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Gary Clark Jr. on his latest album, 'JPEG Raw'

Gary Clark Jr. on his latest album, 'JPEG Raw'

Released Tuesday, 28th May 2024
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Gary Clark Jr. on his latest album, 'JPEG Raw'

Gary Clark Jr. on his latest album, 'JPEG Raw'

Gary Clark Jr. on his latest album, 'JPEG Raw'

Gary Clark Jr. on his latest album, 'JPEG Raw'

Tuesday, 28th May 2024
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0:00

This. Message comes from Npr sponsor

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the app today. Terms and conditions

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may apply. Welcome.

0:20

New World Cafe. hey, I am Calais. Oh. Now.

0:23

Gary Clark Jr. is one of the best guitar

0:25

players on the planet. But. On

0:28

his new album, J Peg Raw, he has

0:30

a lot more to showcase than his ability

0:32

on the six string. Hard. Rock,

0:34

Hip hop are in be jazz

0:36

all on display on Che Peg

0:38

raw. That's. An acronym

0:41

for jealousy, pride and v

0:43

Greed rules alter ego and

0:45

world's. It. Features appearances from

0:47

George Clinton, Qian Harold, and

0:49

Stevie Wonder. Today. Clark Jr.

0:51

joins me to talk about making

0:53

the record, Working with Stevie and

0:55

his knack for collecting instruments he

0:57

may never use including bagpipes. Let's.

1:00

Get into the song that opens

1:02

J Peg Raw Here is Maktoob.

1:04

It's Gary Clark Jr. on World

1:06

Cafe. Do

1:08

with the trauma gentleman. A

1:11

mistake. Or

1:17

sell the man was to

1:19

come. Back

1:22

to stay that way way. Way

1:25

way. Way way.

1:28

Way way. Way

1:31

way. It's

1:37

Gary Clark Jr. with Maktoob. It's off

1:39

his latest album J Pegged Raw featuring

1:41

appearances from George Clinton, Stevie Wonder, and

1:43

Valerie June for time Grammy winner Gary

1:46

Clark Jr. is my guess. Today I

1:48

am Calais. Oh it's the World Cafe!

1:50

Gary Welcome back to the show! Thanks

1:52

for being here. we show

1:55

by for me again yeah absolutely

1:57

let's get into the album the

1:59

title of the new album is

2:01

interesting. JPEG RAW. Now for our

2:03

audience, it's an acronym and

2:05

it stands for Jealousy, Pride,

2:07

Envy, Greed, Rules, Alter Ego,

2:10

and Worlds. Tell

2:12

me what you wanted to get into with

2:14

this album, JPEG RAW. Because that's a lot,

2:17

admittedly. That is a lot. Yeah,

2:20

well, you know, I was in

2:23

the middle of the pandemic and I

2:26

was, you know, my source of

2:28

information, my social connection was through my

2:30

phone, social media. So what

2:32

I was feeding my

2:35

brain was, you know, these images. So I was

2:37

going, oh, this is what we turned into. And

2:39

oh my goodness. And you know, also I was

2:41

in a studio for

2:43

a good chunk of that time, like locked

2:45

in a room by myself, very smoky. And

2:47

I was alone with my thoughts, which maybe

2:50

was not the best thing. I started

2:54

just thinking about album

2:56

concepts. It started kind of forming a

2:59

project. It just kind of came together

3:01

that, you know, the last couple

3:03

of years I've just been a barrage

3:06

of Instagram

3:08

timelines, algorithms, switching.

3:10

And just, it was just a lot. I

3:12

was just in my nerd head, just going,

3:15

yeah, this is about images. And then, you

3:17

know, what's the big

3:19

picture? It could be anything. But, you

3:22

know, like I said, I tend to

3:24

carry on. So I'll just keep

3:26

it short and as short as

3:28

I can. And it's about images, you know, that's

3:30

about it. Well, you know, it's one of those

3:32

times that I know it was only four years

3:34

ago, but in some moments it's

3:37

like yesterday. And then it's like, wow, that

3:39

happened decades ago. But I

3:42

do know that feeling. And, you know,

3:45

I read that you talked about, like,

3:48

you know, breathe when you listen

3:50

to this album, get out into the world, touch

3:52

grass, as the kids would say. You know, there's

3:55

that external push though to always be

3:57

connected to be online. Like during the

3:59

pandemic, How did you unplug? Was

4:01

it the creativity in the studio and just trying

4:03

to get off of stuff? Well,

4:06

I did a lot of the creative process at my

4:08

house. I did a lot of the early recordings

4:13

with the band at my house. And so my

4:16

kind of relief was hanging with them. You

4:18

know, we would step outside and, you know,

4:22

I'm in the hill country in

4:24

Texas, this beautiful sunset, antelope

4:26

jumping around. And so

4:29

we would take a break, step outside and

4:32

be greeted with this calm piece. You

4:35

know, it's just nature, birds chirping, crickets,

4:38

things like that. So that was like a decompression. It's

4:40

like, OK, Earth is earthing.

4:42

Nature is still happening. The sun's still rising.

4:44

You know, the moon pops up like, you

4:47

know, things are still some order here. I

4:49

think we'll be OK. You know, yeah,

4:51

I saw that you got you have you brought

4:53

bagpipes to this session or that you bought bagpipes.

4:58

You know what? If it's in the press release,

5:00

I'm going to ask about Gary Clutch and your

5:02

owning bagpipes. Oh, what's

5:04

the story? I go to

5:06

these thrift stores, these little music shops in

5:09

these small towns, you know, and I just

5:12

collect things like I have clarinets

5:14

and weird flutes. And, you know,

5:17

you know, I bought a bunch of flutes when I

5:19

was in Ireland. Why? I don't

5:21

know. But

5:24

they were there. They were there. And I was like,

5:26

oh, this is cool. This sounds cool. I could maybe

5:28

use this for something. And so

5:31

when I was

5:33

a kid, there was this

5:35

man who would dress up in the traditional

5:37

gear. And early in

5:39

the morning and play bagpipes, everyone

5:42

hated it. There was no point.

5:44

You know, it's like, why is this guy doing this? You

5:47

know, that was our alarm

5:49

clock. And I don't know who

5:52

this guy was. Nobody talked to him. It was just

5:54

really weird. I was like, what is going on? But

5:57

so anyway, I ran into this random music

5:59

spot. Oh, there's bad pipes that reminds

6:01

me of my childhood Sure, maybe I could do

6:03

something with this and they're just collecting dust in

6:05

the closet in my studio What

6:10

you have to be you have to be a very

6:12

special kind of board to go to

6:14

YouTube and Click on

6:16

bagpipe tutorials This

6:22

is World Cafe we're here with Gary Clark jr. The

6:25

new album is called JPEG raw a lot

6:27

of great guests on this album sister singing

6:29

backing vocals you got Valerie June key

6:32

on Harold George Clinton and Stevie

6:36

Wonder I Talk about a

6:38

guy who wasn't afraid to stretch out musically and

6:40

and play producer and every single instrument

6:43

on his record That

6:45

is ridiculously cool that there is a

6:47

Stevie Wonder duet on this record. How

6:50

did that come together? Well,

6:52

Stevie and I started connecting

6:56

Few years ago. I did a I sat in with him on

6:59

a show and recently in

7:01

2020 He

7:05

reached out again to collab

7:08

on a song of his called where's our

7:10

love song So

7:12

we had been friendly and he reached out I was on

7:14

the internet Like I said,

7:16

I was on my phone getting all my information at that time.

7:18

There was a lot of turmoil There was a lot of things

7:21

going on violence cops

7:26

You Know just

7:28

unjust crimes You

7:31

know what it was you were there you saw it. Yeah, and

7:35

So I was on my phone and I made a video

7:38

I was kind of upset frustrated and you know He

7:40

was like hey, man. I see you. He called me up

7:42

like I see you I hear you You

7:46

know, let's make a song about it. That's the way to do

7:48

it. You know, that's the way to Get

7:50

that out. So let's let's write a song together And

7:55

yeah, it basically went from there he sent me a

7:57

demo of him

8:01

playing and singing and

8:03

he's like what do you think? I

8:05

said yeah let's go for it. You know like yeah

8:07

of course. What do you think? What are you gonna

8:09

say? Yeah no

8:11

thanks. It

8:16

was an honor to

8:18

work with him. He's the greatest of all time.

8:21

Well let's listen to the album version then so

8:23

we can get a little more Stevie and

8:26

Gary Clark Jr. together from the

8:28

album JPEG Raw. This is What

8:30

About the Children here on WorldCaf.

8:56

What About the Children

8:59

featuring Stevie Wonder

9:04

from Gary Clark Jr. it's on Gary's

9:10

new album JPEG Raw which is available

9:12

now I am Kaleo with Gary Clark

9:14

Jr. here on the cafe. There's

9:17

one song that I kind of want to ask a little

9:19

bit up because it stands out and I think it's in

9:21

a good way. It's it's it almost kind

9:23

of puts a cap on side one you

9:26

know while there's a lot of production and

9:28

like some really cool sonics going on to

9:31

the end of the earth it's just you

9:33

and a guitar and I don't it's almost like

9:35

a song sketch it's like a minute long and

9:37

but I loved it like right where it shows

9:39

up in the track listing. What's the what's the

9:41

story behind that? Well

9:44

the story behind that is I

9:47

was in Los Angeles doing

9:51

something for another project I think and

9:54

I was just like hey I got this little snippet

9:56

that I think would go great

9:58

before another song on the album. It's

10:01

kind of like the honeymoon

10:03

phase, you know, love

10:05

is like the fairy tale. It's like, you

10:09

know, yeah,

10:12

it's just, you

10:14

know, holding hands and walking through meadows

10:16

and you know, picnic baskets and all

10:18

that. And

10:20

then it cuts to alone

10:23

together, you know, it's just like, it's

10:26

just like the complete opposite. I

10:28

was like, I'll just do this. Jacob

10:30

was like, what are you doing, man? Like where's the

10:32

rest of the song? I

10:34

was like, there is no rest. That's all

10:36

I got. That's it. It's just like an

10:39

interlude. He's like, no, that's the whole song.

10:42

I was like, you're teasing people. I was like,

10:44

well, that's kind of the, I

10:46

don't, it's like, just

10:48

push the button. This is all I

10:50

got. I listen

10:52

to the man. Let's push the button. And listen

10:55

to The End of the Earth here on World

10:57

Cafe. I

10:59

will follow you

11:04

to the end of the earth.

11:08

I will carry

11:11

you through

11:13

the earth. I

11:17

will marry you for whatever

11:20

it's worth. Will

11:24

you be mine? I

11:27

think that's really sweet. I really enjoyed it.

11:29

Sometimes there doesn't need to be more. Sometimes

11:31

that's all you need. Gary

11:33

Clark Jr. from JPEG Raw here on

11:36

World Cafe. We've

11:38

got another live performance to get to. And

11:40

I'm especially excited to talk about this song

11:42

because it's, it is

11:44

an epic. It's like going on an

11:46

Odyssey, nine plus minutes to close

11:48

out the album Habits. And I know it's a

11:50

really important song for you. Can

11:52

you tell me a little bit about why this song means

11:55

as much as it does to you? Well,

11:58

the song kind of fell together. All

12:00

these little parts that,

12:03

you know, these different sections of the song

12:06

were all kind of guitar exercises, kind of

12:08

practices that I was doing during the practices

12:10

that. Yeah, I'm

12:12

sticking with it. So these

12:16

were all these, it was just

12:18

exercises that I was doing and

12:21

they turned into parts. And

12:24

I just had this, you

12:26

know, this melody, I've got habits

12:28

I just can't break. In the

12:30

pandemic, if I'm being quite transparent,

12:32

I was

12:34

drinking a lot. And I

12:37

was like, this doesn't

12:39

end well, you know, just from the

12:41

stories I've heard. And

12:43

that was just kind of a reality

12:45

check. I was like, man, I've been doing this for a long time

12:48

since I was a kid, you know. I've

12:50

been a kid doing this and living this

12:53

lifestyle that's not the best. And

12:55

I was like, all right. The

12:58

lyric was real. It all came together. All of the lyrics

13:00

just kind of fell into place. And

13:02

I got in the booth and I started singing it

13:04

and I couldn't sing it without my

13:08

eyes getting wet. I was just like,

13:11

OK. I was like,

13:13

this is what music is for, I guess. I'm

13:16

so focused

13:18

on what it may mean for other people at times.

13:21

I'm like, how can I make something that will resonate?

13:23

And I was like, this one's for me. This

13:26

one really is for me. Wow.

13:30

So I'm going to give you nine minutes.

13:35

Catharsis comes in all in all shape,

13:37

sizes and time lengths. Yeah,

13:39

I didn't realize that I needed it. I felt so

13:41

much better after I just did it. I

13:44

felt like just waitlisted. It was not really

13:47

trying to be like, oh, hey, this is

13:49

fun. It's like, no, the days after aren't

13:51

fun. The conversations after aren't fun. So

13:54

I got a call and say, hey, sorry, this,

13:56

sorry, that. And

13:59

come on. You're 40 years old. You got

14:02

young kids. Just get over it.

14:05

Grow up. Let's go. Dang.

14:08

Wow. Yeah. Did

14:10

things change for you post pandemic? Um,

14:15

yeah, things changed for me. I

14:19

appreciated my career. I appreciated the people

14:21

that supported me. When

14:23

everything was gone, I realized that

14:26

I was just so focused on going and

14:28

going and going, that I wasn't

14:30

really looking up to and

14:32

looking around to appreciate. And

14:35

I was like, well, I've had a great

14:37

run so far. Let's

14:40

make the most of it. You know, people

14:42

are still here and I'm still excited. I feel better

14:44

than I ever felt. Like, let's

14:46

make, let's really go for it. Hell

14:49

yeah. That's awesome. Let's take a

14:51

listen to Habits. Here's Gary Clark Jr. On World

14:53

Cafe. On World Cafe. That's

15:26

Habits, the song that closes out Gary

15:29

Clark Jr.'s new album, JPGraw. Gary,

15:31

it was an absolute pleasure. Thanks so much for

15:33

coming by, talking to us, and we'll see you

15:36

next time, all right? Well, I appreciate you. Thanks

15:38

for having me. You got it. We're

15:40

back in a moment with More World Cafe. I'm

15:45

Rachel Martin. You probably know how interview podcasts

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with famous people usually go. There's a host,

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on Wildcard, we have ripped up the typical

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this week's episode of Wild Card, poet Laureate

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Ada Lemone tells us how to give yourself

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a little grace. The nice thing

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late 40s, yeah, I forgive myself.

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Join me, Rachel Martin, for NPR's new podcast, Wild

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