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COUNTER/Weight 0.3: Under the Bus

COUNTER/Weight 0.3: Under the Bus

Released Friday, 26th January 2024
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COUNTER/Weight 0.3: Under the Bus

COUNTER/Weight 0.3: Under the Bus

COUNTER/Weight 0.3: Under the Bus

COUNTER/Weight 0.3: Under the Bus

Friday, 26th January 2024
Good episode? Give it some love!
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Cass had not brought their big medical bag. There was the box in the ship, of course, with the mint-coloured lid and little trays, but their black bag hung where it always did: on a hook beside the door, back in Centralia. In the inside pocket of their jacket was a fabric pouch, folded over and sealed with velcro. A thin tube of medical sealant, a pair of needle-nose scissors, a flat spool of thread, antiseptic cream, gauze, and a small phial of epinephrine. 

They didn’t need any more than that. As soon as Godlove’s call came through and they watched him studiously, awkwardly walk through the briefing (each syllable of “Ithikos” carefully sounded, a furrowed, sympathetic brow with the mention of the revenants) they knew that they had been hired as a doctor second, and an Apostolisian first. 

Godlove probably expected them to “work their contacts.” They’d have contacts, of course, here in the Sill. No doubt. Among the casino family, or perhaps in the Agora. Perhaps an old friend from the war. That’s how it worked. Find an old friend from the war, shake hands, smooth this over. Feel the connection.

On a hook beside the door, back in Centralia, hung their medical bag. Below the supplies was a very fine layer of sand. The incendiary fire had fallen on the town across the bay and the whole fishing fleet had gone up like paper and they’d been told run, run, move your body and then the heat had hit them like July. There was also a shell in the shape of a pinwheel. 

This week on COUNTER/Weight 0.3: Under the Bus

It’s never too late to cash out!

Hosted by Austin Walker (@austin_walker)

Featuring Keith J Carberry (@KeithJCarberry), Jack de Quidt (@notquitereal), Ali Acampora (@ali_west), and Art Tebbel (@atebbel)

 

Produced by Ali Acampora

Cover Art by Craig Sheldon (@shoddyrobot)

Music by Jack de Quidt

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