Griffin McElroy. And this is

0:21

wonderful. Thanks for listening. Thank

0:23

you for listening. We do that at the end. Yeah,

0:25

this is the same. Are we done? Well,

0:28

no, it's just like, you know, for even giving us

0:30

a chance, like, even if you stop listening right

0:32

now, thank you for the time you've shared with

0:34

us. Wow. Even if it's just a few seconds.

0:36

That's all my whole thing now is sort of gratitude.

0:39

I like that. Like, you know how

0:41

on Thanksgiving, I bring it every year with just

0:43

like, all my gratitude and I tell

0:45

everybody how much they mean to me.

0:46

We all join hands. We join hands

0:49

around the ham trough

0:52

and the potato

0:54

bucket and we join hands and I just really lay

0:56

it on. I'm thinking maybe I do that throughout

0:58

the year.

0:59

Okay. So that it's not quite so overwhelming

1:01

for everyone.

1:03

Because it is pretty intense when I come at you

1:05

like,

1:06

you know, I sing a little song about thing.

1:09

Thank you for being a friend.

1:11

I guess it's kind of the way that went. If

1:13

I spread it out, it won't be quite as overwhelming. So

1:16

thank you for listening.

1:18

I won't thank you at the end of the episode, though.

1:20

That's right. What's that do for you? If

1:22

you make it to the end, who gives a shit? We already got your money.

1:26

Please, did you pay to download it? Uh

1:29

oh. How? You shouldn't

1:31

have done that. You are being scammed. Yeah. We

1:34

know that there are some people on the street

1:36

that are bootlegging our podcast. I hate

1:38

that. And charging you for it. And I want

1:40

you to know you don't have to pay those people. No.

1:43

I got a copy of the new episode of Wonderful

1:46

and Avengers Endgame. Hey,

1:50

do you have any small wonders? Yes.

1:53

Okay. My small

1:55

wonder is that when one of us cooks

1:57

for the other one, we have developed a relationship.

1:59

a ritual of

2:02

making sure to very specifically thank

2:04

that person for cooking. Oh, right. And

2:07

the other day, Griffin

2:09

cooked and I very consciously,

2:11

as I was eating it, was like, this is very good.

2:13

Remember to tell Griffin this is good. And

2:16

I forgot. Right before

2:18

we went to sleep, Griffin was

2:20

like, you didn't thank me. And I'm like, oh my God.

2:23

Now that story

2:23

does make me sound like a monster. If only,

2:26

but I feel like people have to have the context

2:29

of literally any time any of us

2:31

have ever cooked for each other. It was

2:33

less a, hey, you should thank

2:35

me. And more of a,

2:37

our perfect 13 year story has been

2:40

broken. No,

2:42

and I appreciated that because we never made

2:44

that a rule, but it kind of was

2:46

a rule. And I have definitely mentioned

2:49

it to you before. Oh, for sure. For sure. I've

2:51

been like, what did you think of that though? Yeah. Was that

2:53

okay? Do you like it? What

2:55

I love is that

2:56

we cook a lot of the same

2:58

stuff. Like for me, it's like a

3:00

golden curry, or

3:03

I've been doing a lot of the like Momofuku

3:05

noodles with pork,

3:08

sweet chili sort of stuff.

3:11

And you do a lot of like pizza,

3:13

pasta, jambalaya. Like

3:16

we have a handful of, and so like,

3:19

I probably, you know, your

3:21

pizza is fucking baller. You've made

3:23

it so many times and have honed it to the

3:25

point where it goes

3:28

down smooth every single time. I

3:30

know my curry is choice. Yeah. Because it comes

3:32

out of a little, it's not that hard to make

3:35

it good. So we don't really need the

3:37

feedback, but it's a nice

3:39

little affirmation. Yeah. Yeah,

3:42

man.

3:43

Boy, I do love that curry though. It's

3:45

very good. I love that curry for lunch

3:48

more than like lunch leftovers. And I think

3:50

I do day of. I think it gets

3:52

spicier. I like that. What's your small

3:54

wonder? I've been building this

3:56

little papercraft model. Like I

3:59

saw this. add a million times on Facebook

4:02

for like a little like

4:04

series of dioramas that you put in your

4:06

book shelf like on your book collection

4:09

so it looks like it just kind of goes into

4:11

the bookshelf I got one that's like a little cherry

4:13

blossom scene and

4:16

then it comes on like eight giant

4:18

sheets of cardboard punch out things

4:21

and I've been over the course of like the last like four

4:24

months I've been slowly chipping away at

4:26

it but I've gotten back into it again it's very

4:28

relaxing to punch a

4:30

bunch of cardboard pieces out of things and then glue

4:33

them together and

4:34

snap them all in. Yeah, like little tweezers

4:36

that come with it right? Those are my own tweezers.

4:39

I find that it scratches I there is

4:41

a I don't know how to like summarize

4:44

or

4:45

encapsulate this like interest

4:47

of mine it is the same way that I

4:49

like to put Lego sets together and I think

4:51

the same way that I like to like take electronics

4:53

apart and like mod controllers

4:56

and gaming hardware and stuff like that it

4:58

scratches that same itch of just like I'm gonna follow

5:00

instructions to make something neat I

5:04

find that this is tickling that same fancy I've

5:07

never gotten into the world of like

5:09

models yeah

5:12

you don't paint little guys I don't paint little guys

5:14

the painting doesn't I'm so

5:16

I have no like like

5:19

expertise in that at all but I feel

5:21

very like I am not

5:23

intimidated at all by a giant instruction

5:26

booklet and a bag with a billion things

5:28

yeah like chipping away at

5:31

stuff like that and and then having this finished

5:33

product that I can feel very satisfied yeah

5:35

even though most of the more ambitious Lego builds

5:38

we've done end up just sort of collecting dust

5:40

on our what we affectionately call the Lego

5:42

table you go first this week I do what do

5:44

you got for

5:46

me

5:48

other than a tasty little vitamin water zero

5:51

can I have some of that sure hell

5:53

yeah Chuck it it's very

5:55

heavy and this is real deal vitamin

5:57

water I guess we don't live we can't get that super water

7:59

in this language that maybe

8:02

wasn't your first language.

8:04

She gave this

8:07

interview with the Brazos

8:09

bookstore in Houston and

8:12

said that there's

8:14

a whole generation of people like me who came over

8:16

when they were old enough that they're never going

8:19

to quite fit in here, but they were

8:21

also young enough that they're not going to

8:23

go back and still be solidly in that

8:25

identity either. Which

8:27

I thought was like a really kind of precise way to talk

8:29

about that experience. But

8:31

her poetry is very funny and

8:34

very precise.

8:35

She

8:39

was giving an interview,

8:42

actually it's just the one I just referenced

8:44

with the Brazos bookstore. And she talked about

8:46

how

8:48

when she started writing, she thought she was going to do

8:50

just kind of funny poems. And

8:52

she went to Texas

8:54

State

8:55

for her MFA in poetry. And

8:57

so she turned in all these poems that

8:59

she thought was funny to her writing mentor.

9:03

And her mentor said, well these poems

9:05

are actually incredibly sad. She

9:09

said it took someone else to read the poems and say these poems

9:11

are incredibly sad for me to really see how much

9:13

the humor was operating as a vehicle for

9:15

sadness. I loved, oh wow,

9:17

that hits good. And then she said like

9:20

a sad Jerry Seinfeld. Which is

9:22

probably redundant because I have a very,

9:25

I

9:27

have a feeling that Jerry Seinfeld. Oh there's a deep sadness

9:29

there for sure. So

9:32

I wanted to read two of her poems. First,

9:35

the one that was

9:38

featured at the Missouri Review this week

9:41

called Poem for the Women Who Help

9:43

You Go to the Bathroom Hours After You've Given

9:45

Birth. Which like- Holy

9:48

shit. For me, like just

9:50

that line alone, I was like,

9:52

well I like this poem. That's

9:55

such a wild

9:56

little crystallized thing.

10:00

She said, so the other great thing about the

10:02

Missouri Review, at least in their digital

10:04

version, they will have the author

10:06

just write a couple sentences about what

10:09

the poem is for them, which

10:11

is really helpful for anybody that reads poetry.

10:13

A lot of times you're like, I like this

10:15

poem. I don't know if I'm really getting

10:17

it. And so

10:20

she said about this poem, if you've ever given

10:22

birth, then you know the nurses who help you

10:24

get out of bed carry you in more

10:26

ways than just physical. This was the

10:28

first poem I wrote after giving

10:29

birth to my third child when writing

10:32

anything at all felt impossible and

10:34

miraculous, which I thought

10:36

was like,

10:37

oh, yes. That's really good. Yes,

10:39

completely. The poem itself, like not

10:42

like graphic or like, you know, very

10:45

specific, actually like it's kind of a beautiful

10:47

little poem. Again,

10:50

poem for the women who help you go to the bathroom

10:52

hours after you've given birth.

10:55

Someone thought that the bird who fell

10:57

out of the sky was dead from exhaustion.

11:00

She could no longer do the thing that she

11:03

was born to do.

11:04

It's like that, except minutes before

11:07

the fall when the wind made her empty

11:09

body weightless. That's it.

11:12

That's it. That's really good. That's incredible.

11:17

I think especially

11:19

to write a poem about that experience

11:22

is so intimidating.

11:25

Like this idea that you have to say something original

11:28

or specific or, you know,

11:30

like contribute something to this narrative,

11:33

you know, like, like, do I need

11:35

to sit down and read every poem a woman

11:37

has written about giving birth? You know, like there's

11:40

just, there's a lot in front of you.

11:42

And then she just

11:42

like takes this kind of experience

11:45

and distills it so wonderfully.

11:47

That's really good. I like that a lot. So

11:50

I read this other interview with her where

11:52

she talks about writing prose and she

11:55

says, especially, you know, she

11:57

wanted to write about experiences growing up

11:59

differently.

11:59

in the Midwest.

12:03

And she said, quote, I

12:05

always felt like there was too much that needed

12:07

to be put down on the paper when you're writing,

12:10

that you have too much you need to account

12:12

for and explain. Poetry always

12:14

felt very freeing because there's room for revelation

12:17

of yourself, but there's also room

12:19

for silence. And sometimes I need that silence.

12:21

To me, there's something very freeing about

12:23

the form that works for me, which

12:25

I thought was like a really good way to talk about

12:28

what has always appealed to me about poetry

12:30

versus fiction.

12:33

And I never really could communicate

12:35

at first. I was like, well, poems are shorter and I like that.

12:38

Yeah. But

12:40

I feel like the way she describes it of

12:42

just like you don't have to

12:44

connect every thought in a logical

12:46

way. You can create kind of an experience

12:50

that leaves space for both you

12:52

and the reader, but

12:54

still communicates what you wanna communicate. Yeah. The

12:58

other poem I wanted to read is from

13:00

Guernica Magazine, just came out in 2022.

13:04

It's called, In the Field of the Dead.

13:08

I have brought the wrong kind of sandwiches.

13:11

And yes, I know this poem is supposed to

13:13

bring us there by river or through a

13:15

series of ivory clouds. My

13:17

grandfather on a bench surrounded

13:19

by lilies. But I have brought a

13:21

turkey sandwich, mustard, tomato slices,

13:24

lettuce, when I should have brought bologna

13:26

thick cut wonder bread wrapped

13:28

in a saved paper towel. One

13:31

that has been cared for, used to dry

13:33

hands, tea spills, something that

13:35

holds memory. The sandwich

13:37

isn't even

13:38

important. It is the paper towel that

13:40

will live forever. My grandfather

13:42

surrounded by new rolls that

13:44

he would never dream to open them.

13:48

Isn't that lovely? That's really, really good.

13:50

I don't know if this is an experience everybody

13:53

had, but did you grow up in a family where

13:55

either your parents or your relatives

13:58

saved paper towels? No.

13:59

Like, would use a paper towel to

14:02

like clean part of the sink and if

14:04

there was still a functional paper towel

14:06

left, leave it on the counter. No, that's

14:07

very gross. No,

14:10

we didn't do that. We used rags.

14:12

We used a lot of rags. Okay, so that's, it's the most

14:14

similar idea. Similar, but I would never wipe the sink

14:17

with a paper towel and then wrap a sandwich

14:19

in it. It's fucking gnarly. I

14:22

feel like, and this was true when I,

14:25

particularly when I went over to my mom's parents'

14:27

house, this idea of like, you save everything.

14:29

Like you have a drawer full of plastic silverware

14:32

that you got

14:32

from various restaurants. Sure. You

14:34

know, like you save every, like you mentioned, like every country

14:36

croc container. Right. And

14:39

just this like save paper towel was so,

14:42

the locket

14:42

is. Gross, way grosser than any of that stuff. Yeah,

14:44

for sure. So

14:47

that's Louisa Meridian. She

14:49

has a book out, came

14:52

out, University of Nebraska

14:54

Press. It's called American Radiance.

14:58

And I do not own this book, but I am planning

15:00

to purchase this book because I have enjoyed

15:02

everything that I read by her.

15:05

That was great. Those were two club

15:07

bangers. Thank you. Can I steal you

15:09

away? Yes.

15:11

Yes. Yes. Hey

15:17

Griffin. Yeah. You know how concerned

15:20

I am with not giving my

15:22

money away unnecessarily? It

15:24

wakes you up in the middle of the night in a cold sweat frequently.

15:27

I'm big on a sale. I'm big on saving money.

15:29

I'm big on reducing. Yes.

15:33

So I downloaded

15:35

Rocket Money. Oh boy. I knew

15:37

that I had subscriptions that I wasn't

15:40

using, but I didn't know what they were. No,

15:42

how could you? And I didn't wanna spend

15:44

hours looking through my bank statements. So

15:47

I downloaded Rocket Money. How'd that go for you? I

15:49

found something to get rid of. That's great.

15:52

And they helped me get rid of it. That's exactly what they say that

15:54

they do. So that's good. If

15:57

you have not used Rocket Money, try it for

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15:59

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over 80% of people have subscriptions

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your expenses the easy way by going

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to rocketmoney.com slash

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wonderful. That's rocketmoney.com slash

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wonderful rocketmoney.com

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slash wonderful.

16:35

Hey, Sydney, you're a physician and the co host

16:37

of sawbones a marital tour of misguided medicine,

16:39

right? That's true, Justin. Is it true that our

16:41

medical history podcast is just as good

16:44

as a visit to your primary care physician?

16:45

No, Justin, that is absolutely not

16:48

true. However, our podcast is

16:50

funny and interesting and a great way to

16:52

learn about the medical misdeeds of the

16:54

past as well as some current

16:56

not so legit health care fads.

16:58

So you're saying that by listening to our podcast,

17:00

people will feel better. Sure. And isn't that the same reason

17:03

that you go to the doctor? Well, you

17:05

could say that and our podcast is free. Yes,

17:08

it is free.

17:08

You heard it here first folks sawbones

17:11

marital tour of misguided medicine right here on maximum

17:13

fun just as good as going to the doctor.

17:15

No, no, no, still not just as good as going to the doctor,

17:18

but but pretty good. It's up there.

17:22

Hi, I'm ketchup. And I'm socks.

17:25

And I'm ball bearings. And I'm pigeons.

17:28

And I'm water towers. And I'm cardboard.

17:31

Surprise. We're actually humans, humans

17:34

making a podcast about those kinds of topics.

17:37

Because those are real episode topics on the podcast

17:40

secretly incredibly fascinating. That's

17:42

a podcast where we take ordinary seeming things

17:44

like ketchup and socks and cardboard and

17:46

bring you the little known history and science and

17:49

stories that make those things secretly

17:51

incredibly fascinating, secretly

17:53

incredibly fascinating.

17:56

The title of the podcast here the back

17:58

catalog anytime and hear new

19:46

the

20:00

music and it is building because he

20:02

will talk about the drop before like

20:04

we have acknowledged that that is likely what is

20:06

going to happen.

20:07

Anyway, we're raising our kids so right. There's

20:10

a song it's a lot of house music in Nectar

20:12

Radio and occasionally we get a

20:14

visit from a song I'd like to discuss

20:17

today

20:17

which is I Love It by Iconopop

20:20

and Charli XCX.

20:22

You have heard this song before statistically

20:24

speaking just in case you are not

20:27

familiar with it we will play some of it now.

20:30

You know this song right? I had this

20:32

feeling on a summer day. Oh

20:34

yeah.

20:36

I got this feeling on a summer day

20:38

when you were gone. I crashed my

20:41

car into the bridge. I watched I let it

20:43

burn. I threw your shit into

20:45

her back and pushed it down the stairs.

20:48

I crashed my car into the bridge. I don't care. I

20:51

love it.

20:54

I don't

20:57

care. First off horrifyingly

20:59

this song came out 11 years ago.

21:02

Yeah. Which is way older

21:04

than I was expecting before. You know when I first

21:06

heard it it was on an episode

21:08

of Girls. Girls. So that's later

21:11

on in my notes I have this but that is what launched that song

21:14

into the stratosphere in the states. It was originally

21:16

just sort of a Swedish pop hit but

21:19

once it was on Girls in January 2013 it

21:21

became like a billboard top

21:23

seller. So when

21:26

this song came out first and was

21:29

after that episode of Girls it was

21:32

everywhere. It was everywhere. It was in every

21:34

movie trailer, every tv show, every

21:37

commercial. It was in a ton of video games. I remember

21:39

playing

21:40

I think I reviewed two different

21:43

racing video games that it was on the

21:45

soundtrack of both of them. It

21:47

was just it was all over

21:50

and that is because it is such a powerful

21:52

and straightforward bop about

21:55

breaking up with an older dude. Every

21:58

line is catchy.

21:59

Which is good, because there's only like eight of

22:02

them repeated over and over again.

22:04

Yeah. It's just you get

22:06

these just brain rattling, super

22:10

saw, just synth rips. When

22:12

you hear that song start

22:14

and get that, you're

22:18

like, oh, fuck yeah, it's time to park. I

22:20

know, I'm always excited. Every time. It's

22:22

an amazing spell that it casts on you.

22:25

The vocals that are just sort of half screamed,

22:27

half sung throughout the course of the

22:29

song. It is a club banger

22:32

in the literal sense because it got a lot

22:34

of club play and still does to this day, I

22:36

imagine. It's been a while since I've been out to

22:38

the club. So Ikhana

22:40

Pop is a Swedish electro pop duo. I'm

22:43

going to butcher the names of the people.

22:45

It's Caroline Hilt and I Know Jawa.

22:49

They formed in 2009. They started performing

22:51

all over, including

22:53

in London a few

22:55

times, which is where they met Charlie XCX,

22:58

who at the time was a pretty small

23:01

name, British singer songwriter, also performing

23:03

in kind of like the smaller dance

23:06

circuit. Charlie XCX is

23:09

actually actually the one who wrote I Love

23:11

It. And she

23:13

got synced up with Ikhana Pop because they shared

23:15

a producer, a guy named Patrick Berger.

23:19

And they're all from sort of the same

23:22

generation, the same sort of like age.

23:25

And they all just resonated with

23:27

this theme of breaking up with an

23:29

out of touch older dude. So

23:32

they took this song that Charlie XCX had written

23:34

and made it a bit like punkier,

23:37

a bit sort of harder. And

23:40

that is how it ended up. It

23:43

was originally, like I said, just released in Sweden

23:45

in May 2012. It hit number two on the Swedish Singles

23:48

chart, stayed there for a little while, but it didn't really make a splash

23:50

until it was on Girls. And

23:52

then pretty much instantly everyone was like,

23:54

oh, this song rips within

23:56

like a week. It had hit number

23:58

seven on the Billboard chart. before it had even

24:01

been released outside of Sweden, which it finally

24:03

did in June, 2013. And

24:05

people just went

24:07

ape shit

24:08

over this song for a very long

24:11

time. It hit five times platinum, meaning

24:13

it sold over 5 million copies

24:15

in the US alone. Wow. It

24:18

was Iconopop's biggest hit to date. It

24:20

also launched the career of Charlie XCX,

24:23

who was pretty like fledgling at the time.

24:25

And since then has gone on to release like a

24:27

bunch of hit albums has gone on

24:29

to co-write a ton of huge songs

24:32

for folks like Selena Gomez,

24:34

Blondie. She co-wrote

24:36

Signorita from Shawn Mendes

24:39

and Camila Cabello. She's just everywhere.

24:41

And this song was very much her

24:44

launch pad into this like gigantic

24:46

career.

24:47

And I just love that. I love that this song

24:50

is just really straightforward and super powerful. Like

24:52

you don't have to have a degree in music

24:54

theory or like a tab on your computer

24:57

open to a genius annotation to

24:59

like

25:00

get it. It is what it says

25:02

on the tin. It's

25:04

just this sort of just maximalist,

25:07

just electro jam. And

25:09

I can't get enough of those.

25:11

I really have a soft spot

25:13

for songs that are kind of designed

25:15

to be shouted with your friends when

25:18

they're played. And that's

25:20

definitely that song. It also

25:21

is in the grand tradition of

25:23

like breakup power

25:26

ballads that

25:29

are like, like

25:31

Since You've Been Gone by Kelly Clarkson.

25:33

Just like fucking scream

25:35

at the top of your lungs like, fuck you, dude.

25:38

Like that level. Florence and the Machine

25:40

has some good ones too. Oh yeah, a lot of those. For

25:43

me though, this is like, this is the

25:45

quintessential. This is such a good one.

25:47

And I will never get sick

25:49

of it. And that is a testament to

25:52

how

25:52

very, very good of a song it is. I

25:55

don't have anything else to say about I Love It by iconopop

25:58

and Charli XCX. I just think.

25:59

Just so it gets neat. It's good. It's good.

26:02

It's a great song. So here's some

26:05

submissions from our friends at

26:06

home. Yes, last week we were in a hurry. We forgot

26:08

to do this. Apologies. We do not plan to make

26:10

a habit of that. Max Orion says,

26:12

my wonderful thing is pneumonia. I came

26:15

for Eugene Lee Yang and stayed for the

26:17

everything about it. As a trans person, this movie

26:19

came at a perfect time to remind me that being queer is

26:21

more joy than sorrow. Tomorrow I will

26:23

be watching it for the third time in as many days. It

26:26

is great. I watched the

26:28

first maybe 45 minutes

26:30

of it with Henry and it was a little too intense.

26:33

Henry doesn't like it in movies when characters

26:35

get in trouble,

26:36

which is not so uncommon for

26:39

kids his age. He does not groove

26:41

on that. And this movie

26:43

starts out with someone being framed for murdering

26:46

the queen. Oh gosh. So that

26:48

was a little bit of a rough ride. We watched some

26:50

of it, but it had to bounce off. But I was loving the

26:52

hell out of it. It was fun. Little

26:54

shape shifter teams up with

26:57

a framed

26:58

night. Where do you watch it? It's on Netflix.

27:00

Oh, okay. It's really good. It's really funny

27:03

and animation's great. And the

27:05

story's great too. I am probably going to go back and

27:07

finish it myself without

27:10

our children. Here is another

27:12

one. This one is from Macy

27:15

Rose who says, my small wonder is

27:18

waking up without an alarm. Nothing beats waking

27:20

up naturally, feeling fully rested and starting the

27:22

day on your own time. It's the best

27:23

shit in the world.

27:26

I don't do it that often. Yeah, this is

27:28

me all over. But for

27:30

me, it's less exciting

27:33

as it is just a muscle

27:35

memory thing. This happened again

27:37

this morning and it happened

27:39

the day before too, where I woke

27:42

up approximately three minutes before

27:44

our son woke up. So I ran downstairs,

27:48

got everything ready for him to start

27:50

his day, and then

27:51

he woke up. And

27:54

that's kind of incredible too in a different way. I like it

27:56

for, I have a hard time ending

27:58

naps.

27:59

feeling like and i got what i needed out of a buy

28:02

out in those times for you wake up and it's

28:04

just like there's a minute and a half left on a timer

28:06

and you feel great you like i'm not gonna let that scary

28:08

sound app on my phone

28:09

security think of it is

28:11

gray i love that ah thank you

28:13

to bow and and augustus for these for theme song many

28:15

won't pay you finally to that the episode description

28:18

they get a maximum fun for having us on the network go to maximum

28:20

fun dot or check all the great stuff that they have their and

28:23

while you're on line it's surfing the web

28:25

go to a macro much dot com we got

28:27

some stuff there including a poetry corner can't

28:29

some of those anyway here

28:31

was okay it out because there's

28:34

some stinky rooms at her house ah

28:36

what a lot of our candles are like season

28:39

yes and i don't need it to smell like christmas

28:41

right now

28:42

i wouldn't say no to that

28:45

i would say we need a little christmas

28:47

right this very minute candles

28:50

in the window candles

28:52

at this spin it ethical

28:57

i think those are it's a lot of candles

28:59

a for in that's i don't know how the rest of

29:01

that song those i don't know how that part of that

29:03

song goes so with if if we find ourselves

29:06

at an impasse good night

29:09

and good luck cause the

29:50

maximum

29:50

fun dot org comedy

29:53

and culture artist stoned audience

29:55

supported