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New year, new us. And we have a screenplay! It’s 91 pages long. Is it cohesive? Not really. Is it complete? Nope. Is it good? It might be. But that was kind of the point of reaching a draft: to improve on it. So, this week we’re broadly tacklin
While Winslow gets threatened with the only gun in the house, Ginny gets to peek into her future by way of Albert the donor. It may be the last episode of the year, but don’t expect an ending anytime soon. Because you see, screenwriting is a pr
The end is here, but not really, but it also kinda is… Let’s just say it’s very near. And it’s up to Bram to be the first. The first to tread the muddy waters of the third act. And the first to try to answer that age-old question: What happens
That third act. It’s looming over them, but they’re not quite ready yet. So, Ron hops back and forth in the screenplay, filling the gaps they’ve left behind. Bram and Ron also open up about their fears for that finale and talk about how to actu
And this is the episode in which Bram and Ron figure out the first half of the second act. You know, the one in which Joe and Ginny are on the run from the figure, slowly diving deeper into Joe’s criminal past. Yes, that one. There’s also lots
In this episode, Bram and Ron forego preparations to write a few scenes while recording the show. While Ron flexes his typing muscles and Bram reads out what is being typed, the hosts engage with Ginny’s pre-Figure high school troubles in this
Ron explores two instances of retrieving an address which involves a fake badge and a Dylan Moran sketch respectively. But it is the continuation of Winslow’s storyline, the third scene of the day, that really gets the hosts going. Because lo a
Bram continues Winslow’s story with an array of scenes, creeping the screenplay closer to that inevitable stand-off on the cliff. Also in this episode: An Islamic-themed interruption, cellphones, radios and romanticizing some good old-fashioned
They agree they’re not comedians, but they do both agree the writing in this episode is pretty solid. Listen to Ron’s retooled Rita’s Café scene, Bram’s removal of the hatch and then back to the finale of the café-scene. There’s also Disney fat
Ron is starting to dabble in watching Asian cinema and confesses that he’s flailing severely. Then Bram returns to the fray with a few scenes about Ginny, Larkin, and Winslow having coffee and then he realizes he’s been flailing severely. And
Ron emerges from his self-imposed marathon-writing-session. He’s written four scenes featuring our favourite detective duo as they navigate a crime scene, another crime scene, not a crime scene, and Bluetooth. And why exactly did the handyman g
Bram will elaborate on the drama which preceded the making of this episode, but let’s just assume remakes are made to improve on the original. This week: Ginny stabilizes her breathing, Dog gets a purpose, we name two characters, and the hosts
Welcome to the first-ever caffeine-fuelled morning edition of The Screenplay So Far! Ron is very excited to read his three scenes which reportedly took him many hours to write. These include a nuanced rewrite of that infamous interrogation scen
With newfound clarity provided by last week’s episode, Bram pitches (sort of) a new scene and a rewritten scene. While the former sparks some good creativity (including a tangent about sitcoms), the latter triggers a heated discussion in which
And as promised, here is the episode in which we recap the screenplay so far. Ron spent hours making a comprehensive document with a timeline and a scene-by-scene rundown. Both for your overview as well as for ours, because boy-oh-boy is this t
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