Luke Frazier
Talk Movies To MeEpisodes
Episodes of Talk Movies To Me
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For a podcast that loved the last film written and directed by Alex Garland, Men was one of our most highly anticipated releases of the year. Unlike Annihilation, though, trying to make sense of Men feels like a losing battle. Still, that doesn
Never has the act of watching two people eat a well-prepared meatball been so uncomfortable as it is in Hulu's Fresh. A solid horror-thriller that is best enjoyed without knowing the full premise beforehand, Fresh admittedly left Luke and Rache
The Unbearable Weight of Massive Talent & Everything Everywhere All At Once have more in common than their equally wordy titles, although Luke and Rachel don't actually realize the similarities until midway through this episode. Regardless, it'
Pixar's latest may have inspired a bizarre online controversy by telling a story that is specific and true to a certain upbringing, but Rachel and Luke believe that specificity is exactly what makes it so special. Yes, the film will be more rel
The Lost City is a familiar story carried by fun performances and excellent chemistry between its leads (and also serves as a refreshingly light palate cleanser after The Batman's dark-as-can-be tone). It is not a challenging film nor an evolut
Try to stick with us through this one because, if you stop listening before the end, you may take Luke's many unfavorable comparisons to The Dark Knight and Rachel's general anti-Batman sentiment to mean that we did not enjoy The Batman, but we
Talk Movies To Me arrives at the tail end of February to discuss the only two new films Luke and Rachel watched over the past month: Jackass Forever and KIMI. The former needs no critique as you already know whether or not you will enjoy the la
The music of Encanto is a smash hit on TikTok and traditional music charts, but for some reason none of the songs really resonated with Luke and Rachel. The same can be said about much of the rest of the movie, which your hosts found to be perf
Talk Movies To Me kicks off the new year by returning to form with a horror film, albeit one that openly mocks our preferred subgenre of "elevated horror." Some may be put off by how often this requel pokes fun at its own history, but Luke and
Rachel's heavy work schedule and her stubborn cold almost forced Talk Movies To Me to take a month-long holiday break, but Luke convinced her at the last minute to have a relaxed conversation about the noteworthy movies and television shows you
Last Night in Soho is plot-heavy with a bunch of little mysteries, so much of this episode's discussion lies behind a spoilers section. And while the magical first half is a delight for the senses, Soho's third act comes with a series of polari
In an episode that almost didn't happen due to a frustrating mishap on movie night, Luke and Rachel discuss Spencer, a Princess Diana biopic caked in the foreboding mood of a horror film. Driven by Kristen Stewart's talent for depicting discomf
Just in time for Halloween, Luke and Rachel look back to an August release for a strong conclusion to Spooky Season. With a small cast, moody atmosphere, building dread, and metaphorical interpretations for what we see on screen, The Night Hous
Rachel has a thing for Venom. Specifically, Rachel has a thing for Venom's relationship with its host Eddie Brock, in an "I need fanfiction of this" sort of way. And in her defense, the bickering love between Venom and Eddie (and Tom Hardy's ma
After weeks of being told very little about Malignant except that they needed to see it (by multiple people who weren't even sure if it was a good movie), Luke and Rachel finally discovered the secret truth: It's quite campy. Unfortunately, you
Talk Movies To Me is making up for a single-episode August with a double feature, highlighting two films that have absolutely nothing in common except for the fact that they were both delayed a year due to COVID. Despite the many differences be
Delayed by a vacation and a surgery, Luke and Rachel will only be delivering one episode this month to discuss The Suicide Squad. Not to be confused with the 2016 film of (almost) the same name, The Suicide Squad is a different kind of superher
While this episode is specifically about The Forever Purge, it also serves as a retrospective of The Purge franchise overall. Despite admitting that none of the five Purge films are "good movies," Rachel has had a strange fascination with the s
Werewolves Within is one of the best-reviewed video game movies of all time, but as a film it is only adequate (with an exclamation point, according to Luke's notes). That isn't the worst news, considering the genre; blending horror and comedy
In an episode as relaxed as Luca's idyllic Italian Riviera, Luke and Rachel's conversation takes the scenic route through an appreciation of kid art and an investigation into Luke's unexpected tolerance of daydreaming depictions for someone wit
Is this striking woman on a banned VHS tape just an actress, or actually a long-lost sister in need of rescue? Luke and Rachel recently ventured out to a showing of Censor at a nearby arthouse theater to find answers. Whether this brooding psyc
After covering 24 movies in a row from home, Talk Movies To Me is finally back in theaters! And despite initially being more excited by that fact alone than actually watching Raya and the Last Dragon, Luke and Rachel were pleasantly surprised b
On the cusp of Luke and Rachel being able to safely return to movie theaters for the first time in over a year, The Mitchells vs. the Machines reminds us that straight-to-streaming releases can still be just as fun as seeing something on the bi
Stowaway is unusual for a space exploration sci-fi film in that its story is small, simple, and mostly grounded in reality. Instead, it finds subtler ways to subvert your expectations - when was the last time you saw a space movie without a whi
I Care a Lot is a movie about bad people. Marla Grayson, our greedy leading lady, admits that she is bad in her opening narration, and the Russian crime lord coming after her isn't any better. Yet despite the lack of a moral center to ground th
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