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Broadway Unlocked
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Broadway Unlocked
The Get Together
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Episodes of The Get Together
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Every digital company that is subscription-based works on the thesis that the marginal costs to add another user is low enough that the business has a strong mechanism to grow and can drive high margins. Sounds nerdy but it has so much to do wi
Every once in a while, we peel the curtain back on how we pulled off our favorite Live Digital experiences - the gear, the setup, the strategy and the glory. Back in January, we were tasked with plugging a livestream into the existing plan for
The world is a changin’ and we’re noticing a really interesting shift from customer to community in our Live Digital Work. All Together Now 1.0 had customers who want an event that our Live Digital delivers, All Together Now 2.0 saw us creating
From Whova, to Zoom, to Maestro to Vimeo to Socio, Hopin, Disco, Bevy and back again, who has as much incredibly useful and unbelievably silly information about the platforms we use for Live Digital than us? NO ONE we tell you! We know more th
Try to say that three times fast! The big question on our minds this week is how to tame the content machine we’ve become. It’s not a big surprise that we pump out content at a massive clip, given Jess’s background and history – but we’re alway
We made it through our sophomore year as of this week, so it’s a happy birthday episode! Historically, sophomore year is challenging for new companies and we definitely felt that pain so we decided to talk about the good, bad and the ugly of Ye
Hybrid is the topic de jour, and specifically we're wondering if it’s a useless word given there’s no real definition and seems to cause more confusion than it helps. Jess was invited to speak on a panel last week about the State of Hybrid even
Poor Music Man, you’ll forever be our punching bag on this podcast. For the record, Jess played Mrs. Paroo at the tender young age of 17 and let us tell you, it was…something. We digress. With a model like “the Netflix for Performance”, do you
Hey y’all! We've had such awesome response to the podcast, we're adding a weekly LIVE Get Together hosted by the smartest, funniest, most thoughful people we've met this past year. Just like the podcast, it's your weekly dive into the future of
Good dear god, platform analytics feel like a nightmare sometimes, a bunch of red and blue lines and silly numbers that don’t feel connected to anything a mere mortal can possibly make useful. But for experiences like The 2022 New York State Cr
Today is the day we stop talking about NFTs like we know anything and let an expert take the stage. Aren’t you proud of us? 🤣 Eric Neal comes to his work in web3 with a strong background in theatre and technology - he’s a Tony-nominated produc
In the wake of the Unofficial Bridgerton Musical winning Best Musical Album at the Grammys, we’re munching over the best and worst of the idea of Recursive Publishing. It can drive the impossible - like the Bridgerton win - when the creative of
Why are any of us even doing this thing called #LiveDigital? We decided to jump into the wayback machine and try to trace how we got here. Join us as we talk through some of the most important takeaways from building the #Giveback Concert long
We’re so excited and honored to celebrate Marquee Digital’s first anniversary by chatting with founders Carlyn Connolly and Joe Chisholm! When we talk the news in Tech and Theatre on Twitter Spaces each week, we always hope we’ll get to run int
On this Monday night, at 8pm, Amplify 2022 will bring together Broadway fans from around the world and in New York City to celebrate the work of Maestra Music. Kate, Jess and Joe have been working on this show for the past few months and get to
In the ongoing competition of the UK vs US on this podcast, our friends across the pond frequently do a bit better than us on supporting the arts and acknowledging that they are important by financially backing them. But as of this week, get yo
We’ve been throwing around terms willy nilly around here and thought we’d take a beat to talk a bit about what Live Digital means to us, how our clients are using it and why we think the meaning has more to do about what the humans do with the
This week Lucie is working double duty, producing and being a guest! Lucie is sadly leaving Broadway Unlocked this week but before she goes Jess and Joe have lots of questions about what she's taken away from working in live digital and what th
Jess and Joe are thrilled to be new members of WXO, the World Experience Organization. Much like us, they are all about collaboration across different sectors for the sake of sharing new ideas and improving experiences of all varieties. This we
Ring of Keys is an awesome non-profit working to connect and advocate for queer women, non-binary and trans people in musical theater, on and off stage. Joe and Jess were so lucky to sit down with Co-Founder of the org, Andrea Prestinario and n
This week Jess and Joe speak with Chris Ashworth, creator of QLab software, founder of Figure53 and the Voxel Theater in Baltimore. Chris talks about the way acting has informed how and why he programs the way he does and alternately how knowle
Welcome to The Get Together, our old-ish podcast with a cool new name! Some things will be different but for now enjoy the comforting sounds of Jess and Joe discussing Spotify's identity issues, how individuals can operate outside of existing t
For two people who were very suspicious of NFTs only a few months ago, Joe and Jess have a lot of ideas about their application in the theatre space. Listen to hear about some innovative companies already making NFT merchandise and some of our
On this week's episode, Joe and Jess discuss a potpourri of news from the theatre world. We are constantly reassessing the systems we have in place, whether it's how shows get produced or how we buy tickets to the shows we are interested in see
Jess and Joe are again joined this week by Broadway Unlocked's Creative and Cause Director, Jermaine Blackwell! They breakdown a report from the end of last year, detailing how audiences are consuming art, what has changed for them throughout t
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