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Best screenwriting Episodes (Page 2)

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    Armed with a case of thumb drives and a bag filled with aspirin, filmmakers Curt Wiser, Al Mauro and John Wotring went to the American Film Market for four days of pitching, meetings and networking.  Hear their day-by-day account in this specia
    John and Craig welcome Aline Brosh McKenna to look at what writers mean by a “voice,” and how it develops. Some screenwriters’ voice develops long before their craft, leading people to label them as “promising” even though the scripts themselve
    John welcomes Simon Rich (Man Seeking Woman, Miracle Workers) to look at how he crafts a comedic premise. Using his work on SNL, his time writing Inside Out at Pixar and his plethora of short stories, they look at how he develops a funny idea i
    John welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leav
    In this compendium episode, John and Craig fast-forward to the third act to talk about endings. How do they work? What makes them great? And how do you fix them when they’re not working? They look at how to connect your ending to your character
    John and Craig decode the current state of software in the film and television industry. With dozens of programs needed for every project, they look at why bad and outdated programs continue to have a hold on the industry, why it’s so hard to b
    John welcomes Meredith Scardino (Girls5eva) and Jen Statsky (Hacks) to discuss the highs and lows of writing the third season of a hit comedy. But how do you push a series forward without violating the premise or retreading familiar terrain? Ar
    John and Craig explore one of the most powerful and versatile tools in episodic television: the cold open. But how does it work? What kind of scenes does it showcase best? How can it play with point of view, perspective and time? What makes it
    John joins Mike Birbiglia on his podcast Working It Out to share direct, practical screenwriting advice that you’ll actually use, whether you’re an aspiring screenwriter or you want to pursue creative work of any kind. They explore John’s scr
    In this compendium episode, John and Craig demystify the the relationship between writers and the people who represent them, looking at how to acquire, work with and (if necessary) fire your agents and managers. How do you get an agent or a man
    Why are things so rough in Hollywood right now? John and Craig look at the industry’s current contraction, its historical analogues, and offer suggestions for what might fix it. We also follow up on streaming ad breaks and New York accents, bef
    John and Craig investigate what characters know and how we know they know what they know. It’s something that can be as confusing as that last sentence was, but they offer clear guidance on building informed characters, audience expectations,
    John welcomes writer and comedian Alex Edelman to look at how he wrote his solo show Just For Us, and dig into the meaning of “write what you know.” They discuss finding your voice as a writer, developing your story with an audience, why Alex d
    John and Craig can’t help but look at intrinsic motivations — those specific internal drives that guide characters behavior. They discuss how to structure and expose that internal drive, the importance of an innate irritability, how it can stop
    John and Craig lawyer up with criminal defense attorney Ken White (aka Popehat) to look at legal scenes in movies and TV, and separate the tropes from the truth. How do lawyers actually prepare a case? Will they meet a client in jail? Do they n

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